We have found 20,608 posts across 4 actor forums:
Moving into an apartment soon.. How do you voice act in such a small space?? by ThoughtDear7015 • last post Aug 7th
Hello humble people! I'm in quite a good mood today but i'll cut straight to the point for you. Me and my family are moving into an apartment soon for reasons i won't specify. I've begged and begged for them to re-consider or atleast find nice homes for rent in the area. They simply cannot. It's just way too expensive to rent a home in the area we're moving into. This is a problem for me especially since, well,I'm a voice actor! Now I'm not entirely sure if I'm loud enough for my future neighbors to hear me.. But even if my neighbors cant hear me, my mom might unfortunately. I've kind of kept everything i do and love a secret from my family so i do NOT want my mom to hear me voice acing. Now i say my *MOM* specifically because everyone else is off to their jobs. So that reduces the load a little bit. We're not entirely sure how big the apartment will be, so don't ask me, but i hope it's a certainly big apartment. TLDR; How do I voice act in an apartment while making sure NOBODY can hear me, not my mom, not the neighbors, NOBODY. Any and all advice is well appreciated!
How to express yourself? by Silly_Can_632 • last post Aug 7th
Hi all, I thought maybe getting some input from actors or those who know how to act might be a bit helpful. I just want to preface by saying I don't actually have an active dream to act or go into the field, but I thought I might get good insight from you guys. I have a problem with not being able to express myself facially or through tone like at all, it comes off sort of pretentious if that makes sense? I don't know if this is a thing that can be learnt or trained but does anyone have any tips anyways? ?
CASTING CALL FOR SYDNEY SHORT FILM by Federal-Committee-45 • last post Aug 7th
Hello everyone! My name is Edward and I am a Sydney based writer-director currently seeking talented extras for a short film being shot in Newtown, NSW on the 30th of August 2026! Titled 'Meeting your friends in Sydney', the project will follow a high-strung Claire on the weekend of her 25th birthday in a French New Wave / Cassavetes inspired dramedy. The filming on the 30th will take place out the back of a shared house, dressed up to look like a cafe. The shoot will last from approx. 2 to 4 pm, and while it is an unpaid gig, food will be provided to those in attendance. I am primarily seeking ACTRESSES of ANY BACKGROUND in their mid to late TWENTIES to be extras for this brunch scene. If this sounds interesting to you or someone you know feel free to submit a headshot/selfie to [gaybrofilms@yahoo.com](mailto:gaybrofilms@yahoo.com) !!
London based actors, what are your ‘muggle’ jobs? + career advice by pest0pasta_ • last post Aug 7th
Hi all, Currently in a dilemma here and looking for advice. As you all know, the industry is quite dead at the moment. Especially across the pond in the UK. I’ve had like 6 auditions in total this year, two of which I got down to the finals but unfortunately didn’t book. My agent said things are looking up towards next year. I have a ‘creative’ corporate day job and I’m grateful for it but I’m really unhappy. I’m in my early 20s and I can’t help but think I don’t belong in this life I’ve created. It’s extremely demanding, including expected networking and this industry is a career type job. I work overtime everyday and find that I’ve had to put acting on the back burner for the past few months. I thought having more income would mean I could afford to take classes etc, but I’m finding I’m dedicating my life to this job and it’s pulling me away from acting even more. I don’t think I can carry on like this but I’m not sure if I’m making a good decision in leaving as on paper it’s a great job. I’m in the final pool of people for a job in a film production company which would also be a corporate job but more industry adjacent so maybe I’d feel happier there? I worry I’ll feel the same after a while but also worry if that’s a conflict of interest? Can actors work in production companies? Equally I’m thinking I should commit to the artist bit and go back into a flexible non corporate job (theatre staff/hospitality/something else). I’m telling myself if it doesn’t work out, I can always go back to a 9-5, but truthfully I really don’t like the lifestyle. I have my weekends back but I feel like it doesn’t suit my soul. If any other actors (London based or not), can tell me what job you do that allows you to still commit to acting that would be greatly appreciated.
Title: 17-Year-Old Actor from Iraq (186cm) – How to Break into the Global Market? by Mobile_Monitor_6303 • last post Aug 7th
Hi everyone, I am a 17-year-old aspiring actor based in Basra, Iraq, and I am writing this to seek guidance from those who have walked this path or are currently navigating the industry. A bit about me: Age: 17 Height: 186 cm Strengths: Proficient in English (currently refining it), strong command of body language/gestures, and the ability to access deep emotions on cue (specifically, I can cry on command). Work Ethic: I am committed to daily training and honing my craft. I have big dreams. I am not looking for local projects; my goal is to reach the international stage, get an IMDb credit, and eventually work with major productions like Netflix and international film houses, much like actors from Europe or Australia have successfully done. My questions to the community are: The Roadmap: How does someone in my position, located in Iraq, realistically start building a path to the international market? Digital vs. Physical: Should I focus on virtual/remote auditions and self-taping first, or is there a tangible "first step" I should take locally to build a reel that would be considered credible by international casting directors? The Strategy: What are the actual requirements to get noticed from here? How do I transition from training to booking real, professional roles? The "How-To": What is the step-by-step evolution I need to follow to eventually move from acting in Iraq to auditioning for international projects? I am incredibly hungry to learn, disciplined, and ready to put in the work. Any advice, resources, or personal experiences you could share—no matter how small—would mean the world to me. Thank you for your time and for sharing your knowledge.
Does a MFA at a top school guarantee better representation? by BackgroundTop7827 • last post Aug 7th
Hey actors looking for some advice here, my professor who motivated me to pursue my acting MFA told me I’d land a better agent if I get into a top school. I went on a internet investigation to figure out the rep I’m aiming for and what schools have ties to said agency, and it has me wondering if it’s even guaranteed better representation can be found through school? I’ve been acting professionally straight out of high school for about 4 years now. I’m M22 and I’m in university for a BA in Cinema (debating of minoring in theatre). I catapulted myself in my schools theatre program and ended up falling in love with the only two acting classes I took. After preforming my final piece for my class, my professor came up to me and said I should pursue a MFA. I never really thought about it until someone told me I could do it. Ever since I’ve been researching what it takes to get into a MFA program and I’m interested in learning more. I have the privilege to be signed by a local agency as well, their focus is mostly commercial modeling and runway work but they do have an acting division. The acting division in a way feels not as strong as the modeling side for this agency. I’ve modeled for a few big brands and on the acting side I haven’t booked anything. The acting auditions I get through them are rare, and out of the handful of roles I’ve received aren’t even speaking characters. The catch is I’ve managed to self book several films and commercials, two of the commercials are tied with Disney. I found these jobs through networking, social media, casting networks, etc. Luckily these have helped me build a foundation and a solid reel but I keep asking myself how do I get to the next level? How to get in the rooms that gives you a shot to audition for characters.
is this asking too much and did i do too much? by Few-Refrigerator4760 • last post Aug 7th
tldr: my sister and i r actors (i haven’t really done anything in years, but my sister has been booking roles and background stuff). we both signed up for a role and they were asking us to do this for a self tape?!! i also recently broke our canon camera (i’m just a girl :( ). so i’ve been using this thing i signed up for via [waitlist](https://lociapp.vercel.app) to do self tapes from my phone and also memorize our lines and rehearse as if it was a table read, if anyone’s interested dm me. but back to the original question is this a lot??
Just some encouragement to some fellow actors by BlueViolets101 • last post Aug 7th
From my perspective, I see tides turning a bit in a positive direction. Not being inundated with auditions...but they've definitely been more consistent. Feels like 2024 and 2025 we were lucky to get 1-2 a month, if that. But now auditioning about once a week which feels like a lot comparatively. Anybody else agree or disagree? I'm SAG, repped in LA, and mostly auditioning for film/tv
(UNPAID) 2 Actors Needed For Developmental Reading of wacky end of the world play! by TheUGLIGames • last post Aug 7th
Hello everyone! My name is Justin Pierce, and I'm a Chicago-based playwright looking for two more of eight actors to participate in a developmental reading of my new wacky end-of-the-world play, Tia and Inez in Cometville. This first reading will be held online via Discord. Actors from anywhere are welcome to reach out, but preference will be given to Chicago-area performers, as I'm planning to organize in-person readings and further development of the play in Chicago in the future. As stated before, this is an unpaid developmental reading. READING INFO Monday, August 17th 6:00 PM Central Discord video call No memorization is required. This is a developmental table read intended to help me hear the current draft aloud and gather feedback. ABOUT THE PLAY Five days before a massive comet destroys Earth, Tia embarks on a road trip with her friends to stop her ex-girlfriend, Inez, from doing something drastic. Along the way, she encounters cannibal cultists, revolutionaries, the Four Horsemen of the Apocalypse, and a galaxy-spanning conspiracy. It's a science-fiction road-trip play with elements of dark comedy, horror, and absurdity, centered around love, identity, and what people choose to do when they believe the world is ending. CHARACTER / CASTING LIST ROBERT DAFFER / BUD / KING ROTHDOK – Male, 40+ The self-righteous and cunning CEO of Newton Company / A loyal cannibal son who loves his Ma / The leader of a desperate and capable alien race. TIA – Female, 20s–30s A Newton Company fan going through a breakup right before the end of the world. INEZ / VAL / CONQUEST – Female, 20s–30s A woman with a major secret making hard decisions in a time of uncertainty / A high-tech artificial intelligence seeking an identity of its own / The cruel and conniving leader of the Four Horsemen of the Apocalypse. BARISTA / WARFARE / BRYSTOL – Female, Open Age A barista / The fiercely loyal muscle of the Four Horsemen / A revolutionary. JACKSON – Male, 20s–30s A man with no plans for the end of the world. A loyal friend, selfless even if he doesn't realize it. GAME ANNOUNCER / MA / REVOLUTIONARY – Female, 40+ A game announcer / The mother of a fanatically religious cannibal family / A revolutionary. DAKOTA / FAMINE / REVOLUTIONARY – Female, 20s A troubled and capable young woman raised by a cannibal cult, unsure where she truly belongs / The chemist of the Four Horsemen, capable of true cruelty and she knows it / A revolutionary. SQUEEZE / DEATH – Male, 20s–30s A misunderstood drug dealer with an optimistic outlook / The deputy of the Four Horsemen and a true believer in the cult's ideals. If you're interested in participating, please email justinpierceplaywright@gmail.com with your name and the role or roles you're interested in. Again, you do not need to be Chicago-based to reach out, but Chicago-area actors will receive preference because of planned future in-person development. Thanks so much!
I was almost an action star but all I got was this stupid movie by extremelyunderground • last post Aug 7th
A few years back, I woke up to an audition request for the lead role in a major blockbuster film. I grew up watching the franchise, so booking the part would be a dream come true. I acted my ass off, submitted my tape, and prayed for good news (along with thousands of other Asian actors). I didn’t think anything would come of it, but a few weeks later, the producers finally reached out for a callback, then a chemistry read, until one day they said the two words many actors would commit war crimes to hear: screen test. For a week straight, I went to the studio lot for rehearsals, martial arts training, and director sessions. It was exhilarating. As the day approached, I felt on top of the world. No one was going to take this from me. I had to book this. Deep down, I doubted there would be another opportunity for someone like me for a long time. Sure, Asian markets might be hot right now, but how long would that last before “the powers that be” decided to move on to the next minority group? As a filmmaker, I always championed Asian American representation, but, in that moment, I championed my own individual representation. Fuck everyone else - I was “the best Asian guy.” The role was mine. I didn’t get the part. When I got the news, I was devastated… for about a day. Then, I quickly recognized my own hypocrisy and was forced to look within. For years, I have spoken on panels, done Q&A’s at film festivals, and talked about the importance of Asian American representation in the film industry. However, when presented with a life-changing opportunity, my attitude shifted to “Fuck these guys, I’m the best Asian.” This ultimately inspired the question — what do you do when your values are at odds with your ambitions? This inevitably led me to create “Flavor of the Month,” a dark comedy that explores the absurdities of representation politics in modern-day Hollywood. Viewed through the lens of a Chinese American actor, Harrison Huang, the film dives headfirst into themes of performative activism, virtue signaling, and internalized racial inferiority. I hope you enjoy my film, and thank you for taking the time to watch. [https://www.youtube.com/watch?is=m6KQJyc3j-LY7CFV&v=7FqByyXn7j4&feature=youtu.be](https://www.youtube.com/watch?is=m6KQJyc3j-LY7CFV&v=7FqByyXn7j4&feature=youtu.be)
Help with movement in musical theater? by EntertainmentKey8197 • last post Aug 7th
I’ve been doing theater for 6 years now, I’m 19 and I’ve noticed something in all the videos I see of myself. I’m definitely more of a singer and actress than a dancer and have never been athletic. When I see videos of myself I feel like my movements, my whole body but especially my hands just look floppy and awkward? Like I know what I want to do it’s just when I apply it it makes me look so akward. I also am a musician, I’ve played piano my whole life so learning to stand up and sing at age 13ish was a big challenge for me because I didn’t know what to do with my hands. I want to improve on this so badly but no one seems to have the same problem, like I said I’ve never been athletic and have been thinking maybe dance would help, Advice? :(
SONY PICTURES LOOKING FOR REAL HOCKEY PLAYER TO STAR IN NEXT FILM by James_howell • last post Aug 7th
Sony Pictures is looking for the next hockey film star for their adaptation of the acclaimed YA novel 'Fake Skating'! They're looking for legitimate hockey players, so if you or someone you know matches the description and seems fit for the role, feel free to apply by emailing a photo of yourself and a little about your hockey experience to: [FakeSkatingCasting@NancyNayorcasting.com](mailto:FakeSkatingCasting@NancyNayorcasting.com) My DM's are also open if anyone has any questions or concerns!
Backstage or actors access? by Easy-Foot-8572 • last post Aug 7th
Right now as an actor I’m in the phase where I’m trying to get myself rolling with my career and book student films for my reel. Do I get actors access or backstage?
I’m soon going to be a professional voice actor for 10 years. I decided to make a video reflecting on my favorite characters and what they mean to me! by TheMightyHavoc • last post Aug 7th
In person auditions vs Zoom by Jack_Wraith • last post Aug 7th
I’m SAG and have been with my agency since 2021. I’ve never done an in-person audition until today. I’ve auditioned for and worked on multiple shows and films. In person auditions are SO much better. It was electric and seemed like a better way to feel out chemistry between scene partners and actors with the director. We really lose something when it’s uploaded Actor’s Access calls. It’s just flat and in a vacuum. Nothing in this industry happens like that on set. Even monologues have direction on set. Online auditions are just so far removed from the actual, physical reality of acting. So why is that so damn prevalent? I get the convenience aspect, but it’s just so dry and empty. I don’t think it’s an accurate way to get the measure of the actor. I’m also just an actor. I have a cowriting credit on a short. So I get that I’m biased. It just seems like night and day though. And it seems kind of lazy. Am I missing something?
New uk actor advice? by RecentConflict1727 • last post Aug 7th
Hi all, I'm new here. I'm just starting out with acting, its been a life long dream and although I'm now 27, British and living in the UK. I've decided to take the leap and just go for it. I have no experience, other than making YouTube and TikTok videos. And I cannot afford classes. What's my options here? Where do I even start? Thanks for any advice I really appreciate it
Sharing My Latest Acting Scenes – I'd Love Your Feedback by Alec Harris • last post Aug 6th
Hi everyone! I wanted to share some of my recent acting work. Over the past year, I've been creating dramatic scenes to continue developing my craft and exploring different characters. I'd love to hear your thoughts or feedback on the performances. I'm always looking to grow and connect with fellow actors, filmmakers, writers, and directors who are passionate about character-driven storytelling. If you'd like to see more of my work, you can find additional acting scenes and short performances through my Stage 32 profile. Thanks for watching, and I look forward to connecting with more of you!
Are acting roles just for the young? by James Woodland • last post Aug 6th
https://youtu.be/OSU7rAm4b68
I lost my wood in the city - proof of concept by Minh Nguyen • last post Aug 6th
I am happy to share with you a part of my work in photography, I do not yet have a team but this also allows me to show a little of my world in relation to all my projects, a kind of look book.
NEW TO THIS WORLD...hello to all by Yunus Quddus • last post Aug 6th
I am new to this platform, but working in performance art over 20 years. Just here to network and experience your wonderful art and performances as well. smile