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We have found 19,412 posts across 4 actor forums:

Tributes To Val Kilmer by Ashley Renee Smith  •  last post Apr 2nd

Val Kilmer has had such a unique and impactful career, and reading this recent tribute from director Michael Mann really hit me: “I always marveled at the range, the brilliant variability.”


The Deadline article is filled with reflections from industry pros who worked with him and were deeply moved by his commitment, charisma, and fearless approach to performance. It’s a beautiful reminder of the kind of lasting impact a great actor can have. Read it here: https://deadline.com/2025/04/val-kilmer-remembered-by-michael-mann-heat-director-1236356976/ 

For me, my favorite Val Kilmer performance will always be Kiss Kiss Bang Bang. His delivery, timing, and chemistry in that film were so sharp. And I have to say, when I was a kid, I loved his portrayal of both Batman and Bruce Wayne in Batman Forever. As a little comic book geek and Batman obsessive, it left a big impression on me.

I’d love to hear from the rest of you: What’s your favorite Val Kilmer performance, and why does it stand out to you?

Have You Seen This Movie? by Nick Eff (Mandlamadi)  •  last post Apr 2nd

RIP to Val Kilmer.  This was one of my favorite movies back in the early 90’s.  I watched it over and over again, along with listening to the soundtrack on cassette.


What did you think of Kilmer's performance?

Networking by Samir Guemriche  •  last post Apr 2nd

Hi everyone!


I just joined Stage 32. Let me know—what are the biggest benefits of being here? How has this platform helped you in your creative journey? Looking forward to connecting and learning from all of you!

#Networking #FilmAndTV #Creatives #Stage32

Val kilmer by Courtney Warner  •  last post Apr 2nd

so sad but I thought it was appropriate to spread our condolences for our legend VAL KILMER! RIP

From Yale Drama to Marvel Magic: Kathryn Hahn on Comedy, Drama & Career Longevity by Ashley Renee Smith  •  last post Apr 2nd

In this intimate and insightful interview, Kathryn Hahn reflects on her journey from theater school to television procedurals, to stealing scenes in countless films you probably forgot she was in, before finally earning the spotlight in leading roles and landing in the Marvel universe.


She opens up about the early pressures of being “taken seriously” in drama, and how she came to realize that comedy demands just as much, if not more, emotional vulnerability.

Watch it here >> https://m.youtube.com/watch?v=AuH68t1gLw4 

What would your last meal look like, and what’s one thing you’d want people to know about your creative journey to this point? Let’s discuss in the comments below!

FREE 24-hour Ask Me Anything (AMA) event in the Producing Lounge with Theo Dumont—Producer, Manager, Co-Founder of Alta Global Media, and the Oscar-Qualifying HollyShorts Film Festival.- Tomorrow, Wednesday April 2nd by Alexandra Stevens  •  last post Apr 1st

Theo has a wealth of real-world experience to share. With projects like Die Like A Man (hitting theaters April 18 and streaming on Apple April 25), major upcoming genre adaptations with Lotte Cultureworks, and a new feature starring Honor Swinton Byrne, Theo is actively producing at a high level across global markets.

This is a chance for you to ask him anything—how producers come onto projects, how they secure financing, how they shape a festival and release strategy, and how they’re adapting to the current state of the industry.

Join the conversation here:

https://www.stage32.com/lounge/producing/Ask-Me-Anything-AMA-Wednesday-4...

We need your art!! by Courtney Warner  •  last post Apr 1st

Good Morning everyone here at Stage 32! Good to be here. Has anyone ever read “We Need  Your Art Stop Messing Around  and Make Something” written by Ami McNee. It really resonated with me, because it explains that our society needs art, because it is the most important tools we have for self development. Art is a mirror for humanity. There is a misconception that we are not worthy of making it worthwhile. This is why I do what I do and don’t feel bad about it. 

Directing the Actor: A USC course with Nina Foch by Eloise Anne  •  last post Apr 1st

A while ago, I took an online acting course; a USC course with Nina Foch, filmed at the University of Southern California in 2002


As a 'late starter', I found the course such an eye-opener, full of advice that (in my opinion) holds up incredibly well today. Just three minutes into the introduction I was pausing to note things down, and still find myself bringing the learnings to the surface in my acting. 

If anybody else has taken this course, or else knows of Nina Foch's work (may she rest in peace), I'd love to hear people's thoughts! 

https://www.udemy.com/course/directing-the-actor-a-usc-course-with-nina-foch/?srsltid=AfmBOorvo8JX3RYMzSs-Nrcm-y4b6d9EHCf-7BRAEZ_Y1sF-XDM7ir9B

These 2 Stand-In Secrets Changed My Acting Career by Aaron Marcus  •  last post Mar 31st

These 2 Stand-In Secrets Changed My Acting Career

https://youtu.be/vZPdn3dZbro
Have you ever done stand-in work or have insightful on-set acting experiences? If so, please share them here and on the Acting and Modeling Quick Tips Channel.

Is SAG in Control of Its Members? by Philip David Lee  •  last post Mar 30th

Rachel Zegler is rumored to be suing Disney for...... well, I'm not sure.She has single handily destroyed any good will between her and a movie audience with her attitude. Not everything she said was all that damaging, but she did not stop it when she had the chance and her follow up comments only made it worse.


Maybe....Disney should sue SAG/AFTRA. Rachel is one of their union members of which Disney is obligated to use. So if a union worker loses money for the people that are forced to hire actors from the union, shouldn't the company be reimbursed by the union? SAG is always talking up the concept of "Premier Talent" or "Bankable talent" so they can charge studios more to use their members because they'll bring in profits from the box office. So if one of their union talents does the opposite, doesn't that constitute fraud in some sense. Yes, Disney didn't have to use Rachel Zegler, but were they warned ahead of time that Rachel was an oral loose cannon?

Disney fired Gina Carano for a post that was nothing until they made it something.Gina sued and won as she deserved to, but Rachel is kind of another story. Rachel proudly boasted that she didn't need anyone's business if they didn't agree with her.

It'll be interesting how history remembers these pages being written. It will also be interesting if investors and producers learn a valuable lesson as well. I would hope actors are figuring this out.

Coffee & Content: What Does the Future of Hollywood Look Like? by Alexandra Stevens  •  last post Mar 30th


Sharing RB's blog about:
 How technology is reshaping power dynamics in Hollywood
The practical uses of AI for writers, filmmakers, animators, post-pros, and producers
Whether these shifts are opening new doors or making the industry more complex

https://www.stage32.com/blog/coffee-content-what-does-the-future-of-hollywood-look-like-4055

Personally it has opened my eyes to thinking a bit more about who holds the power to shape our art and whether I choose to give them that power or not. 

Controlling versus Letting Go In The Creative Process by Alexandra Stevens  •  last post Mar 30th

Controlling versus letting go and trusting is on my mind recently. This polarity relates to how we approach life, the creative process and also our acting. 
Viola talks about not trying to control the outcome of a performance. She says: “Whatever I work with at home I only take it to a certain extent,….you gotta say 'yes' to your partner. If they're giving you a line in a certain way, guess what? You gotta get up off your 'A-double-snakes' and use that. - Viola Davis

I find letting go and trusting the process frightening and I don’t think I’m the only one. There isn’t one magic tool that can help us to do that.  
The recent discussions we’ve had about Improv, Meisner and Method can help us to let go in acting. More broadly we can work on challenging unhelpful beliefs, trying to reinforce more helpful ones, feeling the fear and doing it anyway. We can also work on our sense of safety in our body as we control to try to feel safe.

An EMDR tool I use to activate the neural networks related to safety is to imagine myself in a very safe situation vividly. I see the place, smell the smells, feel the body sensations and really bring in the feeling of safety in my body. I then tap bi-laterally left-right-left-right on my body to reinforce the feeling whilst telling myself “I am Safe’. I thought this might be helpful for others.

Curious to hear how you navigate letting go and trusting the creative process?

SAG-AFTRA Warn Casting Websites Against Charging for Auditions by Jack Binder  •  last post Mar 29th

SAG-AFTRA has sent out a notice to casting websites offering auditions and charging actors. This is illegal in NY and California. Check out the article:


https://deadline.com/2024/01/sag-aftra-letter-casting-websites-charging-fees-auditions-1235798882/

5 Tools You Need To Build A Voiceover Business by Maurice Vaughan  •  last post Mar 29th

Melanie Scroggins shares her list of the five essential tools you need to build a voiceover business in today’s blog.

This is a great blog for anyone who wants to build a voiceover business!

If you have any questions about building a voiceover business, post them in the blog comments so Melanie and other members in the community can answer them. If you have any experience building a voiceover business and you want to share tips/insight, post them in the comments too.

www.stage32.com/blog/5-tools-you-need-to-build-a-voiceover-business-4054

Check Out the Ask Me Anything Event Today (Friday) and Tomorrow (Saturday) with James C. Clayton by Alexandra Stevens  •  last post Mar 28th

James C. Clayton—a Canadian filmmaker, producer, screenwriter, and actor with 25 years of experience. He’s best known for his work on Lionsgate’s Bullet Proof and its sequel Get Fast (now streaming on Amazon Prime), and he’s currently prepping his next action-thriller feature, Briefcase, 8, which he wrote, is producing, directing, and starring in.


James will be answering questions in real time while actively prepping for production—giving you a rare behind-the-scenes look at what it takes to take a script from the page to the screen.

Whether you want to know how to make your scripts more director-friendly, understand where writers and directors often clash, or learn how to stay involved once their script is in motion—this is the moment to ask.
Curious how many of your actors also write?

How That ‘White Lotus’ Monologue Came Together: Sam Rockwell, His Acting Coach and a Leap of Faith by Richard "RB" Botto  •  last post Mar 28th

Insightful article on Sam Rockwell, his process and his relationship with his long time acting coach.


And, of course, that WHITE LOTUS monologue.

https://www.hollywoodreporter.com/tv/tv-news/sam-rockwell-white-lotus-monologue-acting-coach-1236175014/

Anyone Here I can ask an NDA question of. by Jill Godley  •  last post Mar 28th

Does anyone have time for a quick Zoom? I have a question about an NDA. 

Let’s Talk Negotiation, Self-Worth & Longevity in Acting by Ashley Renee Smith  •  last post Mar 27th

Hey Actors!

Whether you loved Grey’s Anatomy or not, there’s no denying Ellen Pompeo made a massive impact and she fought hard to know and demand her worth as a lead actress.

In this recent episode of the Call Her Daddy podcast, Ellen sits down with Alex Cooper to talk candidly about:

- Navigating double standards in the industry

- Becoming the highest-paid woman on network television

- Salary negotiations and advocating for herself

- Her thoughts on Meredith’s most iconic moments (and chaotic dating life)

- What it really takes to last in this business

Watch it here >> https://m.youtube.com/watch?v=jex1tGfWpno 

It’s such a raw, empowering conversation especially for actors navigating career longevity, contracts, and the pressure to “just be grateful.” It’s a reminder that knowing your value is not the same as being difficult.

Let’s open this up for discussion:

Have you ever had to negotiate your value as an actor? What’s one thing you’ve learned about advocating for yourself in this industry?

Drop your thoughts below. Let’s learn from each other’s journeys.

Casting a series in Europe by Sabrina Culver  •  last post Mar 27th

https://www.imdb.com/title/tt36304453/?ref_=ext_shr_lnk European based actors especially based in Amsterdam/ Belgium we will be looking for a few people to round out our cast in the next few months

Do You Use Music To Develop Your Characters? by Alexandra Stevens  •  last post Mar 26th

Hey all!

I've just been reading the answers that Rob Lowry is posting in his AMA today and tomorrow. I felt inspired and wanted to share here. He explained he sometimes gives character playlists with actors or the party playlist if there is a party in the film. This is fun and exciting to me and reminded me about what i've heard recently. Namely that music reaches many parts of the brain including those to do with motion, memory, and reward.  Including the retrieval of autobiographical memories which allows actors to access personal experiences that resonate with their character's journey. This process, known as Music-Evoked Autobiographical Memory (MEAM), can lead to more authentic and emotionally rich performances.  I found this video on the impact of music on emotional memory https://www.youtube.com/watch?v=zhoaU34HQxY
What are your thoughts? And what is the song/piece of music that most helped you when developing a character?