We have found 19,291 posts across 4 actor forums:
March Phoenix In Person S32 Meetup by Suzanne Bronson • last post Mar 6th
https://www.stage32.com/meetups/1963/March-Stage-32-Phoenix-In-Person-Meetup
I wish he would reconsider! by Nick Phillips • last post Mar 5th
https://variety.com/2024/film/news/daniel-day-lewis-retired-acting-says-hes-done-1235929631/
Stage 32's March 2024 Education Schedule! by Ashley Renee Smith • last post Mar 5th
Hey, All!
https://www.stage32.com/blog/stage-32s-march-2024-education-schedule-3654
Beware of This Horribly Disgusting Acting Scam by Aaron Marcus • last post Mar 5th
Beware of This Horribly Disgusting Acting Scam
https://youtu.be/3St-9aLzy98
Have you ever experienced a scam?
Without sharing names, please let us know how the scam worked.
Your information will help a lot of fellow actors.
Your information will help a lot of fellow actors.
Sexually Harrassed by Matthew Gross • last post Mar 4th
Today the guest star of a network series, and the widow of one of America's most beloved comedians, made sexual advances toward me between camera takes. It began after I started up a conversation because we're from the same east coast city. At first I thought she was just being silly, but it became more aggressive. I suddenly shutdown. I'm a member of the LGBTQ tribe, so I kept thinking that maybe I did something to make her think I was somehow interested, but clearly she was being a predatory. It made me realize that as a gay man that I can be harassed by heterosexual women who are clearly in a power position. As soon as I wrapped, I jumped in my Jeep and got out of dodge.
Bad Acting Habits to Avoid by Tammy Hunt • last post Mar 4th
- Using lines as an excuse
- “When I know the lines I’ll be able to perform the scene better” - this is an excuse to cover up many things, mainly inhibitions, the fear of trying something or not knowing what to do because you haven’t read the scene/script enough. As Lee Strasberg (The Method guru) once said, learning lines is about memory and acting has nothing to do with memory. My advice is to play and experiment with the scene. You can only do this by reading it and making justified choices. Find a suitable way of training your memory to learn lines effectively because that’s not the job of your acting coach.
- Not reading the script enough - AKA lazy acting. Some actors go through the script, but only to learn their lines. You need to know the full story, not just the story of the scene your character appears in or only the story of your character. To get the full picture you must read the entire script (more than once). Depending on your character and the size of your role this may not be possible because casting isn’t allowed to send you the full script, but if they can this is the best scenario of course.
Here are some things to think about when reading the full script: Why does your character choose those specific words? What do they really mean? What is really going on? What has led them to where they are now? In the early stages of character development you’re like a detective; you have to piece the full picture together to be able to connect to the character, then you have to figure out what the motive behind the character’s behavior is so you can make clear choices in each scene you appear in.
- Forcing emotions/trying too hard - this is usually done to impress, and there is logic in that, but acting should feel effortless. When you try too hard or try to force something, it looks fake, feels strange and just doesn’t make the thing you’re trying to make happen appear. The same happens with emotions. Find inner purpose for what your character is going through and demonstrate through gestures and expressions.
#actor #tv #film #script #casting
Script consultant wanted by Elie de Rosen • last post Mar 3rd
Hello screenwriters. I'm looking for a script consultant to provide feedback on a fantasy/coming-of-age feature script I'm developing. If you have any recommendations, please let me know - they'd much be appreciated.
Actress by Odera Ugwu • last post Mar 3rd
I need a caucasian lady in her 50s to play a role of a retiree in my upcoming short film. Distance is not a barrier.
Who Comes First: Agent or Manager? by Tammy Hunt • last post Feb 29th
“Is it unrealistic to get a manager before I have an agent?”
Not unrealistic at all! Every actor is different and in a different stage of his or her career. If you find yourself without an agent, that doesn’t mean you are new to the business. For several reasons, any actor can find themselves without an agent during their career: a falling-out, a direction change, a location change, even the I’m-taking-a-break-from-acting scenario.
It is totally fine to seek a manager even if you don’t have an agent. That said, you must have realistic expectations of having a manager versus an agent before acquiring your first (or next agent.
Managers will advise you on your career and image related to photos, social media, website, and general day-to-day planning and strategy to help you gain your foothold in the industry.
Agents are the ones who gather casting opportunities and negotiate the deals and contracts on your behalf.
A good manager can help you get an agent so your career is a team effort and you feel the most productive in pursuing all of what you want to accomplish in your career as an actor.
For new actors, it may even be a better fit to start with a manager instead of an agent to get a sense of what you want in an agent and what your goals are.
A manager will assess your current skill set and encourage you to add certain elements to your list of skills so that you’re better equipped to be cast in more roles. They can advise you on various workshops or coaches, adding more dialects to your résumé, and stepping outside your comfort zone by being more well-rounded in areas you’re currently lacking. More often than not, having a manager can assist with your perspective of the business and give you a realistic vision based on where your aspirations are with your career, so it’s totally your call.
#actor #tv #film #video #script #writer #drama #manager #agent #casting #director #success #hollywood
Stage 32 Education: “The Netflix of the Global Entertainment Industry” Just Got Better. See for Yourself! by Ashley Renee Smith • last post Feb 29th
Hey, Performers!
For 13 years, Stage 32 has been bringing relevant, actionable, and timely education to creatives around the world. We've even been called “The Netflix of the global entertainment industry.” But that doesn’t mean we’re done. Learn more in today's blog!
https://www.stage32.com/blog/stage-32-education-the-netflix-of-the-global-entertainment-industry-just-got-better-see-for-yourself-3656
Super Early Bird Deadline Today: 9th Annual Stage 32 Short Film Contest by Pat Alexander • last post Feb 29th
Hey friends, today is the Super Early Bird Deadline for the 9th Annual Stage 32 Short Film Contest! For the 9th straight year, Stage 32 is looking for the best short films you've got! Over the last 8 years, Stage 32 has screened its winning filmmakers’ films at some of the most prestigious festivals around the world, and for Stage 32’s stable of 1,000+ Stage 32 executives, and this year will be no different.
https://www.stage32.com/contests/9th-Annual-Stage-32-Short-Film-Contest
Anyone Interested In Playing Charlotte Wang, Jeremy Blake, Lisa Hayden or Tamika Anderson On The Animated Series Thomas? by Kiara P Oxley • last post Feb 29th
Hello everyone it's been a few days since i haven't been here although i am a writer, i can't find good actors or actresses in my region, if you are interested let me know and i hope you have a good weekend, my goal is to get into acting school and take lessons in screenwriting thomas is an animated adult series.
Jess Salgueiro Interview: (Talks Frasier on Paramount+, Kelsey Grammer, Monarch: Legacy of Monsters) by Dustin Richardson • last post Feb 28th
I'm super proud of this one! I had an amazing time chatting with Jess Salgueiro, the talented actress from hit shows such as Frasier on Paramount+, Monarch: Legacy of Monsters, The Boys, and many more.
She discusses what it's like playing Eve on Frasier, working on a multi-cam show with a live audience, and playing Barnes on Monarch: Legacy of Monsters. She also shares fantastic advice on acting and the importance of staying true to yourself. I hope you check it out! It's a lot of fun. :)
https://youtu.be/2-kAM6l-7QA?si=oAoLW83qIBia4VUN
Self Tape Auditions: Get It Right The First Time! by Tammy Hunt • last post Feb 27th
A slate is not accurately done. A full length head to toe shot is not included, or the various takes of the scene(s) they need are not included.
You have one mission when it comes to the self tape auditions - read the instructions at least 5 times to insure you know exactly what to do then do your best performance possible and be off book.
This is always the only impression (often the first impression) that casting, producers, and directors have of you. Make sure you know you've done everything you can do to separate yourself from the other actors submitting their tapes for the same role.
The peace of mind you have when you are certain you had nothing left to give is priceless.
#actor #tv #film #casting #audition #selftape
This Amazing Acting Job Just Crushed Me by Aaron Marcus • last post Feb 27th
This Amazing Acting Job Just Crushed Me https://youtu.be/ORJrmbWzSZA
Have you ever been really disappointed because of an acting job?
If so, share your experience so we can learn from you.
If so, share your experience so we can learn from you.
How to take an Acting Headshot by Adam Hammudeh • last post Feb 27th
Hi everyone!! Please take a look at my recent blog post about Actor Headshots. I am giving some tips and discussing industry standards to help you improve your portfolio and get those jobs rolling!!
https://www.framedduckstudio.com/blog/how-to-headshot
Ensemble Building Course by Inga Ryazanoff • last post Feb 27th
Where: online
When:
1 April 2024 - 1 July 2024
2 May 2024 - 2 August 2024
3 June 2024 - 3 September 2024
How to apply: https://www.nipai.org/the-director-and-ensemble-building
Fee: €1950 / 3-month
The "Ensemble Building Course" offered by the New International Performing Arts Institute (NIPAI) is designed to equip students with the skills necessary to create a cohesive ensemble of performers, even under the constraints of limited rehearsal time. This course is particularly focused on overcoming the challenges of
working with unfamiliar performers and aims to develop a welcoming and creative atmosphere.
Key aspects of the course include:
- Physical Training for Ensemble Building: Students explore the role of physical training in the ensemble-building process. This involves understanding how to use physical actions and movements to foster group dynamics and cohesion.
- Playful Techniques with Actors: The course teaches techniques for engaging with actors in a playful and effective manner. This approach helps in creating an environment that is conducive to creativity and collaboration.
- Atmosphere, Cohesion, and Group Dynamics: Students learn strategies to build a specific atmosphere within the group, promoting cohesion and effective dynamics among performers.
- Practical Relationship Development: A significant focus of the course is on the practical relationship between the director (or choreographer) and the performers, aiming to develop this bond for targeted outcomes.
- Comprehensive Learning: The course includes a variety of acting techniques and theories, such as K.Stanislavsky's "Physical Action", Vs.Meyerhold's "Theatre Biomechanics", and M.Chekhov's "Psychological Gesture", along with improvisation and spontaneity skills, and director's communication skills.
- Professional Growth and Application: This course is tailored for those already in the field who seek specific knowledge and skills in theatre directing. It emphasizes practical learning and offers a professional approach.
- Certification and Application: Upon successful completion, students receive a certificate of completion, which can be a valuable addition to a professional portfolio or resume. The knowledge gained can be applied in various theatre forms like physical theatre, dance theatre, drama theatre, musical theatre, mime theatre, puppetry theatre, and circus on stage.
The course is offered in a flexible, online format, making it accessible to students worldwide. It emphasizes practical learning, offering a unique and renowned program for professional growth in the specific field of theatre directing.
Official Website: https://www.nipai.org/
Facebook: https://www.facebook.com/nipai.org/
Instagram: https://www.instagram.com/nipai_org/
Email: info@nipai.org
"The Director and Play" Course by Inga Ryazanoff • last post Feb 27th
Where: online
When:
1 April 2024 - 1 July 2024
2 May 2024 - 2 August 2024
3 July 2024 - 3 September 2024
How to apply: https://www.nipai.org/the-director-and-play-course
Fee: €1950 / 3-month
The course "The Director and Play" offered by the New International Performing Arts Institute (NIPAI) is a unique educational program designed for drama theatre directors and actors who wish to develop their skills in analyzing plays for stage production. The program stands out as one of the few in the world that focuses on teaching deep, active analysis of plays, providing participants with the necessary tools for effective work with performers.
Key elements of the course include:
- Play Analysis: Students learn how to dissect and understand the text of a play, considering its historical and theoretical contexts.
- Active Analysis: The course emphasizes practical, hands-on approaches to play analysis.
Storytelling/Retelling: Participants are encouraged to explore different methods of storytelling and retelling within the context of theatrical production.
- Dramatic Structure: Understanding the fundamental elements of dramatic structure is a crucial part of the curriculum.
- Character Development: The course covers the basics of story elements such as structure, character, and dialogue, focusing on how to analyze units and objectives to build a character’s through-line.
The course objectives are aimed at helping students gain a firm understanding of play analysis, the role of historical context, developing skills through real-life scenarios and case studies, and constructing a relationship between the director, author, and text.
The program format is tailored for professional development, with flexible timing and a mix of practical exercises and theoretical readings. It offers a 3-month duration of study, conducted entirely online in English, culminating in a Certificate of Completion for students who successfully complete all tasks and assignments.
Upon completion, students will have not only a deeper understanding of theatrical texts but also the practical skills to apply this knowledge in various theatrical genres such as physical theatre, dance theatre, drama theatre, musical theatre, mime theatre, puppetry theatre, and circus on stage.
This course is particularly beneficial for those who are already practicing in the field and feel the need for specific, up-to-date knowledge and skills in theatre directing. It's designed to provide professional growth, up-to-date knowledge, first-hand experience, an individual approach, and an emphasis on practical learning.
Official Website: https://www.nipai.org/
Facebook: https://www.facebook.com/nipai.org/
Instagram: https://www.instagram.com/nipai_org/
Email: info@nipai.org
The "Choreography and Blocking in Performance" course by Inga Ryazanoff • last post Feb 27th
Where: online
When: 1 April 2024 - 1 July 2024
2 May 2024 - 2 August 2024
3 June 2024 - 3 September 2024
How to apply: https://www.nipai.org/choreography-and-blocking-course
Fee: €1950 / 3-month
The "Choreography and Blocking in Performance" course offered by the New International Performing Arts Institute (NIPAI) is a specialized program designed to equip directors and choreographers with essential skills and tools for creating compelling mise-en-scene, blocking, composition, and movement direction in their productions. This 3-month, fully online course is targeted towards professional growth in the field of performance-making, focusing on choreography, composition, and blocking as key components.
Key aspects of the course include:
- Core Topics: The curriculum covers a range of topics essential for performance creation, such as Blocking and Mise-en-Scene, Tempo and Rhythm, Montage, Movement for Actors, Acting for Dancers, Improvisation and Spontaneity, and Composition.
- Professional Approach: The course emphasizes a professional approach to performance-making, providing directors and performers with up-to-date knowledge and first-hand experience. It's designed to facilitate learning through practice, ensuring an individual approach and focusing on practical learning.
Who Can Benefit: This course is ideal for directors, dancers, choreographers, physical theatre actors, contemporary circus and musical theatre performers, and performance artists. It's also suitable for practitioners from related fields seeking a deeper understanding of movement in contemporary performance.
Certification: Upon successful completion, students are awarded a certificate of completion, which can be a valuable addition to their professional portfolio or resume.
Application and Study: The program offers flexible timing and is conducted in English. It employs a mix of self-study, virtual classroom, and text-based learning methods. Students receive weekly assignments and tasks for self-study to gradually develop their understanding of the topics and the ability to apply knowledge to their projects.
Eligibility: The course is open to international students and professionals with varying levels of experience. The main requirement is a commitment to developing skills in theatre directing and choreography.
In summary, the "Choreography and Blocking in Performance" course by NIPAI is a comprehensive program aimed at enhancing the skills of professionals in the performing arts, particularly those involved in directing and choreography. It combines theoretical knowledge with practical assignments, making it a hands-on learning experience for participants from diverse backgrounds in the performing arts.
More: https://www.nipai.org/choreography-and-blocking-course
Official Website: https://www.nipai.org/
Facebook: https://www.facebook.com/nipai.org/
Instagram: https://www.instagram.com/nipai_org/
Email: info@nipai.org
The Theatre Directing Diploma Program by the New International Performing Arts Institute (NIPAI). by Inga Ryazanoff • last post Feb 27th
Where?
Offered online or blended with options for in-person sessions in Germany or Austria, enabling global access.
When?
The next intakes are in April 2024 and September 2024.
For Whom?
Ideal for individuals aiming to become professional directors, the program is open to students worldwide.
The New International Performing Arts Institute (NIPAI) is an educational institution focused on providing practical and hands-on training in various disciplines of the performing arts since 2000. It offers a diverse range of programs, including theatre directing, movement directing, and arts management.
These programs are designed to be accessible in multiple formats, catering to a wide array of learning preferences through both online and blended (a combination of online and in-person) educational modalities.
These programs are designed to be accessible in multiple formats, catering to a wide array of learning preferences through both online and blended (a combination of online and in-person) educational modalities.
NIPAI is notable for its international scope, drawing a varied and multicultural student body from across the globe. This diversity enriches the learning environment and reflects the Institute's commitment to fostering global perspectives in the arts. The emphasis at NIPAI is heavily placed on practical, experiential learning and preparing students for real-world application in their artistic pursuits.
The program aims to foster artistic impact, community engagement, commercial success, and personal growth, offering pathways to careers in theatre production, puppetry, classical and contemporary theatre, opera, etc.
What Sets Our Programme Apart?
- Upon completion, receive a diploma that acknowledges your qualifications as a theatre director, paving the way to professional endeavors.
- Benefit from a blend of distance learning with in-class sessions in Germany or Austria, depending on your preference. A fully online learning option is also available, providing flexibility to accommodate your lifestyle and commitments.
- During in-class sessions, immerse yourself in a multicultural and international setting, collaborating with artists from across the globe. This exposure enriches your creative process and broadens your professional network.
- Our curriculum is built on practical learning. You'll engage in assignments that directly contribute to your growth, ensuring you acquire the skills necessary to succeed.
- The program concludes with you directing your own performance, showcasing your skills and vision in a real-world scenario. This final project is not only a test but a significant milestone in your career as a director.
Cody Ganger, a graduate of the distance learning course in theatre directing, shared her experience: https://youtu.be/9vIPjFbMnnQ?si=UswRMhECEmPDIe9t
For more detailed information about the program, please visit the NIPAI website at: https://www.nipai.org/theatre-directing-diploma
For more detailed information about the eligibility criteria, and admission process please visit the NIPAI website at: https://www.nipai.org/admission-process