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ACTOR CARE FUNDAMENTALS - online workshop STARTS JAN 30 ! by Alan Powell  •  last post Jan 26th

Thought I'd share this new online workshop that helps actors delve deeper into their characters AND supports their resilience. I've written a few Stage 32 blogs on it in the past (based on my practical work with actors) this is the first time I'm offering a structured 4 part workshop. Starts in 4 days. 


https://www.actor-care.com/actorcarefundamentals

Screenwriting 101 by Sam Sokolow  •  last post Jan 25th

Hey everyone - Oscar nominated screenwriter Alec Sokolow (TOY STORY) - a brilliant guy and an even better brother - is hosting a new webinar called SCREENWRITING 101. Learn the fundamentals of screenwriting from a guy with over $2 billion in box office receipts for the films he's written, improve your craft and have a Q&A where you can ask Alec your own questions. 


I learn from him every day and here's your chance to do the same. Here's a link where you can check out Alec's webinar and register for it: https://www.stage32.com/webinars/Screenwriting-101

New Rep by Sara Bailey  •  last post Jan 25th

Originally hailing from Australia with over a decade of professional acting experience, I made the move to Hollywood last year. I hit the ground running – training extensively, making connections, and booking roles in student films and indie projects.

It's Not Your Fault by Matthew Gross  •  last post Jan 25th

If you're not booking auditions (in the U.S.A.), it's not your fault. Stop blaming yourself. You haven't upset your agent, if you have one, and casting directors aren't out to get you for some misstep you think you took. Another strike looms in Hollywood.  This time it involves members of two unions: The Teamsters and IATSE. The issues are quite complex. Their contracts end January 31, and that's why many productions didn't ramp up after the actors and writers strike ended. Hold on folks. Everyone needs to fasten your seatbelts, low and tight around your waist. Choppy air ahead. We'll resume the beverage service shortly. 


NEW ARTICLE: 
https://variety.com/2023/biz/news/iatse-teamsters-hollywood-labor-peace-next-year-1235823080/

A Case Study In Slow And Steady by Maurice Vaughan  •  last post Jan 25th

In today’s blog, Suzana Norberg shares her life-long journey of becoming a working actress and provides insights that she's learned along the way.


www.stage32.com/blog/a-case-study-in-slow-and-steady-3620

Actor Steven Yeun in "Beef" by Matthew Gross  •  last post Jan 24th

 I had the incredible opportunity to step in as a stand-in on the series "Beef", where I got to observe Steven Yeun in action. Being a fan of his portrayal of Glenn Rhee in "The Walking Dead," I was pleasantly surprised by his outstanding comedic range. Throughout the shoot, Steven delivered a different interpretation of his scripted character with a myriad of creative choices. It was a spectacle to witness an actor of his caliber seamlessly execute such diverse performances. I'm still in awe of his talent and wondering how he acquired such remarkable skills.

What is the real name of Ravi Kumar Ram by Smart Ranjeet Kumar  •  last post Jan 24th

Ravi Kumar's real name is Ravi Kumar Ram, who is an Indian actor and internet celebrity. He was born in Sasaram and Ravi's birthday is 10 January 1999


First time female director crowdfunding! by Eliah Miller  •  last post Jan 23rd

Dear Stage 32 Community,


I hope this message finds you well. My name is Eliah Miller and I'm writing to you today with a heart full of passion and excitement as I embark on a journey that has always been my dream. As a first-time female director, I find myself both thrilled and humbled by the opportunity to bring my short film to life.

I understand the power of dreams, and I believe that many of you share the same sentiments. It's not always easy to pursue our passions, especially when we're not well-connected in the industry. That's where the magic of communities like Stage 32 comes in.

I am reaching out to you, my fellow filmmakers, for your support. I've started a GoFundMe campaign and prepared a lookbook, pouring my heart and soul into this project. Your support means the world to me, and together, we can turn this dream into a reality.

I may not have a vast network to reach out to, but I have faith in the power of a community that understands the struggles and triumphs of independent filmmaking. I kindly ask you to take a moment to visit my GoFundMe page and explore the lookbook I've prepared. Your contribution, whether big or small, will make a significant impact.

Moreover, I encourage you to spread the word within our community. Share this post, tell your fellow filmmakers, and let's build a ripple effect of support. Your tips and feedback are not just welcomed; they are cherished. Feel free to message or comment with any insights you may have – your experience is invaluable. My team and I greatly appreciate all that this post might bring for us. Let us support one another in making our films and bringing them to life! Thank you all again. 

Gofundme link: https://www.gofundme.com/f/extremely-close-yet-awfully-far-a-short-film

Lookbook link: https://drive.google.com/file/d/138q5zvLIXdmJ5x71g1LYGjWrjv7qnx_V/view?usp=sharing

Congratulations to the Oscar nominees in the acting categories! by Sam Sokolow  •  last post Jan 23rd

Amazing work recognized!! What did you all think? Any suppose nominations or snubs? 

Talent Agent Meeting? Learn the Best Way To Prepare by Aaron Marcus  •  last post Jan 23rd

Having a talent agent or manager meeting can be very stressful. In this video, you will learn
a great way to prepare. Knowing what to expect and how to handle the situation will help actors
feel calmer and more confident. Use the link below to learn the best way to get ready for a meeting.

https://youtu.be/acxG6qvpge0

How have you prepared before meeting an agent?
Let us know by leaving a comment.

A few thoughts on voice acting by Kris Keppeler  •  last post Jan 22nd

I got into voice acting over ten years ago and thought it was all about commercials. It turns out it's not; in fact, narrative stuff like explainer videos, audiobooks, and e-learning are a much larger part of the voice-acting universe. I find narration lots more exciting than short commercial scripts and easier to learn. 


I had quite a bit of acting experience, but it takes specialized training for voice-over if you want to do lots of it from your home. You need a home studio, a good mic, a computer, and special software to record. You need to learn the basics of audio engineering. 

I'm also a singer. I love voice acting because it combines my love of singing and acting in one space. 

Actors, Thinking About A Name Change? by Tammy Hunt  •  last post Jan 22nd


Now, in a way, the reverse is true. Networks and platforms are looking for authenticity, as well as for the opportunity to tell stories from voices and perspectives not often heard. A name that suggests cultural specificity can actually be helpful, given the scrutiny regarding parts being played by actors of appropriate ethnicity.”
– President of a TV Production Company

“I once hired a guy whose name I not only couldn’t remember — but couldn’t pronounce. I avoided him at all costs and vowed never to hire him again.”
– Reality Show Producer

“I have never asked a client to create a ‘brand new’ name. I have, however, suggested some folks reconsider their given names, as whatever they were currently using sounded generic, or even had a certain falsity to it. Clearly Cary Grant, Marilyn Monroe, and Lady Gaga have done all right, but my feeling is if people are comfortable with what their parents named them, then so am I.”
– A Talent Agent

“I love the fact that we live in a day and age where an actor does NOT have to change his/her/their name, because that’s what the industry mandates. I think it’s important for actors to be true to themselves and authentic with who they are. That being said, I have many clients who do have ‘stage names’ and I love that too. And there can be many reasons for that — privacy, for one. My only suggestion is that if you are going to change your name, you do a thorough Google search on that new name BEFORE you change it.”
– Liza Anderson, Owner Anderson Group Public Relations

“I fully support changing the name if it suits and supports the creative process. Being an actor is a creative endeavor. Performance, delivery, and marketing are all part of the artistic process. If you have a challenging name and you have something you want to use that is easy to remember or visually appealing, then there’s nothing wrong with creating something new. When marketing a film, all components matter.”
– Jen Ditchik, Vice President, Strategy & Innovation at WC+A

#actor
 

‘You won’t help me’ - the play to end domestic violence by Phoenix Benham  •  last post Jan 22nd

Already set to be one of the most groundbreaking and controversial plays of its time.


Tickets for ‘You Won’t Help Me’ - The play to end domestic violence, are available now.

The Bridewell Theatre London - 29/07/2024 - 03/08/2024

This play was written based on the very real experiences of domestic violence, the writer had.

Half of all ticket profits will be going to 2 Domestic Violence charities, and 100% of all donations raised through our donations page on the website, will be going to DV charities.

Please support us in putting an end to domestic violence, and grab your tickets now

Coffee & Content: When The Director Is An Expert In Color Theory by Maurice Vaughan  •  last post Jan 21st

Stage 32’s founder and CEO, Richard “RB” Botto, shares two videos in today’s blog.


In the first video, you'll see how to use color theory to add to the visual impact and thematic arc of your story. It’s a great video for filmmakers, cinematographers, and screenwriters.

In the second video, PAST LIVES star Greta Lee and ALL OF US STRANGERS star Andrew Scott discuss two small movies that’ve made a huge impression on the entertainment industry this past year.

Grab your coffee/tea/hot chocolate/etc. and jump in!

www.stage32.com/blog/coffee-content-when-the-director-is-an-expert-in-color-theory-3610

Is it better to be a "niche" writer or a versatile writer? by Xavion Niles  •  last post Jan 19th

I have 7 completed scripts (2 pilots, 5 features) and I've been pitching for about two and a half years. I get a lot of "strong project but currently not the right fit" from many producers on another pitch service and I've never received a "request" from my stage32 pitch sessions. Last summer I worked on some re-writes with a producer from MarVista on my young adult horror slasher however no option was signed and I'm kinda just sitting in stasis with him while we wait to see if this one network may pick it up. My comfort zone is horror and romcoms but my current roster of projects consists of a sitcom, a sci-fi series, a Christmas rom com, a standard rom com, a sci-fi thriller, a horror slasher, and a supernatural thriller. I always write whatever ideas grab my attention but should I stick to what I feel I write best or continue to show my range? 

How to find Local Actors Or Voice Actors In Your Area by Kiara P Oxley  •  last post Jan 18th

Hello guys good afternoon, i know i have shared my shows Thomas And The Coles but the question is how to find them in your local area, i know that both voice acting and screenwriting is a very competitive field, and takes a lot of practice, i  think its not easy finding the right people, so if i were to find people in montgomery county prince george's that would be easy. since i'm good with music i would do most of the music in my tv show.  so my question to you is how can i find professionals in my area? this is a job i want and i have the skills to write a good story line.

Bad Acting Habits To Avoid by Tammy Hunt  •  last post Jan 17th



- Using lines as an excuse 

- “When I know the lines I’ll be able to perform the scene better” - this is an excuse to cover up many things, mainly inhibitions, the fear of trying something or not knowing what to do because you haven’t read the scene/script enough. As Lee Strasberg (The Method guru) once said, learning lines is about memory and acting has nothing to do with memory. My advice is to play and experiment with the scene. You can only do this by reading it and making justified choices. Find a suitable way of training your memory to learn lines effectively because that’s not the job of your acting coach. 

- Not reading the script enough - AKA lazy acting. Some actors go through the script, but only to learn their lines. You need to know the FULL story, not just the story of the scene your character appears in or only the story of your character. To get the full picture you must read the FULL script (more than once). Here are some things to think about when reading the FULL script: Why does your character choose those specific words? What do they really mean? What is really going on? What has lead them to where they are now? In the early stages of character development you’re like a detective; you have to piece the full picture together to be able to connect to the character, then you have to figure out what the motive behind the character’s behavior is so you can make clear choices in each scene you appear in.

- Forcing emotions/trying too hard - this is usually done to impress, and there is logic in that, but acting should feel effortless. When you try too hard or try to force something, it looks fake, feels strange and just doesn’t make the thing you’re trying to make happen appear. The same happens with emotions. Find inner purpose for what your character is going through and demonstrating through gestures and expressions.

#actor #tv #film #video #script #writer #drama #manager #agent #casting #director #success #hollywood

Can Self Tapes be fun and book jobs? by Loren E Chadima  •  last post Jan 17th


Can you imagine getting a self tape request that you’re excited to shoot? 

What if your self tape was fun and you really felt like if you didn't book the job, you know you booked the casting office?     

Not convinced? I hear you - basically you've shot a lot of self tapes and you thought you knew what casting wanted but still… you didn’t book the job. I get it. 

My students were just like you. Honest. 

Read for yourself how Intentional Acting students have benefitted from the course:

I got cast as the lead in a play which I auditioned for last fall - but didn't get a callback. They had to recast the role and held a second audition. 

The second audition I did the 9 Questions of Intentional Acting and I walked in as a different person because I had done the work versus the first time I was so nervous and worried only about the words on the page. Apparently my improvement showed. I got cast as the female lead.  

~ Victoria Paganini KADE, Z-LISTERS, LIGHT MY FIRE

Taking your class is a great investment for any actor. It exceeded my expectations. It really, really, really helped me understand how to breakdown the script. After taking your class I have a newfound respect for acting because I had no idea how much it took to really understand the character, the show, and being in the moment.  

I applied the Intentional Acting tools to a project I worked on last weekend. The director commented on how great my performance was and asked me to be in his next project! 

~ Shevonne Monique CHERRY BOMB, HIT LIST

These aren't just examples of lucky breaks. These are hard-working actors who needed more specific acting tools.   

Set up a 20 minute Free Actor's Strategy call and see if this class is a match for you.  

Here's the link:  www.DiscoverIntentionalActing.com 


How to Create Powerful Chemistry With Your Co-Actor? by Aaron Marcus  •  last post Jan 17th

Want to Learn How to Create Powerful Chemistry With Your Co-Actor?

Use this link and watch the video
https://www.youtube.com/watch?v=LAh2EkSrMdw

If you have any suggestions on how to create a strong chemistry
with your scene partner or co-star, share them with others here.

The Whale by Geoff Hall  •  last post Jan 17th

My week started off with watching ‘Society of the Snow’ and last night I finally got to watch A24’s ‘The Whale’, directed by Darren Aronofsky, written by Samuel D Hunter (and based on his play). Starring Brendan Foster and Sadie Sink.


There is something about films being made that are based on plays; Dial M for Murder comes to mind. The sets for the films are simple, stage-like affairs. I think I’d call this style ‘Intimisme’, because with The Whale you have a cast of seven actors who move around a beautifully crafted set, which becomes the centre of expressing the pain of their soul.

But where’s the action? We are always told that it’s all about the action, aren’t we, but in Aronofsky’s ‘The Whale’ we have the intimacy of pain, of Charlie (Brendan Fraser) and Ellie (Sadie Sink), in fact every character save for the Young Ellie, brings their pain to Charlie’s apartment. 

And, you are carried along by the dialogue, carried on waves of emotion, waves of pain and you get astonishing performances from every actor on this set. I don’t know why I was so surprised, astonished even, at Brendan Fraser’s performance; it goes beyond the heavy prosthetic he had to wear. Beyond ‘George of the Jungle’ and ‘The Mummy’ and it turns out that he is a great actor, which perhaps shows that any level of performance is all down to the material. 

As Charlie says towards the end of the film, ‘People are amazing’. He’s talking about you and me, about us and our resilience, our tenacity for life. That we keep on going, no matter what is thrown at us. Note to self: It turns out that Life can throw us more than one curve ball, simultaneously!

I’ve included in this post, the link to the final scene, with its over-swell of emotion. This is a stunning performance from the small intimate cast of life’s heroes. 

I recommend that if you haven’t watched this film yet, that you will make it a priority to do so. If you have watched it, then please leave your thoughts on this little masterpiece below. 


https://youtu.be/LvwOSmIba_k?si=aTOXLVhz05ysEdVc