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We have found 19,291 posts across 4 actor forums:

Self Care When Developing an Emotionally Challenging Character by Alan Powell  •  last post Apr 18th

I've been working in this area for past 3 years and I realize there isn't a whole lot of opportunity to reflect/discuss issues that actors have when building a character that may be particularly challenging for them emotionally/psychologically.

Unless you have a therapist, or a really great friend who will listen to you about the impact your character is having on you, or you excel at journaling and it's benefits - it can be a fairly lonely creative space - at times scary and other times overwhelming too. So I decided to create this post as a space for those actors who want to share their experiences of developing a character and then having a hard time 'shaking it off'. Or are about to embark on a character journey and could use a word or two of advice/support along the way - not just from me but from others who wish to share what's worked for them.
Please do share

Why Your Reputation Is More Important Than Your Talent by Ashley Renee Smith  •  last post Apr 17th

It's never been more important to prioritize your reputation when launching yourself as a creative. Find out why in today's blog!


https://www.stage32.com/blog/why-your-reputation-is-more-important-than-your-talent-3704

How Hollywood's Most Successful Actors Analyze A Screenplay by Ashley Renee Smith  •  last post Apr 16th

In the below video, internationally recognized acting coach, movement director, and specialist in the application of the Alexander Technique, Jean-Louis Rodrigue discusses how actors can encompass the physical movement of their character in a film or stage play, including studying the screenplay and writing character backstory. 


I'd love to hear from the community, do these techniques ring true to you or are there others that you feel work better? 

https://www.youtube.com/watch?v=JvjbX-6iCgg

Wednesday's Ask Me Anything HERE in the Acting Lounge! by Ashley Renee Smith  •  last post Apr 16th

Hey, All!


Don't miss out on tomorrow's fantastic AMA with Laura Ackermann, Founder of Advantage PR, Publicist, & Branding Expert (Charisma Carpenter, Anna Lamb, Rushi Kota) in the Acting Lounge! Laura is sharing her time with us to answer YOUR questions about "What Should Performers Look For In A Publicist?"

It's a great opportunity to learn more about the perfect time to enlist PR support, what you can be doing when you're not yet ready for a publicist, how long your partnership with a publicist should last, who comprises the dedicated team managing your account day-to-day, how they leverage their media connections on your behalf, what differentiates your PR firm from others, etc. Don't miss out on a chance to ask your questions!

The post is live for you to comment with your questions NOW!
https://www.stage32.com/lounge/acting/Ask-Me-Anything-AMA-Wednesday-4-17-to-Thursday-4-18-What-Should-Performers-Look-For-In-A-Publicist

"I Wish Actors Knew..." (from a Sound Mixer's POV) by Matthew Cornwell  •  last post Apr 16th

I posted another interview in this series a couple weeks ago. Actors are finding these videos to be invaluable. Walking in a crew member's shoes gives a whole new perspective to being on set, and how we as actors can collaborate in new ways to make EVERYONE's job easier!


Here's our 4th and latest video:

https://youtu.be/08Qk5fT2oq4

We have 2 more coming soon (Costumes and 1st AD). And you can check out the others (Makeup, Basecamp, and DP) on our channel.

Beware Actors Who Think This Will Live A Miserable Life – I Know by Aaron Marcus  •  last post Apr 16th

Beware Actors Who Think This Will Live A Miserable Life – I Know

https://youtu.be/piyefMFr0Dw

For many years, as an actor, I took things very personally. If I didn't get an audition or book a job, I began doubting my acting skills.

It is easy to think that we aren't getting the audition because people don't like us.
What took me years to realize is that there is nothing personal in the acting business.
There are so many factors that go into getting or not getting the audition or job.

Use this link and watch the video to learn how to change your way of thinking and feel much better. https://youtu.be/piyefMFr0Dw

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Actors - Add Pantomime to Your Skill Set by Tammy Hunt  •  last post Apr 15th



“The skills that make up a classical mime’s bag of tricks can be of tremendous use to any actor who may be called upon in a play to tell a story through gestures, to trick an audience into “seeing” something that isn’t there.
Imagine you are in a play, and your character has to come onstage as if walking in from a rainstorm. Even though you and your costume are completely dry, you can shrug out of your coat, shake imaginary water droplets from it, “dry” your face with a handkerchief and then use it to “mop up” the puddle by the door. All this is done “in mime,” because there never was any real water. But if done well, the audience would swear that there was.
Onstage, I’ve opened doors that weren’t really there, “flipped” a light switch that was painted onto a flat, been struck by an imaginary bullet, consumed non-existent coffee from imaginary cups and eaten an “air steak,” all in plays that are considered representational or realistic. In Pioneer Drama Service’s hit comedy Twinderella, a baseball game is enacted on stage without a ball! These are all examples of using the skills of pantomime within a regular play.
Keep it simple. Don’t “muddy the air” with meaningless movements. Finish one movement before going on to the next. Then be consistent. Once an imaginary object is established, make sure that it remains there until moved. If you set a “cup” down in one place, be sure to pick it up again in the same spot. Otherwise the audience will think there are two cups on the table. I’ve seen shows using imaginary doors where the doorknob magically moves up and down, depending on the height of the actors. Finally, there’s “the bump.” When you pick up a real cup, your fingers simply wrap around it. But with a mimed cup, you have to very slightly exaggerate the grasp, the lift, the setting down and the release. Don’t overdo the exaggeration, but think of it as a series of visual punctuation marks. This helps the audience recognize the moment of contact, the beginning of movement, the end of movement and the letting go.
Every actor can benefit from some training in pantomime.”

- Patrick Dorn, Acting Coach

#mime

Ask Me Anything (AMA) Wednesday 4/17 to Thursday 4/18- What Should Performers Look For In A Publicist? by Laura Ackermann  •  last post Apr 15th

My name is Laura Ackermann, the CEO/Founder of Advantage PR, and I'm thrilled to dive into the dynamic world of PR with you. With two incredible, experience-rich decades of navigating the PR landscape under my belt, I've crafted compelling campaigns for a diverse array of clients – from budding actors and authors to visionary CEOs and influencers.


At Advantage PR, we're all about securing standout, momentum-building "WINS" for our clients. Whether propelling a breakout talent into the limelight or conceptualizing and executing a strategic campaign for a seasoned CEO, our passion always lies in delivering results that not only meet but exceed expectations.

Public relations isn't solely a profession for me; it's a strategic endeavor that constantly evolves and adapts to the ever-shifting media landscape. Staying ahead of the curve is key, and that's where Advantage PR excels.

For those curious about the ins and outs of PR, here are just a few questions I'm looking forward to tackling for you!:

• When's the perfect time to enlist PR support?
• What can I be doing when I am not yet ready for a publicist?
• How long should your partnership with a publicist last?
• Who comprises the dedicated team managing your account day-to-day?
• How do we leverage our media connections on your behalf?
• What differentiates your PR firm from others?
• Who will use their relationships with the media on my behalf?


The Decline of the Superhero Movie: Why It's Great News for Digital Entrepreneurship and Personal Branding by Joseph Ghae  •  last post Apr 15th


Superhero films, especially those from the Marvel Cinematic Universe, have dominated the box office for years. However, the tide is turning...

Bob Iger's return to Disney in a shifting landscape where Disney+ lost $1.1 billion in 2022 and faced disappointments like Ant-Man 3 signals a significant decline.

But this isn't just about Hollywood—it reflects a shift in how we consume content and connect with stories.

Could the rise of "wokeness" be influencing this?

Add to that the surge of streaming platforms like Netflix and the short attention spans of Generation Z (and even older generations), who prefer engaging with TikTok and YouTube, and you get a fragmented audience with evolving preferences!

What does this mean for you, the entrepreneur, leader, or content creator?

It’s a call to action!

The era of big-budget productions monopolizing attention is ending.

Platforms like LinkedIn, Instagram, and Twitter allow you to build engaged communities and become "influencers."

People are seeking stories they can relate to and authentic connections. Make storytelling your superpower.

Deadpool X Wolverine releases in July:
I bet with a friend that it will be Marvel's last big hit—why?

It brings humor and personality!

This superhero has been highly anticipated for years.

What makes him unique is that he's the only Marvel character who knows he's in the Marvel universe and was created by comic artists.

Isn’t that wonderfully quirky and authentic?

Personal Branding, Your New Superhero Cape:

In a world saturated with content, strong personal branding is essential to stand out.

Position yourself as the go-to expert in your field.

Provide valuable insights, showcase your expertise, and earn your audience's trust.

Just as Disney must navigate the challenges of ESPN (facing declining TV subscriptions) and changing viewing habits, you need to adapt to the evolving landscape.

Experiment with different formats, explore new platforms, and refine your strategy based on data.

The decline of superhero movies is an evolution, an opportunity for enthusiasts.

Embrace the power of your story and become the hero of your own entrepreneurial journey.

Final Word:

I've met several brilliant people on LinkedIn who hesitate to post too much.

TO YOU: Don’t let your talent and knowledge become someone else’s retirement!

48 Hour Film Project! by Lee Kim  •  last post Apr 15th

Any views of my recent audition for the 48 Hour Film Project would be greatly appreciated! Thank you. https://www.youtube.com/watch?v=GnlSJZgwLVw&list=PLkWh2_fh4UOCFaFAfE2UP_jhUgw-tZ9GR&index=13

5 Warning Signs For Parents Of Child/Young Adult Actors by Maurice Vaughan  •  last post Apr 13th

In today’s blog, Adam Feinsilver talks about five warning signs that parents of child/young adult actors should be aware of. Very, very, very important blog.

www.stage32.com/blog/5-warning-signs-for-parents-of-childyoung-adult-actors-3699

How to Write a Podcast Script For Your Solo Show by Tammy Hunt  •  last post Apr 11th


If you host a podcast by yourself, scripts are a great way to prepare your talking points in advance so you don’t have to gather your thoughts mid-episode.
Before you start writing, take a minute to consider: What are the main points I want to convey in this episode? What is currently happening in the world that is directly a part of what your show revolves around? Once you identify those, the smaller details can flow from there.
Let’s say your podcast is about writing or singing, and you’re planning an episode where you talk to listeners about choosing the right steps to outlining a new script for a feature, or what is involved in keeping your vocal chords in top condition. Organize your thoughts in your script document, starting with the main points and progressing to supporting points.
You’d be surprised how quickly the time will pass when you’re talking about a subject you’re passionate about.

#podcast #podcasthost 
 

Italian Actors Body Artisti 7607 Sues Netflix Over Residuals & Lack Of Data Transparency by Richard "RB" Botto  •  last post Apr 10th

Precedent, precedent, precedent. One worth watching.


https://deadline.com/2024/04/italian-actors-body-artisti-7607-sues-netflix-residual-payments-1235879461/

9 Huge Actors Tax Write-Offs – And Other Tax Tips by Aaron Marcus  •  last post Apr 9th

9 Huge Actors Tax Write-Offs – And Other Tax Tips

https://youtu.be/y5cNhpFcj2Q

All actors and other artists need to know what can and can't be legitimately deducted from their taxes. In this video, you will learn about 9 huge actors tax write offs and other helpful tax tips.

If you have any tax tip suggestions for fellow artists, please share them here as well as on my channel.

Can't wait to hear your suggestions and advice.

If you haven't done this yet, don't forget to subscribe and click the notification bell on my channel so you always know when a new video has been uploaded.

And, please share the link so we can continue to help and learn from each other. 

S32 April Phoenix In Person Meetup by Suzanne Bronson  •  last post Apr 8th

https://www.stage32.com/meetups/1970/April-Stage-32-Phoenix-In-Person-Meetup

Oh!.... controversial... Olivia Colman: Asking Actors to Self-Tape Auditions Is ‘Disrespectful’ by Amanda Toney  •  last post Apr 8th

The "Wicked Little Letters" star explained why she thinks actors need direct interaction with casting directors: "I wouldn't have gotten where I am if I'd had to do self-tapes." https://www.indiewire.com/news/general-news/olivia-colman-self-tape-auditions-disrespectful-to-actors-1234971762/



Actors, would LOVE to hear your opinion on this... 

PAUL SCHNEIDER - ACTOR - Team Deakins Podcast by Florin Şumălan  •  last post Apr 6th

"On this episode of the Team Deakins Podcast, we speak with actor Paul Schneider (BRIGHT STAR, THE ASSASSINATION OF JESSE JAMES, GEORGE WASHINGTON). Growing up in a small town in North Carolina, Paul shares how working in film and television never crossed his mind until a pivotal viewing of Jane Campion’s THE PIANO. Attending film school following the encouragement and support of a high school teacher, Paul studied editing but found himself frequently cast in his friends’ short films, culminating in a performance in GEORGE WASHINGTON, shot entirely by his film school friends. Paul later shares how, to prepare for a role in Jane Campion’s BRIGHT STAR, he practiced his Scottish accent by studying a copy of TRAINSPOTTING. We later discuss the importance of a director having a clear vision for a film and loving a collaborative director who includes their crew and cast in their creative decision making process. Paul also reveals the secret character trait that informed his character in JESSE JAMES, and we discuss the emotional mathematics of the collaboration found in filmmaking that result in a film’s final cut."
https://teamdeakins.libsyn.com/paul-schneider-actor

FLOW: MEMORIZING EASY by Mary Tennant  •  last post Apr 6th

Hey all, Check this out and please continue to come to my youtube because I am going to be adding more great stuff like this not ONLY for actors but for people trying to get ahead of AI please share to those NON-ACTING friends. https://youtu.be/WEKyUEd6s5c?si=JwbPqFwv0hGtw67L

The State of Things by Matthew Gross  •  last post Apr 5th

The past 18-months were brutal. Finding acting employment in Los Angeles is exceedingly challenging, and now I'm beginning to see the really big picture. I found this video on YouTube that reveals once prosperous Beverly Hills as a dying town. I believe this to be emblematic of the existential crisis Hollywood now finds itself in. 

https://www.youtube.com/watch?v=3O15wiCWz60

A Stunt By Any Other Name Is Still A Stunt by Maurice Vaughan  •  last post Apr 5th

Stephanie Moore discusses stunts and talks about how filmmakers can approach stunts responsibly in today’s blog.


www.stage32.com/blog/a-stunt-by-any-other-name-is-still-a-stunt-3690