Hi. I worked as a principal actor on a union movie this summer and got union eligibility. I am not a SAG-AFTRA member, but I am now officially eligible. My paychecks say that a couple hundred dollars were put into SAG P&H. I know that this is Pension & Health, and I know that a certain percentage of earnings are automatically put into it for all performers on a union project, regardless of whether they are union performers. I'm confused about pretty much everything else. What exactly is this money for? If I never join the union what happens to it? The SAG P&H website won't let me make an account (perhaps because I'm technically non-union) so do I have any way to monitor this money? Any union members who can explain better than the god-awful SAG-AFTRA website would be greatly appreciated.
I'm currently working on a horror movie project and I'm seeking out a female voice actor to fill a role for a supporting character. Movie Title: Clownhouse 3 https://preview.redd.it/kxyvx3lbrqe11.png?width=1920&format=png&auto=webp&s=7723bf3fc3d39bd8ac4d5ddb385079c807a1796e Budget: $20 Character: Melissa: Personality: Charming, caring, Family Orientated Script Pages: 7 The plot follows the sequence of the previous installment Clownhouse 2, which was about 7 college kids visiting an old friend for the weekend and they run into paranormal activities along the way. It is soon discovered that a sinister Clown whose identity is unknown was the reasoning for behind all of that and Adam Rhoades (The main character) who became the sole survivor from the incident is seeking out revenge and the story follows on to Part 3. Part 3 is really just the revenge story. Adam has lost everything and at this point he's more vengeful, dark, depressed and remorseless and won't let anything stop him from finding the killer. He is also confronted multiple times by his dead girlfriend who is only an hallucination of his imagination and she is at this time shown to be more evil than her previous form. This is the Clowns way of basically playing mind games with Adam If you are interested, link me your email and I'll send you a short demo of the script for an audition. Thank you \-Sylvron
Hello. I'm an ex-actor from the UK and was approached by William David through the StarNow website some years ago, having just turned 16 at the time. He offered me free headshots as he explained that he was building a new website, so this would benefit us both. The shoot itself started well, but he continued to ask me to remove my shirt. He pressured me, as he said it was industry standard and I would lose out on jobs if I seemed unwilling. I was never physically touched, but was pressured during this session to remove me underwear also. I never received these images, nor do. I know what he did with them. This is the first time that I have ever mentioned this experience, but working through past issues to resolve some underlying trauma has brought this to. The surface. I deeply suggest that any parents of teenagers avoid this photographer and ALWAYS go with your kids to these kind of shoots. These people prey on the young, naive and ambitious. I hope that this post helps somebody. If anything just exercise caution and remember that if it seems too good to be true, that it probably is. Looking back, my nativity when I was younger was hugely concerning, especially because I wanted to break into the industry so very much.
I messed up on stage on Sunday, but made an alright save. It got me wondering, what's the best save you've had or seen in a production you've been in?
Hi Reddit, So, I was a child actor and then stopped for six years to go to college. I have picked up the business again and was curious about my SAG-Aftra status. I called SAG and they said I can work on Union projects since I am under OK-30 (I can book a Union job, but within 30 days of the Union project submission, I must reactiviate by paying a fee). My question is, am I allowed to work on non-union projects with an OK 30 until I get a Union job?
Yeah, yeah... "go grab my rebound instead" But on a serious note, I feel like i could never become a real working actor because I'm way too tall for 99% of roles and I feel like no directors would pick me for any roles no matter how talented I may be. What do you guys think?
What is the difference between sucking up and networking on set? I had a paid short a few weeks ago. Basically, though nobody there is famous, I felt some of the actors were trying hard to "talk to impress" rather than to build connection. When two more experienced actors with great agencies started talking of their bookings or agency, the others who were new, would aggressively try to start or dominate the group conversation to get the experienced actor's attention. I felt like the way they were doing it was aggressive... they tried talking to them and aggressively asking them questions and talking nonstop. At first, I thought it was typical conversation. But I realized it was more when I tried to hop on the conversation and was somewhat dismissed (they would quickly answer my question and instead of incorporating me into the convo, they kept going)'. Like the new actors would talk in a way where nobody could interject, add or comment excpet between themselves and Sam or John. I noticed too that they didnt seem interested in talking to me nor other new actors, but would go crazy to talk to these more experienced actors. Like they didnt really continue the conversation with me or were quite dismissive. Then it got stranger on set. Basically, the lead was also a writer of the project. The new actors were silent on camera and in a corner. I was paired with the lead. I noticed the new actors kept yelling comments In hopes of coming off as clever or funny. Or they kept laughing or try tossing in puns and funny jokes when the lead said something. It was weird because the lead was not even listening. Also, rather than talking to each other they kept trying to get the directors attention. Another actor was paired up with the new actors, and they left him there sitting quietly and awkardly while they tried to get the lead's attention. I felt it was clear they were getting the attn of the lead and experienced actors because even on set, they spoke to no one except the higher ups. They didnt chit chat with the AD nor with the sound guy nor with anybody else. . I just felt weird after the shooting finished. It felt desperate. I also felt isolated. It was the weirdest thing I experiences and I dont know if im misinterpreting this. This is just for fun and my own knowledge and it really serves no other purpose other than to hear what others experiences are.
I saw someone in the comments of a post the other day giving advice to an actor that often gets nervous while performing. They said "Your nervousness while performing comes out of your own feel of failure. Is this what your character is thinking about?" I'm finding this really useful in helping me with my own nervousness. Their advice accentuates how important it is to really *be* your character, not just imitate them. Do you guys have any other good tips? Not necessarily about nerves while performing. Thanks.
I just wanted to keep this info in circulation because the people behind this scam keep changing company names and reaching out to actors on casting sites, often Backstage, who to their credit is doing what they can to play whack-a-mole with the scammers. --- The way the scam works is you'll get a cold contact from a production company telling you they've seen your profile and they want to use you in a commercial. They'll throw a bunch of words at you (see below) that essentially give you no details on the actual project, other than the fact that they'll be sending you a check for several thousand dollars to buy your own wardrobe for the project. This is not how legitimate productions operate. The check is fraudulent and if you deposit it and spend money, they'll ask you to send some money back. By the time you find out their check was worthless you've already sent them your own good money. This is an [advance-fee scam.](https://en.wikipedia.org/wiki/Advance-fee_scam) Here's an example of the message you may receive from these people: >We have acknowledged the receipt of your information and application form via email, and have properly examined it. After going through your profile, Our highly esteemed Team Of Professionals have been able to access your credibility and potential. Based on this fact, the Board of Fillmore Films have decided to grant you an opportunity to partake in this shoot. On the above subject matter, the Fillmore Films hereby congratulates you on your successful emergence. It is a great honor to have you in our team. Congratulations and welcome! We hope you will have an amazing time working with us, we are looking forward for the company’s success with you. We believe in your skills, talents and knowledge that you can use for our clients and company’s improvement. Further details are as follows: REMUNERATION : $5,000 USD [ (You will be paid an Upfront of $500) (Balance : $4,500 to be paid immediately after the shoot) RETAINER, PRE-NEGOTIATIONS & WARDROBE EXPENSES : You’ll receive An All-In-One Check for $4,990 to cover for your upfront payment ($500) and that of your wardrobe. You’ll be using the difference ($4,490) for your wardrobe as soon as the funds clears your bank, further instructions on how to obtain your wardrobe will be provided to you. Please confirm that you understand and agree. LOCATION OF THE SHOOT : We have to make sure everything is in place before we confirm our location booking. We are currently looking between studios because we need to pick the one available at the time you receive your wardrobe and everything is ready to go. So I'll let you know the details ahead of time as soon as you have your wardrobe in place. OTHER REQUIREMENTS : You must be able to take directions and easy to work with. Good working relationship can mean long term working relationship with the company. MEASUREMENT & STATS: Kindly provide us with the information below where applicable AgeHeightEyesBustWaistHipsDressShoes BILLING INFORMATION Name on Check :Address and apartment number (If any) :City, State and Zip code :Cell phone number : RELEASE & CONTRACT LETTER : The release and agreement letter has been attached below, kindly download it, sign it and revert via email. You can also sign it electronically. Please be kind to send the measurement & stats and contract letter as soon as possible as we cannot proceed without it. If you don’t have a print or cannot sign the model release, you can sign the attestation below : ATTESTATION : I, the undersigned, do hereby attest that I have read, understood and agree to the terms and condition of the model release form attached to this email. …………………………………… Name and Date Thanks in anticipation --- There are a few ways to tell these companies are not legitimate, other than the terrible grammar in that message and the knowledge that no one pays upfront like that or makes you buy your own wardrobe with their money. Spend a moment to look at their website, if they reach out to you. Here's an example of the latest, which may be defunct by the time you read this message: http://amormediaprod.com. It says they were formed in 2011, yet the WHOIS info for the domain shows a site creation of 7/25/18. The site is never more than a few months old. Check out the "Contact" page and do some image searches of the people listed there. It turns out that Brad Alonso and Kimberly O'Brien are actually Andrew Thompson and Lucy Bailey of Explore Films. The others listed there are directors for an American company also called Explore Media. Also there's no footage whatsoever on the website, just pictures most likely culled from other legitimate companies' sites. If you're in this business, the first thing you want to do is show people your work. --- Here is a post on the Backstage forums on the topic: https://www.backstage.com/forums/working-actor/beware-scam-884/ --- Here's a list of companies that have been fabricated for the scam: Choice Digital Media Springview Films MVM Inc. Fresno CA Bryanston Productions Benmore Productions Sasol Media Smartcraft Production Fillmore Films Amor Media
And should even I do it now, or wait the like 6 months until it's actually out so casting can actually look me up? If I should wait then the rest of my questions don't need to be read. As well, should I go ahead and start an imdb or something to make it legit? The role was a killer in a low budget tv series documentary, but the show is still filming the first season, so it is an actual show. I'm also unsure what to call it. Between me and the woman playing the victim, we had the most scenes. What does that count as? A star, even though it's not an ongoing thing and just one episode? I'm scared that'll be misleading, and can't find any more specific terminology. Maybe guest star? I'm going off the resume template of Actors Access btw. Also, since the show isn't out, how should I fill in what is usually the network? I can't find out what network it'll be put on. Should I just put the director's name, instead? Thanks if anyone can help. I can't seem to find these specific questions anywhere.
I getting into make short films and music videos. I live in the DC area, but there are ZERO actors or talented people here. Whats a good resource/tip to find actors and set up auditions? Thanks!
Hi everyone.yes, I know that they are readily available in droves, but I am seeking someone who can capture CHARACTER!!!!I see so many pix , so many smiles, so many looks even without smiles, but their essence isn't visible. IF you understand what I am asking for I would appreciate a referral and please to all other photographers I mean no disrespect. Thank you for understanding and acknowledging my request..........JM
Guys, I have been off and on acting in some form since 2002. I only really got some kind of definite real training starting in 2014..I'm in my late 30s now. I have taken acting classes in community college, some in workshops, some in high school but nothing to really form me until recently. I'm finally taking my dance classes now..finishing a summer ballet class this week. I want to take jazz and contemporary workshops that my school is offering soon. I don't audition because I never see myself in anything.. (I've been described as a tall Latin clerk Kent) I don't know what to do besides take more dance class and voice classes because that's what I h avent really focused on. After I get those done, I keep wanting to find a conservatory but I think I should just audition and let that decide for me. Any help would be great. Thank you.
The minute I am at call backs for any show and I see someone who is at least 5'10 I know for damn sure they're probably getting the leading role. The only times I've ever landed a leading role is when we were all roughly the same height or I was about an inch taller than everyone else. Is height really that big a factor in theater?
Hey fellow actors! I'm also a photographer, and I'm offering headshots for any actors in LA. I know headshots can break the bank, so I'm offering 4 looks for $200 for my fellow actors before episodic season ramps up. [https://www.robertleeheadshots.com/](https://www.robertleeheadshots.com/) I don't want to come off Craigslist-y on this subreddit, but I figured it could be a win-win by helping some fellow actors looking for a good deal on shots. Thanks!
I'm thinking of using a stage name but I'm afraid someone might take it if they enter SAG before I do. Do you think I should just use my real name until I enter SAG which is when I can change it?
In the US if possible.