I was on a film set yesterday as a non-union background actress - and one of the guys I was paired with in the scene would touch me repeatedly during each take in a way that made me extremely uncomfortable for most of the 15-hour shoot. On my legs, on my back, and in between takes would repeatedly brush up against me and push himself into me in a way that may have felt accidental at first but kept happening repeatedly until I became conscious of it. Perhaps because I didn’t want to make a scene (pun not intended) or because of my own lack of self-assertion, I decided not to say anything in the moment, but it’s still bothering me. Any advice on what to do here?
I got my first break earlier this year on a pretty awesome well-known show but my actress friends ahead of me on the ladder have mentioned a few times they have been told to 'act dumber' in interviews, etc. I write plays as well as pilots and I love seeing smart women out there - is this true or is this BS? Look, I'll never play dumb but I really want to know if you've ever been told this because it makes me really mad.
Just found out about this! The Actor’s Gang was founded in the 80’s by Tim Robbins and the training focuses on commedia dell'arte and mask work, and I am so fucking excited! As a random side note, this is where Jack Black and Kyle Gass met as young actors haha. The theatre and class is in Culver City and the space is incredible, a building known as the Ivy Subsation built in 1907 that used to be a part of the Los Angeles railway system. Does anyone anyone have any experience with this theatre, course, or technique? Even not so great ones? Ok, gonna go pass out now from excitement!✌️
Hi, I did some looking around and couldn't find any threads related to this so hopefully I'm not asking a question that gets asked a million times. ​ I've done some background extra/featured extra work for some hollywood/indie/short films and a commercial or two. Ideally speaking, I'd love to do acting at a greater capacity than just background, but without formal training, I imagine this is not really possible without a huge stroke of luck one day. ​ Anyway, I just sort of look on craigslist and have an extras/actors access account that I search every once in a while and sometimes get picked up for. Lately, I've been wanting to do this more often but have no formal acting training in my adult life (tried for this in my early childhood but that was like 20 years ago so not relevant). Do I need or should I get headshots taken to be picked up for more productions? Or since I only do background, does it not matter for me? ​ ​
That is the question. Seriously, something I read while googling help in regards to emailing cover letters said: *Do not attach anything of yours.* (headshots, videos etc.) Why? It’ll go to spam apparently. And it was a damn good point. Instead they suggested linking material. That’s the ONLY site so far that I’ve read that says such a thing. Am I better off linking my just barely complete actors access resume link, or my complete Backstage profile? What have y’all done when you’ve sent these out? Cover letters drive me mad!
I love reading plays and I've been reading a lot but I'm not finding the type of scene that I would currently like to explore as an actor. I would specifically love to do an M/F scene (though I suppose it could be a F/F) that involves the female being romantically desperate and vulnerable (maybe even drunk) to the male and ultimately being shut down. Kind of like the last scene from "Days of wine and roses" (...but better). Anyone have any ideas?
I received a follow up email after submitting my portfolio. See email below, idk to me it screams scam. Hi - I received your e-mail. Please read everything before you reply. I would like to make an appointment to talk to you over the phone sometime Tuesday through Thursday between the hours of 3:00-5:00 PM. When would be good for you? We will talk for about 10 minutes. I am extremely busy so I have an explanation about “How GMT Works” already written out and so after we talk if we both think that we would like to try to make money together on a freelance basis then I will e-mail you a more detailed explanation. What is your phone number? NOTE: I am only interested in Models/Actors that are available across the board on a freelance basis. You should be someone that would only sign with and Agent/Manager after they made you a significant amount of money and would prefer to FREELANCE until then. If you are signed exclusively with an Agent or Manager then that would be a problem. You have to be available on a freelance basis. I mainly use www.castingnetworks.com to submit the Actors and Models that are on my roster for castings. I do not work on small jobs or extra work. I also receive castings from my Clients directly to my e-mail because I have been doing this for so many years. So anything that is posted on www.castingnetworks.com that would pay $500.00 per day and up I will consider working on but I prefer $1,000.00 and up. Note: Agents and Managers receive castings from the Casting Directors that you do not receive. You have to live within at least about a 1-2 hour commute to the NYC area so that you can go to a casting. (Even it is snowing etc) Please be a kind and considerate person and make absolutely sure that you are interested in possible representation with GMT. Please do all the HOMEWORK AND RESEARCH that you need to do before we talk. There Are 100’s and 100’s of Models and Actors that would like to be represented by GMT and if you are not sure then please be kind and let me help them. I do not want to waste your valuable time and I especially do not want to waste my valuable time. I WOULD RATHER BE HELPING SOMEONE ELSE. If you are not absolutely sure that you are interested then please simply reply and tell me that you are not sure at this time and if you are interested in the future then you can submit yourself again (That would be perfectly OK) and much better than wasting time. I am contacting you because from the material that you sent me I think that I could possibly submit you for castings but we would have to discuss more. I am at the “Top of My Game” now so if you are ready then let’s talk. Recent Bookings for Talent like you: Pizza Hut Commercial-Paid $4,000.00 with possible upgrades. NJ Lotto Commercial-Paid $1,200.00 And many more. This is just a quick idea for you. Thank you Rick Gonzalez/GMT Gonzalez Model & Talent Management
One of my personal heroes and favorite voice actors, he was a really nice guy. So happy I got to meet him!
Are roles that specify heights for the characters still mostly to keep the male actors taller than the females? Or is there some other reason in play? It just seems weird in the 2000s for height between sexes to still be a thing, when there are plenty of short men who are very manly and plenty of tall women who are very feminine and neither seems less so if they start dating each other. Height restrictions aren't in most things I see -- but I see it enough that I wondered.
As a male actor recently getting into Shakespeare, what roles could I play as someone who is 6'6"?
So I'm in acting school right now, and my film major friend just asked me to be the main character in his film. Problem is he says I need to get into better shape and the shoot is in two weeks. I weigh around two hundred pounds. Any of you fellow actors have any tips on how to lose some weight fast in a healthy way?
I'm an aspiring voice actor and recently bought some professional-grade recording equipment so that I can actually get started on a VO project. The mic is fantastic, and so far I've been recording some test sessions with Audacity. However, using Audacity is quite inconvenient when I'm trying to do a lot of takes of the same lines, and I have to spend too much time fiddling with the interface in between each take. What I would really like is to be able to group takes under titles or descriptions of what lines I'm recording and switch through them conveniently, press a key to begin a new take, press another key to complete the take, and have a quick way to discard botched takes and to save good ones, and to review them if I need a moment to decide the difference. I don't need fancy audio editing features cluttering up the screen while I'm just trying to record takes. Is there software like this, with an interface optimized for VO work? What software do you prefer, personally?
Actors who are looking for tips to develop competitive audition skills and who are interested in learning how to navigate booking more roles, I have a free e-book Insight For The Actor on my site. I love acting and hope that you will find some information in it to help you on your own journey as an actor! www.actorplaybook.com
Disclaimer: I see myself as an experienced amateur actor who played in 10 different productions in the last three years, is taking acting lessons, also has paid gigs as a voice actor, currently still work another full-time job, but am working my ass off to one day switch to acting entirely. Discplaimer 2: Not a native speaker, so please bear with me if something sounds weird. ​ So there's this play in the making around here. It's a new group, consisting of professionals and experienced amateurs. There's that role for me in that play, it's the lead, and although comedy might not be my favourite genre, I think I could make quite an impression. Also working with other (professional) actors will help me land new opportunities at other theatres. Also a part of what will be earned by the shows will be shared between the actors (I'm not sure how the percentage would look like though). BUT. The theatre has the great idea of not only not paying us for the rehearsals (which appears to be the sad reality in semi-pro acting), they actually want us to pay a monthly fee. They plan to pay the professional director with that money. I'm fine with the director being paid even when I'm not, it's her only job, this isn't about the money (which would be 50€ per month, my day to day job would easily provide for that). But seriously. Not only will ideas like that put even more unneccessary pressure on those who aren't paid anyways and probably have the most work to do, but... isn't that just plainly insulting? I'm considering turning down the offer as long as they take any money from any of the actors. What do you all think?
so i was at a casting for a shortfilm this friday, and i've pretty experienced in theater acting, both professional and unprofessional, so i didn't get the role fair enough, but the reason was that my peformance was "more suited for theater/drama then a shortfilm" oof that one hurt. You know beacuse i want to every kind of acting i can get my hands on, and that just sounded like i am just not a good film actor, Don't know that just really hurt, and i just wanted to share it with some anonymous people, Edit: sorry for bad english, ​
To my fellow Ontario & Toronto based actors: are you guys noticing that there have been a ton of calls on AA for actors up north? I keep seeing calls (many of which are union gigs) looking for actors that are local to towns and cities up there. Do a lot union actors even live in these areas (ie. Parry Sound, Sudbury, North Bay)? The calls typically say something along the lines of "no actors with permanent addresses south of 'x' town will be considered? How are they filling these roles? Just something I noticed recently and was curious about.