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ELLEN LEWIS - Casting Director - Team Deakins Podcast by Florin Şumălan  •  last post Nov 22nd

"On this episode of the Team Deakins Episode, casting director Ellen Lewis (KILLERS OF THE FLOWER MOON, THE DEVIL WEARS PRADA, GOODFELLAS) joins us to talk about all things casting—of which we knew very little before speaking with her. A disciple of veteran casting director Juliet Taylor, Ellen shares with us how they were first introduced and what she learned working with her for eight years. Ellen reveals how closely casting works with talent agents to find the right actor for a role and how some casting directors even directly negotiate an actor’s contract. We worked with Ellen on KUNDUN, and she recounts her global odyssey to cast the 14th Dalai Lama across four separate stages of his life. We later discuss setting actors at ease, both on set and in the audition room, and how we do what we can to lift the pressure under which actors must work. Ellen also admits to us just how far she’s willing to travel to go to set."
https://teamdeakins.libsyn.com/ellen-lewis-casting-director

Article 92 by David P Perlmutter  •  last post Nov 22nd

My role as the Prime Minister of

Acting Workshop: Build Your Successful Preparation Process! by Sydney Summers  •  last post Nov 21st

Stage 32 is excited to welcome Ryan back! Learn how to do your best scene work - whether you have one hour or one month to prep - with esteemed actor Ryan Cartwright who has starred on numerous television series including BONES, MAD MEN, THE BIG BANG THEORY, KEVIN CAN WAIT and ALPHAS!


You will walk away from this class with the tools you need to successfully approach your character, dialogue, and action steps to properly utilize on your self tapes, callbacks and on-set performances for maximum success!

PLUS! Ryan will provide you with exclusive handouts to help you hone your acting process. Downloads include:

The Audition Process Beat Sheet
Filming Day Checklist

https://www.stage32.com/classes/Acting-Workshop-Build-Your-Successful-Preparation-Process

Adult or Child voices to play kids in Animation by Kevin Jackson  •  last post Nov 21st

Hello everyone. So I have been thinking which is better for a kids animated series. Child actors the same age as the characters? Child actors a little older so they still sound like kids but have a better understanding of the script or adults who can sound convincing as a child?

On one hand I have heard child actors can be hard to work with and they can only work for a limited amount of hours straight or and limited amount of hours for the day, and they take longer to get their lines sometimes forcing the shoot to be longer. There is also the issue of the child aging out and voice changing, forcing you to find new child actors that sound alike.

On another hand while adults can definitely work longer, they might not sound like a child. Is it a huge concern if they character playing kids in an animated series, is actually an adult?

Important New Self Tape Rules SAG-AFTRA Negotiated by Aaron Marcus  •  last post Nov 21st

Important New Self Tape Rules SAG-AFTRA Negotiated that affects

both Union and non-union actors.

https://youtu.be/fdVdYQBaAqM

If you know about some new rules, share them here.

Work on set or leave production by Joseph Quiles  •  last post Nov 20th

Hello everyone have a question how do you know as an Actor that your working with an amateur  Director?   

Actor/Writer/Producer thoughts on the GAI clause by Suzanne Bronson  •  last post Nov 17th

https://deadline.com/2023/11/justine-bateman-sag-aftra-deal-ai-1235616848/

Atlanta!! by E Peña  •  last post Nov 16th

Where’s all my Atlanta actors at?!? Who’s ready to get back to work!!

Talent manager looking for acting coaches by Aishah Taylor  •  last post Nov 16th

hi all located in los angeles

looking for seasoned acting coaches

The strike is over!!!! by Omari Washington  •  last post Nov 16th

Hi Superstars! How's everyone feeling now that the strike is over? To be quite honest, I feel so inspired by SAG-AFTRA's negotiating committees effort and the support of the W.G.A. to defend all union actors around the world. They helped us get more funds with a fresh business model that can sustain our careers for way longer than before. What an amazing victory for actors everywhere! May the auditions start rolling in for all of us!! Let's go!!!

Inspiring Actor Audition by Pidge Jobst  •  last post Nov 15th

No doubt in the TOP 10 of actor auditions is this emotional delivery by Henry Thomas for a film that needs no introduction. You can hear Steven Spielberg at the end give the boy the role on the spot. The flushed redness face, water-filled eyes, uncontrollable cascading tears, hurried-huffing breath and the swallowing bolus are all in play. It is said Thomas tapped into the memory of when his dog died for inspiration.Watch the audition, here: https://www.youtube.com/watch?app=desktop&v=tA5giyG8E7g

Looking for actors and comics by Rick Karslruher  •  last post Nov 15th

Please take a look here. Our new company will be live in early December .Please take a look at this link. Let's have some fun and maybe make some money.  https://www.stage32.com/jobs/811262/Actors-or-Comics

Today's AMA in the Authoring & Playwriting Lounge by Sam Sokolow  •  last post Nov 15th

Hey everyone - excited to share this...


Suzanne Corso, NYT Bestselling Author, Journalist, TV/Film Correspondent to THE TODAY SHOW, Stage 32 Thought Leader & Educator, is hosting a 24-Hour Ask Me Anything ("AMA") in the Authoring Lounge today, focused on "How to Write and Publish Your True Story". I've known Suzanne for a while and she is brilliant and generous so hop in and ask her your questions. 

Here is the link to Suzanne's AMA: https://www.stage32.com/lounge/playwriting/Ask-Me-Anything-AMA-11-15-to-11-16-How-do-you-write-and-publish-your-true-story

Suzanne is also teaching an upcoming 4-part Stage 32 class on this exact subject that will help you get your own story's book written and published. Here's a link so you can check out her class: https://www.stage32.com/classes/Write-Your-Autobiographical-Novel

Took A Bad Acting Class - Next Time Ask This Question by Aaron Marcus  •  last post Nov 15th

Took A Bad Acting Class - Next Time Ask This Question

https://youtu.be/43xwDZvaNVQ

If this happened to you, share what happened.

And, if you did something that helped get you into a better class next time.

PSA: Don't take shortcuts! by Ryu Reeves  •  last post Nov 14th

Just this week, I can't begin to tell you how many people I see asking for handouts without wanting to learn acting or screenwriting. They just wanna wake up and get a job like they're looking for a free prize with their happy meal.

This topic has been boiling up inside of me for quite some time, but my last straw is people asking which AI software they can use to do all the work for them. Especially we just had TWO strikes to fight against the damage AI can do to the industry.

To me, this just screams in a thousand different ways that you don't respect the industry. You just wanna wake up and be famous. Nobody wants to put in the work. I can't tell you how many times I've given bullet points for an actor on exactly how they can start getting real work. Only 1% of the actually follow through with putting in the work. Most of them (99%) just wanna go to an audition and wing it. Not willing to take acting classes. Not willing to get a professional headshot. Not willing to put together a portfolio. Nothing. They just wanna ask "How can I get a job on a TV show". To me, this is a huge slap in the face for me and everyone else that loves this business and is willing to put in the work to study!

There's a big difference between asking for genuine advice on how to improve and asking someone to just give you a job without wanting to get experience for that job!

Respect goes a long way in this industry and if you can't be bothered to put in the tiniest bit of work then it's probably not for you.

3 Minute Video - Self-taping Tips and Guidance for Actors by Emily Maguire  •  last post Nov 13th

For those who don't have time to read the full article, I've created a 3-minute video highlighting the main takeaways.


https://youtu.be/zYycXKzbvK8?si=i5VQjadaPtkzMC-h  

This video is an excerpt from a longer article. To read the full article, please visit:
https://www.reflectionscareercoaching.co.uk/post/mastering-the-art-of-self-taping 

Commercial Casting by Sean O'Connor  •  last post Nov 12th

A first for me. I recently auditioned for a tv commercial where the brief for hero male was 50-60 and ‘wife’ a similar age. 

Just seen the finished commercial and the roles were filled by mid-30’s actors. 

I know briefs change in this world, but the ‘wife’ was played by the casting director on the commercial. I’ve seen casting directors and assistants on commercials; nothing unusual in that, but never on one where the CD I submitted the self tape to got the casting themselves. is this unusual? 

I thought I did a really good audition too. 

Determining Intent In Acting and Directing by Mario Leone  •  last post Nov 12th

It is good to determine intent as a Director and as an Actor.

How do we determine Intent?

By asking questions to ourselves:

What does the character want, or what goal are they trying to achieve in the scene?

Define each scene by what the character wants:

Is it physical or tangible?

is it information?

Is it emotional?

The Secondary Gain intent - When a person is trying to make others "think" that their own motives are different from what they say they are.

Could be expressing ulterior motives for example.

What does the character want other people to think they want?

The AGENT EPISODE: Anthony Boyer Breaks It All The Way Down - Think Bigger Actors Podcast by Florin Şumălan  •  last post Nov 11th

https://thinkbiggerpodcast.libsyn.com/episode-411-anthony-boyer-the-agent-episode

Round Two of Auditions by Mario Leone  •  last post Nov 11th

In round two of auditions, we've got THE superstar contenders who check all the boxes – they look the part, act like the pros they are, and could totally rock our their characters. 


Now, instead of a quick script run, we're give them more time to flex their acting muscles. Three performances of each scene, with different emotional vibes each time – it's like watching a mini movie marathon!

As the director, I'm not just looking for talent; I'm watching for that magic chemistry. We chat about why they're hyped for the movie, their schedules, and what makes them tick. It's all about finding the right match, like playing cupid in the casting world. The key is to serve the script and the story, not mind read what is in the Directors head... 

Round three? Picture this: all the actors in one room, paired up, and acting out scenes together. It's like a Hollywood speed-dating session! By the end, I've got the dream team, and we're ready to roll. After thanking our awesome actors, we let them in on the casting decisions within a week.

Post-audition, it's time for heart-to-hearts with each chosen actor. We spill the beans on all the behind-the-scenes deets – the production needs, crazy schedules, and even the possibility of post-editing pick-up shots. For the newbies, it's a crash course on what's ahead. 

Negotiations with the seasoned actors' reps cover everything from pay to travel perks and dietary quirks. And yes, some actors have specific needs, like a trailer the size of a small country!

Once deals are sealed, we've got a week of suspense before we spill the beans to the world. But hey, we've got our backup plans in case things get a bit Hollywood-crazy. 

After the big reveal, our winning actors get a fancy packet with all the deets – from schedules to character breakdowns. First rehearsals kick off like a blockbuster – it's showtime!