We have found 19,407 posts across 4 actor forums:
Finding conflict in scripts and discerning objectives by Abstract_Corduroy74 • last post Jan 19th
We all know that conflict is what creates drama. But sometimes, it's hard to find conflict in certain scenes. I've read that there's conflict in every scene. But the problem is that it's hard to find conflict in EVERY scene. Isn't conflict when two character's objectives contrast each other? Isn't it when one character wants something and the other character wants something different? I've read that if you can't find the conflict, it's up to you as the actor to create the conflict. But how can I do that (and on top of that be confident that I've created the right conflict for the scene)? How can I find conflict in any scene, even when there appears to be none? Further more, how can I as the actor create the conflict when I (and my scene partner) just can seem to find it? To add to that, what do I do if I've discerned what I think a character's objective in a scene is, but I'm not 100% sure of it? And what if I'm not 100% certain with every objective a character seems to have in scenes? What do I do?
Question about portraying a character who becomes disabled (Gruesome Playground Injuries?) by 3sheepinatrenchcoat • last post Jan 19th
Hi everyone! I recently joined an acting class, and my scene partner and I have been assigned the play Gruesome Playground Injuries to work on. I’ll be playing the role of Doug. My teacher suggested we work on the Zamboni scene at the end of the play. But a few questions came up for me re: the ethics of me playing Doug, and I wanted to ask you for your thoughts. If you are a disabled actor who uses a mobility aid, I’d be especially interested in hearing from you. Doug’s character starts out able-bodied in the play, but over the course of the play, he becomes more and more injured. In several scenes, he is wearing an eyepatch, in one scene he is using a cane, and in the last scene of the play, Doug is in a wheelchair. I am disabled myself, but I don’t use a mobility aid. I wasn’t really sure about the ethics of me playing Doug in this scene for my class. My teacher said they believe it would be okay for me to perform this scene, since Doug started out as an able-bodied character who became injured in the last scene of the play. But my teacher is able-bodied, and I felt like it would be important to check with others before proceeding with this scene. I feel a bit uncomfortable about the idea of using a wheelchair or eyepatch as a prop in class for this scene. But at the same time, I wonder if not using any of those props would be doing a disservice to the character/ erasing his disability in the scene? Would it make more sense for me to just choose a different scene? I’d really appreciate your insight on this situation! I’d be open to choosing a different scene from the play instead, avoiding using any props during the performance, etc.
Feelings of loneliness in the field of acting by Abstract_Corduroy74 • last post Jan 19th
This isn't related to the craft of acting, but it's a part of my own experiences with other actors and students of acting. For a large majority of my time as a student actor (I'm a 22 year-old male in my senior year of college), I've never felt like I have truly socially belonged in my university's theatre department, or amongst any of the people in the shows that I've done. What I mean by that is that, I've always felt a deep internal loneliness despite being amongst the cast and crew of the shows that I've been a part of during each show's respective time. I've looked at a bunch of the fellow students in my university's theatre department, and everyone in their own groups I suppose seems to love each other. In fact, everyone seems to love each other. But I don't feel that love. I feel like a black sheep. Someone who's there, but just doesn't really...belong. I've been in a majority of the shows that the theatre department has done since I've been attending. I don't mean to toot my own horn or sound like I'm bragging, but I am one of the most reliable and most-frequently cast male actors in the department. And plenty of others get cast frequently too, though not as often as I do. That's not meant to be bragging or anything negative, I'm just objectively stating a fact. You'd think that as much time as I spend in the theatre department, I'd be kind of close with everyone, but I don't really feel like that's the case. The worst experience of loneliness in the theatre I can remember is when I spent a summer doing repertory summer stock theatre. I was an actor and a sound designer / set builder. There were twelve company members in all, all college aged. I remember going into the summer thinking all twelve of us are going to become so close, and such good friends, like a family in a way. Within three weeks I had never felt so lonely while working on shows. The loneliness was so bad I relapsed on my addiction that I had been clean from for a month, which kind of pushed me further into isolation. I confided in my roommate the loneliness I had been feeling about a month or so into the summer, and he assured me that he sometimes felt the same way too, and that he felt like nobody hated talking to me or being around me, as I felt. I actually felt like the company hated me. To this day I am still so thankful for my roommate, because without him, I would've had the most miserable summer of my life. Sadly, I've fallen out of contact with just about everyone from that summer of theatre, even my roommate who was that spark of hope and happiness outside of acting that summer. And I feel bad for falling out of contact, especially with my roommate. But I also sometimes see on social media that four or five members of the company still stay in touch quite frequently, which makes me feel bad. Not just for myself, but also because I haven't been initiative with keeping in contact with them, which makes me feel like I'm bad because I could correct it, but I feel like it's already too late. The only time I can remember truly feeling like I belonged and was included was when I did a community theatre production of Newsies. I just felt like all of us were just a big family and just supported each other and boosted each other up, like we were in it together. That was almost four years ago. I don't just experience loneliness in theatre too. I've felt lonely practically my entire life. I have only one close friend who has been probably the most consistent friend I've ever had. Most people just seem like close acquaintances, not really "friends". Not people who I can share some of my deeper thoughts and feelings with. Now I admit, I am an introvert, a loner and a hermit. I am socially awkward and it's hard for me to engage with new people; it makes me very anxious and conscientious about what I do. I don't go out much and I get very anxious and nervous around a lot of people...especially people I don't know. It's hard for me to make CONNECTIONS, which is arguably what some portion of success in the industry is built off of. So I know and recognize that I have some responsibility on my plate. I just don't know how to handle that responsibility. But I've always been searching for people who can just truly accept me and support and love me; a group where I can just be myself, free of judgement from everyone. But I haven't really found them yet. And I worry at this point that I never will. I'm conflicted about who or what is to blame for my loneliness. Is it mostly myself or other people who don't seem to accept me for who I am? I don't really know if who I truly am is this loner, or that "loner" is a protective shell to stop me from making a fool of myself or allowing people to know me, which thus increases the risk of rejection. I don't know. Has anything I said resonated with anybody who has read this far? Does anybody have any advice or words of wisdom for me? I'd appreciate it if anyone did. Thanks everyone.
Headshot-Age Range-Character Type Feedback by AutoModerator • last post Jan 19th
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. ​ For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
Here's what I think, I think people like The Rock and Kevin Hart are great actors, just horrible character actors. by Edthebig • last post Jan 19th
People usually say that actors like Kevin Hart, The Rock etc. are bad actors, but they really aren't. They do just play themselves in every movie, but they are very believable. The reason we call them bad actors is cause there are really no bad actors on mainstream media. Steven Seagal is one that comes to mind. Ronda Rousey as well. Like these people, when you see them act, you can tell it's fake and it looks horrible. Their reactions are delayed, they feel like they're reading the dialogue, it just looks awful. With The Rock and Kevin you believe them. Sure, they're just playing a version of themselves, but it's very real. Actors like Brad Pitt, Cate Blanchett, Ed Norton, DDL, Jake Gyllenhaal are great character actors. As in, they build these amazing characters and play them realistically, with the help of a coach; or not. And these are the ones we regard as good actors. But in my opinion, I don't think we should call the others "bad", necessarily. I do want to hear your opinion on this.
How to move to LA and become an actor? by racheltolmach2022 • last post Jan 19th
I watched "Wednesday" and really want to be like the cast because they were my age (20) and looked like they had a lot of fun. How do I move to LA to become an actor on Netflix with only $500 in my bank account? What are the financial and career logistics?
How can I get an agent? by Sims2Enjoy • last post Jan 19th
Like the title implies I would like to know what's the best way to get an agent and how can I tell if someone is trying to scam me or not as I was once scammed by those fake modeling agents, so this made me rather insecure while considering how to get an agent as an actress. What is the best approach?
Canadian's or people who have moved to Canada! by Wonderfulworld94 • last post Jan 18th
Hello! I am considering moving to Canada. I am from the UK and have a pretty solid theatre CV (mostly tours) with a few shorts in there, went to one of the "big drama schools" in the UK- but film/TV is seriously lacking. I'm alright with this, as i'm a bit of a classical theatre nut who has no real desire to be a big star but of course I want to work. I've just received the happy news that ive been selected from the pools to have invitation to apply for the IEC which would entitle me to two years work permit (yay!) I am probably going to do this regardless of Acting options because it would be incredible to spend 2 years living and working in Canada, i'm probably at the last point I can realistically do this (28, No kids, no boyfriend, no real financial commitments) and have accepted ill be taking a few side hustles. But would love to know where you find jobs/if an agent is needed/how competitive this is. \- ive heard a lot about Vancouver and Toronto, are they as brutal as the London/LA/NYC scene? \- are there any good theatre/film scenes in other cites? \- Do you think my British accent - I have a typical Estuary accent that blends into RP when i'm performing, full on Adele when ive had a few and can do a pretty solid Gen Am will be a bonus or a hindrance? Thank you! I would love to come to your beautiful country, and ideally keep working as an actor x
Genderfluid actor afraid of not being accepted by oldmoneybaby • last post Jan 18th
I want to be a film actor but I am also genderfluid (born female) and my dream is to be able to play both female and male roles, you know. I'm going to get top surgery as I intended (been wanting it for years) and if I need a breast for female roles I thought the director could use prosthetics. I mean, it's feasible, right? I've cut my hair short (btw booked my first male leading role in a play!) and whenever I feel more feminine or want long hair I usually just wear wigs. But sometimes I doubt because I'm afraid people will find me weird. I'm afraid there's no place for me in Hollywood? The thing is: I've never really seen any famous actors do what I am doing so it feels, you know. What if I am just mentally ill or something and its impossible? Like, I know I am VERY ambitious, especially since I hope one day to end up in films directed by Robert Eggers or even Luca Guadagnino you know.
Actors Access Notifications by LlttleGuy • last post Jan 18th
I built an app that searches actors access in my region once a minute and texts me a link to the latest breakdown when it finds a new one. I have to use a third party system that costs but I think it’s worth it for me at least. Would you be interested in it? [View Poll](https://www.reddit.com/poll/10fblaq)
American models & actors agency? by TuneTryst • last post Jan 18th
Is this place legit curious to see if anybody’s heard of them. The executive director name is Rodger rose he said he used to work for elite. The thing that’s throwing me off is they want you to pay for classes through them. And then after you take one class your eligible for certain things and you become more eligible for other things the more classes you take. The place is located in new port beach.
Voice Actor needed for an animation by BlackNight305 • last post Jan 18th
Hello all, I have someone working on an animation for me and I need a voice actor to record a script. I'm offering a flat rate of $300. Please send an email to [Elysee.Montissol@audioleafs.com](mailto:Elysee.Montissol@audioleafs.com) and we can talk about the details. Thank you.
Labeling Reel Clips on Actor's Access by 4513423121811 • last post Jan 18th
Is there a consensus on the best way to label reel clips? For example, should I level them something like: "Dramatic Clip 1", "Dramatic Clip 2", "Comedic Clip 1" etc? That's what I've done in the past, but I'm wondering what other people do and if there's a better way to label these bad boys. The main reason I'm wondering is because I have a clip that isn't dramatic but it's not REALLY comedic either, it's just sort of a lighthearted scene between a married couple...There's one line that might get a chuckle...but anyway, what do we all think?
Black femme actor needed in Brooklyn! by blakesaintdavid • last post Jan 18th
Hopefully you can help! I am a comedy filmmaker/musician based in bedstuy, and I need an actor to be half of a couple in a short film I plan on making. It’s a short 2 day shoot and will mostly be indoors. It’s about reddit!
Looking for a Manager? by TheRelunchables • last post Jan 17th
Hi All, I am a coordinator at one of the top talent management/production companies in Hollywood. I am looking for actors to 'hip-pocket'. To be clear, you would not be represented by my firm. However, I would be able to pitch you to casting directors, send you out on auditions and otherwise act as your manager. I am not asking for anything in exchange until you get paid on something I find you and you book it! And of course, it would have to be a good fit! I see from the inside how hard it is for actors to break through and love to part of the journey! Please DM me if you meet the following criteria: ​ 1. Based in LA 2. Already a member of SAG 3. Does not already have a manager 4. Have a reel and headshots Thank you!
Flexibility by GoogleMenu • last post Jan 17th
As an actor, how flexible is it in terms of remembering your lines. I’m sure it depends on what film it is. But on average I suppose is the best wording. Like for example, is it a no no if you say something like “I’ll try my best” instead of “i will do my best”.
Taking on a 9-5? by oz_mos • last post Jan 17th
Hello, not sure if this is the right forum, but I wanted to try to post here and see if I could get some support/advice/perspective. About me, I'm a 37 year old model and trained actor based in Philly. I have commercial representation here in Philly and kind of a mixed bag rep out in pittsburgh (who I have yet to book anything with). Long story short, money and my future have become pretty significant concerns for me to the point where I'm much more uncomfortable than I'd like to be. Things have slowed down considerably for me on the commercial/print booking side of things last year, and this year, things don't really seem to have changed much yet. That coupled with the state of the world today, and things that are happening in this country, ie the economy, are really beginning to spook me. My brain is in constant survival mode where I can't even tune it out and focus on anything acting related right now, and it's been that way for well, pretty much since the covid lockdowns. I bartend on the side to supplement income, and the money is okay, but I can no longer stomach doing it as I've been at my current place for going on 10 years. I was strongly considering pivoting and taking a tech bootcamp and (hopefully) work as a UX designer in a 9-5 role. More money, stability and peace of mind (and health insurance) I feel are necessary right now. I'll never let go of pursuing acting. It's my dream. It's what I want to do, but it's just not paying the bills right now. Was wondering if anyone else has been in this boat before? Is it possible to take on a 9-5 career and still pursue the dream? Or is this stupid and very wishful thinking. Also, I apologize for this being a jumbled mess. It's late and a lot of this sounded better in my head. Thanks!
is this a good cover letter for agencies? by kitkatlover2 • last post Jan 17th
took y'alls advice and trimmed it down a bunch, let me know what you think! ​ Hello, I hope you, and everyone at “AGENCY” are doing well. I am seeking theatrical representation and would love to be considered by one of your agents. I have had a very successful 2022 and I wish to continue this in 2023 alongside an agent. This past year I was in six short films, and one play- three of which were lead roles. My current film, ‘TITLE’ is currently in pre-production. I am hoping to move into more professional work, which is why I am seeking representation. I’m actively involved in taking a variety of acting classes to continue to better my abilities. My headshots are brand new, taken December 2022 with “WELL KNOWN PHOTOGRAPHER” Having admired your clients and their subsequent projects, I would love to meet with an agent to discuss whether we would be a good fit. Thank you for your time and consideration in viewing my submission. I’ve attached one of my headshots, my resume, and links to my demo reel and Actor’s Access profile. All the best, Me My phone number My email
I find people asking actors if they are going to get big roles or only small ones really rude by New_Addendum_1709 • last post Jan 17th
I feel like people who are not an actor or even working in the field don’t really understand how hard it is to even get work , get a role, be a part of a project. Out of so many applications hundreds thousands and only cast one person for that role. It doesn’t matter you get a lead, a supporting, a small part, or even just one line speaking role, should be happy and feel lucky, I don’t answer their question
Take away by Putrid_Preparation_3 • last post Jan 17th
I'm an outsider to filmmaking and aspiring screenwriter. I've made couple of short films with friends and I was a bystander in film sets. I want to know the sensibilities of working with actors. I've seen my friends strain, fumble lines, being uneasy when receiving direction. When I write I tend think about actors. Technical aspects of film are quantifiable but the art as in acting and writing is a mystical gray zone. I've always wondered at actors - pros, newcomers, extras; what're their take-aways besides paycheck and employment? And what's the efficient and sensible way to work with actors?