This is news to me. How else am I supposed to get that information to them? Actors Access profile ?
Can anyone weigh in on which is better, or alternatives for agent/casting director meet and greets? Not looking for negativity about the validity of these/similar businesses where you pay to get in the room. Thank you!
Is it wise for an actor to have a podcast? or can that work against him in the future?
So on one of the audition postings it says that auditions will be by submissions only, what does that mean?? Do I have to be at that audition or do I send in a video? All help is appreciated, thank you!
Does anyone have any experience using the actors foundry subscription service i wanna know what im getting into before i buy it.
So, I am doing a college production of The Dybbuk by Ansky. I am playing the role of Channon and I’m wondering if there is anything I can do to really immerse myself in the role. This is a very low budget show, in essentially a black box, it is very stripped down with a group of student actors, who like myself are not professionals. The rehearsals run in a very kicked back manner, and I want to take some role of leadership in steering the cast in a professional direction. Im a junior now in college and have been doing shows since I arrived on campus, and before then growing up. Just because some are inexperienced or nervous, that does not mean we can’t act like we aren’t. I had a close buddy do acid today and it got me thinking. Can I rehearse or perform while in an intoxicated state. I know actors who have been drunk on stage. If I rehearse high, can I bind myself to this character and his story on some deeper level? Channon already has a very sad story, and I’m not having trouble channeling or portraying it. I just want to be completely and totally immersed in his struggles, I want to fool myself into thinking it is my own struggle. Does anyone have any experience with anything like this? Will I freeze up and forget lines? I have never had much trouble being off book in the past, I don’t know what to expect. Mazeltov!
Hi All, First off, apologies for chiming in as a non-actor but you’ll see my intentions are noble (ie. I need your help :) We have been working on a [Hollywood talent agent/manager game](https://store.steampowered.com/app/943130/Cattle_Call_Hollywood_Talent_Manager/) for almost 3 years and it will finally be released in about 3 weeks. I did a lot of research for this game, read dozens of articles, watched videos, etc. to make it as realistic as possible. However, I’ve always struggled to pinpoint one of the core elements/moments in the game: the auditions. To be more specific, how to balance the importance of different factors that determine who wins the roles. This morning I finally decided to turn to the experts directly and stop my inner-, relentless speculation :) I’d be immensely grateful if you could help me fine tune this part of the game. According to your experience, what’s more important for the casting people when they choose the actor for a role? Is it that the actor fits the character description in the casting notice perfectly or a very talented actor who doesn’t exactly meets the requirements has equal or better chance of landing the role? Say, the casting notice calls for a slim, handsome, white actor with an age range of 30-40. Does an outstanding actor who’s a bit chunky and average looking has a chance of beating the "perfect fits" and book the role? Let's say all these actors are kind of unknown, so "fame level" does not affect the decision. Thank in advance for enlightening me :)
I run an interview series where I have been fortunate enough to talk with a few actors and people involved in the industry. As a complete outsider, I think they are kind of interesting, and I have posted a few here, and the feedback has been positive. My latest is with Michael Mongillo who has a cool new movie out, ’Diane.’ I spent almost an hour with him on the phone and some of the interview I had to cut for brevity, but I think he gave a few cool tips that may help. Also, if you have questions you think I should add to the series please let me know. [interview ](http://vcb.bz/2uz0)
https://www.backstage.com/magazine/article/why-aging-naturally-is-better-than-plastic-surgery-even-in-holly-65462/
Hello,
Okay. I'm from Indonesia, almost 26 years old and want to go to Los Angeles to be an actor. ​ However, I will be doing a limb lengthening surgery first soon. So being conservative, I'd say that I will be closer to 30 when I go to LA. ​ I just took a look at some of the programs that these acting schools offer and I searched for some well-known ones. ​ I personally don't need a degree in acting to feel high status. I am not young, so I'd prefer a brief quick training. However, I also want to do one that could give me certificate that won't be overlooked easily by the time I apply for acting jobs. ​ So in short, I want to train acting in a good recognized school which will help my career, but not too long, but also not too quick to the point where it gets meaningless (NYFA offers a 2-day workshop lol) ​ And what's the best school to do this? From what I found, some names like The American Academy of Dramatic Arts, Lee Strasberg, Stella Adler, New York Film Academy caught my eye.
I'm beginning to worry about my age. Like in the past, I've wasted a lot of times unnecessary and did a lot of mistakes. I thought I was gonna stay young forever but then suddenly I woke up in the morning, realized that I wasn't that young anymore. I like to read actors' wiki pages and most of them (if not all) started so early like below 20. I found a few who did started pretty late though: **Charles Bronson** My most favorite actor of all time. Born in Nov 1921 and his first film is 1951 *'In 1950, he married and moved to Hollywood, where he enrolled in acting classes and began to find small roles.'* So I'd assume that he was at least 28 at that time. Anyway, things were probably different back then. Directors would understand that he was busy in the war and stuff. He's also quite an anomaly being really famous when he was 47 after *Once Upon A Time in the West* (1968) **James Coburn** Born in Aug 1928. First television appearence in 1957. So he was 29. But I suspected he started studying acting quite earlier. **Mickey Rourke** Born in Sep 1952. First film in 1979. He was at least 26. Not so old though. **Yayan Ruihan** He's a less well-known Indonesian actor who actually started after 40. But obviously he's not comparable to the 3 actors mentioned above. https://id.wikipedia.org/wiki/Yayan_Ruhian But hey, let me just cheer myself up by reminding myself of how much disadvantages I had over Bronson, Coburn, etc. They were lucky to be born in the US. I wasn't. They also didn't need to do height surgery to get them to normal respectable male height. Last but not least, I also had unsupportive parents. I don't really think about reaching their level. But I just hope one day I can be a part of this industry.
Well heya guys, right of the bat I know everybody is gonna be like you shouldn't move there since there's too many people and it's very risky, but hear me out will ya! ​ So I'm turning 18 this month and got a full time job at mcdonalds currently, I've done theatre classes since I was about 7 years and decided to be more serious about it about 3 years back. ​ My fundamentals in acting/theatre can be said to be very thick as of now....I lack certain experience however. ​ I live in Belgium (Europe) and the native language here is dutch. I've done loads of dutch plays here and get the lead role most of the time but I'm extremely unhappy with it. I want to act in English allot more really badly and even tho I love acting in general, doing it in dutch just takes something away from it for me. ​ Im currently following online classes to get rid of my dutch accent which is working pretty well but now I want to decide what to do. ​ The last few years I've been saving up allot and I've got a couple thousand euros in saving as of now which is increasing by the day. I really want to do acting as a living as nothing else gets me exited (as of work). ​ Now I've thought allot about what to do and am considering to move to LA or NY. Ive also thought about England but threw that aside after some thinking. Now I know you got limited info but do you think I should go for it this summer?
I have an audition tomorrow, I'm incredibly nervous. I asked the casting director what they're looking for in their actress and she said this, "We are looking for an actress who is able to naturally show her emotions (someone who is very in touch with them) and someone who is able to portray everything she is feeling through her eyes." Any advice on how to hit it out the ball park with this audition would be so, so appreciated!
I am not pursuing a career in musical theatre - partially because there are hardly any roles for the minority I am. HOWEVER, I did go to an open call for the Broadway show of my dreams a couple of years ago and got a callback the next day. Then one the next year. And now I have one again. I would be willing to drop everything if this worked out. It would be my #1 dream come true. But every time they email me, I start envisioning what my life would be like if I got into the show - and then ultimately, nothing happens and my perfectly happy life suddenly seems a little more lame compared to my vision :( I really am trying not to get my hopes up again - but seasoned actors/auditioners, how do you “audition and forget about it”?? I am trying my best but I keep thinking about it!!!
Does it help. I have seen actors with self tapes for demo reels get auditions but also actors who went as far as paying for a demo reel service production, who end up with no auditions. Does it actually help? I feel once you have an agent, it doesn't matter if your demo reel is self tape or film footage (short film, student film etc). I currently an switching reps (interview next week) and I wonder if part of the reason I had lack of agent responses is because of my reel (made mostly of self tapes)