We have found 19,242 posts across 4 actor forums:
Headshot-Age Range-Character Type Post - Aug 23 by AutoModerator • last post Aug 23rd
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
Who would you regard as the greatest actor of all time? by lilwoodzey2013 • last post Aug 23rd
Who do you guys think is the greatest actor of all time? Not in terms of popularity but in terms of actual acting (getting into character, conveying strong emotions, diverse body of work and roles). Past and present! I’m sure everyone will have different opinions which is great, so I look forward to seeing what you guys think! :)
One Of "Those" Actor Stories by Joe Gooch • last post Aug 22nd
We've all heard them.
Here's mine:
https://youtu.be/TpyXlPIYKVo
Thank You Ms. Hiller For your Contributions by mrarthurwhite • last post Aug 22nd
I just want to say that I wish to thank you Ms. Hiller for your contribution to the subreddit and to acting. I had a question also , please. Ms. Hiller you mentioned in one of your lovely posts (which I cannot find) that the character does not know what is going to happen (as in real life) and does not know precisely what they are going to say in an interaction a few lines down the dialogue. What techniques may we use if we wished to bring this to film ? meaning how do we create an environment on set (some industry giants use minimal equipment and crew and distractions) and what minimal process or motivations or information can we provide to the actor (some legends just provide the actors with motivations and hints and mild direction on the day of the shoot and encourage improvisation on set) in order to enable them to have the magic of the first take (the authenticity and genuine immediacy of it). p.s. I am asking the other readers to kindly avoid responding frivolously or unkindly (observe netiquette ) and permit Ms. Hiller or serious responses only p.p.s if you are a lurker who is downvoting this, explain why please. ( it is likely a moderator)
Is it possible to share a PDF of the Actor's Equity Handbook? Or where to find. by ahess1209 • last post Aug 22nd
I need a copy of the handbook in order to prepare a presentation on some of the rules, but am unable to access a full copy anywhere unless I am already an equity member or a producer. Does anyone know where I could find it online, or if anyone has a copy they would be able to send to me. ​ Appreciate the help from the community!
Advice for a young actor by thatschaalfolks • last post Aug 22nd
As a Comedy based Youtuber, my main goal is to inspire, become an actor, and make people laugh. Im someone who likes to be creative and understands that Youtube is essentially one of the best free platforms to show off that creativity. My channel consists of Skits, Vlogs, Characters, and Challenges. If you're interested you can check out my channel and i would love some feedback.. Thank you! r/https://www.youtube.com/watch?v=bfzydgQ5jOs
Agent by SupremeDreams99 • last post Aug 22nd
I’ve been having a really difficult fucking time finding agent I’m in the dmv area and every agency in the area is just a fucking scam and I need to find one soon
Headshot by Amy Hernandez • last post Aug 21st
Could this photo count as a headshot? Or does it need to be professionally done?
update: Got a role in a short now I found it's a trailer. I feel cheated. by kaeladurden • last post Aug 21st
[original post from a few days ago](https://old.reddit.com/r/acting/comments/989wc5/got_a_role_in_a_short_now_i_found_its_a_trailer_i/) I messaged the producer (we had already been communicating via text for rehearsals) and told him that my manager wanted to schedule an editor to cut my new reel and that he wanted to know how soon I could have my footage for the "short". After answering indirectly a few times, the producer said that they would not be giving me the footage. Producer also said that the project has been explained to me (in that last rehearsal) and that I should have known my only payment would be a credit on IMDb. I want to drop the production. Would that be a horrible thing to do? We shoot in a few days. They told me it was a short film; it's not. This is the first time someone has told me I can't have my footage, so I totally feel like I'm getting cheated here. My one concern is that if I drop right now, I'm also hurting the other actors and the crew... Am I overthinking this? Should I just shut up and do it? Aren't they totally taking advantage of me? I could be using that time to work on my stuff or work shifts at the restaurant... This whole thing is making me sick. And the lead girl, who the project is supposed to be starting her career, at the rehearsal she was telling the wardrobe person not to dress me sexy but to put me in bland clothes so that she would be the focus... the whole thing has been a total disrespect fest and I just don't know what to do...
acting & sex work... by markowitty • last post Aug 21st
knowing that your sex work past could one day come out, would you still do it as an actor?
Final update: Got a role in a short and now I find that its a trailer. I feel cheated. by kaeladurden • last post Aug 21st
[Previous Post](https://old.reddit.com/r/acting/comments/98zqh2/update_got_a_role_in_a_short_now_i_found_its_a/) Long story short: I got an email from a producer saying he knew some of my actor friends (he did) and he was in need of an actress for a short film. He asked for headshot and resume and my drama reel, which I provided, the next day a casting director contacted me and confirmed they wanted me for a role. The producer sent me an NDA, I signed, they sent me a script. It was pretty basic and seemed hastily written but I had a beginning, middle, and end and my character got to do some cool stuff. In the email he said there was no pay, just a role on IMDb... which I didn't care about as much but like I said, my character did some cool stuff. I met with the director and we discussed the story and the role. We had a rehearsal and wardrobe emailed me asking if I had some shoes that could work and sent some photos of the look theywanted. All pretty standard. The next rehearsal, the director sent us an undated script and it was bad. From an outside perspective, it no longer made sense and I lost some lines and so the next rehearsal I had some questions. So did the other actors. The director explained that this is what was to be shot, and the partners didn't want to change anything because it would bring up too many questions for the investors... Weird. Eventually the director admitted that the project was a proof of concept, meaning that they were just going to shoot some stuff from their original screenplay and show it to some people and hopefully get funded. The director and one of the producers said they would try to keep us on for the feature if the investors liked us. (The lead also made some comments to wardrobe to make me look drab so she stood out more, which Ok I kinda get that but fuck you) That's when I made my original post and asked what should I do? I hadn't heard of this situation before. And its been years since I had been so blatantly lied to in the film industry. Someone said make sure I get my footage and just go through with it as a learning experience and that would have worked for me except I was told that I would not get footage. I had texted the director asking when the footage would be ready, saying my manager wanted to hire an editor for my reel, the producer responded saying I should schedule my reel edit without the footage because it would be a long time off. I pressed him and the producer went on about his schedule and that he was getting the footage colorized after we shoot and still didn't really answer the question but I'm persistent and the producer finally said that I wouldn't even see the final edit let alone get footage. So- they had said it was a short, it was not. They took away my lines. The lead was being bitchy, who knows what she would have been like on set, and I was not even getting the industry standard Copy, Credit, and Meal. Another commenter in the last post said ultimately, I might even lose the credit on IMDb since it wasn't really a short film. so this was basically volunteer work. Had they been straight forward and asked for help for their pitch, I would have been so happy to help! I love helping people make shit happen. I love collaborating and networking! But I don't like getting used or lied to and that's what this was. **What I learned** I should have asked explicitly what the "short" film would be used for. I assumed it would be like any other short I've done- submissions to festivals or online release. This was my mistake to assume. Granted, the producer had already lied trying to get my work for free but still... I will now ask what a project will be used for. **How I got out of it** I feel weird leaving when it's so close to shooting but I can't stay on. My manager emailed them this morning telling them I was no longer available for the shoot dates. At this point, I had only signed an NDA (non-disclosure agreement) and yes I read it thoroughly (read everything!) and re-reading the NDA this morning made me feel better about the situation too because this was so clearly a template NDA from the internet or something. It talked about proprietary info such as *computer algorithms the company had produced themselves*, which is not a normal product of a film company so it kinda screams TEMPLATE. I am very thankful that so many people commented on my posts. I was so stressed about this and I'm really grateful for our little community. I hope maybe my little experience prepares you for something you might face in the future. And thanks again for everyone who gave me advice. I feel so much better now that I let this project go. It's only been like 6 hours but I haven't heard from anyone in that production so I think it's safe to say it's over now. Go study, actors! And if you ever have a similar situation, please post about it! We learn so much about the art but not enough about the business! EDITED- some misspellings
Moving to LA by chalkinparis • last post Aug 21st
Hi there! Like my title is, is it imperative to one’s career to move to LA to pursue a full acting career? I’m currently faced with the option to move there for a full time job and am getting nervous about leaving my family behind to pursue this.
I interviewed actor Dominic Pace, who shared some tips on acting and success. by Fisherbuck1 • last post Aug 21st
"Make your own content" by Danny Rowe • last post Aug 20th
So this is an opinion of mine that may not be popular with some, but I figured I would see what you guys think.
You: "I haven't been booking as much as I would like to"
Person: "You could always make your own content!"
This is not bad advice at all, and for those who can create their own quality content, by all means can. But what about those who can't. Of course you are probably saying to yourself "You can always make your own content", but I am here to say I would want to make my own content that actually matters. Filming yourself doing a monologue with your phone in bad lighting is great and all, but it's not really going to grab those Youtube views or attention. What I am trying to say by "can't" is....in order to make GOOD quality content, you need a good camera, lights, mic, boom, etc, etc, etc. All things that cost money. So...what if you don't have money to get your own equipment to make your own content? Of course! Look for other people who do have their own equipment and colab with them! To that I say...what if you are in an area that there truly are no people who either A.) Don't have that equipment or B.) Don't want to create with you. SO, now you are back at square 1....no money, and no quality content to create.
The advice of "If you are not getting bookings you should make your own content" is extremely poor in my opinion, because it is not that simple for some people. It's also extremely frustrating because you know shorts, webseries, films, PSAs, commercials, etc. are being filmed all the time and yet you are told to make your own content instead of getting advice on how to get booked on THOSE examples I just gave. I know you shouldn't compare yourself to already successful actors, but I don't remember seeing youtube shorts from Tom Holland, Chris Pine, or (Insert another actor who didn't have to make their "own content" to be successful).
Now I know there will be those that say "If you have the passion, you'll find a way to make it work" and that's great and all. But, it would be nice to receive some actual real advice. I hope this little rant doesn't offend anyone, and I thought it would be interesting to share. I know many people will disagree with this post. Thank you for reading!
Website Stuff. Need advice by ShadyNero • last post Aug 20th
For a website, where do actors usually go to do that? I don't know a whole lot about starting a website. I think I would definitely use "myname".com but do actors usually use go-daddy? And what are the approximate costs for starting one and maintaining it? I think I also have heard of Weebly? Let me know guys! Thanks
GETTING THE MOST OUT OF ANY ACTING CLASS by Winniehiller • last post Aug 20th
Acting class is a little microcosm of the real world of acting. There are lots of people there who say they want to be actors. They sign up, pay the fee and show up for class. They all have these things in common. But this is where the similarities end. From then on the teacher will begin to see the students in different groups. 1. There will be a few people who will always come to class on time. They listen attentively to what the teacher has to say and take notes. They will be prepared with the given assignment and will be anxious to be the first to get up in class to perform. They have something to perform in every single class. They WELCOME constructive criticism. They love to learn how to improve and never argue with the teacher’s opinion. They follow direction and work on implementing what the teacher suggests. They pay attention to the performances of the other students and take notes on the teacher’s comments to them. They realize that what the teacher says concerning the other students applies to them as well. They are supportive of the other students and enjoy working with others. They see every part of class as an opportunity to learn and grow. If they feel stuck or at a standstill, they seek a private coach to help them facilitate a breakthrough. These are the people who improve quickly and begin to get work the soonest, because they are always seeking and creating opportunities to perform. They love acting and will do whatever it takes to be on stage or in front of a camera...making their own acting companies and producing their own films. They are diligent about growing as an artist throughout their lives 2. The next group of acting students seems excited and committed at first. But they don’t really like getting critiqued by the teacher. They want to be perfect the first time and only want to hear positive feedback. In fact it makes them depressed and defeated to hear about what they are doing wrong. They don’t pay attention to the other students and are always impatient for their turn. They begin to slack off on assignments, waiting until everyone else performs first. They start to miss class because of conflicts (although they always have a great excuse). They are critical of other students and are not available to work with them. They are often jealous and bitter when they hear other actors are getting work. They feel life is against them and the world is unfair. They quit acting and spend the rest of their lives with regrets and resentment. 3. The last group of students are always in class. It’s almost enough for them to just be there. They work minimally to prepare and never attempt to put what they learn into practice. They lack confidence and drive. They enjoy calling themselves actors but they are afraid of being rejected. They’d rather play it safe and just study until they are “ready”. But they will never be ready, because they never take risks in class and never take risks in life. Before they know it, life has passed them by and they have never tried to put their skills to use in the professional world. ...always secretly longing for more. I hope everyone in my class will be in the first group. Those who are that kind of student are that kind of actor outside of class...and that kind of person in every aspect of their lives. And they succeed. Since we are an on online class, those of you who don’t participate will not even be known. Those who do not come back with a second try at following the teacher’s direction are not challenging themselves to grow and learn. It’s not the same as being in an in-person acting class. But there are lessons, assignments and the opportunity to get feedback from a professional. This is an chance for you to try something you haven’t thought of...push through the tendency to stay where you are. And if there are no classes where you can study elsewhere in your area, you can learn so much, right here. For now, I am available and giving you my time, free of charge. Be the kind of actor who puts being the best they can be, first...over ego, over fear, overcoming the odds. You are the only thing you have control over in this life. But there is so much YOU can do...do it! Winnie Hiller r/Actingclass
I’m tired of being surrounded by unprofessionals and being disrespected, this all feels impossible to progress by intothevortex87 • last post Aug 20th
I had an audition at 1pm, the guy rolls in at 1:30. I was gone already, becuase professionals don’t do shit like that. He sends me a deuchey text message. Seriously? I didn’t even respond. I’m so tired of this crap. How am I ever supposed to progress in this “industry” if this is how people behave? I refuse to audition for free work anymore, and I refuse to self tape for ULB stuff because it just feels so demeaning. I just want to work with professionals, people that have consideration and respect for others time and effort, and respect the fact that I’m a trained actor that cares about my craft. All I get are bullshit auditions from self submissions, my agents don’t even get me professional stuff. What is the point? This isn’t fun, I’m not progressing, it all just feels like a waste of time. I don’t even know what to do anymore.
Examples of the more representational, less naturalistic style of old Hollywood acting by Thus_Spake_Moi • last post Aug 20th
I’m a filmmaker in pre-production for my first picture, not an actor, but obviously acting is somewhat integral to what I’m doing. In the context of my work, I do not like the more naturalistic Stanislavski influenced style, what I’m going for is the more representational acting that we see in old Hollywood, for instance. My problem is that I can’t find the words to express this, the best that I could come with is “you’re playing [character], not *being* [character]” but that can be easily misinterpreted to mean “be unconvincing” or that I’m going for a Brechtian distancing effect, which isn’t really what I want. So I’ve decided to just demonstrate what I mean by an example, but I am having a bit of difficulty separating my favorite examples of old Hollywood style acting from the best examples of what I’m talking about, so if you could name some I would greatly appreciate that. Thank you.
Emmy Nominated Actors Teach You How to Make it in Hollywood | Vanity Fair by AllOpposed • last post Aug 20th
[https://www.youtube.com/watch?v=tSckE656BdQ&frags=pl%2Cwn](https://www.youtube.com/watch?v=tSckE656BdQ&frags=pl%2Cwn)
How do you sign with a major hollywood agency (CAA, WME...)? by actingstarterpack • last post Aug 20th
I'm thinking of United Talent or William Morris. I am not at all in a place to sign up with them. I want to know how the procedure works. A friend of a friend if a friend signed up with CAA. Her resume wasn't huge. She had a few principal or supporting role each year since 2017. Maybe 10 credits total. She is not American, so she must have been able to get an O-Visa somehow. I tried messaging her to ask her some questions, but she didn't respond. That is why I am posting on here. How did it happen to you or someone you know? Is emailing them directly with a good resume and demo reel enough? I want to keep this post broad and open ended, so comment anything that might be relevant. I am super curious about this.