Hey everyone, I'm about to move to Berlin, and I plan on shooting a couple of short films there. The production part is more low budgety, but everyone involved will get paid. The first one is called "Bottom Of The Ocean", and this is the WIP logline: After finding out she is seriously ill, a young wife seeks reassurance from an old friend to go through with her secret plan to run away. So if you're not strapped to a bigger project, and have the time, shoot me a message!
Hi, I'm a screenwriter and I was wondering the perspectives of actors while reading scripts. I want to see what works with you guys and if certain wording can help getting into character better :)
I'm looking for a male actor (20-28 years old) living in Montreal, it's a short film about two exes who find themselves after not having seen each other for over a year. If you're interested, hit me up! I can send you my directorial work.
It's been a while since I've been here, but I'm back. I do a weekly web series in the tone of The Office/It's Always Sunny/Parks and Rec. I'm constantly on the lookout/need for people and locations so If you're interested in playing sometime or have access to some sweet new locations hit me up.
Super new here! I have a few questions about an agent I just met yesterday. We got along great, he was open and told me directly that he was new and recently opened his agency. I was actually referred to him from another agent whose experienced. Long-story short, this new agent is actually training under the experienced agent. I did look into the experienced agent's roster and it seems they are a medium level agency (they have a lot of working actors on their roster on film and tv). The new agent was very honest and told me he needed to expand his roster and didn't have much bookings from clients yet. I appreciated his honesty. I also liked that he was frank. \ He said he would love to get me for commercials first then film and television since I have not much experience. I asked him what casting directors he had relationships with and it seemed mainly from commercials (i recognized the names). \ He did mention he is getting more bookings from clients recently since his agency is now beginning to fill up in terms of roster. So far I like his honesty, and beggars can't be choosers, so I ain't gonna complain about where I'm at either. \ The thing that urked me was that *asked* me if I was open to non-paying student films. I thought that was really weird since I can do that myself, why would an agent be telling me that? I said I'd be open to it because I need demo footage, but that got me thinking a little about the agency. \ =now that I am a unionized actor. I need opinions on this interview. It's very mixed. I love his honesty and humbleness, and I love that is training under an experienced agent who has working actors in his roster, but I find that weird that he would mention to submit me to student films.=
Hey everyone, I just wanted to let you know of a survey that I am developing with my high school’s Intel Research Program. Currently, I am studying the correlation between theatrical participation and empathy levels through the use of three surveys. To collect data, I need a large sample of actors and non-actors. It would mean a lot if you would all take it as actors, as well as spread it around to any other actors and non-actors that you know of. The links are down below and make sure to take all three parts. [https://goo.gl/forms/Hcp4S9w77b5LZPkN2](https://goo.gl/forms/Hcp4S9w77b5LZPkN2) [https://goo.gl/forms/tBuiltSoFYHsCyRn1](https://goo.gl/forms/tBuiltSoFYHsCyRn1) [https://goo.gl/forms/fMmxCi4qfpuAtB0q2](https://goo.gl/forms/fMmxCi4qfpuAtB0q2)
I hope this doesn’t sound too pessimistic, but I’ve been wrestling with these conflicting thoughts of “I want to be a great actor!” and “Realistically, I’ll probably never get anywhere.” I love acting, but how do I deal with the reality that it’ll most likely amount to nothing?
This post is out of pure curiosity, as I currently have no idea what I want to do with my life and the idea of acting just crossed my mind. I live in very close proximity to NYC if I ever decide to try it, which I'd assume is convenient in some capacity. Anyway, I'm 6'7", average/slender build. No worries at all about the face. If I were to dip my foot in, how much of an impact do you guys think my height will have on me when it comes to auditions/scouts/whatever? Again, I'm very ignorant to the business and process of getting started finding websites for casting calls/auditions. Nevermind any kind of classes I'd need.
Next summer, I am planning to stay in London for a month. Are there any acting classes there that I can take? I know there is a summer program at Guildhall and that the RADA offers intensives and adult classes, but is there anywhere else I should pop in and take a look at or just other places in the area I should come back to later? I am an American actor with some studio training in NYC. Edit: I also have some singing skills as I sung opera as a child, so if there are any places with operatic acting, I would be interested in that, too!
I managed to convince my sister that 1) people have lived in Antarctica for thousands of years, and that 2) the natives are immune to the harsh weather conditions, so they can wear shorts and a t-shirt in minus 40 degrees Celsius :D I somehow managed to keep a straight face throughout this conversation, and now she genuinely believes me. Progress has definitely been made lol.
Hey, I’ve been a lurker on here for a while and just wanted to send a virtual hug to anyone who needs it because this industry is...well, fill in the blank. I’ve been having an extra tough day (well, couple of years in all honesty) and just thought others might be also. Even though I type this with tears, I know this too shall pass and that there is enough good in this world for everyone. Keep going and hustling everyone. Everything will be okay!
I know this sounds childish, but I'm in a *non equity* show with no written contracts that opened a few weeks ago. Today, the director came to the dressing room before the show and demanded we put our cell phones in a bin that she would hold until the end of the performance. We expressed that we were uncomfortable with it, and she got upset that we weren't following her orders as the director. She then said that these are equity rules - which is my question. As far as I can see, Equity rules don't state anything about this - has anybody heard of this happening before, or can point me towards some sort of rule book that may have this? Again, this is a cast of adults anywhere from 25-60, so it's not children being scolded for too much texting during a school play. As far as we can tell, cell phones have never gotten in the way of the show or the actors' preparation - so, when she asks us to turn in our phones tomorrow, do we have any ground to stand on? **Tl;Dr: Do equity rules allow a director to collect the actors' phones in a bin during the run of a show?**
Does anyone have any idea at all which is better between Baron Brown, Ruskin, Aldersen or Dvorak? They all seem to have pretty good reviews. Has anyone been?
What is your thought on Lee Strasberg school? It's really famous and I've heard good things. John Ruskin school. I've heard that some experienced actors go here but it's more like an actors therapy group while not learning too much about Meisner There's the Actors Bootcamp which is a very common generic name, but I heard it's good for making connections What have you heard about these schools good or bad ? And what other schools have you taken?
I am working on a student film. The genre is action/thriller. I am playing an antagonist! We are about to shoot the climax sequence, where I would be bashed by the protagonist. The director wants to shoot a fight scene between the two of us. The shoot is day after tomorrow. And I am very nervous about it. I need some suggestions on how to overcome my nervousness. What preparations should I make at the last moment? This is something that is really worrying me and I don't know but I am very nervous!
Hey friends hope you’re all doing great! I have a question. I’m 2 years into drama school and I also self produce comedy sketches and other videos on platforms like YouTube and Instagram. I have built up a social following and am scared that this may hinder my chances at certain roles. I have spoken to my teachers who all advised to be careful and that maybe one day an agent will ask me to remove some sketches or content. Any thoughts on this? I started self producing before I auditioned for drama school and have continued it through out. The way I look at it is, there aren’t any guarantees, however I don’t want to be stuck with comedies and want to broaden my range, hence going to drama school. Since being here I’ve already played roles that are far different from myself (Richard 3, A Dolls House, Angels in America)
When applying for a role whether it's acting or modeling, the minimum you need is a headshot. If you apply for a role, especially from a casting notice, with a selfie, or a candid shot and think this is okay. You are mistaken. These are the first ones I throw into the garbage. If you say nothing and just send a link. Not okay. If you don't read the directions on the casting notice and do something that it tells you not to do. (i.e. don't reply - send to a specific email) It tells me that you can't take direction. For the most part, it's exciting to see head shots and new faces as I am trying to cast a project - but you are applying for a job. You still need to be professional.
I am fairly new to Reddit (24 days today). I’m a personal acting coach Mon. -Fri. on set of a network crime drama. On the weekends I try to make time for some up-and-coming young actors. But I was looking for a way to keep busy on set between camera set ups and other people’s coverage. We are often there 12-16 hours a day. My son suggested getting involved with this community. Teaching acting and singing is my passion and I enjoy helping young artists who have a deep desire to learn. That’s why I’ve been posting short acting lessons which will soon be a book. I’ve learned a lot in being involved here. Just reading some of the questions and comments from young actors made me realize that many beginners are at the mercy of “not so great” acting classes in their communities. Either their teachers are neglecting to include very important information or they are teaching the opposite of good acting technique. Of course others are receiving great training. But I’ve seen quite a few actors mention that they practice facial expressions on camera or in a mirror. One young man was studying both in class and with a private coach in Boston. He said he did this because he “wanted to show deeper expression” and “look genuine”. I know he has great intentions and I admire his dedication. But I can’t think of anything worse for a real actor to “practice”. Anything you are trying to “show” — any way you are trying to “look” will never be genuine. If your objective is to make certain faces in a scene, you can’t possibly be in your character’s moment. Your character is not thinking about his face. He’s immersed in his current quest. If you are thinking about your face, you will be playing the role of someone trying to make a face. Acting is about recreating what you do everyday in real life. Be honest...when YOU are busy trying to accomplish something each day, are YOU thinking about your facial expressions? Do you think perhaps your expressions are lacking in anyway because you are not thinking about them? Less genuine, perhaps? NO!!!! When you are involved in a real life situation, your facial expressions are always perfectly appropriate. So when you are playing someone else, you must trust that thinking and feeling and pursuing his/her goals will automatically produce the appropriate expressions for him. It’s none of your business what your face is doing. It is only your job to think and feel the thoughts and emotions that will spontaneously move your face in a genuine way. Forget about how you look. Your character is too busy for that! Simply think his thoughts. For instance, If you are thinking about seeing a dear friend who has been gone a long time and saying to them, “I am so glad you are here!” You will feel genuinely happy and a smile will appear. If you are thinking about being alone in a cabin in the woods where a murderer has recently escaped from prison and you suddenly hear scratching on the door, you will feel frightened - and you will have, automatically, an appropriate facial expression. You don’t want to try to make your characters “LOOK” genuine. You want to actually (genuinely) feel his/her feelings. Your face will always follow. Someone was giving me a compliment the other day about my student/client who stars in a TV show. “Since you’ve been working with him, he has gotten so good with using his eyes. He has so many different expressions. He looks like he is really thinking. How did you teach him to do that?” I had to laugh. I have never mentioned his eyes or his facial expressions. I have merely encouraged him to have an active, varied and responsive thought life, as his character, very moment he is on camera...from “Action”...to “Cut”. He is always thinking and reacting. His face and eyes come along for the ride and do exactly what is needed in the scene. Expression should always start from the inside. Never try to show your feelings. Just feel them. Your imagination and memory and thinking the thoughts of your character will lead you to actually experiencing his/her emotions. That is the true magic of acting. Another acting student here on Reddit told me that her teacher insists that film acting must be smaller than real life. She became overly concern with acting “correctly for film. So she feels self-conscious whenever she is on camera...trying to give a “film-size performance”. There is no way she can give a believable performance with that mindset. Not unless she will be playing the role of someone trying to be small. Are you starting to get the picture? Bottom line, you can’t watch yourself when you are acting. You can’t try to show an audience anything. You cannot aim for a certain effect. Not if you want to give a believable performance. You must simply be involved as your character...completely, naturally and sincerely. If you do that, it all will happen on its own, perfectly...just as it does for you in your real life, every day you are alive.
disclaimer, i am new to reddit and to how it works. ;) hi! im going to call myself ender. the thing is, i want to be an actress. full time, hollywood even. i know its tough, i know its hard as heck, i know its almost impossible. but still. i enjoy and love acting, always did, always will. i acted in school plays and soon i will get into the theatre department at my school. i go to a larp and my instructors and friends think i am a really good roleplayer and actor. in the big larps, where there are really expirienced people. everyone, and i mean EVERYONE tells me im an awsome roleplayer and actor. it was watching the series "sherlock" the lit the bulb. i started to research, to ask, to plan, heck, i even searched for auditions nearby! but nope, it lead to nothing. HELP now, im sure you are thinking "ough, another one of those. next!" but i know, i know what it is like to be an actor. i read the failed actors subreddit, i read about other actors, i read about the making of big and small films, i saw the "behind the scenes" of every movie i watched, i know that you need a mountain of luck, i know that you need to sacrifice all of your time, i know its incredibly hard to get to the top, i know that most of the time (like 85%) you need to be gorgeous. but im still wanting to take the risk. the thing is, where do i start? how do i start? should i move to LA in the future? (im 14) where should i learn? and so on and so fourth. so please, i already said this **HELP :(**