Hi all! Terribly sorry if this is not the place for this type of post, but I figured if anyone would know who it was it would be this group of lovely people. The voice acting in College Humor's "Everything That Will Kill You... From A to Z" is absolutely incredible. I have been searching for the voice actor of this video for a while now and I cannot find any credit to him on any of the video links not a mention of the name in the comments. There isn't even an IMDb page for the short. It's kind of driving me crazy
Must read for all actors. He provides so much insight into the entertainment industry writing from his own experience. More insightful than most 'actor's handbooks' I've read. Nothing like the movie in case you were wondering too... Let me know if you check it out! [https://www.amazon.com/Once-Upon-Time-Hollywood-Novel/dp/0063112523](https://www.amazon.com/Once-Upon-Time-Hollywood-Novel/dp/0063112523)
I’ve always wondered this and I’m 6 years into my career now and still don’t know the answer. For working actors, who aren’t famous, don’t have to go on press tours, and have a schedule that they can easily manage themselves, what’s the appeal of getting a manager on top of their agent? That’s just another 15% out of your cheque for what? Is it just to say they have a manager? What do they really provide for working-class actors?
I sound like so much of an idiot it's laughable. Right. Here's the deal. I've been a voice actor and actor for ... can't remember how long. I've always done original voices for characters, in both acting and just voice acting. However, I also used to be into voice impressions as a sort of "party trick", but I haven't done that in a long time. I'm getting back into it, though, and I cannot for the life of me figure out if I... sound like the people or not? I've got a live feed of my mic in my studio headphones AND I have clips of other impressionists and the real people playing. I listen to the line, repeat it, and it sounds good/accurate ... until I sit back and reflect on it, and suddenly it sounds wrong. Like, one minute I think it's accurate, and the next minute I think it sounds ridiculous. Like all the voices sound the same, or like my impressions of men with higher voices sound like a women, or like SOMETHING IS OFF about them. I'm going insane because I can't tell which part is reality or not. Because I genuinely go back and forth on it *every few minutes*. I never had this problem back when I used to be into this. Hell, back then I didn't even have a mic, yet I was still confident that what I was doing sounded correct (and other people thought so, too). So. Uh. Yeah. Any tips on figuring out whether you actually sound like the person or not? (Without asking other people to review examples; I'm doing this as a surprise for the only person I could ask for help.)
Is it gonna be really harder to find jobs and auditions considering i have braces? Im nervous of what will happen to my career! I want to be a working actor but i think these braces really are gonna be a huge disadvantage for me.
Yes, I'm an editor posting in the acting sub... again. But I'm not just here to advertise to editing, I'm doing a bit of market research, and any input would be fabulous! I'll keep this short. I have 5 years of professional editing experience and am trying to start my own business that would mainly focus on editing reels for actors. I know what I charge normally for editing, but I'm having to rework my pricing and workflow a bit for doing reels. I want my prices to be accessible to actors like you, but also fair to me and my work. The business model I'm looking at right now would be: -$125 for a 1-2 minute reel (usually 3-5 clips) -24-hour turnaround (you send the files, I send a proof before final payment) -Can include headshot and contact info page at the beginning and end if you prefer Is this something that sounds feasible for just starting/working actors? Does it sound high? Low? Are there good places I could meet lots of actors that might be interested? I'm based on LA, but could do this from anywhere. Example reel (I got permission to share this): https://youtu.be/kStuqmptMlg
I’ve been working pretty consistently for almost 10 years. I’ve done off-broadway and indie theatre, a few tours, and a couple independent feature films. When i do get cast it’s usually to lead. I’m not repped and when I do have representation it feels like they don’t know what to do with me. Just looking for some guidance/direction…on reddit
Was just surfing the web and stumbled upon a beautiful story. Jim Carrey’s story is amazing and in his story there’s this part where he would drive his car up Mulholland Drive, and envision his success, tell himself he’s going to make it. He wrote a check up on that hill for 10 million dollars, dated 3 years in the future (1995). 1995 hit and his movie had grosssed him that 10 million. I mean wow, what a success story. As actors do you think you sort of have to be somewhat crazy? I just mean you sort of have to convince yourself everything will work out even, it might not. What do you guys think about this story? Do you think it’s just nonsense to envision future success as a mindset? Thoughts on this story? I think it’s super philosophical, it’s like standing on a mountain and screaming out in the city that “I will make it as an actor”, and then he does.
\*\*\*Update - I am only looking for two roles: I am a screenwriter who wrote a short screenplay (32 pages) and am in need of actors for a table read. The table read will be conducted over Zoom, and recorded to further develop my screenplay. The date and time of the table read will be based on the actors' availability. There is no compensation, but you will receive a copy of the recorded table read. **\*This screenplay contains strong language, drug use, and sexual situations.** If interested, please email me at jimjbon@gmail.com with the role you may be interested in reading for (see below). All ages (18+) and genders are welcome to read for any role. Roles: Elijah (M, ANY AGE - pref. 40+) - A “holier-than-thou” cult member who uses his intelligence to coerce people into thinking his way. He also reveres Esther and is in the same cult as Haman. Esther (F, ANY AGE - pref. 50+) - The leader of the cult which Elijah and Haman are followers of. Very bizarre and eccentric both in how she talks and in her movements, which are clumsy and bug-like. She acts like royalty among her followers. \*\*\***THIS TABLE READ WILL OCCUR ON 9/15 AT 8:00PM (EASTERN TIME) - Please check your availability at this time if interested.** Thank you!
Pay negotiable. Would shoot in Franklin County, PA. The film is a horror-thriller-comedy. It's called "Downriver", here's the logline: "While on a kayaking trip, four friends get trapped on a haunted river" I'm looking to sorta subvert genre cliches by not having a "monster" per se, the monster is the river itself. Let me know via PM here. We'll talk over the role, and about you and my goals/vision with this movie. I'll send you the script and we can take it from there over zoom/google meet meetings. Sound good? Anyway, here are the roles needed: *Brad (18-21) (MALE LEAD)* An aquaphobic young man with a love for hunting. Any ethnicity. *Ashley (18-21) (FEMALE LEAD)* A nature-loving young woman with a passion for all things nature, Ashley thinks a kayaking trip will help Brad get over his fear of water, and can be a tad too pushy about it. Any ethnicity. *The Ranger (30-60) (FEMALE - SUPPORT)* An overzealous Native American Park Ranger, who is overprotective of the park and river.
Hi all, I feel like I'm having a serious run of bad luck. I've worked on multipe projects over the years and I've always had toruble with getting my footage or it being released. For example, I worked on a my first uk feature film in 2017 and I was so excited as this was a proper production and my scenes were great. It still has not come out and I've done evrything to get my footage. In 2019 I worked on another feature film and I know my scenes are strong. I share scenes with major actors and the film was due out last year. Then the pandemic hits. Now the film is shelved and theres no release date. I desperately need my new material to secure better representation, which I cant seem to get despite having some good credits, previous casting by well known CD's and very strong showreel footage. I've done everything one is supposed to do and yet I cant seem to get anywhere. Earlier this year, I had a manager reach out to me suddenly after I had met with them 2 years prior. They wanted to arrange an online meeting and were very enthusiastic about signing me. This was an American manager which would be huge for my career. The meeting went great and they said they'd send me some scenes to self tape. A month goes by and they never follow up. I then emailed to follow up and was told they'd send them on. Still nothing and hasn't responded to me since. Even though they reached out to me after I had met them two years prior. I just cannot fathom how all this can happen and I am at a breaking point. Does anyone have a similar experience and how do you stop yourself going crazy
Hi everyone. I'm curious to know if there are any podcasts out there that primarily focus on interviews with voice actors about their experiences in the industry. I've done some cursory googling and all I can seem to find are podcasts that are meant to help people break into the industry. Any suggestions are appreciated!
Sorry if this question was worded weirdly, but here we go-- an agency I know of in LA is seeking new clients in their commercial division for a few specific types of actors, and I happen to fall within one of these types. (This is a boutique agency & this would be my first time seeking out representation.) I personally know an actress who is already on their roster who actually recruited me to be an extra in a music video several months back, as their agent was looking for people to fill the positions at last minute. Should I mention this instance in my submission? What other questions should I ask them should I end up getting a meeting? Thank you for all your help in advance!
Hi!! I’m relatively new to voice acting! I’ve been doing work as a actress all my life but recently started voice acting. The jobs I’ve done before have been a flat rate however I got offered a new job and he’s asking about my rates for a monthly/ bi monthly thing. I’m really not sure how to respond. I’ve researched a bunch but I’d like to ask here as well. Since I’m newer I don’t mind having lower rates but I also know that I need to appreciate my talent and not go too low. It’s all very confusing! If I could get some advice I would love that
How execute I get an acting agent I know 16 and I would like an agent or ⠀manager?
Hello, Im currently 18 and dating someone who is in the acting industry. Shes only in university so the extent of her career has been plays and such. Im making this thread out of desperation because Im not sure where to go for advice on this topic. My girlfriend has told me that in some of her plays it requires her to do some intimate scenes with the other male actors. Im not so sure how to feel about this. On one hand, I want to support her and I know that any and all intimacy on stage is purely for fiction yet, the thought of it is really affecting me. I get this sinking feeling whenever I picture it in my head. All I want to do is love and support her career. Have any of you experienced this in the past? Any help would be greatly appreciated. I know there’s a way to come to terms, but its still hard and frustrating. Thank you.
I dream of working with a wonderful cast and crew to create a film to be shown on the big screens, not even, just to make a movie. Is it wise to exclude acting completely to focus on film or give it a try and possibly work more on it if interested? (Background) I see on behind the scenes what goes on with the casts and crew to create a movie, most of it is hard grinding work everyday to create every picture correctly, but the other stuff is just having fun with everyone and being the most creative-self they can be. That’s where my passion for movie directing comes in, I would kill to work in someway on set to create a movie with a group of people that I appreciate and they appreciate me! The thing is though, I also see actors and actresses getting along and having so much fun with each other, and it seems like so much fun to act and so play a character. There are directors that are actors as well (Tiaka Watiti, Jon Favreu, etc), so I know it’s not far fetched to do both. From actors who have had experience and know what they are doing, what could you tell me from someone on the beginner level.