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‘You won’t help me’ - the play to end domestic violence by Phoenix Benham  •  last post Jan 22nd

Already set to be one of the most groundbreaking and controversial plays of its time.


Tickets for ‘You Won’t Help Me’ - The play to end domestic violence, are available now.

The Bridewell Theatre London - 29/07/2024 - 03/08/2024

This play was written based on the very real experiences of domestic violence, the writer had.

Half of all ticket profits will be going to 2 Domestic Violence charities, and 100% of all donations raised through our donations page on the website, will be going to DV charities.

Please support us in putting an end to domestic violence, and grab your tickets now

Coffee & Content: When The Director Is An Expert In Color Theory by Maurice Vaughan  •  last post Jan 21st

Stage 32’s founder and CEO, Richard “RB” Botto, shares two videos in today’s blog.


In the first video, you'll see how to use color theory to add to the visual impact and thematic arc of your story. It’s a great video for filmmakers, cinematographers, and screenwriters.

In the second video, PAST LIVES star Greta Lee and ALL OF US STRANGERS star Andrew Scott discuss two small movies that’ve made a huge impression on the entertainment industry this past year.

Grab your coffee/tea/hot chocolate/etc. and jump in!

www.stage32.com/blog/coffee-content-when-the-director-is-an-expert-in-color-theory-3610

Is it better to be a "niche" writer or a versatile writer? by Xavion Niles  •  last post Jan 19th

I have 7 completed scripts (2 pilots, 5 features) and I've been pitching for about two and a half years. I get a lot of "strong project but currently not the right fit" from many producers on another pitch service and I've never received a "request" from my stage32 pitch sessions. Last summer I worked on some re-writes with a producer from MarVista on my young adult horror slasher however no option was signed and I'm kinda just sitting in stasis with him while we wait to see if this one network may pick it up. My comfort zone is horror and romcoms but my current roster of projects consists of a sitcom, a sci-fi series, a Christmas rom com, a standard rom com, a sci-fi thriller, a horror slasher, and a supernatural thriller. I always write whatever ideas grab my attention but should I stick to what I feel I write best or continue to show my range? 

How to find Local Actors Or Voice Actors In Your Area by Kiara P Oxley  •  last post Jan 18th

Hello guys good afternoon, i know i have shared my shows Thomas And The Coles but the question is how to find them in your local area, i know that both voice acting and screenwriting is a very competitive field, and takes a lot of practice, i  think its not easy finding the right people, so if i were to find people in montgomery county prince george's that would be easy. since i'm good with music i would do most of the music in my tv show.  so my question to you is how can i find professionals in my area? this is a job i want and i have the skills to write a good story line.

Bad Acting Habits To Avoid by Tammy Hunt  •  last post Jan 17th



- Using lines as an excuse 

- “When I know the lines I’ll be able to perform the scene better” - this is an excuse to cover up many things, mainly inhibitions, the fear of trying something or not knowing what to do because you haven’t read the scene/script enough. As Lee Strasberg (The Method guru) once said, learning lines is about memory and acting has nothing to do with memory. My advice is to play and experiment with the scene. You can only do this by reading it and making justified choices. Find a suitable way of training your memory to learn lines effectively because that’s not the job of your acting coach. 

- Not reading the script enough - AKA lazy acting. Some actors go through the script, but only to learn their lines. You need to know the FULL story, not just the story of the scene your character appears in or only the story of your character. To get the full picture you must read the FULL script (more than once). Here are some things to think about when reading the FULL script: Why does your character choose those specific words? What do they really mean? What is really going on? What has lead them to where they are now? In the early stages of character development you’re like a detective; you have to piece the full picture together to be able to connect to the character, then you have to figure out what the motive behind the character’s behavior is so you can make clear choices in each scene you appear in.

- Forcing emotions/trying too hard - this is usually done to impress, and there is logic in that, but acting should feel effortless. When you try too hard or try to force something, it looks fake, feels strange and just doesn’t make the thing you’re trying to make happen appear. The same happens with emotions. Find inner purpose for what your character is going through and demonstrating through gestures and expressions.

#actor #tv #film #video #script #writer #drama #manager #agent #casting #director #success #hollywood

Can Self Tapes be fun and book jobs? by Loren E Chadima  •  last post Jan 17th


Can you imagine getting a self tape request that you’re excited to shoot? 

What if your self tape was fun and you really felt like if you didn't book the job, you know you booked the casting office?     

Not convinced? I hear you - basically you've shot a lot of self tapes and you thought you knew what casting wanted but still… you didn’t book the job. I get it. 

My students were just like you. Honest. 

Read for yourself how Intentional Acting students have benefitted from the course:

I got cast as the lead in a play which I auditioned for last fall - but didn't get a callback. They had to recast the role and held a second audition. 

The second audition I did the 9 Questions of Intentional Acting and I walked in as a different person because I had done the work versus the first time I was so nervous and worried only about the words on the page. Apparently my improvement showed. I got cast as the female lead.  

~ Victoria Paganini KADE, Z-LISTERS, LIGHT MY FIRE

Taking your class is a great investment for any actor. It exceeded my expectations. It really, really, really helped me understand how to breakdown the script. After taking your class I have a newfound respect for acting because I had no idea how much it took to really understand the character, the show, and being in the moment.  

I applied the Intentional Acting tools to a project I worked on last weekend. The director commented on how great my performance was and asked me to be in his next project! 

~ Shevonne Monique CHERRY BOMB, HIT LIST

These aren't just examples of lucky breaks. These are hard-working actors who needed more specific acting tools.   

Set up a 20 minute Free Actor's Strategy call and see if this class is a match for you.  

Here's the link:  www.DiscoverIntentionalActing.com 


How to Create Powerful Chemistry With Your Co-Actor? by Aaron Marcus  •  last post Jan 17th

Want to Learn How to Create Powerful Chemistry With Your Co-Actor?

Use this link and watch the video
https://www.youtube.com/watch?v=LAh2EkSrMdw

If you have any suggestions on how to create a strong chemistry
with your scene partner or co-star, share them with others here.

The Whale by Geoff Hall  •  last post Jan 17th

My week started off with watching ‘Society of the Snow’ and last night I finally got to watch A24’s ‘The Whale’, directed by Darren Aronofsky, written by Samuel D Hunter (and based on his play). Starring Brendan Foster and Sadie Sink.


There is something about films being made that are based on plays; Dial M for Murder comes to mind. The sets for the films are simple, stage-like affairs. I think I’d call this style ‘Intimisme’, because with The Whale you have a cast of seven actors who move around a beautifully crafted set, which becomes the centre of expressing the pain of their soul.

But where’s the action? We are always told that it’s all about the action, aren’t we, but in Aronofsky’s ‘The Whale’ we have the intimacy of pain, of Charlie (Brendan Fraser) and Ellie (Sadie Sink), in fact every character save for the Young Ellie, brings their pain to Charlie’s apartment. 

And, you are carried along by the dialogue, carried on waves of emotion, waves of pain and you get astonishing performances from every actor on this set. I don’t know why I was so surprised, astonished even, at Brendan Fraser’s performance; it goes beyond the heavy prosthetic he had to wear. Beyond ‘George of the Jungle’ and ‘The Mummy’ and it turns out that he is a great actor, which perhaps shows that any level of performance is all down to the material. 

As Charlie says towards the end of the film, ‘People are amazing’. He’s talking about you and me, about us and our resilience, our tenacity for life. That we keep on going, no matter what is thrown at us. Note to self: It turns out that Life can throw us more than one curve ball, simultaneously!

I’ve included in this post, the link to the final scene, with its over-swell of emotion. This is a stunning performance from the small intimate cast of life’s heroes. 

I recommend that if you haven’t watched this film yet, that you will make it a priority to do so. If you have watched it, then please leave your thoughts on this little masterpiece below. 


https://youtu.be/LvwOSmIba_k?si=aTOXLVhz05ysEdVc

Navigating a Hypothetical Dilemma by Matthew Gross  •  last post Jan 16th

As an actor exploring potential representation, let's delve into a hypothetical scenario. Imagine discovering a boutique agency run by a dedicated owner and her single assistant. Now, consider learning that the owner's adult son is facing serious, life-altering mental health issues.


In this situation, there's a potential challenge. On one hand, the agent might need extended time off to support her son, which could impact your job opportunities. On the other hand, there's an opportunity to contribute to the destigmatization of mental illness through supporting the agent by allowing her to represent you.

How would you approach this hypothetical dilemma? What factors would you weigh in balancing your career aspirations and the call to raise awareness about mental health?
I'm curious to hear your thoughts on this hypothetical scenario. Your insights matter, so let's open up a constructive conversation. 

In-Person Networking Meetups This Thursday! by Ashley Renee Smith  •  last post Jan 16th

Hey, Actors!


2 Stage 32 in-person networking meetups are coming up this Thursday! I'm including links to the meetup pages for you all below. If you live in any of these cities or are nearby, be sure to RSVP and seize this opportunity to meet with other creatives in person and help build your local creative community! 

Austin, TX: https://www.stage32.com/meetups/1948/January-Stage-32-Austin-TX-In-Person-Meetup

Phoenix, AZ: https://www.stage32.com/meetups/1950/January-Stage-32-Phoenix-In-Person-Meetup

Starting this weekend...Acting Workshop: Build Your Successful Preparation Process! by Sydney Summers  •  last post Jan 16th

In this exclusive Stage 32 4-hour workshop, you will develop your acting process so you feel confident that you are delivering to the best of your abilities every time. You will also be exploring intensive scene-study work to help you create captivating performances. Guiding you through you audition, scene study, and character process is esteemed actor Ryan Cartwright. Ryan has over 30 years of professional acting experience and training and he has developed a robust acting process that he will share with you to incorporate into your own process to consistently elevate your work. Ryan has starred in numerous TV series and movies including BONES, MAD MEN, THE BIG BANG THEORY, KEVIN CAN WAIT and ALPHAS. He has an extensive understanding of what helps book roles in the casting office and what directors delight in seeing on set, and is passionate about teaching other actors the secrets to success.


PLUS! Ryan will provide you with exclusive handouts to help you hone your acting process. Downloads include:

-The Audition Process Beat Sheet
-Filming Day Checklist

https://www.stage32.com/classes/Acting-Workshop-Build-Your-Successful-Preparation-Process

Update for actors! by Omari Washington  •  last post Jan 16th

Hey Superstars! I have some great news for you. Casting directors have OFFICIALLY started in person auditions again. I just left my first in person audition of the year earlier today. To be honest, it felt so good to be back in front of casting vs submitting a self tape. I feel like it's extremely hard to book with a self tape because casting was seeing a lot more talent via self tapes. Now there's hope again for all the actors like me who like the energy they get when auditioning in front of casting. Let's go!!!

A Salute to the Crooners by Dan Olivo  •  last post Jan 16th

Dan Olivo’s Almost 50 Birthday Bash with his 7 piece band - Saluting the Crooners https://www.eventbrite.com/e/-a-salute-to-the-crooners-dan-olivo-his-little-big-band-tickets-787978614247?aff=oddtdtcreator Come join us for an unforgettable night of music and celebration at A'Roma Ristorante in La Palma, CA We are thrilled to invite you to Dan Olivo’s almost 50 Birthday Bash !!! Dan will be performing live with his incredible 7 piece band. Get ready to eat, drink and have a blast as Dan and his band take the stage to entertain you with new arrangements of songs from Frank Sinatra, Nat King Cole, Dean Martin, Harry Connick Jr., Michael Buble' and more !!!!!

Extension by Justin Reinsilber  •  last post Jan 16th

Is there a link for the Karmalicity extension? Thanks!

Stage 32 + United Airlines Descend Upon Park City This Week! by Ashley Renee Smith  •  last post Jan 15th

In Stage 32's effort to contribute to diversity, equality, and inclusion in the industry, next week we will be in Park City shining a light on female and non-binary filmmakers and the impact they make on entertainment. Learn more in today's blog!

https://www.stage32.com/blog/stage-32-united-airlines-descend-upon-park-city-this-week-3609

A tentative question. by Murphy Ernst  •  last post Jan 13th

This is perhaps the dumbest question I have ever had because I should have asked this question at FADE IN. 

I have all but completed a script, set in the South Pacific, and at no point is race mentioned. I approach that subject as the director's concern, how he or she sees the characters --

Concerning the current social environment, I would ask if my script is sunk before it hits the water.

The narrative involves two old-school men, with old-school ways, masculine of course. Cast alongside them are three strong women, but is that enough? Is there a market? 

Strange days indeed.

A tentative question by Murphy Ernst  •  last post Jan 13th

I have a script all but complete. The story involves three old war horses (veterans) . They are old school, masculine, they are cast with strong women. In this current social environment, is it enough to include strong women? Or is the project sunk before it is in the water because it contains masculine characters, traits, and themes?


It is set in a South Pacific country, at no point is race mentioned.

The Dangers Of Getting Top Production Value For Zero Cost by Maurice Vaughan  •  last post Jan 13th

Tennyson Stead talks about the danger of cutting corners with the safety and well-being of cast and crew on set, in exchange for production value.


This is an IMPORTANT topic. Please read this blog, post in the comment section, and share this blog with others.

www.stage32.com/blog/the-dangers-of-getting-top-production-value-for-zero-cost-3608

A Salute to the Crooners by Dan Olivo  •  last post Jan 13th

Dan Olivo’s Almost 50 Birthday Bash with his 7 piece band - Saluting the Crooners https://www.eventbrite.com/e/-a-salute-to-the-crooners-dan-olivo-his-little-big-band-tickets-787978614247?aff=oddtdtcreator Come join us for an unforgettable night of music and celebration at A'Roma Ristorante in La Palma, CA We are thrilled to invite you to Dan Olivo’s almost 50 Birthday Bash !!! Dan will be performing live with his incredible 7 piece band. Get ready to eat, drink and have a blast as Dan and his band take the stage to entertain you with new arrangements of songs from Frank Sinatra, Nat King Cole, Dean Martin, Harry Connick Jr., Michael Buble' and more !!!!!

Lew Bracker Interview: James Dean Stories by Dustin Richardson  •  last post Jan 11th

Hi actors!


If you're a fan of James Dean, I wanted to share this interview series with you. 

Lew Bracker was a very close friend to James, and he recounts a lot of amazing stories about their friendship, filming all his films, working with Natalie Wood, and more. He talks about James's approach to acting/filmmaking as well. Some of his stories are from his book "Jimmy and Me," which is a must-read! It's super fascinating looking back on this era of Hollywood.

I hope you enjoy it. I did this interview back in 2022.

Part 1: https://youtu.be/v8mv6ZRcrB8?si=tv2bNg9ZP_hTd-OH

Part 2: https://youtu.be/mRHad4n92eg?si=xxW3nWhVECvjI7q6

Part 3: https://youtu.be/GwgPh5v8rd8?si=3klri1X3Z8V1yh4U