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Compitiendo con "Tilly": Navegando contratos en la era de los actores de IA. by Catherine James  •  last post Jul 7th

Hola compañeros Actores y talentos multifacéticos.

Competing with "Tilly": Navigating contracts in the era of AI actors. by Catherine James  •  last post Jul 7th

Hey fellow Actors and multi-hyphenates.

Time to laugh at ourselves...the nominees for the Audition Dum-Dum Awards! by Doug Kayne  •  last post Jul 6th

We've all had them:  The audition horror stories.  The auditions that were simply awful experiences due to things out of your control.

That's not the point of this post.  We're going to keep things light and laughable.

I want to hear your Audition Dum-Dum Stories.  The instances where, due to your own foolishness you totally biffed the audition in a laughably bad way.  The auditions where you look back at it and call yourself a dum-dum because you made a bad acting choice or did something that caused yourself to get out of the running for the role for any number of dumb actions you did.

Here is my entry for the Audition Dum-Dum Awards:

I was just starting out in pursuing acting seriously.  Scouring BackStage West.  Sending out headshots and resumes.  This was about thirty years ago...so I've obviously learned a few things to do -- and not do -- since then.

I was able to get an audition for a role for a feature film.  Not the lead role, but the lead's best friend.  One of those stereotypical happy-go-lucky, best friend types that were all the rage back in the 1990s that would have that third act turn to give the lead the good advice to follow, due to his own inability to take life seriously.  I was perfect for the role -- definitely not the leading man type, comedy was my forte, and I had a look that would definitely work for it -- I actually resembled a young Howard Stern, hair and all.  I memorized the scene (so I wouldn't be tied to the script) and was ready to crush it!

And here's where my bad choices started.

1.  I showed up to the audition in a Hawaiian shirt and shorts.  *facepalm*  Because nothing reads better as "fun-loving best friend" than Hawaiian shirt and shorts.
2.  I wore sunglasses during the audition  *face.  palm*, tossing them across the room at a key moment in the scene to demonstrate my dramatic turn.  *Face Palm.*
3.  I actually crossed the room to the reader *FacePalm!* and patted them on the shoulder at the end of the scene, while I said something to the effect of "There you go!", as the line dictated.  *FACEPALM!*

Yes...I can actually hear you saying something to the effect of, "You dum-dum!" as you're reading this (language definitely cleaned up).  Needless to say, I did not get the part (surprise, surprise!).  Thankfully, I was able to quickly figure out all my missteps, and ensured I never did them again, chalking it up to me being a major dum-dum.

There's my self-nomination.  Can anyone beat that?

New Casting Director Scam Is Fooling Actors — Here's How to Avoid It by Aaron Marcus  •  last post Jul 6th

New Casting Director Scam Is Fooling Actors — Here's How to Avoid It

https://youtu.be/sFHTCIfSjFg

Have you ever been targeted by an acting or modeling scam? 
Drop a comment below and let me know! 
I read and respond to every comment. ❤️

Audiobook Narration 101. Webinar with Khristine Hvam by James Lagrimas  •  last post Jul 6th

Ever wondered what it actually takes to break into audiobook narration? It's not just about having a good voice—it's a specialized craft that blends acting technique, character development, and an understanding of the production process most aspiring narrators never see coming. If you've been curious about voiceover work or want to expand your acting career into one of the fastest-growing corners of the entertainment industry, this is your chance to learn how it's really done.

Join award-winning audiobook narrator Khristine Hvam—four-time Audie Award winner and eight-time AudioFile Earphone Award recipient with over 350 titles to her name—for a live, hands-on webinar covering everything from building memorable characters to what happens inside the recording booth. You'll walk away with practical techniques you can apply immediately, plus a clear understanding of how to launch your own audiobook career.

Email edu@stage32.com with any questions!

To learn more about the class and to register, click here:
https://www.stage32.com/education/products/audiobook-narration-101

Looking for representation by Thomas Lake  •  last post Jul 3rd

Is anyone here looking to take on a client that is a manager? 

Screenwriter – Social & Ethical Stories (Please Read My Bio) by Abolfazl Najafi  •  last post Jul 3rd

I write ethical, human, and socially conscious stories across various genres, all focused on the overlooked communities of society. I am proudly interested in sharing these stories with international producers and production companies. Dear fellow artists, especially producers – I kindly invite you to read my full bio. I would truly appreciate it.

Motivation by Jason Raymaker  •  last post Jul 2nd

What is one thing that keeps you motivated in this crazy and competitive industry?

Casting Director Anthony J. Kraus Shares His Top Audition Tips for Actors by Amanda Toney  •  last post Jul 2nd

https://www.castingnetworks.com/news/casting-director-anthony-j-kraus-audition-tips-for-actors/

What Keke Palmer's Career Retrospective Taught Me About Longevity by Ashley Smith  •  last post Jul 2nd

I just watched Keke Palmer's Vanity Fair rewatch of her career, and it's such a beautiful reflection on what it actually means to grow up in this industry and build a career that lasts: https://www.youtube.com/watch?v=jSG3d7dNmZA 


She walks through Akeelah and the Bee, True Jackson VP, Hustlers, Nope, One of Them Days, I Love Boosters, and the infamous "Sorry to this man" moment, and I couldn't stop taking notes about the craft, mentorship, and mindset that has kept her working for over 20 years.

Here are the takeaways that stood out to me most:
On mentorship and connecting to emotion: She talks about how Angela Bassett helped her cry in a scene as a child by drawing a parallel between the character's life and Keke's own relationship with her mom. She calls Angela and Laurence Fishburne "my first teachers in the industry," and you can hear how deeply that shaped her approach to acting.

On growing up on set: She's honest about how hard it was to have kid feelings suppressed in a professional workplace as a child actor. "As a kid you are supposed to be able to be unreasonably angry, unreasonably sad, but because it was so much at stake, I just couldn't do it." It's such a raw, vulnerable admission about the cost of the career.

On listening as an actor: She says she hears lines as music and always tries to serve the scene by listening to what instrument her scene partner is playing, then supporting it. That framework alone is worth the whole video.

On reinventing across career stages: Hustlers was a full "reintroduction" for her as an adult, and she's honest about how difficult the transition from kid star to adult actor really is. The auditions get harder, the feedback slows down, and you have to rebuild everything.

Which brings me to my question for all of you actors out there: Which working actor's career retrospective, interview, or masterclass has taught you the most about your craft? 

What did they say that stuck with you? Whether it's Meryl at the Actors Studio, Denzel talking about faith and preparation, Viola talking about vulnerability, or a Keke Palmer sit-down like this one, share the moments that shaped how you approach your work. And drop a link or clip in the comments! 

Community Zoom? by Bliss Ganza  •  last post Jul 1st

What do you all think about having a free weekly community Zoom where filmmakers can simply connect, share ideas, get honest feedback, and learn from one another?


No pressure. No pitching. Just a space where writers, directors, actors, producers, and anyone passionate about film making can be heard, collaborate, and grow together.

Would this be something you'd join?

 I'd love to hear your thoughts and ideas before taking it any further.

SuperGirl by David P Perlmutter  •  last post Jul 1st

I had a blast for three weeks on the set of SuperGirl. 


Make up at 3.30am every week day. 
10 hours or so on set. 
Took an hour every night to remove make up. 

All worth it to see the creation on the big screen. 

Here I am in the background behind Milly Alcock. 

Typecasting by Suzanne Bronson  •  last post Jun 30th

Do you think 'typecasting' is a helpful tool to get your foot in the door, or a trap that limits your artistic growth?"

Entertainment and education by Asiimwe Yvonne  •  last post Jun 29th

i believe in a community of education and entertainment because it really gives me the confidence to believe in my self

The good ol' days...question mark? by Doug Kayne  •  last post Jun 29th

A friend and fellow performer and I were reminiscing last night, agreeing that in some way we miss the days where we actually had to print out resumes, order copies of black-and-white pictures, scour the physical copy of BackStage for casting notices, physically send copies of pics and resumes to the casting offices, and go audition in person.

Yes, I can definitely appreciate that it is much easier (and cheaper) now that things are done electronically, but there is something to be said for actually reading for a part in front of the person, instead of recording the audition at home.  Yes, I know the latter grants more access to more performers (which is a good thing!), but the thrill of pounding the pavement and going sides in the same room as other actors all going out for Bartender #3 does have its charm.

Don't get me wrong...I like the ease of attaching JPGs and PDFs and hitting SEND when submitting.  But, it also feels a bit less personal.  This same accessible technology has also made it easier to make our own movies and shorts, giving us greater opportunities to be seen by those who are looking for people to be in their next projects.  

But, again, there is something about the in-person experience that tends to give us more grit.  More drive. More hunger.

Or is it just my old man persona saying, "Back in my day..."?

7 Apps Every Actor Must Use Right Now by Aaron Marcus  •  last post Jun 29th

7 Apps Every Actor Must Use Right Now


https://youtu.be/asx_vsCTXJU

Learn about 7 apps and free programs that could completely change the way you run your acting career.

Let us know if you use any of them or what apps have helped your acting career.

Your information will be invaluable to fellow actors. I'll read and respond to each one.

Acting by حسن الزهراني  •  last post Jun 28th

Hello everyone,

My name is Hassan Al-Zahrani, and I’m a screenwriter and aspiring actor from Saudi Arabia.

I have completed an original feature film trilogy titled The Last Promise. It is a character-driven action thriller with emotional depth, suspense, and cinematic storytelling, designed for an international audience.

I am currently looking to connect with producers, directors, managers, or production companies interested in reviewing the project. I would also love the opportunity to be involved as an actor if the film moves into production.

If you’re interested in learning more, I’d be happy to share the pitch package or screenplay.

Thank you for your time, and I look forward to connecting with fellow filmmakers.


Howdy All, :)) by Cylinda McAlister  •  last post Jun 27th

Been a little while since I posted, but kind of took a break last year but getting back into getting more work with my acting this year, so far so good. Went to ICFF Film Festival and a few days in Jacksonville Florida to see my family there. Got some work lined up for later this year and really looking forward to it. Hope everyone is doing well. Have a great day. :))

Acting advice by Jason Raymaker  •  last post Jun 27th

What is one piece of acting advice you have received that has helped you in your journey?

Dubai casting 40-55 male/females by Pauline Johnson  •  last post Jun 27th

Hi, looking for Dubai based actors. 2 male, 1 female, age ranging 40-55, for a short psychological drama filming next week (evenings).
Any ethnicity, English speaking roles. Established production company, IMDB credit and international festivals to follow.
Please dm with details and experience if interested and I will forward to the Director and casting department.