My preferred acting technique is Meisner. I love it because you react naturally and instinctively based on the other actors' words and actions. It keeps things fresh and interesting for me and everyone in the scene. Any tips on how to get into the "character zone" beforehand? I want to be ready so that when they call "action" I actually feel like the character in the world. Is there anything else I need to do, or should I just keep studying and working on Meisner? Thank you :)
I’m an LA-based talent lawyer and had historically done all of my business through referrals with agents/managers, but I’m trying to make partner and decided as a New Year’s resolution to be more proactive ….strange question, but is there somewhere central to review materials of actors/actresses in the area?
The thing that I am asking is who would like to audition to voice actor for donnie. I like you sound like or try to sound like a 11 year old boy. If you would like to addiction then DM me okay
I’m a relatively new actor located in Sacramento that has an acting showcase coming up in LA. I want to get signed by an agency in LA really badly, but I’m afraid that they won’t want to sign me if I’m located 6 hours away from LA. I’ve also been stressing over the fact that if I do get signed by an agent in LA, that I’ll have to be in LA to do bigger network auditions. Are bigger TV networks still holding in person auditions? And if not, are they coming back within the next year?
I know this is probably an ignorant question, but I've been trying to find out how to become a voice actress. Google is very vague and it just kind of says, "well just audition and bam!" I just want to know where and how to start. I currently have my own narration channel on TikTok, and a lot of people tell me I have a really nice voice and I should do voice acting. I just want to know how to get started, build my portfolio.. how to go about auditioning, ect.
Hello everyone and happy Holiday!! A have two questions! My attorney who is responsible for my o1 artist visa told me that I need AOL(Advisory Opinion Letter) from two unions. The SAG and the AMPTP. My agent in LA (who's in signed in SAG) told my that he has a friend who owns a big production company and he can make me a letter of recommendation. 1. Is it going to be helpful for my case? 2. Is there any chance they will deny to give me AOL? (I have credits in IMDB) Thanks in advance!
I’m an actor and UX Design student running a “usability study” for an app I’m creating, called ACT II, helping to connect actors with experts in the field. To improve the app’s design and functioning, I’m looking for a few actors who are interested in trying out a prototype of the app and giving some feedback after using it! It’s not much, but as compensation for 15-20 minutes of your time, you will receive $5! You’ll be asked to do some short tasks using the prototype, then we’ll discuss a few questions about your experience and perceptions of the app. We’ll hold the test virtually at a time that works for both of us (within the next 7-10 days ideally!) As a fellow actor and student, I’d be so grateful for your time!! Let me know if you’re interested via answer here or through chat :) Thank you!!
Hi, I’m a non-US actor who has been studying acting part-time since 2020 and recently signed with a small agent. I’ve had some auditions and one booking and I’m happy so far, but part of me is a little wary about what kind of work I’ll get, if anything. One day I’d love to do American work, maybe small roles in Netflix limited series or something. I don’t want to be a Hollywood star—well, part of me does, but that won’t happen lmao. Stick me in a small limited series where I play a weird minor character or something. For now I’m happy with whatever I can get. I do see some posts and I’ve heard from actors I’ve studied with about how their journey to their agents took years. I went with the first acceptance I got. I’m not unhappy with my agent but I guess I am wondering what quality of roles I will get submitted for and if moving on in a few years is a good move. It feels somewhat mean of me to think this. I am not the best actor I am capable of being yet and I am comfortable being a work in progress but I know I have talent and passion and I’ve grown a lot. I guess what I’m acting is for any input about your journey to a place where you’re happy and comfortable with the auditions you’re getting. It’s only been a few months since I signed so I’m so grateful to have even been signed, and while I continue studying I’m happy to continue as I go, but one day I would love American rep. Sorry for the ramble. I just am very worried im being a dick haha
I currently have a manager who’s great. I audition all the time and worked a bunch this year. 3 tv shows, few big commercials, etc. I feel like I’m ready for an agent. I asked my managers to refer me and they were really against the idea. They said we don’t recommend I get one until I’ve booked a recurring on a tv show or a big movie. Issue is, every actor I’ve spoken to thinks this is bullshit. They are younger than me, work less than me, and have an agent and manager! Some have even auditioned for Marvel/Disney, etc even though we’re the same demographic so I should also be getting those. I don’t want to miss out on potential momentum and it’s probably good to note that my managers are a small agency that typically takes singers. What should I do? Should I push my reps more, wait it out, try to get an agent myself?
I’m a female voice actor who’s working on a short animated film. This is my first time doing anything action based and I was looking for tips, mostly on fighting/grunting. For example my character gets hit and slams into a wall, I have to sound in pain but I’m a bit shy to do in front of others.
I recently wanted to take up acting and through research Mainline Models came up a lot in King of Prussia and it appears the head agent (or whatever I don’t have a lot of experience) has really mixed reviews though a lot of them are old. I met with her once and she said it would be $50 a class/classes to know the basics of the industry and simple acting for advertising methods. To me paying for someone’s time and knowledge makes sense since I do hair and that’s how that works, time= money. However I also read no agency will make you pay upfront until you land a job. I looked into the Facebook and what not and the instructors and other agents SEEM somewhat reputable but it doesn’t say any projects they work on. I saw many headshots on the wall organized some sort of way as well. If anyone is in philly and knows any good beginner talent agency I would love some advice. I’ve always been told I have great potential for jobs since I’m 21 but have a complete baby face and I am bilingual. I’ve only ever worked on college films so I don’t have a lot of knowledge on the industry itself. Thank you so much for your time!
Currently preparing to join an Actor's Union in the UK as an actor and voice over/voice actor. I've always hated my real last name, it's long and the meaning is really derogatory. Plus I'm not close with my father's side, and I like the idea of separating personal and professional life. I'm of Lebanese ancestry, born and raised in the UK. I've been told that I've got a different look, and could play a range of ethnicities including Central/South American, European (Western, Southern, Eastern), Jewish, and Middle Eastern. I've also been told that I look most similar to Pedro Pascal crossed with Felipe Neto, and even a little like Daniel Radcliffe and a younger Liberace. I know it's not really the trend anymore, but I'm thinking of Americanizing my last name. The name I've chosen has a great ring to it and fits nicely with my first name, I love the brand, and I love the classic American style of it. I've given it a lot of thought too. I know talent counts, it's more important than the name. Yet, I'm seeing a shift in casting ethnic minorities based on whether or not the actor comes from said background. I'm not sure, I might be seeing it wrong though. If I'm right, my only question is, will my Americanized stage name lend itself to different roles that I could play, or will I be passed up for a variety of ethnic roles, including roles pertaining to my own Middle Eastern heritage? Thanks :)
So I’ve been working and living in Los Angeles for a couple of years now. And the industry has dried up quite substantially here. I’m looking for any actors with experience working in the Atlanta market, how is that going for you? Is there a decent amount of work over there that is union? I would really appreciate some feedback, thanks!
I am a beginner who wants to get into acting but I am not very good at it, so I have done some research and took a lot of time to watch many YouTube videos on how to act, and I think I can do those techniques fairly well, but I don't know how to practice. Everywhere I look it says that a lot of hard work is needed to succeed in acting, but I don't know what hard work means, if it is how to train, maybe a practice routine, certain exercises, whatever. Anything would help.
Just doing a little research y'all! How does everyone access their audition notices and self-tape instructions? These can either be from your agent or through self submissions. Thank you! [View Poll](https://www.reddit.com/poll/zwyj4z)
i'm so bad at improv games, it's tragic. it's such a good skill but if you give me random words or actions, there's no way i can do anything with that. i hope that doesn't damper too much on my hopes to be a working actor someday.
Hi aspiring actor here. I am aware that agents themselves do not cost a dime up front and they only take commission, however, I am wondering what an Agency should charge. I am of the thinking that you cannot benefit from something for nothing, however this Agency I am applying for states that there is an annual fee to pay to be placed in a database. Around $350. Is this normal?
I'm with this agency and one of my questions was, "am I allowed to have agents in different cities" and they said, "unfortunate, no. We rep you all across America." All while I know many actors with this agency are with them & have agents in other markets. This is a top agent in my city and it took almost ten years of hard work to get with them. Sadly, they don't get me many auditions tho and unless things change, I'm leaving them next December when my contract is up. I'm just trying to see, is this normal for agents to not allow you to have agents in other cities?
I'm aware of the minimum wages for child actors that are a member of SAG-AFTRA through the published 'Rate Sheet', but could the actors of this sub share with me what they think are the **average** and **median** daily rates for a child actor who will be starring in one of several 30-minute films that will be sold to schools and published on Youtube? I want to fairly compensate the actors and provide a competitive wage. Our budget for the entire production is <$300,000 USD. Thanks for sharing your insight!