We have found 19,298 posts across 4 actor forums:
Is it possible to be anonymous and be successful? by Failed2launch • last post Jul 31st
For example, let's say you don't do any zoom calls, or never show your face. Your logo is something like a microphone or an anime character, cat etc. When people send you the money, it's to "Vague studios LLC". You have a stage name like Blue Danube. When you have to record in person for a cartoon or video game, you wear a mask and helmet concealing your identity so nobody knows who you are. (Let's pretend for arguments sake that their is a hole in the mask and there's no affect on the performance.) Basically, we are pretending that you are the most skilled voice actor in the world. Is it possible to have success while remaining anonymous? [View Poll](https://www.reddit.com/poll/wcy8e3)
I’m embarrassed to ask my parents to let me go to a drama school. by Common_Philosophy_20 • last post Jul 31st
I really want to go to one and the one I have found has a category for film and teaches about on screen acting, script writing, camera work etc. I’ve been wanting to ask my family to if I can of but I’m embarrassed. I aspire to be an actor (Obviously) and this is one of the things holding me back, as well as doubt that I’d even make it. Anyone have any advice?
Actors who have to get in shape for a role by ZookeepergameNo3630 • last post Jul 31st
So let's say an actor is a very picky eater, but they got a role that requires them to get in shape. What would the actor do in that situation?
Union Actor getting into voiceover.... how to break in? by LeonardoDaVincio • last post Jul 31st
Hi guys, I'm trying to figure out how to really break into voiceover while already being in the union. I've got a decent resume as a union actor, with a handful of Network TV credits but really want to be able to do more and especially in the voiceover space. I've built a couple professional voice demos, taken a voiceover class at a big los angeles studio, and have access to a professional grade sound booth, but I'm struggling to find work without having a voiceover resume. If I'm only allowed to audition for union gigs...it doesn't seem worth it to join voices or voice123 and those are the only two sites I know of...because I'm told there isn't much union work on those sites....is that correct? Does anyone have experience with this or know anyone who's been down a similar path. I'm a little lost. Any help would be much appreciated.
Played a role on a true crime show and the guy who plays the murderer is harassing me IRL by Pearlsgalore • last post Jul 30th
Just had a co Star role on an ID show. I had a great time and all the cast and crew was very professional, until.. On the second day right before the final scene my costar who plays the murderer (who I really didn’t have much of a problem with although I thought I got weird vibe from him but he overall seemed nice), asked for my number. I was not interested in him in that way and have a boyfriend and asked why and he kept on asking like demanding and it was just me and him in the holding area and I honestly felt uncomfortable and just gave it to him thinking if he text me I’ll just ignore it or some thing. Fast forward to after the set hours later he calls me. I call back as I didn’t add His name in my phone I thought it might be one of the producers or some thing and it was just music playing so I texted him asking if he accidentally called. He then starts texting me asking where i am And if I want to hang out and start calling me not to or three times but five times in a row when I’m not picking up and I’m literally asking him why he’s asking me these questions why does he want to hang out and finally I told him I have a boyfriend sorry and then blocked him. Since then he is calling me at leases five times a day on a no caller ID number. I already told my agent about it and they wrote a professional letter to the production just letting them know about this incident so that they won’t hire him again hopefully and I have let a lot of other actresses know around the area but I am literally so weirded out about this whole situation. I have wanted to so bad slam him in text but I thought it was better to just ignore him and leave him blocked but does anyone else have any advice but what else I could do? Also I normally am that type of girl that has no problem sticking up for myself please don’t give me advice about how to be better about saying no I was really tired and he completely caught me off guard and he was really giving me creepy vibes when he asked for my number.
Voice Actors and Editors! Open auditions for a mermaid web show! by IndividualLab6354 • last post Jul 30th
You can audition for any character they have. And you can also audition for editing as well! Submit your audition today! https://youtu.be/993RnjxwrFk P.S. You can audition through Discord and YouTube. Ages 10+
IMDB credits by National_Yoghurt1700 • last post Jul 30th
I’m a UDA/ACTRA actor in Québec, Canada represented by an agent. I have been to drama school but dropped. I wondered how to get my IMDB credits in regards to roles or other experiences in the film world (runner/PA)?
Got told off for knowing my lines?? by Rinoaeris • last post Jul 30th
Hello! Long time lurker, first time poster. I'm very much a beginner and have only taken a few classes but, I just got back from an Audition Class where I was told off for **knowing** my lines? I was told I should have gotten a feel for the character first before learning lines. My idea was to learn my lines first (in monotone - so I could confidently perform on the day/ be easily directable) before developing my character and playing around with that. I had them down so well that I could say them half asleep and was able to improvise - tailor the dialogue to the character if needed. Meanwhile, a couple of people had no idea what was going on in the scene/ kept fumbling their lines but got appluded for it? I feel a little deflated because I've always been told that I need to have my lines (or at least the gist of them) down pat! I also *felt* more confident knowing that I had learnt them, as opposed to the times where I didn't know them and was a nervous wreck. I'm still a novice and really want to become a better actor so, can anyone give me advice on what's the best thing to do after recieving a script?
Tips and advices for a beginner voice actor and mocap artist? by AdeRa0x • last post Jul 30th
I'm 15 I'll be doing voice acting and mocap for my game I'm doing it alone because no one's joining And I'm just very nervous on how can I do it I just want my game to be good Idk if I should say it a hobby or not lol
Why Pursuing Acting is Hard - Let Us Count the Ways by rosencranzand • last post Jul 30th
If you've been pursuing acting for a minute, or even if you've been on this reddit, you've no doubt heard the refrain about how hard acting is. There's a thread about it at least every couple of days, something like "Is it possible for me to make a living as an actor? I don't want to be poor!" cue 43 replies. The reason for this is that even if you're not on reddit,--- as an actor you've probably gotten some kind of speech from a well-meaning uncle at some point, or perhaps you're hounded weekly by your parents about your career choices, or you had that teacher who intimated that you wouldn't make it. But what the hell do they know? Well, they know its hard, however, the ways that acting is hard is not equal, and the cliched reasoning is not always the one that becomes the most challenging for actors. So here are some lesser known reason... Lesser known reason #1. It's hard not because you don't succeed, but sometimes you do, but that success often has almost no long-term effect. A "break" is much less common than you'd think. We wish on every star that when we get to work on a big show, or with a big director etc etc, that EVERYTHING will change, but...often very little changes. It doesn't mean it can't be significant, but that's how hard the industry is. You want to arrive at the safe, gated place where everything is going to get easier, but more often than not, you're still in the same hustle, and...the hard part, the same uncertainty. What to do to combat this? Stop believing in "breaks" and simply live in the present with the knowledge that the life of the actor is filled with uncertainty, and likely always will be. Lesser known reason #2 It's hard because your needs change. When you're 20 years old and a sprained knee takes 2 weeks to heal vs 1 year to never. When you can't imagine needing anything but a studio apartment and a plant. When you no longer can survive on Ramen and wish you could see Tokyo... It creeps up on all of us. You may not want kids, ever. You may not need a luxurious life, BUT the fire that burns like an inferno when you're starting as an actor can and will start to dim. I hope it doesn't, and I believe there are truly extraordinary actors who are extraordinary because they keep that flame alive, but at some point...its not going to keep you as warm as you think. So there you are, with very few skills aside from the service industry and...acting, and you don't have many other job prospects if you were to shift your attention elsewhere. Sorry, I know this one is depressing, but its the truth. What may not bother you before your mid 30s, may really upset you later on. What you can do to combat this? Don't wait to develop other interests, skills, even certifications. If another career avenue interests you, invest in it at least a little bit. And, be very smart about saving. Start that spreadsheet early. Lesser known reason # 3 It's hard because the grass isn't... You have to make a lot of sacrifices to be an actor. Those sacrifices may mean that you are among the 1% and a working actor. That's great. However, you can look back on the sacrifices you made and are still making and...it can be hard. It can mean missed weddings. Missed births of nephews or nieces. Missed vacations. You can also become so focused on your career that you stop being relatable to a lot of people. It can mean the loss of relationships. What you can do to combat this? Try to have fellow actor friends who can check you before you wreck yourself. There are some career decisions that have to be made. Some weddings have to be missed, but probably not all of them. Try to find objective parties who can advise you from running away and becoming a career monster, especially if you don't have to. Easier said than done. Lesser known reason # 4 The comparisons get worse. Hopefully you build a resume. Hopefully you have many satisfying experiences. Remember when I said there weren't "breaks?" Well, I lied. For a very small percentage there are. They become stars. I 100% believe you shouldn't believe in that if you can, but those people, if you're around long enough, will be your peers. You'll not only see them land their first big role, with enough time, they will be up for an emmy. Buy a huge house. Marry a famous person you always crushed on etc etc. At best...they're your friends and invite you to shit. At middle- its weird. At worst, its a symptom of your poor mental health. How to combat this? Accept that its part of the business. Don't go on social media. Don't read entertainment weekly. Be happy for those that are nice people and friends. Remind yourself that this business is 100% not fair. Anyway, just wanted to share my thoughts on this. Hope it hasn't been too much of a bummer post! Have a good weekend!
I’m an established actor in the U.S. and have close family in Toronto. Can I pursue representation in Canada? and…should I ? by slimshady2525 • last post Jul 30th
I’ve had several supporting/principal speaking roles in films on streaming services, a BFA from a top drama program, and have worked on many commercials/vo projects. Never thought to explore Canada as I was born and raised in the U.S. and have really only ever worked here. However, I have close family in Toronto and am aware that it’s a fairly large film/tv market. Would it be a good idea to pursue/reach out to representation in Canada? How would this entire process even work, legally? Is this a normal thing that actors do? Or should I just focus on work in the states ?
Just any general hacks? by Egggoss • last post Jul 30th
Hi, i’m 14 and would love to make it as an actress (screen) from any experienced actors/actresses what are some little tips and tricks that make big differences? Thank you
The Actors Studio by EnvironmentalLion192 • last post Jul 30th
Ive been making the docuseries "the last movie stars", on HBO about paul newman and joanne woodward. Has anyone auditioned for the actor's studio? If you can tell us, how was your audition like and do you think your membership is worth it? Thanks!
Voice Actors and Editors! Open auditions for a mermaid web show! by IndividualLab6354 • last post Jul 30th
You can audition for any character they have. And you can also audition for editing as well! Submit your audition today! https://youtu.be/993RnjxwrFk I don't know for sure, I'm not anyone behind it, I just wanted to advertise/promote it because it needed more exposure. But I believe this is unpaid work. But I do not know. P.S. You can audition through Discord and YouTube. 10+
sony untitled series casting call by Sufficient_Aside_167 • last post Jul 29th
my friend dm'ed me a capeusa instagram post about an untitled sony series that is holding an open casting call, encouraging me to give it a shot. i know that usually when a studio does it, they're also receiving auditions from actors who have representation (that usually end up getting the role) and as i have none and have never done a self tape before (only in-person auditions) i'm not sure if i should actually do it. has anyone see the call i'm referring to and have any advice for me?
Is acting in a theatre worth it if I wanna work in TV and film by Three_Eyed_Alex • last post Jul 29th
My passion is to become an actor in TV and film but in my local area the only real acting lessons are within a theatre type industry. So Is getting experience and lessons in theatre pointless if I wanna be actor on screen?
[Hiring] Looking for an Anime/Movie Recaps Voice Actor for YouTube by PutatoPutato • last post Jul 29th
We are a company with 4 YouTube channels that combined gather more than 1.4 million subscribers Right now we are creating 2 new channels. Anime recaps and Movie recaps We are in the need of 2 voice actors that are capable of making a solid and interesting interpretation out of the scripts they're gonna be given. We look for good intonation, clear and crispy pronunciation We need people that are dedicated and love what they do and always want to improve and be better. The work consists of 2-3 videos per week $20 Per video. This can totally be increased over time We are looking for people that are fully committed and want to be part of something BIG Don't doubt to drop your portfolios below, we will get in touch
Social Media Paid Placement - contract needed? by ComfortableSecurity1 • last post Jul 29th
Hello! Non-union actor here - I'm just wondering what the industry standard is for shooting footage that will be used in a company's social media, likely paid placement. Is this something that is sometimes shot without a contract? I know that for something larger, like anything broadcast, a contract is absolutely a requirement - but a close friend of mine has just offered me a low-key gig with his company, and I'm wondering if it would be a mistake to allow them to shoot and use footage of me without any kind of written agreement. Really all I want is something that says they don't own this footage in perpetuity to use in whatever way they like. But I also don't want to come off like a jerk asking for a contract for something that isn't that big a deal (only a couple hundred dollars, and again only for social media use, even if it is paid placement). Any thoughts would be appreciated - or also if anyone knows of any place to find example contracts to use for something like this!
Hi! AMA at 6pm EST! by AshlieAtkinson • last post Jul 29th
Hi, r/acting! I'm an actor in NY and I'm in quarantine out of town so I figured, why not see if anyone is interested in asking anything? My IMDB is here: https://m.imdb.com/name/nm1534700/ I most recently played Mamie Fish on The Gilded Age, and before that I played roles such as Janice on Mr. Robot, Amanda on And Just Like That, Connie Kendrickson in Spike Lee's BlackKklansman, and about 85 other things you may or may not have seen. I also have done a few audiodramas (most recently Kitty Pryde in Marvel's Wastelanders: Wolverine) and broke into the industry by originating the role of Helen in Neil LaBute's "Fat Pig". At 6pm EST time, ask me anything for the next 24 hours and I will try to get to you! Hope this isn't a total flop and people ask questions!
I just had one of the worst experiences with a celebrity and not sure how to move forward? by SwimGood22 • last post Jul 29th
Hi all -- I'm working on a film and reached out to a celebrity actress earlier this summer to see if she'd be interested in joining the cast. Her manager responded immediately and shared the offer materials and script with her - about a week later returned and shared that she wanted to play the role for my short film. We scheduled a time that I could connect with her on ZOOM and I had that conversation today to talk character and story. ​ Straight up - it was one of the worst, if not worst experience I've had as a director connecting with an actress. ​ We talked for an hour and the entire time she had an entitled and airy tone in her voice and responses. She was on a private yacht in Europe during the call. Her character in the story has a fractured relationship with her sister and this actress literally could not understand sibling rivalry or tensions in families because it's not what she experienced growing up and she shared that her "parents treated she and her siblings good". She also didn't fully understand the concept of families drifting apart because is inter-family brokenness and even asked if that was something I knew or heard of before. At first I thought she just was wanting more clarity but then the call got worse. ​ I asked her what in the story she most connected with the character because I wanted to find an element from the story she was emotionally connecting with we could discuss. She literally got defensive and said "Well...I didn't prepare for this role because I didn't even know this film was happening and didn't know I was supposed to do character research and biography for this call." That wasn't what I was asking at all, and tried to explain this but she didn't understand and just said she thought the subject matter was important. Her character performs into a camera for a very important scene. I need an actress that has strong command with their eyes and was complimenting her that was something she had I knew would be perfect for the character and this scene, shared how I loved Tom Hardy's ability to communicate with his eyes in Christopher Nolan's past projects and before I could even finish the compliment she interrupted and told asked me "Have you ever acted before?" ​ As a director I told her no and then she literally told me "The eyes aren't really what acting is. Actors don't use their eyes for performance." I tried to explain how I believed the eyes were a powerful connection between performer and the audience, creating a linked physicality and she just said "..Okay." really weird. I asked her what she was confused over and if I could help with what she was getting stuck over and she again told me that wasn't what performance was about. It was so uncomfortable and awkward. ​ I then shifted to one of the themes of the story being shame, and how I wanted to express that through subtext of these other characters. Before I could finish she interrupted and said "What do you mean?" really sharp. I started to explain and she interrupted AGAIN and when on a how spiel about how "shame ISN'T something that's hidden, and that it's other people's problem for not recognizing it and helping those who carry it." - I told her that some people's experiences they conceal their emotions. She kept arguing back with this idea and added that "It's not that they're hiding it, they just haven't unlocked the ability to find closure and other people don't have compassion to see it." ​ I asked her four times across the call if she had ANY questions related to the project or story and she said "No." She said she "understood the story and what I was doing." ​ On dates for principal, I asked her what her Fall schedule was looking like, if she had any upcoming projects because we were trying to work around her schedule to make the film work. She just said really cold "Yeah.. I'll have to talk to my agent to see." No other information regarding if she actually has conflicting material or projects. ​ Overall, it was just a super awkward conversation with a celebrity. What I'm stuck on is that an offer was already given and she accepted, but I want NOTHING to do with her or bringing her on our film. No contracts have been signed yet. I just know that she'll be a nightmare to work with. Do we share a follow-up email with her agent sharing that we're shifting directions after the call? She had no enthusiasm at all and I don't want to pull teeth on a film where collaborators should be excited about the material, not challenging the director by saying "Have you ever acted before?"