I’m a union actor currently exclusively represented by one agent. I’ve decided to leave and have an offer from another agency that I’m planning to accept. My current agent is reluctant to let me go, so I’m trying to understand the practical mechanics of the transition. To be honest they are giving me a hella of a hard time, and I am extremely shook up and need guidance on what is considered a normal transition and what I can do on my end to keep things smooth. I’m going to contact the union and major casting platforms for official guidance, but I’d really appreciate firsthand experience from anyone who has done this. 1) what happens to callbacks, holds and bookings that come from submissions made by the first agent after you’ve moved to the new agency? If the old agent is no longer representing you or attached to you in the casting systems, who handles those opportunities and how does casting know who to contact? 2) Is there normally a notice/transition period between exclusive agencies, or can you move directly from one to another? 3) How quickly can the casting platforms be updated, and does the new agent typically handle that process? How long does and should it take to set up between reps? 4) Finally, are there any other practical issues I should be thinking about with existing submissions, auditions, callbacks, holds or bookings during the transition? I just want to make sure I understand the normal process and don’t mishandle any existing opportunities. Also if anyone has any stories you feel like sharing about difficult transitions and how you got through them, I'm game. I could really use the support.
16-year-old aspiring actor from Seattle trying to build a realistic path — looking for advice I’m 16 years old and I’m trying to figure out the best path toward becoming a professional actor. I live near Seattle, Washington, and acting is something I genuinely care about. I’m not expecting overnight success, but I want to take the craft seriously and build toward a career in film and television. Some things I’ve done so far: \- Written a screenplay (horror). \- Directed a short film with my siblings. \- Practiced monologues and worked on improving my acting. \- Taken acting-related classes. \- Done a stage combat/sword fighting workshop. My goal is to eventually build a reel, work on student films, improve my skills, and create a professional path. Right now, my plan is to do Running Start during my last two years of high school, improve my grades, and apply to acting programs. I’m interested in BFA/conservatory-style programs because I want serious training. Some schools I’m considering: \- Cornish College of the Arts \- USC School of Dramatic Arts \- NYU Tisch \- Juilliard \- UCLA \- Carnegie Mellon \- University of Washington My situation is complicated because I come from a strict Muslim family. My mom does not support acting as a career, and I’m worried about how my family will react if I seriously pursue it. I also have personal boundaries about certain roles and scenes I would accept. Financially, I’m also trying to be smart. I live near Seattle, so staying local could be easier, but I worry about missing opportunities by not being in a bigger market. My questions: \- Is Seattle a good place to start building an acting career? \- How important is going to a prestigious acting school compared to experience and networking? \- Would you recommend training locally first or trying to move toward LA/NY sooner? \- Is it realistic for someone with no connections to eventually break into film/TV? \-Is it even worth it? I would appreciate honest advice from actors or people who have experience with the industry.
When you’re thinking about joining an acting class what things are you looking for? What makes you say “no thanks.” And what makes you say “these are my people?” Years ago, I was in a class with a well known teacher, and after about 2-3 months I started honestly looking at my acting and the acting I saw in class. When I was honest I didn’t feel like I was improving, nor was I being taught specific ways to improve. I was given feedback , but no clear approach. And when I watched the work from other actors in the class, I started asking myself If I paid money to watch this would I want my money back? And 99% of the time my answer was - “I want my money back.” Anyway, I’m curious how you decide on a class and how do you determine if the class is really helping you.
For like, a Hollywood series for example. While it's a big production sure, they probably won't need the craziest experienced actors to just fill the gaps right?
Some stories don't begin with a scream...
Hi! Beginner actor, if you can call me that, here. I am working on a script for a class on Friday and I am in need of a reader. Would anyone be willing to jump on discord or something and help me out?
I've never acted. I don't see myself getting into it. But I often wonder random stuff while I'm watching you do your thing. This is one of those random thoughts. Bonus, do y'all intentionally pull your pants forward when your hands are in your pockets to make your butt look better?
ok so I did double and triple check the FAQ to make sure that my particular question wasn’t answered, so don’t hurt me. I’m a 17 y/o high-school senior and I’m looking into fully beginning my acting career. I’m not a true beginner, i’ve been acting on stage and been in acting classes since age 6 or 7 and am consistently involved in my school theater. Well, it’s time for college apps and i’m looking at what to do with the rest of my life. In a perfect world where I had unlimited money I would 1110% choose acting. But unfortunately my family is middle class and I don’t know if I can afford to be an acting major and not starve and die. So, at the moment i’m looking at getting started on sites before I make a concrete decision, just to have my foot in the door. I’m setting up an Actors Access account and I need to input a resume obviously but all I have is my highschool productions.Not to toot my own horn, but i’ve been in many of them and my school ia known in the area for being pretty darn good. But, can I even put highschool stuff on a resume? is that unprofessional or dumb? and in that case, will I really have to start with a nothingburger resume even when I have spent so much time and effort on my acting? I have never tried to audition for anything on-screen before now. Just school productions and classes as well as some regional classes.
Hi - NYC based actor, I was just offered representation from a manager at Citizen Skull Management and when I asked for a contract to review, the rep said that we don't need a contract which just seems kind of sketchy. Is this normal? And generally, has anyone worked with this company and have any thoughts about their experience? This is my first time having a rep so I'd really like it to work out, however I don't want to rush into it out of eagerness. Let me know how you think I should approach this.
I’m a 28-year-old aspiring actress/screenwriter and I’m a quadriplegic who’s been in a wheelchair since I was two years old. Anyway I’m writing a story about two Latina sisters living in the rough parts of San Antonio, TX (my hometown) during the mid ‘90s struggling to get by after the tragic death of their father. I will be playing the younger sister Alex, who aside from being a quadriplegic like me, also suffers from extreme anxiety and PTSD stemming from the day her father died as she was the one who found his body. I don’t have any mental illness in my own life but I want to portray this character as real as possible and I don’t want to offend anyone who lives with this type of illness in real life. The only inspiration I can think of is Sally Field’s performance in the 1976 television film *Sybil* and that one scene in *Steel Magnolias* where Julia Roberts is having a diabetic attack in the salon and Sally Field is trying to get her to drink the orange juice but she refuses. Can y’all please recommend some good acting tips and tricks to authentically portray this specific type of character?
Can anyone tell me their experience with Citizen Skull and Mandy Del Rio in particular? I just had a meeting with her for potential representation and I love her. I just want to be sure she and this company are compatible with my career goals. I’ve several multiple co-stars, a recurring guest, and led an educational series and was a supporting lead in a SAG Feature film opposite known actors. I’m trying to move into guest star, recurring and series regular territory moving forward. Who has worked with her and based on your experience and the kinds of auditions she secures for you, do you think she could be a good fit for my career goals?
How cool is this? I was featured by PeakWire as one of the go-to voiceover providers. Thanks for the recognition—and to everyone who's supported my journey! ? https://peekwire.com/article/5-voiceover-services-transform-projectHonored to be featured by PeakWire as a recommended voiceover provider \#VoiceOver #VoiceActor #BeltranSoundz
I am a new indie game developer named SodaFrizz! Currently I have Hellbound: Reign of El Diablo released, and I need voice actors for the sequel to it. All slots have been filled except for "Zyne". Zyne was the protagonist and villain in Hellbound 1. In Hellbound 2, he's a ghost. Not literally, but he never actually appears- only in the occasional flashback! As for his voice, I would be searching for a Hispanic voice actor since he is mixed Hispanic (English and Spanish accents welcome) and while he is a male character, his tone would have to be androgynous. This character is also a trans man; the voice actor doesn't have to be, but I would like to make it known that he indeed is one. This is a PAID role too, for $25 an hour. Zyne's role is a minor one and likely will add up to three hours or less. Contact me by email (sam.personal2002@gmail) or Discord (sodathefrizz) if you're interested in auditioning!
Idk of this is the right sub. But How does a normal person find these casting calls from big companies like marvel or Warner bros or sumthin. I don’t have an aunt sending me WhatsApp links like Imán Vellani or help from the punisher to record my self-tapes like Tom Holland. Do I think I can be the next Marvel star? No. But it won’t be from lack of trying ?. When I dream, I dream big, impossible, unrealistic dreams. Who says I can’t be the next avenger casted? Or next Jedi or sumthin. No bus seriously. All I know is Actors Access or getting an agent (idek how to get an agent)
I like to browse agency rosters and listen to demos as part of my study, and most of them are amazing! But fairly often, honestly around 1 in 10 demos I listen to, are not good. like not even in a subjective, "I just don't appreciate their style" way, I mean I can hear background noise, prominent mouth clicks, loud plosives, and all kinds of other stuff that, to me, screams "I've never spoken into a microphone before". There are some demos that are over three minutes long and the voice actor just does the same character voice for the entire thing. One only played in the left side of my headphones! And that's not even mentioning the more subjective ones where the performance is just flat and uninteresting and it sounds like a total beginner's first audition! And these are big agencies, too! Atlas, CESD, ACM to name a few. Do they not screen demos before putting them up? You would think these national agencies would have higher standards for who they put on the face of their website. If I were a potential client and these were what I heard, I would run the other way.
should I mark my designation on websites and auditions as actress and go for fem roles?
​ Simply put, I need 2 people to get a conversation recorded of 2 German soldiers for a WW2 game. German speaking required, german accent appreciated. So basically, I'm a mission maker/dev in a military simulator game called Arma 3. I'm currently tinkering with a World War 2 mission where a german defector is transporting a group of British special forces through a checkpoint. And I just need a conversation between the driver of the truck & the checkpoint guard while he smuggles him across. Then another line for the driver before hes either abandoned or killed by the players. I have a script written up already Never hired voice actors but its only 5 lines for the guard & 7 for the driver. I was thinking $20 USD paypal each for both VAs if thats a fair price
Please feel free to ask any question at all related to acting, no matter how simple. There will be no judgements on questions posted here. Everyone starts somewhere. We have a FAQ which attempts to answer basic questions about acting. \[Have a look\]( https://www.reddit.com/r/acting/wiki/index), but don't worry if you ask something here that we've covered. Also, use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. It is advised that you do at least some basic research on what actor headshots look like -- composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting, but please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
​ Hey everyone. I'm a 17yo guy from a small town in Europe (Poland) and I'm feeling completely lost. I really want to be a film actor, but I have absolutely no idea what to do next. Here is my situation: No local options: The only acting group in my town is a local community theater filled with 11-13 year old kids doing basic plays. I want to work with adults or people my age who take this seriously, not do kids' shows. Zero acting community: I have absolutely no actors around me, and honestly, nobody in my personal life really understands this passion or what I'm trying to achieve. It feels incredibly isolating. What I'm doing right now: I started an Instagram where I post English self-tapes. My accent isn't perfect yet, but I'm trying my best. The Problem: I’ve stopped posting recently because I have zero inspiration for monologues. Trying to find good scenes, direct myself, and act to a blank wall all alone is starting to exhaust me. I feel like I'm hitting a wall. Has anyone else started in a complete vacuum like this? Where do you find good, modern scripts for self-tapes? And how do you keep the motivation alive when nobody around you gets it? Any advice would be hugely appreciated. Thanks!