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We have found 19,240 posts across 4 actor forums:

Master Class of a genius of acting and coaching GERMAN CHEKHOSLAVSKI on How to Play Drunk. by Slava Babenkov  •  last post Nov 4th

In this Master Class of the Master and the best acting coach in the World GERMAN CHEKHOSLAVSKI, you won't learn for sure how to play drunk, but you can try. GERMAN CHEKHOSLAVSKI tells the story of how he met Jack Nicholson on the set of his friend Stanley Kubrick's "The Shining". What impact did he make on some "The Shining" scenes? Also, you'll see how to practice the golden knowledge here and now.


https://youtu.be/sIgQYdj6joM

The Guitarist Santa claus by Shahriar Vaghfrahmani  •  last post Nov 3rd

“Film Is Forever, Baby”: Juno Temple, in Conversation With Miles Teller by Pat Alexander  •  last post Nov 2nd

(https://www.interviewmagazine.com/film/juno-temple-in-conversation-with-miles-teller)

Portraying Coach Mark Reynolds: My First Acting Experience with Memorized Lines by Glenn Axelrod  •  last post Nov 2nd

Just wrapped up one of my first acting clip where I fully memorized short lines and acted with someone else on the other end. Three days ago, I couldn’t remember any of it, but after studying for 3.5 days and listening to the script on Speechify until it became an earworm, I was able to recite 95% without notes and speak naturally on camera. No slate here—just straight into it. It felt like going back to my military days, responding to someone with precision when asked. This is a big step forward for me, and I’m excited to share it. Let me know what you think.  Before you do here's the backstory: In this clip, Head Coach Mark Reynolds of the Denver Titans (played by me)  receives devastating news: star running back Elijah Daniels has suffered a season-ending Achilles tear. Joined by Phyllis Whitaker, the team's Director of Athletic Communications, Mark shares the emotional weight of facing the worst-case scenario with no clear path forward. Experience the intense dialogue and raw emotions as they discuss the harsh reality of a depleted roster, tough decisions, and the burden of leadership during a pivotal moment. Dive into this gripping scene that showcases the struggle of holding it all together when everything falls apart.

https://youtu.be/N3Hr9MHabpE

Director's Cut-Horror/Slasher by Darrin Hickok  •  last post Nov 2nd

Hello everyone, I have a film in select theaters nationwide right now called "Directors Cut" starring Louis Lombardi. Head over to https://www.directorscutmovie.com to see if its playing in a theater near you! Thank you for the support! Trailer - https://www.youtube.com/watch?v=PYVrhYcc6ns Much love! Darrin Hickok

Myself hurts by Ahmed Fahd Dirbala  •  last post Nov 1st

from my play myself hurts

Don’t Miss TOMORROW'S Stage 32 Community Wrap-Up LIVE on Instagram! by Ashley Renee Smith  •  last post Oct 31st

Hey, Performers!


Don’t miss this Friday’s Stage 32 Community Wrap-Up LIVE on Instagram with
Head of Stage 32's Community, Ashley Smith, & Community Manager, Kay Ross! You can tune in on the @Stage32 or @Stage32Scripts Instagram accounts every Friday at 10:00 am PT/ 1:00 pm ET, to keep up to date on all of the wonderful things happening right here on Stage 32!

Go to Instagram NOW to make sure that you're following the @stage32 and @stage32scripts accounts so that you're ready to join us!

Voice acting by Banafsheh Esmailzadeh  •  last post Oct 30th

Hi everyone~ this is just a random question more than anything but is it very hard to get into voice acting? What do you absolutely need to do first, for instance?

How Directors can best work with actors. Let's ask the actors. by Mark W. Travis  •  last post Oct 29th

As a director (and directing coach) I am really interested in hearing from actors. We get a lot of advice from directors on how to work with actors which is of course very interesting but many times not that useful. How about we open the conversation and let the actors tell us what works for them, what doesn't work, when they want direction, when they want to be left alone. And if actors are dealing with fears (big topic) what are the biggest fears. We, as directors, are not mind readers. And I know that many actors are reluctant to share their own fears or insecurities, especially with a director or producer. Let's start a dialogue here that we can all learn from.

WHAT Makes Actors GREAT Actors? Part 1 by S. Joe Downing  •  last post Oct 29th

WHAT Makes Actors GREAT Actors? Part 1


https://youtu.be/_iSiOa02aQo

I interviewed 5 people, to gain insight on what makes a Great Actor in their craft. 

Writer- ZNation, Black Summer - Daniel Schaefer 
Production Assistant, Director, Writer - Jessica To
Director, Writer - Tim Earnheart
Director, Writer - Seth Christian
Talent Agent - Bob Tomazic







Rediscovering the Art of Acting Through Online Resources and Self-Study by Glenn Axelrod  •  last post Oct 29th

I've been diving into a lot of YouTube courses and online resources lately, and I'm learning so much that my previous acting classes didn’t cover. It’s becoming clear to me that truly embodying a character goes beyond just memorizing lines. You have to understand the character, bring them to life, know the backstory, and really dig into script analysis. It’s about grasping the underlying purpose of the script, understanding your role, and delivering it in a way that aligns with the writer's vision. Good acting requires knowing the emotions, the intentions, and so many other nuances that I feel weren’t fully explored in my in-person classes.


I’ve gained more from collaboration groups and just watching scenes from movies or soap operas, like The Young and the Restless. Watching a simple scene, practicing the performance, and recording myself has been eye-opening. It’s fascinating to analyze, rework, and refine a scene on my own. People-watching has also been a big part of my learning journey.

Honestly, I wish these foundational elements had been emphasized more in my earlier classes. Thank goodness for YouTube, collaboration venues, and all the resources out there—from platforms like Stage 32 and Backstage to simply connecting with other actors and casting directors. This journey has motivated me to keep improving, to become the best actor I can be, one step at a time. Just wanted to share that for this Tuesday!

Here Are 5 Powerful Reasons For Declining Acting Jobs by Aaron Marcus  •  last post Oct 29th

Here Are 5 Powerful Reasons For Declining Acting Jobs

https://youtu.be/4lcwsWffq5U

Out of nearly 1,300 bookings, I have turned down less than 10 auditions/jobs. It is hard for me to turn down work. 

However, it is essential that we say no to offers in certain circumstances. Watch the video - https://youtu.be/4lcwsWffq5U. and learn 5 reasons to decline a project.

If you ever turned something down, share it with us so we can learn from you.

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Money, a script - now what? by Richard Wilkinson  •  last post Oct 26th

Other than writing, I have zero experience in getting a film made.  I have private funding for a small film but need suggestions on the right person for taking it the rest of the way.  What skillset/role should I be looking for to take the cash/the script - and handle all production elements to get it made?

Have a great weekend! by Andrew Pierson  •  last post Oct 26th

When I like your post I have viewed your profile! https://pro.imdb.com/name/nm16222350?ref_=m_acc_yourpage

Self Tape Wardrobe Tips for Character Types by Tammy Hunt  •  last post Oct 24th


Mom and Dad 
Having a parental look will go a long way for commercial auditions and day players. Having a solid cardigan or polo you can throw on to look approachable and relatable can suggest the role. You want to look a little conservative.

Flirty 
If it’s within your range, having a flirty or seductive look might be something to consider for your self tape. Remember, you still want to look professional. Hair and makeup can go a long way too.

Rugged/Gritty 
Get yourself that grungy gray tank top or well-worn tee. Having an appropriate jacket (army green, brown or other darker earth tone) might also be useful.

Blue and White Collar Professional 
The white-collar look is an easy one to pull off for your self tape. Put it together with a blazer or suit. This can suggest any white-collar professional’s job from a lawyer to an accountant, detective, Real Estate agent, and others.
Blue-collar work is also a simple look to pull off. A nice denim top with sleeves you can roll up can easily transform you into a farm hand, diner waitress, etc.

Medical Professional 
Medical procedurals are always great to tape for! If you can get yourself some scrubs, you’re all set. If you don’t have scrubs, a solid color v-neck shirt can suggest a nurse or technician. A lab coat might be good to have on hand. You can sometimes find these at uniform stores.

#selftape #audition #actor 

Voice123 by Elle Travis  •  last post Oct 23rd

Starting back up and the algorithm has me in the pit of the system. I'll trade you a favorite for a favorite, and if you are a content creator please give me a like. Tips & tricks are also welcome. Thank you. https://voice123.com/voice-actor/elletravis?vref=FAP63US&utm_medium=Share&utm_campaign=Profile&utm_source=Direct

Top 5 Things Casting Directors Look for in Self-Tapes by Tammy Hunt  •  last post Oct 22nd



1. Performance. When you’re self-submitting, casting folks have high expectations. Even though you may have just received the copy, we assume that you’ve had time to work on the material and can bring your A-game.

2. Personality. Since casting is asking for your self-submission in lieu of an in-person audition, we miss out on getting the chance to meet you. If possible, we’d like to get to know you a little through your self-tape. One way to do this is to use your slate as a chance to show some of your personality as well as your professionalism.

3. Technical Quality. Ultimately, we need to see and hear you. If we can’t, this could immediately take you out of the mix. It may sound obvious, but you’d be surprised how many times talent will submit clips that are lacking in one of those departments. And if they are, even if we love their performance, we won’t be able to send them through to the client to consider due to poor recording quality. Your best bet is to solve all of these technical issues ahead of time. Find a space in your home that you can designate as your self-tape spot. Set up a camera, lights, background, etc. and have it ready to go.

4. Following Instructions. Make sure you read and follow the format and size specs for the clip. Also adhere to any slate, wardrobe, and direction that is given in the breakdown. Casting directors share these helpful instructions, which are usually passed along from the client, because they’re expecting to see them in the recordings.

5. Fitting the Role. Make sure you’re appropriate for the role before going through the trouble of self-submitting. If you’ve specifically been asked to self-tape then by all means send something over, but if it’s a general call, save yourself the time and effort if you don’t fit the breakdown. Time is limited and valuable for everyone, so focus your efforts on submitting for roles best suited for you!

- Melanie Forchetti, Casting Director for Netflix, Amazon, CNN, Oxygen, among others.

#casting #selftape #audition #actor

Omari Hardwick is fireee !!!! dropping some inspo (: by Chase Cysco  •  last post Oct 22nd

https://www.youtube.com/watch?v=BRoT9KWhr-I

What Actors Need To Know Before Signing Agency Contracts by Aaron Marcus  •  last post Oct 22nd

What Actors Need To Know Before Signing Agency Contracts

https://youtu.be/VOfMX4vq68Q

Are you considering signing an agency contract now or in the future? It’s crucial to understand specific details that can make or break your acting career. Many actors overlook critical elements in agency contracts, which can lead to costly mistakes. Don’t be one of them!

Watch the video and learn what actors absolutely need to look for to make sure they aren't hurting their career.

Have you signed an agency contract? If so, share your experience on the channel so we can learn from you.