Hey all! I’m an early twenties career actor and I’m mainly stage. My film credits are fine, nothing special. I have a really substantial theater resume, leads, supportings etc. I feel confident about my audition skills, I know I’m good to work with in the room. I feel really confident in my abilities. My goal for the next months/this year is to get representation. I’ve been doing just fine without it, but it’s time. I’ve been browsing and taking classes at One On One/Actors Connect with CD’s and agents. And just feeling like I’m spending money and not getting anything. Should I just keep putting my best foot forward? Or try a new route?
Hello! Right now I’m an assistant to a talent agent, it’s going on a year and it’s been great. They’re really great people. I’ve always wanted to work in the industry and this fell into my lap. The problem is, I’m starting to hate it? I’m getting this feeling of FOMO and I just want to get into acting which is realistically what I’ve always wanted. I’m feeling a little stuck here because I don’t want to burn any bridges or anything like that. I’m also just getting very bored with the job, and being an agent I don’t think interests me the longer I stay. I’d love some thoughts. Maybe people that could have been in the same position? I just feel super stuck n lost, and it’s not that this job is bad… it’s just not for me.
I’m done with the pessimism. I have a lot of talent and I’d like to be able to say I at least really tried to go for it. But it’s been so long and the world has changed in a lot of ways that I don’t even know where to begin or if I even should
Forgive all the exposition, but just trying to get everyone up to speed so you know if/why this will be helpful to you. Hey all, I've mentioned in a previous post that I freelance as a script adapter/ADR writer. For the uninitiated, this is the process by which a translated file for a foreign (i.e., non-English, in my case) show or movie gets adapted into the script the dubbing actors record off of (I give characters their own unique speaking styles, and make sure the language sounds natural). There are plenty of dubbing projects these days where the actor is given a printed script and has to dart their eyes between the script and the video in order to match sync, but there are also tons of dubbing projects run off of a software called VoiceQ. With VoiceQ, instead of looking between the script and the video, the script is *on* the video, scrolling by. As the words reach a center point, that's when you're supposed to say them. It's basically karaoke. This is a paid-only software usually, but VQ just released a bunch of cool stuff, including free licenses for the actor version for the next year. If you want to practice dubbing or voice matching, this is a great resource for you. You'll need a video, and need to import a script or manually write it into VQ yourself, but the program is awesome. I hope this helps! [https://www.animationmagazine.net/technology/new-voiceq-6-0-dubbing-software-debuts-actor-system-streaming-function/](https://www.animationmagazine.net/technology/new-voiceq-6-0-dubbing-software-debuts-actor-system-streaming-function/)
Hey everyone, I apologize if I'm being unprofessional here but I'm not exactly sure where to look for voice actors so I would like to start my search here. Me and my team are currently working on our big open world medieval/fantasy game called "The Monarch" and we are looking for voice actors that would suit the characters in the game. If anyone is interested, please contact me and we can do a small interview to see if you would suit us perfectly :)
I have been an extra for the last two years. I have loved how much I have learned during this interval of time but it is time to go for bigger roles. In spite of the depressive state I have been in since the person that taught me film passed I would love to connect and build with other NYC actors. ​ I wanna start creating short films etc to propel my career and the careers of others.
I’m sure this is a silly question, but I’m about to finish studying theater and actually put myself out there. I’ve been fortunate enough to have gotten to start young and I think I have the skills to at least make some sort of living doing it. I’ve been wanting to avoid L.A. since I don’t enjoy working with hyper-competitive or fake people. I’m really getting ahead of myself by asking this, but I guess every actor thinks about it at some point or another. Is the work worth the stress? I’d love to try my hand at more film/TV acting (while still doing stage) but if there’s no way to avoid the scumminess of the industry, I’d rather travel and do seasonal productions, etc.
I (26M) started my journey as an actor at 19 when I took professional classes in NYC. After 7 years I got a BS (not in theater), worked in corporate, mental health, even went to a masters for PT before I left due to loss of interest. In addition I have done some professional voice over and on camera work. This weekend I walked into a CD workshop as what seemed as the only one who actually has worked a normal 9-5. The rest were theater people with packed resumes from a bunch of fancy schools. No offense I think that it's great to have a passion. But the way these people acted oof. The CD acted very high on himself that night as well. I walked out there with a realization of how beyond cringe it is. What i've been doing. Acting in itself is beautiful and takes amazing hard work. But the people in the industry are immature. They act like they're the shit and are rude af. When they've never actually done C list work. I guess maybe i've matured as a professional and witnessed the immaturity in the industry. I still have second hand embarrassment from all of them. Like two dudes out of the 20 who were there acted right and normal. After comparing it to my usual 9-5 that pays me really well I don't know if this is worth it anymore. Having to be around immature adults who act like they're still in high school. I think I might hang up my dreams of an aspiring actor and will probably consider starting a life. Kudos to the mature actors out there who act their age. I wish you the best. And to be honest to those who act like kids and are grown. Grow up you're cringe.
Hey there! Are you a female or male VO actor interested in creating content around power, psychology, and politics? If so - we’re creating a video essay channel and are looking for a single, permanent VO actor for it - 3 videos a week, which will be doing just that. The channel will have a similar, but different, VO style to the channel [Jake Tran](https://www.youtube.com/channel/UCoOjH8D2XAgjzQlneM2W0EQ/videos) and [Moon](https://www.youtube.com/channel/UCmFeOdJI3IXgTBDzqBLD8qg) Rates: Earn 5-7.5% of YouTube revenue (at 200k views/video ,that's $500+/month), and $115-130 USD per 15-minute speaking time script. $40 for 1-minute YouTube Short scripts. 2-3 scripts a week. Channel purpose: help people become more aware of how their psychology can (and is) manipulated by power, media techniques, etc. If you are interested, **please leave a comment and review the further details about rates and more are on this job page.** There’s also a 3-minute segment of a script to audition with ($75 USD prize for our favorite audition): [https://nowcreatives.com/nowcreative\_job/video-essay-vo/](https://nowcreatives.com/nowcreative_job/video-essay-vo/) Context: We are a production company for YouTube creators who are making this channel, with 7 billion views on the videos we’ve edited for YouTube. We have 45 team members in total, some part-time, some full-time. And have a YouTube channel with 250k subscribers, called [MrSpherical](https://www.youtube.com/c/MrSpherical). Thank you! Oliver
So yeah, I applied to a few roles on Actors Access and I was wondering how long it takes to hear back from them in regards to an audition? I got updated headshots done and I feel like I could be a good fit for them. Any advice would be good. Thanks!
I've been exposing myself in theatre in my hometown for 4 years now, learning and growing until I get my bachelor's degree at the local university (in a "safer" field unrelated to theatre). I've done almost all of it for free, as a young amateur actor. But now the head of my theatre troop offered me to lead the organization (and very likely act as well but that probably wouldn't be paid) of this big musical project, which would be a collaboration with a foreign theatre (UK). This sounds like an amazing job opportunity and I was really looking forward to it because it was supposed to happen over spring and summer, and then I will likely go to study Theatre abroad (and based on the skills I've learned, I really believe I'll get in). But recently I learnt that it's very likely going to be delayed to next year and not gonna lie, this kinda crushed my hopes. I really think this project is an incredible opportunity, especially since I've never worked on a musical before and I've always wanted to, musicals were like a gateway drug into theatre for me. But I'm really tired of my hometown and the lack of things it has to offer me. I'm not getting any younger and I want to get out there, start fresh and be on my own. Especially since I'm gay and I'm just so tired of being closeted because of my largely conservative hometown. I think it's time I broke free. But all the connections I've established here won't matter out there. On the other hand, I feel like I'll never be valued the way I deserve here and while this is an amazing opportunity, opportunities die easily here and maybe it got delayed precisely because the head of my theatre troop decided to lead the project himself after all and he delayed it to have more time (which pretty much leaves me without a job opportunity, even though I'd still very likely have an acting part). He also has a history of canceling and delaying projects, so I don't think it's worth waiting for an opportunity that might fall through anyway when I can move to a place that can offer me more opportunities. But I still want to hear some advice from more experienced people. I was going to post this in r/theatre but it won't allow me to post, don't know why, so I came here.
A few weeks ago, the company I work for decided to launch a big, new ad campaign. Through some quirk of fate, I was tapped to record the voiceovers. The ad campaign, which is mostly on YouTube, Facebook, and a little bit of specialized television (not network) has since become a rousing success. It got me thinking about pursuing VO work as a side hustle, but I'd like to do things correctly, so that's why I'm here looking for tips amongst you experienced Redditors. What is the best way to proceed? Is there anything you guys wish you knew at the outset of your VO careers? Should I look for an agent using the ad campaign as evidence of my potential hire-ability? Although I'm new to the world of VO, I've had a local (volunteer) radio show for more than 15 years. I'm located near Toronto, Ontario in Canada if that is a relevant factor.
I don't know about you guys, but I LOVE when a director tells me go smaller. I go as big as possible and let the director adjust. Been working on a film for a few days (actually on set right now) and have a director tell me go smaller is the best. It's so good cause it's easiest to go smaller. I read a lot of directors saying they have a hard time making actors go bigger, so I have been practicing getting bigger and I improv then jump in my lines before I go into scene and people seem dazzled about it. What's a compliment you love on set to hear?
What exactly is the difference between a „normal“ agent and an associate agent? When I look up some actor‘s agents on the agency’s website (UK) it says who their agent is and who their associate agent is so what’s the difference between the two? Because associate agents can also represent actors without a „normal“ agent. I hope you understand what I meant thank you in advance for answers :)
ACTORS! It’s been a tough time for the performing arts. As things open, again, slowly, productions are beginning to cast… auditions are happening! Naturally, many of us feel out of shape, a bit rusty, and that is okay! Andrew Jamieson is now booking private audition prep sessions, both in person (Montreal, Quebec) and through video conference. If you’ve got an impending audition or casting, and you want to brush off some of the dust, work on sides, polish a monologue, these coaching sessions are for you! \*\*\*REASONABLE RATES, SLIDING SCALE, WITH DISCOUNTS AVAILABLE FOR BIPOC, TRANS, AND QUEER PERFORMERS, AND THOSE WITH FINANCIAL INSTABILITY\*\*\* Check out the website for more information or to book a session. Spots are filling fast, don’t sleep on this! Direct Link: [https://whothefuckisandrewjamieson.com/coaching/](https://whothefuckisandrewjamieson.com/coaching/) ​ https://preview.redd.it/czp5f14ofag81.jpg?width=1360&format=pjpg&auto=webp&s=7a9466ef1506df13f4aa0d157c5d0928d4b9b554
I'm an apprentice UBCP/ACTRA member and honestly that credit kind of just fell in my lap as an upgrade on set from background to actor. Until recently I haven't pursued acting, and now on top of that I have started focusing more on voice acting work. I'm curious what peoples thoughts are on the amount of work there is for Union vs. Non-Union performers in all aspects of VO. I'm tempted to drop that credit, it's not exactly doing anything for me. In my mind if I want to get into the Union, I should be able to again if I'm good enough to be there.
Hey everyone, Last month I submitted to countless agents and scored three meetings. All three agents offered me across the board representation. I'm extremely grateful but unsure of which one to sign with. Agent #1 - 600 on IMDbPro, SAG-franchised & 2 actors out of 70 are my type. Agency's been active since 2017. Agent #2 - 720 on IMDbPro, NOT SAG-franchised & 20 actors out of 100 are my type. Agency's been active since 2018. Agent #3 - 880 on IMDbPro, SAG-franchised & 1 actor out of 100 are my type. Agency's been around since 2009. I don't feel I should choose #2 because they're not SAG-franchised and 20 actors are my type. I feel I should choose #3 because only 1 actor is my type and he has a few actors who have an IMDbPro rating below 20k. Also, he's been around the longest compared to the first two & I really enjoyed our meeting and feel he understands me. What do you guys think? Any tips or advice for choosing a representative? Thanks!
I’m a young voice actor, 16 but I have a pretty deep voice, if you know who corpse husband is, I have a deeper voice than him. I’ve always loved acting and especially voice acting and I want to know how to get started. If I’m missing anything here tell me.
I’m curious what others opinions would be in this… Do you think if an actor would to get a job at a studio or talent agency that they wouldn’t be able to have much of an acting career? Or do you think it may be beneficial considering you’d start to make connections with people who would potential be the ones to cast you/take you on?
A few times now, I’ve been sent self-tape instructions for what is clearly the wrong character in a film via Actors Access (e.g. today, I was called back for the role of an artsy 14 year old girl but the instructions/sides for the role of her abusive father were the only ones attached). Is there some way I can message CD’s via cMail, or do I follow the instructions for the dad, or just decline the audition, or what?