This is a weird question and I could just be mis-remembering. But, if a casting notice is originally posted in the area where actors can see and you submit for a role, would that role still show in the list of your submissions if the casting notice was pulled or made visible only in the agent area? I got an audition request that came through my agent in AA. But I have a weird memory of submitting myself for the role. I just can't find anything in my AA submissions or on other casting sites or in my sent email. My memory seems to be applying thru AA, but I could be mistaken and thinking of other roles. I don't usually track them much before the audition phase. I am not trying to cut my agent out. I would loop them in either way. It is just that it is kind of a big deal sort of project. So I want to be certain on the submission method so I can do that again! Anyone have a role you submitted for in Actors Access that disappeared from your submission list? (No word yet on callback or booking. They seem to be still casting the main characters and the part I am going for is smaller so they will do that after the primary roles.)
There's a potential TV role I'm hoping to get, where the character is a "jolly fat" woman. I love the character - she's very funny, uplifting, and a good friend to the lead character. However because she's written as a happy big girl if I were to play her I'd need to look the part. And while I'm not skinny I'd need to put on a fair bit of weight to play her. Has anyone done anything like this, or know an actor/actress who has? What would your advice be? The character's awesome and would be a great deal of fun to play. But I'm worried about the health risks and whether I could lose it after. The TV exposure should be great for my career, but could it potentially harm opportunities after?
I’ve taken a small step and booked myself into a weekend acting class for September. It’s a beginner class for people with little to no experience, but they’ve asked for a headshot and an acting CV. I don’t currently have a headshot (but I’ve found a photographer friend who is happy to take one for me) and my acting CV is near blank, aside from a Drama GCSE, some school plays, and filling in for missing actors during rehearsals for a pantomime. All of this was a few years ago - lost the time to do anything for a while and I’m hoping this class will help me get back into it. Though it’s a beginner class, I have this awful fear that I’ll show up and everyone is going to be far more experienced than me, and that I’ll be that one person who has done nothing and knows absolutely nothing, and freezes up all the time and is super wooden ect. I know its probably my dumb lizard brain being irrational, but I think i just need some reassurance or advice. Has anyone been in a similar situation? Did it turn out alright for you?
Hey, When you're getting started, and don't have the financial ability to build a home studio, how does one do Voice Overs? Is it even possible, or am I just out of luck. There are no cheap options for me, as I live in a very hot climate and the building uses window ac units, which are very loud. I can't afford to completely restructure the AC situation. Pretty sure I already know the answer. It's just not something I can do without waiting a very long time do find some other way to make money, then change my living situation. But I'd love to hear creative options that have worked for others, if such things exist. Thanks. Edit: Okay, I guess my post wasn't clear? A home studio is simply NOT an option for me. We're talking about a TON of noise where I live, and where there isn't noise, there is sweat drenching heat. I'm specifically asking about other options. A) Do Voice Actors still go to existing studios to record, or is everyone expected to have a home studio now? B) Has anyone out there found some kind of quiet public space, or made a deal with someone to use their house or building for recording?
No shade - but I am honestly so over having to open the thread and scroll through hoards of “I want to get into acting” posts. For those of us who are “in” acting and want to network and discuss with other actors / performers it feels like there’s a big clump of text we have to dissect before even figuring out if we can get there.
especially in the early days, everybody wants you to work for free, everybody wants you to supply your own wardrobe, drive to remote locations, rearrange your schedule for nights, weekends, for auditions, for call backs, self tape for unpaid projects, theater doesn't pay, or YOU have to pay them, agents sign you and then do nothing for you not even talking strategy with you or things you could be doing, acting classes are $250+ a month bare minimum actual reputable conservatories are $thousands and $thousands... i justt feel like this entire fucking game is stacked against us in literally every way possible, and I love acting, it's just such a shame. i can't even participate in any of this anymore, no matter what i do. to work a job that pays enough to even afford rent in these cities, i don't have the flexbility to do any of this stuff, if I have a job that offers flexibility, i don't have the $$ for any of this stuff. maybe they shouldn't even let poor people be actors. maybe they also shouldn't let shitty low level agents even legally be able to be agents. it all just seems so beyond fucked to me and it's really depressing.
My Story Two years ago, I graduated with an engineering degree and started a job two weeks later. Two or three months after that, I realized I'd really like to get into acting. Probably just in my free time, but if it became more than that, then great! I researched, researched, planned, researched, etc. Fortunately for me, I’m also a huge fan of writing and storytelling. For most of my life, I thought that would only relate to books, but as my interests developed and I payed closer attention to movies and TV shows, I became interested in that too. It didn't take long to realize that my chances of auditioning for any role and actually getting it would be slim to none, at best. That's the nature of the industry. Even experienced actors often face frequent rejections. I didn't like that. But we live in the age of technology! I started thinking about how I could do this myself, on a smaller scale. Lots of people create their own web series and put them on YouTube or elsewhere. Finally, something under my control that I can do, without having to wait for someone to choose me! Found footage seemed like a very good way to start, as the nature of the genre fits nicely with someone who doesn't have the support of Paramount Studios or millions of dollars. I was and still am very inspired by Brit Marling, who co-wrote and starred in her own material several times. Watch "The East" and "OA" if you haven't already. All I really needed was something entertaining. I'm a natural writer, so I got to work. Several times, actually. Kept coming up with things I could do and developing each story. At the moment, I have multiple (One FF, others not) things that, with the completion of their development, I could bring to fruition without having to get permission or funding - each slightly more ambitious than the last, but all of them doable for an individual without a real studio. As someone with no experience, I decided I'd want to do something by myself before asking other people to work with me, so I have a one person Sci-Fi found footage (least ambitious idea first) that I'm constantly developing, revising, etc. before I finally start filming. Somewhere along the way, I decided it would fit better as a feature length film - My first! I'd need to edit this somehow, so I looked around for whatever real studios and filmmakers use - and found something really cool. Davinci Resolve is a program actually used to process real movies, and the company is aiming it more towards people like you and me, while designing it to be able to handle every step of the process: Editing, sound, color grading, VFX, etc. It used to be $1000+, but now it's down to $300 (still a bit pricey for me). Fortunately, they offer a free version with what seems like 90% of the program's functionality still available. I'm currently learning this - just finished learning how to color grade, now I'm on the editing lessons and VFX after that. I think I'll probably buy this when I'm ready to film. So now it feels like I have what I need. The right story(s), post production software, and the knowledge of how to use it. It seems like my only limitation should be the effort I put into these things. My Problem I have the tools, the stories, and the drive. But I'm always having strong doubts about its future. Even if I succeed, I feel like I won't have accomplished much. At times, the pursuit of what I want feels impossible and worthless, even though I really want it. So here's my question: What do you do when everything you want feels unattainable - when the effort feels worthless. How do you get through that? Have you ever given up, and for how long? How do you keep going? Also, is there anything different that you’d do in my position?
Hello everyone. I am 23 years old and just Graduated college. I didn’t major in anything in theater however I have taken classes at my school and outside of school. However I keep feeling as I am not training the muscle of acting enough. I have done a short film and some skits with friends but to far in between. I am sort of in a dilemma as I feel as though I am getting older and I see a lot of actors starting off while kids and hitting it big in their 20-30’s. I know not to compare yourself to anyone especially in a business like this. I wanted to know what should I focus on more now learning the craft through classes more then take a leap into auditioning more or While auditioning take these classes. I am just looking for some guidance to start off. I feel as a lot of it has to do with it can be my confidence in myself.
I've recently talked with various actors who give commissions to their agent even for roles they book all by themselves. I've never done this, and I was wondering if this is standard practice? Would love to hear opinions. I'm based in London btw.
Any good film recommendations?
Hey all, My name is Michael and I'm an actor based in NC. as other actors from my area may know we used to have tax incentives in place so that people and studios were persuaded to film here (typically they would film in Wilmington) A tax incentive is basically a way in the tax code to say "hey, come here!" to an industry. movies like Dirty Dancing and Iron Man 3 were filmed here in NC, but not anymore. in 2014 the tax code was changed and these incentives were replaced with a grant program which provided much less to the film industry. the deal had changed and most studios decided NC wasn't for them anymore. But I think that we should try and get the film industry back in NC. I may just be some young dumb and hopeful actor but I really do Believe that the film industry can come back, and it needs to. ​ this text is going to be reposted on multiple different platforms. lets #bringbackNCfilm
Hey guys, Just wondering if anyone could point me the way to learning how to connect to the material better. I know being an actor requires Empathy, but are their specific techniques to feel the way the character's feel about something their speaking about? Say, another character (not in the scene or film but alluded to) or a project they're passionate about? Thanks!
It's a legit question I want to ask. I hope no one gets offended. Since graduating from acting class, I've been doing commercials, indie films, TV and corporate videos. Yet it's still a struggle to make ends meet. I have female classmates (whom I'm not close with) who just do theatre. No commercials, no film,no TV. Nothing. And I always see them begging for crowd funding/kick starters for their shows. Yet at the same time I see them travelling the world for holidays etc. Are these people born in a rich family or they somehow manage to marry a rich husband/get a rich boyfriend? Do you all have friends/classmates like that too? I've always been wondering how they survive but it might be a little too personal a question. I know nuts about theatre but does it pay so well? I'm not talking Broadway. But a bunch of really well trained actors who are good but relatively unknown and starting their career doing just theatre. I notice this happening only with my female actress friends. My male actor friends have to struggle to get commercials and film jobs which pay a lot better.
Just finished a semester in an acting school. I did not have a good experience with one of the teachers there or the way the technique was taught. ​ Our teacher, an actor himself - aside from constantly name-dropping famous actors every second class, he would keep going up and saying to me at least once every class, 'You always look so intimidated when I get up on stage with you' when from my body language and actions this couldn't be further from the case! ​ I don't know what it was, maybe a form of male-to-male authority display or hazing? Unfortunately, I had dealt with this before in a different school where another male teacher in his 50s would repeatedly shoulder-barge me when walking past. ​ Our teacher emanated an air of dismissive superiority and arrogance, like some of us were bugs to him. Small fry. Even going as far as to call us out as 'You're so *fucking* this-and-that' in repetition exercises. ​ The structure of the school itself was a tad cultish. There was a constant droning and advertisement of Meisner's brilliance, and near-holiness, like he was a god and everyone who had touched him was blessed. People would boast of their lineage to Meisner like he was some ancient guru. ​ I strongly believe it is the technique and not the men/women who developed them who should be focused, and neither should any technique ever be closed to criticism. ​ On this point, I had an issue with the wishy-washy, iffy and undefined principles. I would be told one week that I needed to follow technique strictly, then the next week criticized and told 'technique is just a method. Don't be stuck to it. Be in the moment'. What? But other students would just lap it up, the vague repeated statements, 'just be in the moment', 'you need to really listen' that were given without specific references to an actor's demeanour or definite criticisms! ​ Our class representatives would act almost like lower-tier MLM or cult officers, advertising and selling the school's extra classes but also demanding reasons for our absences. I can understand this is a school for intended actors, semi-professionals but to message me asking me if my reason for absence is due to work or study is none of their business and not for sharing. People have jobs and internships on the side and this kind of pressure is unseemly.
All my life I’ve been told by multiple people that I should try acting etc. but I live in a country/town with barely any acting activity (Varberg, Sweden). What do you recommend me doing? Is there even a point in trying? There aren’t really many known swedish actors. The only ones I know of are the Skarsgårds.
So I've been given the opportunity to submit a solo piece to potentially be performed at the Fringe World festival next year. This is a big thing where I'm from. The chances that I'll get in seem low, but there's no harm in trying I guess. However, for the last year my mother has been crazy about going to see the Northern Lights around the same time as Fringe World. I don't really have an interest in going on holiday right now, especially not with her, I'm a regular poster in the Raised By Narcissists subreddit if that's any indication. She's overprotective and controlling, and ever since I started taking a liking to acting at 12, she's been trying to dampen my spirits and hold me back from auditioning for things, to the point in which she smiles with glee and tells me she "just knew" that I'd "never be good enough" whenever I bomb an audition or don't get cast in something, and actively tries to prevent me from attending auditions and rehearsals by switching off my alarms and purposely not waking me in time. We had an argument about Fringe World, and she mentioned that I shouldn't even try because "you'll just get pissy when they reject you". Eventually she settled down and spat, "go on and submit your stupid little piece to bullshit little Fringe World, if you get in, I'll be out of the country when you perform". Has anyone else dealt with unsupportive parents?
Since I fell in love with films I've always wanted to be an actor. I recently started going for auditions and when I'm acting in the audition it doesn't feel like I will love acting. Then I watch a film again and the desire to act comes back. Does anybody feel the same way. Is it something that's normal or should I see it as a sign that maybe I don't actually like acting and its all in my head