Greetings all! Look forward to learning.
I have a dream of being one of the next great actors of a generation, but where do I start? Get cast in short films and work up from there? Acting class? Backstage? I wanna take the leap, but just need a direction to jump into. Thanks in advance!
I figure since I’ve been getting some solid work lately I must be doing something right, but when I’m in acting class it feels like everything I can do on set is gone and I’m a complete wreck. does anyone have experience with this kind of problem? i usually hear people have it the other way around also, i suck at improv. always have. how important is it to have improv skills as an actor? sorry if i come off as rude or anything in this post!
So I just got done with a showcase that had some really amazing guest including top agencies. The show went great and I have been told by everyone that I did great (and I know that i feel like I did do my job). It's only been a couple days, but a few people in the show have been contacted by an agency... I was not. I am over the moon for them, but At the same time crushed because it is my number one choice of an agency. I have come to that point i my career that I know is hard; where you don't have the simple solutions to the problem like getting good headhsots, credits, and building a reel. I have been to workshops and industry events, and although I have gotten some great feedback form the workshops, the events seem like a waste of time. I also reread the "life of an actor" post and it brought up that people who feel they need an agent aren't ready for one. I guess that means something like "no one wants someone who wants a job," which I get. Unfortunately for me, I do want an agent. I am trained and have experience and really want to be going out for the roles that a lot of my friends get to go out for. I'm not even talking about the series regular occasional lead, but the costar and guest star roles too. So how do I change my perspective on this? What should it be? I know that I want to go out for these roles, but I guess it's not my time yet (though I don't know why). So how do I get through this period? I have submitted for some more agents today (agents I have submitted for in the past, but it was about time to start the process again).
So, I’m a 16 (soon to be 18) year old female. I know what I want to do, and it’s acting. I live in Boise, Idaho and I’m finding it difficult to find a reputable agency or any experiences for my age range. I always thought if I can’t find an opportunity, then I should make one. I have an idea for a semi autobiographical coming of age show/possibly movie about a teenager coping with the loss of her older brother, who was her best friend. I enjoy writing, and I have a vision/direction as to where I would like it to go. The only issue is the lack of resources. I’d need actors/actresses, a camera, etc. I’m trying to think of how to do it, I’m thinking maybe a YouTube channel or something along those lines for a starting platform. Any advice would be helpful, thank you.
I'm planning on filming a feature-length non-union indie movie with a budget enough to pay each principal actor $1,000 for the job. I'm still working on scheduling, but intend to film over 4-5 weekends starting mid to late September. Most of the filming will be done at my property in the Shenandoah Valley (about a half hour North of Harrisonburg, Va, so actors near there are welcome) with a day or two filming in the Silver Spring, MD area. There are four principal roles: two men, two women, all in their early 20's (race open); the characters are college juniors. I've looked at the DC area Craigslist, but not seen many ads for actors, so am not sure if that's an appropriate venue. I have no idea if this is either, but if it is, I can certainly elaborate on what I'm looking for. I don't intend to create ads / make any casting decisions until mid July (I'm out of the country right now), so right now am just seeking advice on where to place ads when I'm ready. TIA! BTW, I am also looking for a DP for the project, same rate.
Many actors love working on accent as a layer of storytelling, but not all. Lately I have been doing a lot of thinking about this second group. If this is you, can you share with me the factors that are keeping you from jumping in with both feet? (Is it not knowing where to start? Not believing you have that ‘talent’ or a ‘good ear’? Not having a way to get past ‘stagey’ sounding accents? Not having access to a real accent coach? Fear that the accent will get in the way of the performance? Something else?)
Hi! So I’ve been sent some sides for a tapped audition, but there is a lot of dialogue between more than two people, and action that can’t really be shown from a self tape position. Does anyone have any tips for this? Thanks -Justine :)
It seems like the 3 major areas to work/live in as an actor would be LA, London, and NYC. (I know Atlanta and Vancouver do a lot as well) My question is, has anyone had experience living and working in 2 or more of these different areas/markets for a good length of time? If so, which one did you land the most work or fee was the best in terms of continuous GOOD work/opportunities?
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
I've been acting for about 3 years now, last year super seriously. Have taken classes at HB Studio, Barrow Group, Comedic Improv. I have an okay reel, decent resume, some headshot's that I need to update. (I got much tanner, maybe this will get me some auditions) Do I need to be SAG before agents start taking me seriously? I was taft-waivered for one day of work but still need 2 more days of BG work or a speaking role. Haven't really had any luck applying to professional gigs. (2 professional auditions, a few dozen student film/indie) I wish I was half a foot taller I would just be doing runway or something. I feel like I am just wasting my time sitting around hoping I get an audition...I hear so many actors around me always going on auditions and getting callbacks yet I am sitting here, with what I thought was a very unique/look and package, unable to get an agent to take a second look. Maybe I need to try some new headshots
I'm currently in the navy and plan to pursue acting after my enlistment. I'm lucky enough that I will have my college free after the navy. So I planned to go to UCLA for film and Stella Adler's Acting Academy for, well, acting. I was wondering if anyone tried to do the same thing as far as film school and acting school (or even the same schools) at the same time. Is it too much or is it just fine?
Random, but how old is this subreddit. Was it as active back then as it is now? I ask because I remember just back in 2013, how difficult it was to find information on acting. All of a sudden now there is like unlimited resources on fb and websites and here. I wish I had all this years ago. Its like nowadays we are much kore connected. Reason for this post was that even five years ago, I remember how difficult it was to get info on acting. I dont know if I didnt look hard enough, but resources were slim and all I could find was like 1 forum that was pretty inactive. I felt scams were more common five years ago since people could get away with it. Now ppl are too well connected and share their info. Aside fron this subreddit, I dont know any sites outside of reddit that help educate actors and connect others for discussion about business and such aspects. Even fb groups for acting werent as abundant back then.
I spent hundreds of dollars for pictures, from head shots to full length and in between. It seems as if everything I submit for wants a selfie and not my professional pictures. Ok, I get you want to see what I look like NOW, but here's my beef: If you want a selfie, then why the hell did I spend all this money on pictures? Which has been drilled into my head to get professional pictures taken?? I get it, you want to see what I look like now/today. Well, I'm a male, my look does not change. My hair is the same, I'm clean shaven. I have the option if needed to grow out my hair or face. And let's face it, some days you just don't feel well, so you look like shit in a selfie. So what's the point anymore of having professional pictures done if they keep asking me for selfies? Is this how things are going to be? Should I just make a selfie portfolio? It just aggravates me till no end. Edit: This is for a local car commercial, I've been asked before to be background/extra.
Hi everyone,
I just strolled over from screenwriting, because I had a spontaneous idea.
We're gonna be in L.A. for two weeks at the end of July, and my 16 y.o. son would love the chance to practice his auditioning skills. Is there a database or website somewhere (sorry, I am completely new to this, I only know these things about the German market) where you can check out auditions that are going on in a certain town and apply for them? I guess he'd be delighted to just get the experience or land a tiny little extra role or something.
TIA!
Julia
I put together a playlist on what to expect the first time you're booked as a principal actor on a TV show or film. I figure you know how to play the scene, but you might not know what to expect from the work experience. Hopefully this will help. Enjoy! [https://www.youtube.com/playlist?list=PLBWOIhrxtozLgqSxfDlmYHbWkcur0l8Gd](https://www.youtube.com/playlist?list=PLBWOIhrxtozLgqSxfDlmYHbWkcur0l8Gd)
I'm a former actor with a few credits under my name (mainly small documentaries, indie films) and I've studied for years at various studios, including experience at the Atlantic Acting School in NYC. I've been thinking of starting up a side-gig teaching 1 on 1 On Camera lessons for Teens over the summer to bring in a bit of extra income. I've been out of acting for a few years due to body image problems, but I still believe that my knowledge of the craft still has some worth and value to provide to others. As far as resources go, I'm already set with a Canon C100 (my brothers a filmmaker) and a shotgun mic to record the "takes" of the sessions. As for price, I'm wondering what the ballpark figure people are willing to pay for such things. And I'm also curious on your general opinions on someone who isn't proven (booking gigs wise) teaching private lessons. I was thinking that $35/hr or $50/90 mins would be fair (considering they'd receive a super HQ take of a scene via dropbox as well) This won't be my first rodeo facilitating as I used to run an acting meetup a few years back, and the people who attended loved my approach and exercises that I did contribute to the sessions. And from the years of experience in acting classes I can say that the amount of bull\*\*\*\* I paid way more money isn't too far off from any service I'd be able to provide myself. Any tips or advice would be greatly appreciated.
I'm asking this because I've noticed that among the more popular, mainstream actors (Jennifer Lawrence, Tom Holland, Gal Gadot), many are usually very energetic and happy-go-lucky. Meanwhile I can only think of a couple actors which could be considered low energy (Bili Lurd, Aubrey Plaza). I'm not sure if these are the right examples but nevertheless, do you think that high energy people have a wider range of roles they can play (i.e. they can play both high and low energy people while low energy people cannot realistically portray high energy people)? I'm only asking out of curiosity, so feel free to be frank with me.
So this is just a sort of general question, but I had a fellow actor reach out to me asking me if I had gotten paid for a project we recently worked on (which I hadn't) but it brought a question to my mind? Why does it always seem to take so long to get paid for film gigs? When I do theater, I usually get paid right up on a weekly or bi-weekly basis, but with any of my film stuff I always seem to wait over a month to two months (sometimes more!). I should say, most of the stuff I've done has been in the Commercial/Industrial realm, but it just strikes me as weird that we let them take so freaking long. Does anyone know why this is? I'm just curious.
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