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We have found 21,068 posts across 4 actor forums:

Do you audition exactly the way you’ve rehearsed? by PetShopTroy  •  last post Aug 27th

Hello! So I’ve got another theater audition on Saturday and I’ve got two pieces ready to go. I am rehearsing them a certain way, of course. Still playing with things too, tho. But I’d be curious to know how other people treat auditions… That is, do you perform the auditions pretty much the same way you rehearsed them? Or do you go in there and read the room, deciding in the moment? Now I’m still a relatively new actor. I’ve taken a lot of classes, been booked on some stuff. Always learning. I’ve only been in a few plays. I love auditioning because I think it’s a chance to perform, which is fun. But one thing that I’m starting to think about is what I do in rehearsal versus what I do in the performance (let’s just say that an audition is a performance). My gut is kind of telling me that if I rehearse it a certain way and audition that way, that that could get me into trouble. It’s almost like forcing something onto a space. It feels like I would be ignoring or dismissing the space in the room and the moment. Whereas if I go into the space and let the feeling or the energy or the room, give me something to work off of, that might be a better route. Now, if I have a scene partner, then you know I’m only rehearsing in those moments. Like I’m only trying to shape the character really in those moments that we’re all together. But for auditions, it’s weird because… well you’re on your own both for rehearsing and for the audition. So what’s your take?

Need a voice actor who can do the voice of Kitsune from Love Hina for a audio fiction I'm writing (HORROR) by BlackSenguinity  •  last post Aug 27th

Desperately need a black female voice actor for serial killer role Looking for Female Actor that can do a southwest wild west black voice for a 137 year old serial killer for audio fiction for CD The role is small, so $25, but it is important that I get lines for it soon. The deadline is tomorrow, and I need someone for this role. The character is Boop, a 137 year old serial killer from the wild west. She runs a satanic coven of murderers in the year 2018. She has only a few lines, but I am looking for long term so I have an actor for her. Her casting process has been Hell so let me know if any are interested thank you! Pay: $25 (for this episode), $40 for other episodes Production: High Quality production by me and only me. I am just one person who self funds all of this Content: EXTREMELY DARK, Violent, Graphic Voice type: Southwest Western Black Female voice (NOT white country voice)

In the mind of characters by Gregory Barone  •  last post Aug 26th

I know that I'm not a actor but I write stories and scripts and I have some trouble and issues when it comes to writing characters, I was thinking about trying acting to get a better understanding of the mind set of a character, plus do you actors study psychology to help you with that? how do you study characters?

Looking for connections.. by John MacNeil  •  last post Aug 26th

johnbmacneil.com/?utm_source=stage32&utm_medium=social&utm_campaign=producer_outreach 

Can I be anonymous? by Lanky_Supermarket794  •  last post Aug 26th

Hi, I wanna be a voice actor but really want to keep my real identity a secret. Can I still be a voice actor and even have a chance if I use a fake name like Mark Smith, and not show my face? Obviously I’m fine with my real name and face being seen to the studio/directors and stuff. But I just also like my visual privacy. I know this is probably very stupid and that I have a less ch ace of getting anything big. Which I’m fine with. I just wanna know if there is even a small chance for something? Or I need to not be secret to get anything.

Knowing who you are as an actor by Blank_Clef  •  last post Aug 26th

The actors I am most envious of are the ones who seem to know exactly who they are and how that fits the character they play. In a way it’s kind of like knowing your “type” but they seem to have this ineffable sense of self-knowledge and confidence in their physical instrument. Has anyone else noticed or felt this? Are there any exercises (acting or psychological) that you know of that can help you become more familiar with what your physical attributes and strengths are, and what roles those lend themselves to?

Looking for Black Female Actor that can do a southwest wild west black voice for a 137 year old serial killer for audio fiction for CD by BlackSenguinity  •  last post Aug 26th

The role is small, so $25, but it is important that I get lines for it soon. The deadline is tomorrow, and I need someone for this role. The character is Boop, a 137 year old serial killer from the wild west. She runs a satanic coven of murderers in the year 2018. She has only a few lines, but I am looking for long term so I have an actor for her. Her casting process has been Hell so let me know if any are interested thank you! Pay: $25 (for this episode), $40 for other episodes Production: High Quality production by me and only me. I am just one person who self funds all of this Content: EXTREMELY DARK, Violent, Graphic Voice type: Southwest Western Black Female voice (NOT white country voice)

[Immediate] looking for a black female voice with a wild west soulful drawl (for serial killer 137 year old seductive woman) This is for a small project, and I'm looking for someome for this role immediately. The deadline is tomorrow $25 by DryDistributionBlue  •  last post Aug 26th

I am looking for a black female actor that can do a black wild west soulful voice for a 137 year old seductive serial killer. The pay is 25 since the role is so small, but for a big project I fund entirely myself. Deadline is tomorrow.

Will agents take me in as their client? by yourfather1974  •  last post Aug 26th

Hi guys, so I’ve got a few screen credits now and I’m looking to get an agent. My problem is, I’m an international student in Australia so my legal work hours are limited to 24hours per week. Now because of that, I’m thinking that it just doesn’t make sense for an agent to take in an actor who can’t legally work that much especially since some days on set are really long. Does this make my chances of getting an agent basically 0?

Networking question — would this be weird? by cinephile21  •  last post Aug 26th

About five years ago, I got the WhatsApp number of a very busy dubbing director because I was trying to get an interview with him for a project I was working on. We exchanged a few messages, but the project ended up never being picked up, and we haven't spoken since. I'm an actor now, and getting into dubbing has always been a dream of mine. I'd like to message him again, remind him who I am, and maybe ask if he has any advice on how to get into the field. But he never actually gave me his number himself — I got it for the interview — and it's been five years. So I'm wondering if messaging him out of the blue would feel intrusive or just plain weird. Would you message him in this situation, or would you say that's pushy?

Book Recommendations? by Sad_Raspberry_638  •  last post Aug 26th

does anyone have any recommendations for good books for actors to hone their craft? ideally it would be something that isn’t a memoir or a reflective piece, i’m looking more practical advice about the art of acting, not just the experience of being an actor. actual tips that help you improve as a performer. does that make sense? preferably stage acting too!

Legendary Actor and Voice Actor Tim Curry passes away, age 80 by badpunforyoursmile  •  last post Aug 26th

Tim Curry was an absolute Legend, and his voice was iconic. Rest in peace. What were some of your favorite roles of his? [Here’s his performance Wikipedia page](https://en.wikipedia.org/wiki/List_of_Tim_Curry_performances). https://www.usatoday.com/story/entertainment/movies/2026/08/26/tim-curry-dead-rocky-horror-picture-show/91474037007/

It's called "acting", my boy...now put on the inflatable head. by Doug Kayne  •  last post Aug 25th

Yesterday, I was having a conversation with an actress/filmmaker/influencer I'm writing a screenplay with (I don't want to jinx it, but it has a real good shot at being made).  Currently, she's acting in a horror movie, and having an absolute blast!  She's enjoying the chance to do some acting, especially in the horror genre.

I recall this past Sunday's Stage 32 Blog and it's feature on Ethan Hawke.  Hawke's career path is anything but conventional, and he takes on movies, TV, plays, etc. that feeds him artistically.  He just wants to act in something that interests him.

Now, here's how both of those tie together:  Prior to acting in THE BLACK PHONE, Hawke was under the impression that horror films do not give actors and actresses a chance to do some "real acting".  Obviously, that's not true, but it is a feeling that is held by many. 

Horror movies, children's TV, soap operas, community theater -- all of these are seen at times as not being home to stellar acting, let alone really good acting.  Yet, we can all think of instances where performers in these have blown it out of the water and delivered an Oscar- or Emmy-worthy performance.

Are there any acting performances you've seen in a show, movie, play, etc. that transcended the stereotype and delivered an award-winning-caliber performance?  Name the performer so they can get their laurels.

Your Headshot Is Your Handshake: Getting the Most Important Marketing Tool in Your Acting Career Right by Laura Hammer  •  last post Aug 25th

Before a casting director ever hears you read a line, they meet your headshot. It is your handshake, your first impression, and in a stack of hundreds of submissions, it is the single image deciding whether your name gets clicked. A great headshot does one job above all: it looks like you on your best day. Not a glamour shot, not a heavily retouched version of you from five years ago — you, walking into the room. Casting directors book actors who match their photo, and nothing sours a first audition faster than a headshot that oversold or undersold the person who shows up. Invest in a photographer who shoots actors specifically, because they understand what the industry looks for: sharp focus on the eyes, natural light or clean studio light, and a frame that puts your face and your presence front and center.


The strongest headshots also know what they are selling. Look at your castable range honestly, the roles you are being called in for now, not the ones you hope to grow into someday, and make sure your shots support them. Most working actors carry at least two looks: a commercial shot that is warm, open, and approachable, and a theatrical shot with more depth and story behind the eyes. Wardrobe should suggest a type without costuming it; a henley says blue-collar drama, a blazer says attorney or executive, and solid colors near the face keep the attention where it belongs. And above all, your eyes have to be alive. A headshot with genuine thought behind the eyes reads as a person; one without reads as a picture. That difference is what makes a casting director stop scrolling.

Finally, treat your headshot like the living marketing material it is. Update it every couple of years, or immediately after any significant change: new hair, new age range, new physique. Make sure the photo on every casting platform, your website, and your Stage 32 profile is the same current shot, because consistency builds recognition. So we want to hear from you: What has your headshot experience taught you? Did a new shot change the roles you were called in for? Share your story, and your best headshot tips, in the comments. Your fellow actors in this community are building their marketing materials right now, and your experience could save them a costly mistake.

There are no small roles only small actors. by fonzieshair  •  last post Aug 25th

Bullshit! You know who says that, people who have large roles.

Update: Didn't like the make up during imaging by tomatopotatorice  •  last post Aug 25th

... I didnt have the guts to tell my director. Well? didn't need to. The other actor came on set and when her imaging was done the entire team was not happy. So, we got a new make up artist... that's that.

Shooting location hosts’ biggest concerns? by IndependentThin5685  •  last post Aug 25th

I searched for find a sub for directors, but I don’t see any. Can anyone help me understand what an average person’s concerns like me about letting a tv pilot shoot in their living room? There are some actors in the scene, so that’s definitely a lot. Stuff breaking? Someone lighting the place on fire? Someone stealing stuff? People bringing bad energy into the space? Whats your tour advice on how to handle any of the concerns you’d have? (I was going to do this in my own living room, but that has become off-limits, for reasons, I am looking for another host.) I’m making this show in honor of my late parents. It’s the first time I’m trying to make something for screen. I have an experienced director doing the directing, but I have to do the legwork. Thanks for any info and advice you can give.

First time poster and new actor by Independent-File-341  •  last post Aug 25th

Hello! I’m pretty new to acting in general (took a class my senior year of college, loved it, got a small part in a student film, tried doing other things while getting ready for my masters program but got overwhelmed and just decided to focus on school) but I’ve recently started going to classes, have booked some parts in local productions, etc. Anyways, this is from one of said classes and although I messed up the lines a bit, I felt like this was one of my stronger self-tapes that I’ve done. Looking for any and all feedback!

I need some serious help by StMesserII  •  last post Aug 25th

Ok.... For some context, I started my voice-over journey in early 2016. Since then, I’ve taken classes with agents and well-known working voice actors, spent nearly five years studying theater, and even went through speech therapy to improve my delivery and acting skills. Sound engineers have evaluated my booth and home studio, and professional actors have listened to my auditions and told me my work is good enough to compete. Yet despite all of that, I still haven’t booked a single gig. When you put nearly a decade into something and spend a ton of money, time, and energy on it, sometimes at the expense of friendships and other parts of your life.. You eventually start asking yourself: is this even worth it anymore? I have a professional commercial demo reel made by a top studio in LA I have accounts on Voices123Voices; I've done outreach, I've auditioned for gigs that don't even pay and fan-made projects....nothing. I'm almost at the point of giving up.

Any actors in the CT/ hartford county area looking to do some projects? by Hot-Freedom-1268  •  last post Aug 25th

Hi, I'm a videographer and editor (21m) in connecticut, and I'm looking for actors/ actresses near me that are interested in doing some cinematic shorts for our portfolios. the idea i'm going for is "trailers to movies that don't exist". 1-2 minute long shorts to showcase my camera work and editing (and your acting !!). Im willing to pay, the amount would depend on the project length and so on, but expect around $20/hr and about 4 hour shoots on average. if anyone is interested, please feel free to reach out and let me know!