Hi fellow creatives,
I'm Prince Acheampong, and I'm conducting a survey to understand the needs and challenges faced by creative professionals and industry leaders in the film and media space. Your feedback will help provide valuable insights into the current landscape of short-term opportunities and creative work.
I’ve been obsessed with Carol since I was a little girl. My mom and I used to watch reruns of the Carol Burnett show whenever we could find them on TV and I went through a phase where we played our VHS of Annie repeatedly. The Carol Burnett show still makes me laugh so hard I cry. To call her an icon is an understatement.
How to Begin Acting With Zero Experience
Being November 9th and having the people of America having their say through their votes, the results of the election of 2024 are over. It would seem to me that "unity" is always the driving platform priority but no one really seems to want that. Democrats are constantly pushing division because their little districts seem to support them but each district is different and only represents a small percentage of the population.
1.5 years ago, I was cast in an independent feature being shot here in Taiwan, after auditioning. I was offered a small speaking role, which is really all I wanted. The writer/director/producer was basically shooting the movie scene by scene over time on a shoestring budget, which I have no problem with. I knew they were filming, as I had seen various listings for the project over the months looking to cast other roles for the specific scenes being shot. But I was not contacted to do my 2 scenes. I assumed that either my role had been cut or I had been recast.
I received an audition that required a short monologue be performed looking directly into the camera. It fits on one page, so a teleprompter is not necessary. Do you spend an hour memorizing it and not worrying if you mess it up slightly? Is there a setup you use that allows you to look directly at the camera and see the script simultaneously? Thanks for the help!
6 Common Mistakes New Actors Make in Auditions And How to Avoid Them
Hi my friends I am so grateful for the support I receive on here and always so happy to see updates of your projects . I have a major event coming up the Asian TV awards where I will be presenting an award and could really use some views especially to my imdb pro page https://www.imdb.com/name/nm0191747/?ref_=ext_shr_lnk I will be happy to reciprocate Have a great week and wishing for all of us that we will be working a lot SOON
In this Master Class of the Master and the best acting coach in the World GERMAN CHEKHOSLAVSKI, you won't learn for sure how to play drunk, but you can try. GERMAN CHEKHOSLAVSKI tells the story of how he met Jack Nicholson on the set of his friend Stanley Kubrick's "The Shining". What impact did he make on some "The Shining" scenes? Also, you'll see how to practice the golden knowledge here and now.
(https://www.interviewmagazine.com/film/juno-temple-in-conversation-with-miles-teller)
Hello everyone, I have a film in select theaters nationwide right now called "Directors Cut" starring Louis Lombardi. Head over to https://www.directorscutmovie.com to see if its playing in a theater near you! Thank you for the support! Trailer - https://www.youtube.com/watch?v=PYVrhYcc6ns Much love! Darrin Hickok
Hey, Performers!
Hi everyone~ this is just a random question more than anything but is it very hard to get into voice acting? What do you absolutely need to do first, for instance?
As a director (and directing coach) I am really interested in hearing from actors. We get a lot of advice from directors on how to work with actors which is of course very interesting but many times not that useful. How about we open the conversation and let the actors tell us what works for them, what doesn't work, when they want direction, when they want to be left alone. And if actors are dealing with fears (big topic) what are the biggest fears. We, as directors, are not mind readers. And I know that many actors are reluctant to share their own fears or insecurities, especially with a director or producer. Let's start a dialogue here that we can all learn from.
WHAT Makes Actors GREAT Actors? Part 1