Hey guys i'm just a kid, who's trying to start an app in a program Im in, If your an amateur actor or someone who wants to act please share this survey! I need a-lot of responses for statistics I only have 10. and I need then ASAP so can you guys do me a solid please!!!! [https://goo.gl/forms/ajcgXci3S7RCHfO72](https://goo.gl/forms/ajcgXci3S7RCHfO72)
I got cast (yay!), but I haven’t really done any acting for the past few years. How do y’all memorize on your own?
Should I keep a public Instagram to network with people and to use as a sort of portfolio? I havnt done any professional work yet, I'm still in school getting my associate in fine arts. Is it a good idea to go ahead and have an Instagram or some other social media to upload my work to and to network on?
Hey guys, I thought I would post an audition notice where the actors are. **TRUST FALL** **Feature Film** | **Non-Union** | Starts: **Sep 1, 2018** (flexible)| Filming in: **Orange,** **California,** **United States** ROMANCE/THRILLER - A homeless man saves an abused woman's life and they fall in love. They realize that no one can link them together, so they decide that they will murder each other's abusive spouses. This is going to be an UULB film that is going to be shot with available resources. All roles and positions are volunteer. It will be shot the same way Steven Soderbergh shot Unsane - with an iphone 7 and lenses. So, I'm actually looking for people who want to be a part of a project that they will not only have a good meaty acting role, but are willing to help out in any way possible. **Serious applicants only. If you do not have a head shot, you are not an actor**. Please send a self-taped monologue to [contact@kickvid.com](mailto:contact@kickvid.com) \- It doesn't have to be perfect, I just need to see your range. Don't reply here. ## ACCEPTING SUBMISSIONS SUBMISSION DEADLINE: **Aug 15, 2018** AUDITION LOCATION: **Orange,** **California,** **United States** THIS PROJECT IS: **Unpaid.** non-union/volunteer SPECIAL INSTRUCTIONS: Please submit a self-taped monologue to [contact@kickvid.com](mailto:contact@kickvid.com). It is fine if it is a previously taped piece or a new monologue. No reels. Don't reply here. ## Open Roles ## Eva Lead, Female, 25 - 30 yrsEva is the product of an abused marriage. She works double shifts at a restaurant to avoid going home. She seems shy and reserved, but is actually calculating and tough. PHYSIQUE: Slim or Average ETHNIC APPEARANCE: African American, Asian, Caucasian, Latin/Hispanic, Middle Eastern, Caribbean, Eastern European, Indian/South Asian, Mediterranean, Mixed, Native American, or Pacific Islander ## Ryan Lead, Male, 25 - 30 yrs Ryan is a newly homeless guy, who was kicked out by his ex and is a drug user. He is a survivor who will do anything he can to make it through another day. He is not a bad person, just a guy who is a victim of circumstances. Must be willing to grow a beard or if you have a beard, must be willing to shave it off. PHYSIQUE: Slim, Average, or Athletic ETHNIC APPEARANCE: African American, Asian, Caucasian, Latin/Hispanic, Middle Eastern, Caribbean, Eastern European, Indian/South Asian, Mediterranean, Mixed, Native American, or Pacific Islander ## Todd Supporting, Male, 25 - 30 yrs Eva's husband. Clean cut. He is the jealous type who always things Eva is cheating on him. PHYSIQUE: Slim, Average, or Athletic ETHNIC APPEARANCE: African American, Asian, Caucasian, Latin/Hispanic, Middle Eastern, Caribbean, Eastern European, Indian/South Asian, Mediterranean, Mixed, Native American, or Pacific Islander ## Casey Supporting, female, 25 - 30 yrs Todd's ex. She hates him and wants him out of her life or dead. PHYSIQUE: Slim or Average ETHNIC APPEARANCE: African American, Asian, Caucasian, Latin/Hispanic, Middle Eastern, Caribbean, Eastern European, Indian/South Asian, Mediterranean, Mixed, Native American, or Pacific Islander ## DeMarco Supporting, Male, 25 - 40 yrs The tough that runs drugs. You don't double cross this guy, he will make sure you pay. (Willing to cast against usual drug dealer types) ETHNIC APPEARANCE: African American, Asian, Caucasian, Latin/Hispanic, Middle Eastern, Caribbean, Eastern European, Indian/South Asian, Mediterranean, Mixed, Native American, or Pacific Islander UNIQUE TRAITS: Could be/have: Little Person, Cerebral Palsy, Walking Impairment, or Wheelchair ## Gooch Supporting, Male, 25 - 35 yrs Ryan's drug dealer. A good guy at heart, and it just trying to make a living selling to low-lives on the street. An underling of DeMarco. ETHNIC APPEARANCE: African American, Asian, Caucasian, Latin/Hispanic, Middle Eastern, Caribbean, Eastern European, Indian/South Asian, Mediterranean, Mixed, Native American, or Pacific Islander ## Grace Supporting, Female, 25 - 35 yrs Eva's friend from work. She is always butting in on Eva's business. ETHNIC APPEARANCE: African American, Asian, Caucasian, Latin/Hispanic, Middle Eastern, Caribbean, Eastern European, Indian/South Asian, Mediterranean, Mixed, Native American, or Pacific Islander ## Larry Supporting, Male 25 - 35 yrs - Beefy Casey's new man. He is a tough guy who does whatever Casey wants, even if it's to kill Ryan. ## Plus a few other roles that need to be filled.
What are your thoughts? I've been working on the "Maybe I'm not good enough" scene from La La Land just for myself as I like to continually learn new scenes, but I'm also getting ready to submit stuff to potential agents. Would this be too big a scene to show to potential agencies? I've always heard to not do scenes from film as they'll always be compared, and this was a big movie. Should I risk it? I feel really good about it. And also, do you suggest sending a video in the submission or wait until they ask for it? I don't have a demo reel, and some agencies ask for videos but most of them don't. Should I send anyway or follow what they say? Thanks!
I recently did headshots and it reminded me just how much I hate taking pictures of myself. It’s crazy because I don’t mind videos of me even though they aren’t always flattering but I always hate taking pictures. Does anyone else ever feel this way? One of the things I’m doing to get over this is taking more pictures/selfies. Does anyone have any other suggestions on how to become more comfortable and confident when having pictures/headshots taken?
Would being 6’4 or 6’5 be considered too tall and not get an aspiring actor casted? Is this due to camera angles with other actors?
Hey! Wondering if it's worth it to move to los angeles to pursue tv acting or to stay in vancouver/toronto. If so is there a way for a canadian actor to stay in the United States and work as an actor?? Thank you!
I have always wanted to be an actor however I have social anxiety and I’m going to try joining an acting class to get over it, does anyone have any tips for someone going to their first acting class?
I’ve been sharing some advice here for beginning actors. I am an acting coach in LA for a celebrity every day on set of a tv series (for the past 9 years), as well as private teacher for a few unknown hopefuls on the weekends, recommended by agents and CDs. I started as an actress, studied in NY and taught in NYC and now Hollywood for the past 30 years. Lately I have been commenting on some posts here about headshots and how to get a good one. I thought I should should share this info with everyone. Headshots are important. Often they are the deciding factor in whether you are called in to meet an agent or CD or not. Back in the day of hard copy photo submissions, I have watched a major casting director go through a huge stack of photos on her desk. She gave each picture about a 2 second glance. When I asked her what she was looking for, she said, “They need to speak to me...talk to me with their eyes. They’ve got to say something!” Now, the digital form of your picture could get even less time. It needs to reach out and grab the observer. You’ve also got to show how you could be cast...give them an idea of who you are...what kind of roles you should be considered for. So...you should have several different photos with a variety of looks. But only what you could really play. No reason to look like something you are not. When they see you in person, they should be able to easily recognize you. I see quite a few people asking about what they should wear for their photo shoot. They also want to know what they should do if they hate having pictures taking. So many people feel they are “unphotogenic”. That’s the first thing they need to get over. What you think is what you are. And the camera always picks up on what you are thinking. Actually, taking still photos is no different than film or video if you are doing what you should be able to do best...act. That means you need to be thinking the thoughts of the character you want to exude. Look into the camera and talk to it with your mind. If you want to smile, look into the lens and see a dear friend you didn’t expect to see. React and think, “I’m so happy to see you!” If you want to look vulnerable, see someone who threatens you and say in your mind “Please don’t hurt me!” If you want to look strong, see someone in trouble and think, “Don’t worry, I can handle this.” Whatever you want to say in the photo, you must actually think in a sentence. Let the emotion begin in your heart and mind...shoot the words out of your eyes and send them into the camera lens. Think about the kinds of roles who are likely to be cast as. Pick out some outfits that suggest these characters. Do not wear costumes. Just give the feel for what you are going for. Don’t wear anything with wild patterns to distract from your face and eyes. Then follow the instructions above. What is each of your characters saying and to whom? The camera becomes your acting partner. Talk to him or her...not with your mouth but with your eyes, your heart, your mind. Having your picture taken is just another place to do what you love. ACT. Be in the moment. Chase your fearful and self-conscious thoughts out of your mind by filling your head with the thoughts of your character. Leave no room for anything else. This is something you should strive for whenever you are acting. Getting your headshots taken is no different than any other acting job. And there is no reason to get those pictures taken unless acting is what you love more than anything else. Go...have fun!
I’ve been acting for 4-5 years, I’m on a gig right now, and I’m trying to double down on getting some representation when I return to NYC. I’m looking for place where I can pay to get some professional feedback on my website. I’m primarily an actor but I do a lot of other stuff. Anyone know a good, trustworthy, non scammy service? [heres the site](www.ethancrystal.com)
Hey folks, I did an AMA on MFA auditions last year and it got some good responses. I'm down to do another one this year if folks are interested. I know we're in mid-summer, but now was the time I started thinking about auditioning, so if you have any questions about the process, lemme know and I'll do my best to answer.
“Just be yourself”. Has anyone ever said this to you after you auditioned or did a scene in class? I am an acting coach in Hollywood and help actors prepare for their auditions for film and TV roles. Often my new beginning students tell me they hear this phrase from directors or casting directors: “Relax, honey...just be yourself!” It’s actually a terrible thing to say to an actor who is auditioning. Why? First of all, their goal was to be their character...not “themselves”. What they were actually being told is that they looked tense...self-conscious - which IS exactly “themselves” at that moment. So...they ARE being themselves!!! If he wants them to be themselves, he obviously wants a different one...a more relaxed one. As an actor, your goal is to “become” your character, but of course you need to access yourself as well. You are what you’ve got to work with. You are the instrument you have to play. But there isn’t only one “you”. So if someone asks you to “Be yourself” the correct response is “Which one?” (Don’t actually say that. They’ll think you are being a smart ass) But the truth of the matter is, we are all a little bit different with each person that we know...every environment, every situation. The secret is deciding which “you” to access. You can’t be them all at once. You have to be one specific “you”...the one that most closely resembles your character in that specific situation...with that specific person. Think about it. You are a different “you” when you are alone with each one of your parents. Each friend you have brings out different qualities and personality traits in you when you are with them. Some people make you feel funny and everything that comes out of your mouth is hilarious when you are with them. Some people make you feel stupid and you can’t seem to do anything right when they are around. Different people can trigger all kinds of reactions that create different personae within you to emerge. The same holds with different environments. You are a different “you” in your bedroom than you are in your kitchen...a different “you” when you are in the hallway at school than when you enter the classroom. A different “you” when you are in a casting director’s office, auditioning, than when you are having fun with friends. But what does this have to do with playing an acting role? It’s all about finding your own truth within your character. When you are acting, whether it is in an audition or a performance on stage or screen, you are faced with a dilemma....a new script. Let’s say you are playing the role of Sandra who is having a conversation with a character named Jane who is being played by an actress named Rita. You don’t know Sandra, Jane or Rita. How in the heck can you know how to act? Well, hopefully you’ve had the chance to read over enough of the script to understand the relationship between Sandra and Jane. You discover that Jane is a beautiful woman that has been flirting with Sandra’s boyfriend. Now you are going to be playing the role of Sandra, so you are going to think to yourself...”Have I ever had a situation like this in my own life?” You remember a woman named Ellie. A few years ago at work, you were sure she was trying to make you look bad to your boss. She was after your job...flirting with him...setting you up to fail. It’s not the exact situation...but it is similar. You can use it! So as you are reading your lines with Rita you start thinking that she is Ellie. You imagine you are looking into Ellie’s face. She makes you feel the way Ellie made you feel. You use the words in the script to get Ellie to back off...to tell her that you are on to her. Now you know more about how to play your character because you know which “you” is similar to her. Sandra is like the person Ellie brings out in you. Even when you must play someone very different from you, you must find yourself within the character. Let’s say you are playing a cheerleader’s mother who is murdering her competition on the squad. You would never really do this (hopefully). But there is some circumstance in which you would murder. Perhaps if your child was being attacked. So...for your “Cheermom”, her child losing her position on the cheerleading squad is equal to you saving the life of your own child. Now, even though the circumstances are very different, you know which “you” to play. It is “as if” you were saving the life of your loved one. In a way, as actors, we are always “playing ourselves”. We can’t actually “become” someone else. But we can relate to our character’s relationship with the other characters and the situation they are faced with in the scene. It’s one more way to “get into the head” of our character. Think like them. Respond like them. And relationship is one of the most important aspects of any performance. What if you are acting alone? If you are looking into a camera to do a commercial, which “you” are you going to be? You get to choose by deciding which friend, coworker or family member you are going to imagine that the camera is. Do you want to be relaxed, loving, helpful....or firm, authoritative, and demanding? Maybe you want to be funny and charming. Instead of just trying to be those things, choose the person who brings those qualities out in you. When you look into the camera, you are looking into their eyes. You see their smile. You respond to their questioning faces. They will bring out the “you” that is needed. I believe we can use just about every acting technique in real life, and this is no exception. You know how nervous you get when you have a big job interview, audition or a promising date? Your friends tell you to “Just be yourself”. But you ARE “being yourself” even if you are hyperventilating and about to throw up. You need a different “self” in this particular circumstance. So instead of seeing a potential boss, CD or love interest who is judging you, perhaps you can imagine that you are meeting a friend of a close friend who is new in town. You want to make this person feel at home and welcome in a new place. Instead of an interview, audition or date, the meeting turns into a warm “get together” in which you are the host. You put them at ease. You already have a lot in common. There is no reason to be nervous. You are a completely different you...a you that will get a much better response...but nevertheless, YOU. YOU are not just one person. You have a wealth of characters you carry around with you all the time and are at your service when needed. One of them has lots in common with the character you must play....either in a performance or in everyday life. It’s all a matter of choosing which one.
Dear people of Reddit! Please, forgive my bad grammar, English is not my native language. Obviously since I'm writing here I'm also an aspiring actress. I'm 21F from Europe and have been wanting to become an actress since I was a kid, however, coming from a small town there were literally never any auditions. I dropped out of college because it prevents me from following my real dream, acting. I really don't see myself doing anything but acting. It makes me depressed because actresses my age started like 5 years ago already. I feel like I'm out of time. I don't think I'm Oscar-worthy but I also would not say I'm a bad actress considering that mini experiences I had. That's why I would like to get some training that will eventually get me somewhere. Now I know I'm considered old in acting business but I'm also the youngest I will ever be right now and I don't want to give up. I really want to know what kind of education should I get. I was thinking BFA Acting but by the time I graduate I'll be too old to begin the business (source: [https://www.reddit.com/r/acting/comments/8woike/do\_you\_need\_a\_degree\_in\_theater\_arts/](https://www.reddit.com/r/acting/comments/8woike/do_you_need_a_degree_in_theater_arts/) ) . I don't want to do theater. I want to do film and TV. I am also ready to improve my English since in Europe it's very hard to get anywhere. Any good and affordable international schools in the U.S.A.? Do 1 year acting conservatoires help acting career? I was thinking the ones where you get to be included productions too and get IMDb credits. I would like to get some lessons in Hollywood or L.A., but not being U.S. citizen I only can choose this many schools. Also the situation is hard because I will not be allowed to work during student visa, except if the work relates to my studies and acting schools are expensive. I definitely don't plan on doing hobby-only schools Also, how can I get the IMDb credits soon? How can I meet and befriend filmmakers because that's the only way you can get somewhere as an actor in Europe. As for fellow Europeans, is there any platform equivalent to backstage.com? Not that I expect becoming an A-list actor but I want to be able to become a working actress. I would appreciate answers. I even look more forward to private messaging where you can exchange your thoughts and experience to me. I will answer back in a day. NO TROLLS PLEASE!!!
I've been listening to some episodes of his podcast recently, and would love to hear what people on this subreddit have taken away from his philosophy, and if it has assisted anyone in landing auditions & roles.
To me it's kinda common to se famous actors always have the same kind of roles in movies. "Always the bad guy, good guy and so on". Why do you think this is? Is it cause they have a look that suits that kind of role? or is it because it's similar to how they are in real life so they are REALLY good at making it real? Give me your toughts :)
I’m looking to start acting in Oxford and would be open to suggestions of what the community is like in the city and if it’s a good idea? I’m going to start working there soon so I’d like to start learning the craft in my spare time as it’s something I’ve always told myself I never had time for. Thank you :)
Hello, I'm about to enter my last year for my theatre degree, I went to a university at first but transferred to a community college after I couldn't afford it anymore. About to finish the second year for my associate's in theatre and I was thinking of studying at a drama school or academy instead of going back to my old school. I'm right outside of NY/NJ so I was thinking NYC schools first but then I discovered the BADA Midsummer Program. BADA is the British American Drama Academy in London, summer program in Oxford. My grandfather left Liverpool for New York in 1944 and I was raised in a British lifestyle (to the point I picked British English over American English) and I've always wanted to see the motherland and it's a little less expensive than New York (surprisingly)! Does anyone have any tips for American theatre schools that want to study abroad in the UK? I've been looking online and I see there's a huge crowd that says this is a terrible idea as many British actors come to the US for better work. I don't plan on making my living in London, but I'd love to experience the culture and learn there.
Hey everyone, So I recently moved to a new region of the country and got representation. Thing is, I don't know anyone here. Also I'm not in a city that has many actors. I just got a self tape request for a commercial and I wont need a reader for this one but they do need me to slate and then zoom out to a full body shot and profiles and then zoom back in for the actual read. Does anyone have any advice on how to do that camera work without anyone to work the camera? Anyone have any advice for doing self tapes alone and without a reader? As a fairly anti social guy I really hate the idea of having to have someone else to help me audition all the time.
Hi! I'm a recent highschool graduate from San Diego, and need to get more film credits onto my resume. I was considering emailing my information (Headshot, Resume) to the film departments of SDSU, UCSD, and USD so that they'd have me on file in case they need an actor in the future. Has anyone done this before? I know there's a big chance i'd get nothing out of it, but it'd be cool to work on projects with artists in my community. I'm just looking for opinions!