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We have found 19,242 posts across 4 actor forums:

How Much For Great Self Tape Equipment https://youtu.be/PufWkDyHzOA by Aaron Marcus  •  last post Dec 5th

Do you know exactly what equipment is needed and the cost

to shoot great self-tapes? You might be surprised. Watch
the video and learn.
https://youtu.be/PufWkDyHzOA

What equipment are you using and how much did it cost?

Peer reviews by Jed Power  •  last post Dec 4th

How do you get peer reviews on your script?

The art of acting. (behind the mask) by Richard Mark Bazley  •  last post Dec 4th

As we sat at tables arranged around the room and the Lecturer sat in the centre. I felt the nerves set in. You know, the dry mouth and sweaty palms. We had all taken a character each in a Shakespeare Play in my "A" level English Lit classes. The girls were natural and one girl performed with such gusto that my feeble delivery seemed all the more timid. I knew I would never be an actor but I did love stories.
The irony is I did in some ways become an actor. An "Actor with a pencil". I became a Lead Animator for Walt Disney Feature Animation. With a pencil I could hide behind I could become anyone or anything....................... https://www.linkedin.com/pulse/art-acting-richard-bazley-fpbse%3FtrackingId=bb4oSwLvRi64Qv7BC7I%252Byg%253D%253D/?trackingId=bb4oSwLvRi64Qv7BC7I%2Byg%3D%3D

Today's AMA in the Writer's Room Lounge - Matt Bierman by Sam Sokolow  •  last post Dec 1st

Hey everyone - Matt Bierman, Producer, Studio Executive, and Stage 32 Educator is hosting a 24-hour Ask Me Anything ("AMA") in the Writer's Room Lounge today, focused on Writing and Selling Your Holiday Rom-Com. 


Here is the link to his AMA so you can hop in and ask Matt your questions: https://www.stage32.com/lounge/vip/Writing-and-Selling-Your-Holiday-romcom

Matt is also teaching a lab where you will create all the tools you need to actually sell your original holiday romantic comedy starting tomorrow - here's a link so you can grab one of the last spots: https://www.stage32.com/classes/Stage-32-8-Part-Lab-Create-All-The-Tools-You-Need-To-Sell-Your-Holiday-Romantic-Comedy-Nov-2023

Also, If you aren't yet a member of the Stage 32 Writer's Room you can get a first month by signing up here: https://www.stage32.com/writers-room/plans-vip

Sharon Stone Says No to Big Budget Movie Over Gender Pay Gap by Debbie Elicksen  •  last post Nov 30th

I am not an actor, but I did find this interesting, and it seemed to fit here in this lounge. 

Stone challenges not only the pay structure, but the opportunity for women in America. How interesting that Saudi Arabia is more open than the U.S.

What she has to say is fascinating.

https://deadline.com/video/sharon-stone-gender-pay-gap/ 


How To Know You’re Ready For A Manager + What To Do When You Get One by Tammy Hunt  •  last post Nov 30th


First things first: actors must be ready for a manager before seeking a manager. What do I mean by that? Actors, you must have a career to manage before you pursue management. Managers don’t want to develop a career for you from scratch—it’s more time than we have in the day. 
At a minimum, you must have professional headshots, training by an actual industry professional, and enough solid acting experience that you have at least a few credits on your resume.

You should also be knowledgeable about the business of acting and have an attitude that is professional to this career path you have chosen. You are the business; you are the product you’re selling. Actors, please understand that managers absolutely must have clients that want to work as hard as they do for you. 

This means we will not tolerate you expecting us to do everything for you with no willingness to get out there and try to find work as well. Whether it be a student film, background work to gain experience on set, or helping out a creative friend for free on their project—show us that you are willing to put in the work and we will reciprocate in kind.

We also want to get along with you. Over the course of my career as a talent manager, I’ve experienced various levels of professional and personal conflicts at the beginning of a relationship with an actor. That’s a red flag for me. Difficulty at the beginning almost always guarantees difficulty throughout. 

When we offer you advice, take it. Know that we put massive amounts of effort into your career but that still doesn’t mean we have the power to create miracles. So when we suggest that you take classes, recut your demo reel, step out of your comfort zone, etc., please listen.

We love working with actors who are always prepared. The actors who know their lines. The actors who show up on time to auditions and callbacks with whatever was requested of them. Those are the actors we want to help succeed.

We want someone who likes the creative process of thinking about and planning their careers. 

#actor #management #work

What acting performance in a recent movie has stood out to you and why? by Amanda Toney  •  last post Nov 29th

I'll go first - I watched KILLERS OF THE FLOWER MOON ***spoiler alert**** and I love the scene at the end when Leonardo DiCaprio is talking with his wife and fighting with his feelings on poisoning her. I couldn't believe the range of emotions he let run through his face in that moment, and the way he delivered his lines still haunts me. 

I'm seeking out a local publicist by Cassie Hicks  •  last post Nov 29th

Hi, folks. I'm seeking out a local publicist who can interview me about my three topics that are based on soap operas and music, and I'm struggling.:( Also, my main concerns are the bill and the cost, because those are the last things that I want to be stuck with. If anyone knows a local(Chicago) publicist, please let me know. Thank you very much.

Acting by John Guinn  •  last post Nov 28th

I once attended an acting school, I found it to be very interesting, I also found that it is real work.  I have a great appreciation for actors and their skills, It can take sometime to become a pro.

An Actor's Greatest Competitor? Will Surprise You by Aaron Marcus  •  last post Nov 28th

An Actor's Greatest Competitor? Will Surprise You
Use the link below to watch the video

https://youtu.be/IZ0ZsUMwB2I

Have you ever experienced competitiveness from others?
If so, share your experience so we can all learn from each other.

Stage name sign with Agency? by Mary Tennant  •  last post Nov 28th

Hello, I am about to sign with The Wayne Agency not union. It ask for social security is still okay to use stage name? Or not? Thaks. Mary

Cyber monday! by Sam Sokolow  •  last post Nov 27th

Today is Cyber Monday! Remember that all day long today you get 20% off any Stage 32 on-demand education. If there's anything you've had your eye on today is the day to jump in and take it. 


You can check out all of our courses here: https://www.stage32.com/education

Have a great and creative day!

Off-Broadway Play by Kevin Loreque  •  last post Nov 27th

Currently in the Off-Broadway World Premiere of WAR WORDS at A.R.T/New York, written by Michelle Kholos Brooks (Mel Brooks' Daughter-in-Law) thru December 17th. True stories (both powerful and funny) of vets in Iraq & Afghan wars. Reach out about discount tix!

U.S. talent agents working with actors abroad by Klara Landrat  •  last post Nov 26th

Hello all, Can anyone recommend me and agent based in the U.S. who works with U.S. citizen actors who live abroad? 

It's Giving Tuesday! by Mirtha Vega  •  last post Nov 26th

Please donate on Giving Tuesday to The Rebuilding, a timely feature project set in 2050 America. Given the craziness that surrounds us, this just makes sense. Plus due to our fiscal sponsorship through The Gotham Film and Media Insititute, all donations are tax-deductible. But we can't make it happen without you - thanks in advance for your support!

Social Media and Actors / Casting Director Advice by Tammy Hunt  •  last post Nov 24th

Casting director Laurie Records talks about #socialmedia and what advice she would give to #actors who are trying to build out their social media:


"If you hate it, I would say then let it go. You do you. But if you have interest in it, be willing to put in the time, and that means daily or every other day. You need to be active. I would put it on my to-do list. Dedicate a half an hour of your time to cultivating that. I think that consistency is key. Just make it part of what you are doing for your acting career today. It will take time. You are not going to be on everybody’s radar from the get-go. But if you enjoy it, it should be a little bit of fun for you and [it] can absolutely be helpful in some situations. So, take the time, put in the effort and think about what you’re doing. Be careful, don’t slap things up that you might regret later. Be thoughtful. Keep your actor social media account pristine and with a focus that is going to serve you as an actor."

"As far as red flags I look for, clients care about offensive content. Stay away from extreme anything, whether it’s provocative photos, extreme political posts. I think that you can express how you feel politically, but it's a danger zone. Staying civil is a good idea, and just staying away from crass, rude, crude stuff. You’re representing the brand in the end, that is how they’re looking at you. If you’re a known jerk online, that’s not going to work out for the brand."

"Eventually, it will help you down the line. I think it’s worth the time.I would say, if social media is not your bag, stay off! Don’t have an Instagram account. It’s all right! But I believe that if you have interest in it, you will be rewarded. Follow other actors. Look and see what they are doing. That’s a great way to get some content ideas. Some people do it very well, so watch and mimic them. You’ll be different because you are you, but that way you’re not reinventing the wheel. Actors have come before you and done this social media thing quite well. Be a student of theirs, get some great ideas, and have fun. But keep it focused. Keep it focused on the acting stuff and enjoy it as a fun break you have in the day."

ELLEN LEWIS - Casting Director - Team Deakins Podcast by Florin Şumălan  •  last post Nov 22nd

"On this episode of the Team Deakins Episode, casting director Ellen Lewis (KILLERS OF THE FLOWER MOON, THE DEVIL WEARS PRADA, GOODFELLAS) joins us to talk about all things casting—of which we knew very little before speaking with her. A disciple of veteran casting director Juliet Taylor, Ellen shares with us how they were first introduced and what she learned working with her for eight years. Ellen reveals how closely casting works with talent agents to find the right actor for a role and how some casting directors even directly negotiate an actor’s contract. We worked with Ellen on KUNDUN, and she recounts her global odyssey to cast the 14th Dalai Lama across four separate stages of his life. We later discuss setting actors at ease, both on set and in the audition room, and how we do what we can to lift the pressure under which actors must work. Ellen also admits to us just how far she’s willing to travel to go to set."
https://teamdeakins.libsyn.com/ellen-lewis-casting-director

Article 92 by David P Perlmutter  •  last post Nov 22nd

My role as the Prime Minister of

Acting Workshop: Build Your Successful Preparation Process! by Sydney Summers  •  last post Nov 21st

Stage 32 is excited to welcome Ryan back! Learn how to do your best scene work - whether you have one hour or one month to prep - with esteemed actor Ryan Cartwright who has starred on numerous television series including BONES, MAD MEN, THE BIG BANG THEORY, KEVIN CAN WAIT and ALPHAS!


You will walk away from this class with the tools you need to successfully approach your character, dialogue, and action steps to properly utilize on your self tapes, callbacks and on-set performances for maximum success!

PLUS! Ryan will provide you with exclusive handouts to help you hone your acting process. Downloads include:

The Audition Process Beat Sheet
Filming Day Checklist

https://www.stage32.com/classes/Acting-Workshop-Build-Your-Successful-Preparation-Process

Adult or Child voices to play kids in Animation by Kevin Jackson  •  last post Nov 21st

Hello everyone. So I have been thinking which is better for a kids animated series. Child actors the same age as the characters? Child actors a little older so they still sound like kids but have a better understanding of the script or adults who can sound convincing as a child?

On one hand I have heard child actors can be hard to work with and they can only work for a limited amount of hours straight or and limited amount of hours for the day, and they take longer to get their lines sometimes forcing the shoot to be longer. There is also the issue of the child aging out and voice changing, forcing you to find new child actors that sound alike.

On another hand while adults can definitely work longer, they might not sound like a child. Is it a huge concern if they character playing kids in an animated series, is actually an adult?