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We have found 20,187 posts across 4 actor forums:

Entertainment and education by Asiimwe Yvonne  •  last post Jun 29th

i believe in a community of education and entertainment because it really gives me the confidence to believe in my self

The good ol' days...question mark? by Doug Kayne  •  last post Jun 29th

A friend and fellow performer and I were reminiscing last night, agreeing that in some way we miss the days where we actually had to print out resumes, order copies of black-and-white pictures, scour the physical copy of BackStage for casting notices, physically send copies of pics and resumes to the casting offices, and go audition in person.

Yes, I can definitely appreciate that it is much easier (and cheaper) now that things are done electronically, but there is something to be said for actually reading for a part in front of the person, instead of recording the audition at home.  Yes, I know the latter grants more access to more performers (which is a good thing!), but the thrill of pounding the pavement and going sides in the same room as other actors all going out for Bartender #3 does have its charm.

Don't get me wrong...I like the ease of attaching JPGs and PDFs and hitting SEND when submitting.  But, it also feels a bit less personal.  This same accessible technology has also made it easier to make our own movies and shorts, giving us greater opportunities to be seen by those who are looking for people to be in their next projects.  

But, again, there is something about the in-person experience that tends to give us more grit.  More drive. More hunger.

Or is it just my old man persona saying, "Back in my day..."?

7 Apps Every Actor Must Use Right Now by Aaron Marcus  •  last post Jun 29th

7 Apps Every Actor Must Use Right Now


https://youtu.be/asx_vsCTXJU

Learn about 7 apps and free programs that could completely change the way you run your acting career.

Let us know if you use any of them or what apps have helped your acting career.

Your information will be invaluable to fellow actors. I'll read and respond to each one.

Acting by حسن الزهراني  •  last post Jun 28th

Hello everyone,

My name is Hassan Al-Zahrani, and I’m a screenwriter and aspiring actor from Saudi Arabia.

I have completed an original feature film trilogy titled The Last Promise. It is a character-driven action thriller with emotional depth, suspense, and cinematic storytelling, designed for an international audience.

I am currently looking to connect with producers, directors, managers, or production companies interested in reviewing the project. I would also love the opportunity to be involved as an actor if the film moves into production.

If you’re interested in learning more, I’d be happy to share the pitch package or screenplay.

Thank you for your time, and I look forward to connecting with fellow filmmakers.


Howdy All, :)) by Cylinda McAlister  •  last post Jun 27th

Been a little while since I posted, but kind of took a break last year but getting back into getting more work with my acting this year, so far so good. Went to ICFF Film Festival and a few days in Jacksonville Florida to see my family there. Got some work lined up for later this year and really looking forward to it. Hope everyone is doing well. Have a great day. :))

Acting advice by Jason Raymaker  •  last post Jun 27th

What is one piece of acting advice you have received that has helped you in your journey?

Dubai casting 40-55 male/females by Pauline Johnson  •  last post Jun 27th

Hi, looking for Dubai based actors. 2 male, 1 female, age ranging 40-55, for a short psychological drama filming next week (evenings).
Any ethnicity, English speaking roles. Established production company, IMDB credit and international festivals to follow.
Please dm with details and experience if interested and I will forward to the Director and casting department.

Vertical Microdrama Is Reshaping How Actors Get Cast — Here Is What You Need to Know by Laura Hammer  •  last post Jun 26th

The casting process for vertical microdrama has split into two distinct tracks, and understanding both is essential for any actor working in this space. On one end, platforms are operating like swipe-to-match apps — casting directors browse talent and connect within minutes for shoots that move from offer to wrap in seven days or less. On the other end, generative AI is replacing human actors entirely on budget-constrained productions, bringing costs down from six figures to a few thousand dollars. The actors who are winning work in this space are the ones positioning themselves clearly for the prestige tier — the high-budget vertical productions from platforms like Peacock and celebrity-backed companies actively seeking union talent and recognizable faces who can anchor a series.

Building a vertical casting portfolio starts with thinking mobile-first from the ground up. Every self-tape, reel, and headshot should be framed vertically in a 9:16 ratio — composed for height, not width. Casting directors in this space are moving fast, so your strongest, most emotionally impactful material needs to be front and center within the first three seconds of anything you submit. Your demo reel should run no longer than one to two minutes and lead with scenes that demonstrate immediate, clear emotional presence. Subtle naturalism can get lost on a mobile screen — expressive, direct, and energetic performances read best in the vertical format.

Your digital footprint matters as much as your portfolio in this environment. Optimize your profiles online specifically for mobile viewing, and make sure your headshots are current and unedited. Personal branding carries real weight now because casting professionals are using social media to evaluate personality and potential reach alongside performance ability. 

What have you learned from navigating the transition to vertical casting — and how has the format changed the way you approach performance?

Screenwriter. Actor by حسن الزهراني  •  last post Jun 26th

Hello,

My name is Hassan Al-Zahrani, and I am an aspiring screenwriter and actor from Saudi Arabia.

I have written an original feature film screenplay titled The Last Promise. It is a cinematic action thriller with strong emotional stakes, suspense, and character-driven storytelling. The story is planned as a trilogy, with each installment expanding the world and raising the stakes.

I truly believe this project has the potential to connect with international audiences, and I would be honored if you would consider reading the screenplay or the pitch package.

I am also passionate about acting and would love the opportunity to be involved in the film as part of the cast if the project were ever developed.

Thank you for your time and consideration. I appreciate any opportunity to share my work, and I look forward to hearing from you.

Best regards,

Hassan Al-Zahrani
Screenwriter & Actor


Screenwriter. Acter by حسن الزهراني  •  last post Jun 26th

Hello,

My name is Hassan Al-Zahrani, and I am an aspiring screenwriter and actor from Saudi Arabia.

I have written an original feature film screenplay titled The Last Promise. It is a cinematic action thriller with strong emotional stakes, suspense, and character-driven storytelling. The story is planned as a trilogy, with each installment expanding the world and raising the stakes.

I truly believe this project has the potential to connect with international audiences, and I would be honored if you would consider reading the screenplay or the pitch package.

I am also passionate about acting and would love the opportunity to be involved in the film as part of the cast if the project were ever developed.

Thank you for your time and consideration. I appreciate any opportunity to share my work, and I look forward to hearing from you.

Best regards,

Hassan Al-Zahrani
Screenwriter & Actor


Screenwriter and actor by حسن الزهراني  •  last post Jun 25th

Hello,

My name is Hassan Al-Zahrani, an aspiring screenwriter and actor from Saudi Arabia.

I have written an original feature film trilogy titled The Last Promise, a high-concept action thriller with strong emotional drama, cinematic action, and franchise potential.

I am currently looking for producers, managers, or industry professionals who are interested in reviewing the project and helping bring it to an international audience. I would also love the opportunity to be involved as an actor in the film if it moves into production.

I truly believe this story has the potential to become a successful international franchise, and I would be honored to share the pitch package or full screenplay with you if you’re interested.

Thank you for your time and consideration. I look forward to hearing from you.

Best regards,
Hassan Al-Zahrani


Voice Acting 101: How to Launch Your Voice Acting Career and Build the Skills to Book Work. Webinar with Rama by James Lagrimas  •  last post Jun 25th

The voiceover industry is expanding faster than ever, with demand for voice talent spanning commercials, audiobooks, animation, video games, podcasts, and digital content. That means real opportunities exist right now for people willing to learn the craft.

Rama is going to walk you through the full landscape of what voice acting actually requires. You'll explore what the voiceover world really looks like and where the opportunities are. 
You'll have a concrete understanding of what it takes to launch a voice acting career—and a clear, actionable plan for how to move forward.

Email edu@stage32.com with any questions!


To learn more about the webinar and to register, click here:
https://www.stage32.com/education/products/voice-acting-101-how-to-launch-your-voice-acting-career-and-build-the-skills-to-book-work

Acting Thought: It’s the Small Actions by Timothy Miller  •  last post Jun 24th

 


Something I’ve been thinking about lately:

Acting isn’t just about lines—it’s about what you do between them.

The smallest actions:
- a glance  
- a shift in posture  
- a pause  
- a breath  

…can say more than dialogue ever could.

Body language and subtle movement carry the inner life of the character. In fact, much of what audiences understand comes from nonverbal communication—how you move, react, and exist in the moment

The more subtle and intentional the action, the more truthful it feels.

Big acting shows emotion.  
Great acting lets it slip out in small, honest moments.

Curious—how much do you guys focus on subtle physical choices in your process?

Script Breakdown Technique by Suzanne Bronson  •  last post Jun 24th

What is your go to method of breaking down a script when you first receive it? Do you look for the objectives first or do you let the emotional tone guide you?


I, personally break it down to the beats first. Determine my superobjective, then my objective for each scene, then each moment. What about you?

The Worst Request I Ever Got From A Casting Director by Aaron Marcus  •  last post Jun 24th

The Worst Request I Ever Got From A Casting Director

https://youtu.be/1--FmruAQYQ


Have you ever received a casting director's audition notes expecting the usual details, audition and shoot dates, etc… and instead found something that made you incredibly angry or insulting? I did.

I share the entire story in my latest video.

If so ever got a weird audition note from a casting director or director, please share your experience here and on my channel.

Thank goodness I'm not superstitious...knock on wood. by Doug Kayne  •  last post Jun 23rd

Acting is weird.  I think we can all agree...for many reasons. 

There are also a lot of superstitions, traditions, and rituals we all engage in, some of which we don't even know why.

There is a tradition in the theater not to whistle backstage.  This actually has roots in history, as many times sailors and riggers, who had not read the play, signaled when to drop sandbags, scenery, etc. by whistling.  Whistle at the wrong time, and someone could get injured.

There is also the ghost light, set out on a dark stage in order to ward off the ghost (because every theater has a ghost, right?)  This also has practical origins...as it can be dangerous to enter into a completely dark theater.

And most of us are familiar with the need to refer to that one play as "The Scottish Play" backstage, lest you curse the show.  There are a few remedies should this happen, including reciting any line from any other Shakespeare play, spinning around and offer an insult, or even more.  Obviously if you are performing in...uh...The Scottish Play...then you are allowed to say the name in the theater.

However, some performers have certain rituals, superstitions, traditions, etc. that they indulge in for their own well-being...and if they don't do them, then the show won't go well.  Legend has it that James Marsters, when he was Spike on BUFFY THE VAMPIRE SLAYER, carried a Spider-Man action figure around with him.  Kit Harrington from GAME OF THRONES reportedly kisses the stage three times.  Ariana Grande used to eat chocolate donuts before important auditions for luck.

When I was doing community theater, I would always arrive before call time (usually fifteen minutes or more) and walk the stage.  If I didn't touch every inch of exposed floor onstage, it didn't sit right with me.  I still walk the stage before my improv shows before we open the house (though I don't need to touch every inch).  I also have a pre-show ritual of four breath mints, taken two at a time...though that is also done as a courtesy for my fellow cast members.  And, in one show I did. it was a ritual where another cast member and I used to give each other the middle finger right before going onstage.  Hey, we always had a good show, so who am I to judge what works, right?

What are some of your pre-show rituals, traditions, or superstitions?

Vanity fair TImothee Chalamet&& Matthew McConaughey by Crystal Rollen  •  last post Jun 22nd

I don’t know about anybody else, but I absolutely watch a Fan fair. I watched a round tables. I watched them all . I don’t know if I’m the only one that watches the stuff, but I am deeply involved when it comes to acting putting emotion into it really giving it your own and let me tell you what these two went deep talking about Interstellar 

Tony Leung Reflects on ‘Silent Friend,’ Wong Kar-wai and Why His Films Must Be Seen in Cinemas at Shanghai Masterclass by Geoff Hall  •  last post Jun 21st

Tony Leung is one of my favourite actors and I’d love the opportunity to work with him. (One hope for the future!)

Chunking Express and In the Mood for Love are my favourites. I love the intensity he brings to a character, by what may seem a very restrained and understated acting style. 

And his process for ‘Silent Friend’ is also interesting:

“To inhabit a neuroscientist, Leung spent six months reading books on plants and neurobiology and visiting laboratories to observe experiments firsthand. Around the third or fourth month, he said, the scientist’s mindset took hold without him consciously trying. He described thorough preparation as the condition for freedom on set, noting that the more prepared he was, the more shooting felt like play rather than obligation.”

What are your favourite Tony Leung films? What is your process for getting in character? 


https://variety.com/2026/film/festivals/tony-leung-silent-friend-shanghai-film-festival-masterclass-1236786301/

Seeking an Editor or Screenplay Collaborator for My Novel by Hiro Yamamoto  •  last post Jun 20th

I am currently looking for an experienced editor, story consultant, or screenplay collaborator to help further polish my novel, The Love Letter After Forty Years.


My goal is to prepare the manuscript for submission to publishers and future screenplay adaptation opportunities.

This is a serious project, and I am open to discussing paid collaboration with the right person based on experience, scope of work, and mutual goals.

If you have experience in novel editing, story development, or screenplay adaptation, I would be happy to connect and discuss the project further.

Thank you for your time and consideration.

Best regards, Hiro Yamamoto