Signed up for Central Casting and got booked for my first job. Big show. Actually my favorite TV show. I almost died when I got the offer. Will be fun. I know it’s not acting but it gets me on a set and maybe make contacts or friends. Who knows. I have manners (cause I am old) and will not bug people and watch the hell out of what’s going on. Plus this way I don’t look like a newbie when I get hired as an actor. Any tips how to maximize this? I think I am good but there might be things I would not think about. You don’t have to tell me to be on time. I am German… can’t help to be on time. Annoyingly so.
So basically, after 5 years of trying and trying and booking a ton of random acting jobs across a bunch of different genres and budget levels, I finally booked my first lead in a feature length film. My issue is, I have gotten very comfortable crafting my very best auditions and then sending them into the void expecting to hear nothing. Now I’ve actually booked the leading character, and I’m having all of this imposter syndrome. It makes no sense to me as in my real life I used to be very shy before I started getting into art and I love sharing my other art forms and don’t care at all if nobody understands it or thinks I’m being “too much/ too free/ too avant garde”. I am a natural performer when I’m not afraid and I LOVE that feeling of sharing a story in dance or in writing. I have no problem being the life of the party or presenting outlandish ideas that inspire me, but…. Whenever I book, I somehow forget my entire personality and start to freak out that I secretly don’t even have one. Like, my superpower is gone. I can’t stress enough that in other art forms I don’t even think about it, the artistic expression comes completely natural and I believe in what I’m doing. Even commercials are never an issue, it’s strictly theatrical stuff that I get freaked out about AFTER BOOKING. When I was pinned for one of the leads in a TV show I had this terrible fear of booking it because I knew deep down I didn’t feel ready because of this. Is there some way I can prepare for this amount of material without defaulting to making the character have no personality? It seems so easy for all of the other actors to just come in and be themselves. This wasn’t problematic for me in the audition but something happens in this stage where I freak out and go emotionally blank!
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Close to my record. I Will visit everyone who posts here, twice this week. Please return. Thanks https://pro.imdb.com/name/nm9989253?s=8ac1bee8-b401-5e39-2cf4-36b95b876886&site_preference=normal
I've recently started producing my own short films with decent enough budgets and large casts/crews. One thing that got me was how little people self-promote. So here's some insight and tips from my journey. You've no idea how frustrating it is when trying to find good talent - maybe spotting them during an acting workshop and only catching their name - and not being able to find them online. And even when you do find good talent that you might want to work with in the future, it's a nightmare trying to index it all manually - if I can just drop a weblink into my spreadsheet, it's far more efficient than seeking out your headshot, email, phone etc from various sources. Facebook and Instagram are not good enough - they require sign-up to view a profile, and accepting their cookies/'privacy' policy otherwise you can't access content. If one is logged in and does a search, their 'algorithm' tends to show profiles it thinks will be more relevant based on country/interests/etc rather than accuracy of the name. Also terrible if your name is fairly common, eg Tom Smith. Twitter is better as you can easily spot a headshot, web link and usually their rep or contact email in their bio. So make sure your bio is up to date, regularly checking any links to make sure they're not broken. By no means am I implying you have to start worrying about follower count or posting regularly. Open a Private Browser (and if you have one, use VPN) and Google your own name. See what comes up. How hard or easy is it for someone to find you? Do a dozen other unrelated links and people pop up before/around you? Now try adding 'actor' to the search terms. Any better? If not, try figuring out how to improve those results. Try putting more relevant keywords in your Twitter bio or actor's profile. It's also extremely important to list your current city/country. The times I've stumbled upon a great actor who doesn't have this listed and I take time to reach out to them only to find they are half way round the world from me! The most effective way to present yourself online, where you're fully in control, is having your own website with a personal domain. Even if that website just redirects to your actor's profile/Twitter/A headshot and email address, that's fine. If your'e a bit tech savvy you can easily get something bare-bones created yourself, and it's cheaper than you might think. It also comes with the added bonus of being able to use the domain as your professional email address, which, sure, might be quite vain but I think it just shows that extra little bit of dedication subconsciously. If you want to go down that route, my recommendations: Namecheap: Domains sub $10 Hosting: There are free options (GitHub). Otherwise $20-60 annually (even better if you can get one for $100 for unlimited domains and share with your pals) Try not to use same provider for hosting and domain. Though sometimes the hosting service offers a free domain - fine. Avoid GoDaddy at all costs. Learn Bootstrap and how to edit Bootstrap templates. Otherwise, Wordpress .ORG not .COM Avoid Wix! I hope this is helpful to some. Take it or leave it - I'm by no means an expert, it's just my own findings. I *want* people to succeed! And I think this is one way to boost an avenue of success.
i know it’s better to arrive early on set rather then on time. How early should i arrive, i fear that i’ll arrive way to early before crew gets there.
Coming from a filmmaker. I'm making a short film, and I do not have a crew. The reasons are a mix of the film being a conversational piece and the fact that part of the project assignment (this is for film school) is that I cannot have a big crew. I need to have a major creative part in the film. All that considered, I just figured this can be something I can film by myself, but I need two actors. I will pay the actors for the one day of filming I am planning, but I'm just worried they won't take me serious if I say I am a one-man band even though this is a very serious project for me, and I have spent a lot of time prepping, storyboarding, etc. Should I mention on the casting call that I do not have a crew or after I talk to the actor? I’m looking for a somewhat experienced actor (non-union) which is why I'm worried that they wouldn't want to work on a film with no crew.
This is a throwaway account, but I've been hearing a lot of horror stories about this agency withholding payment from actors. Please use this thread as a place to communicate about this situation.
I’ve heard and seen a lot about it across the internet and it’s just a bunch of job postings for actors, etc. Pretty much everyone in the entertainment industry. Has anyone used it? Is it legit?
Not just limited to English VAs! All are welcome. Me personally, one Zach Aguilar. He's in a ton of stuff I'm a huge fan of (Fire Emblem, Genshin Impact, Demon Slayer, Bubble, etc.), and I always find myself watching something that has his name on it, even if it isn't my personal cup of tea (for example, Netflix's Cyberpunk: Edgerunners). He also streams on YouTube, so it's really interesting to be able to consume content he produces, and not just works that he's in. The content he makes is based around what projects he's in and it's clear that he's very passionate about them and I love that (if you wanna find him over on YouTube, search up airzach)! I am really curious to see what you folks say, because there are hundreds of amazing VAs out there and I'm excited to know who especially feels important to you as people who have decided to pursue voice acting.
I’m 17. My names elijah. I wanna get a theater degree. How does one go about life after college ?
I have a facial difference and have been posting videos on tiktok for about a year and a half to two years about myself, my facial difference, and my opinions and daily life stuff to inspire others not to judge a book by its cover. Then as of about six months ago, I added a new category to my videos...Acting duets and voice acting duets...Why you ask? Well initially people see me and they notice my facial difference and THEN SECOND my energy and everything else positive people claim when they first meet me. Since starting TikTok I have been sought out for a few reality shows and then a fully produced featured movie for two roles. After I did one role they called me back for another one as well. I told myself...hmm maybe I don't suck. I had wanted to be an actor growing up (specifically a soap or romance/romcom actor) but figured a guy with a facial difference wouldn't go far in Hollywood...but now I have a shot. Following doing my small scenes in the movie I signed up on backstage and IMDB pro and within a day someone wanted me for a part in their indy film. I had headshots done but having more done in a few weeks by someone else. who is also going to help me with a reel. He says I can act a few scenes out I asked if thats a thing. lol I thought a reel was, clips from various projects you have been in. So I am trying to understand self tapes...Like do I just do scenes from movies or something lol (half kidding. ) Also on my list if things I have done. 1. did well in extra role in big movie. 2. got offered second bigger role in said movie. 3. signed up on backstage 4. Signed up for IMDB pro. 5. landed indy role 6. got headshots done...and 7... Because of my facial deformity and my life in general I feel like I'd be a publicist's dream for many reasons or a talk shows dream...or a morning news show...reality show, etc. While I wait for my projects to come out to get my reels from them and have more to go on as far as my acting...is THIS where self tapes come in? I am going in this a weird way but am trying to figure out what more I can do to keep things going. What would should I do next? Would these "Self tapes" be next? Can someone sorta elaborate on them a little? Any tips appreciated.
For those actors in Toronto (but can be from anywhere), is there a highly rated acting teacher that provides 1-on-1 instruction?
Originally I was going to move closer to Los Angeles for acting (right now I live about 2 hours from LA) but now im looking to move to Las Vegas for cheaper housing very soon. I’m very green but still want to pursue acting along with any PA work even though I’m moving farther from a major market. So will I still find good resources, communities of filmmakers and most importantly, acting classes in Las Vegas? I’d like to hear from any actors or filmmakers living in Las Vegas.
Basically the title. I have a non-actor friend helping me be a reader for a scene. In the scene, I scare her so she is angry at me. Should the lines be delivered in a neutral tone or actually sound angry? I want to make sure it's as professional as possible.
I just turned 17 and I recently realized that I want to be an actor. I did some acting classes as a preteen and I was on a couple plays but now I know this is my way. I live in Italy but I’m currently on my exchange year in LA (chose la just for this reason). Next week I’m starting acting classes at Margie Haber acting studio here and I’m so excited. (opinions/experiences on the studio?) Right now I’m planning every step to take to achieve my dream and I just can’t get it out of my brain. I think about acting when I wake up every day and before going to sleep. Now, I’m getting back to Italy in Dicember and I want to do how much I can do. It’s still a super competitive market, but I think it’s way less competitive than here and the us in general, I know I have to start there. I’d like to go on auditions for short films/commercials in my small region and possibly do acting classes over there too. I’m planning december-september auditions and september-june acting classes with aiditions possibly. (after june I finish high school) Now, after school I’m planning to go to Rome, as it’s the biggest city in Italy for these things. Do you think I should try and get into one of the really big three years acting academies in Rome? They would give me a degree in acting (useless) and it’s really difficult to get in. Or should I just start doing auditions over there and get an agent asap? I think the latter would be better, as I have more possibility to work. Getting in the crazy good schools means no auditions/contracts by rule of the schools. But I don’t know if just two/three acting classes would be enough on my resumè… Do you think it’s a good plan? Tips very much accepted, hope my dream can come true…
I read another post saying that LAMDA totally abandons the MFA program students, and that staff see them mostly as a cash cow because of how much international students pay for that program. (I'm from the US and would pay more $). So I wanted to ask if anyone has info on if the MFA at Lamda is worth it? I have already joined Sag in the US, so I'm not new, and would largely be using the MFA to get good reps, leave with a great reel, and make actor friends, if I'm being honest. Any info is appreciated, thank you :) Also does anyone know if London agents will take on an American if they graduated from LAMDA?
I’m a working actor that recently moved to Atlanta from Richmond VA, but I’ve always relied on survival jobs to keep the lights on, and I keep running into issues when it comes to them working around my schedule. When I was still working at a movie theater, I booked a major speaking part in a cable docudrama series… the day before I was supposed to be on set. Of course I was scheduled to work the next day, and promptly let an assistant manager know. He seemed fine with it, but told me to call the GM the next day to remind him. While I was on set, I do just that only to be shouted at by this man (and I quote), “Geoffrey, if you want to be a movie star, what does that do for me here?” A few months later, I ran into issues again on a Showtime miniseries when I was cast on set (when I was doing background) to work as a photo double for one of the leads that had fallen ill. In short, it was an amazing opportunity for the next couple weeks that paid extremely well, and I even became SAG-E,, but I once again had issues with this movie theater job, especially since the production kept extending the time I’d be needed. One day, I simply had to call out and the GM threatened to write me up. I later moved onto working a better job at Lowe’s during the pandemic. Once production started again, I booked a webseries that needed me on various random days throughout 5 months of shooting. My supervisor (an assistant manager) actually gave me his personal phone number and let me text him whenever something came up, and he was always happy to change my schedule at any time, as long as I kept him in the know (it helped that I was working in a team unloading freight, and didn’t always have to have to be covered by another person). I had a second small job as a grocery store cashier that was similarly accommodating most of the time. But then I moved here and transferred to another Lowe’s, and it’s been a struggle balancing my acting with work. I told absolutely everyone what I do and why I moved here, and they all seem happy for me. But then I booked featured background work on this movie that pays very well, and the schedule is constantly changing. I can already tell the HR lady here is a bit stressed about it, and just today after two days switched at the eleventh hour, a head cashier suggested I put my two weeks in if this is my “real career,” not understanding that I need money in between gigs. My roommate is also an actor, and waits tables 4 nights a week at a very expensive restaurant for excellent money, but he also has to deal with this issue. He booked a print ad the day before it was supposed to happen, and was very worried that he wasn’t going to make his shift. I asked him what would happen if he booked something for a scheduled shift, and he said he would have to pray to get it covered or risk being fired. So… how do you all deal with all of this? I know it depends on the job, but it’s something that’s caused me a great deal of anxiety.