So I hear smiling in headshots is mainly reserved for commercial, but naturally I’m a happy, fun, and comedic actor but can play serious. My main head shot is currently a teeth smile because I feel it represents me the best, is this a good idea or should I stick to the dead pan down the camera for main ?
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. ​ For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
We would share the ad revenue, i am currently using an AI Voice
Hello everyone! I hope you all are full of health. First, I am not completely sure if this sub is the right place to post this. I am an optioned screenwriter, writing and networking all the time. Last month, I got an experience, let me tell about it. I was sending query letters to producers via Imdb Pro and one of them responded me asking what do I want him to do. I told him that I was sending query letters to producers and apologised if there was a mistake. There was no problem, he wanted to read the whole script and I sent it. Then, he told me that he liked the script and he also wants to play a character in it. That was a great thing to hear, I appreciated and told him again that I am just the screenwriter, looking for producers. He agreed, whatever, there was many ongoing projects that he was dealing that time and he told me that he is gonna get back on the script later and see what can be done. Since this, I am trying to network with actors also. Because actor-character bond might be stronger than producer-movie stuff, I believe. So, after selling one of my project's original story rights, I am more focused on networking. I would love to get to know more people in the industry and become friends with actors. I would be more than just happy to tell you about my scripts if you'd like to ask. You can send me DM whenever you want.
AI is coming. Eleven Labs is killing the game when it comes to human sounding AI voices, and considering how a couple of years ago the level of quality we have now was unheard of, I don't think it's unreasonable to say that they're only going to be getting better. Fast. I don't think that this is really a debate anymore. In my mind, it's not a question of if it will eliminate voice actors; it's a question of which genres it will saturate, how soon it will saturate them, and how many actual voice talent will be left over in those genres. Couple that with more and more young people going into video production who don't have as many scruples around hiring an AI vs hiring a human, and I think the industry is going to take a hit. In a hypothetical world where A.I. voices are nearly as good as - if not as good as - a human voice, the value of the "human touch" is lost, and who one is as a person becomes an even bigger part of ones ability to make it in this industry. People would hire you more because they know you, they like you, and they trust you, than because you've got the voice of a god. Plenty of AI voices would have that already. My question is: what can an individual do to give themself the best shot at making it through on top? Naturally, building a powerful, well known brand for yourself and cultivating strong relationships with people in the industry is a must, but outside of that, is there anything that can be done?
Hi everyone! I’m casting for a play my friend wrote called My Husband that’s being put on in NYC. It’s about the struggles of Alzheimer’s within a family and the celebration of life. We’re looking for a couple adult actors and some younger ones too. Please reach out if you’re interested in auditioning and I’d be happy to send you more audition information.
I love networking with other actors and getting a few tips about where/how to submit for work. Let’s start a thread of a few sites that have been helpful with finding theatrical and commercial gigs. Please drop some links/sites in the comments. Here are a few that I use frequently: - LA Casting (casting networks) - Casting Frontier - All Casting - Backstage - IMBD PRO - Facebook
Hey y’all. I’ve realized with just focusing on work and school and not many events happening around in my city for actors, I figured the best way to start networking is online. I used to have a pretty decent amount of connections on my old social media’s but have since deleted them and created new ones in the past two years or so. Right now, I’m really wanting to reach out to some cool creatives but am not sure how to go about. I don’t want to dm them begging for a follow or for work, but just to connect and build a mutual relationship to hopefully learn more about opportunities happening in the industry. Anybody have any etiquette tips on dming individuals or which app/site you think can be useful for meeting new people. Thanks!
Hello! I'm mainly a theatre stage actor, but I wanted to try and get back into voice acting. This is self-produced so I apologize for the quality. I'd love to hear your feedback on some character work. [https://drive.google.com/file/d/1Zy58VRn67RZaATBG5h7kGEj5mIDbCigV/view?usp=sharing](https://drive.google.com/file/d/1Zy58VRn67RZaATBG5h7kGEj5mIDbCigV/view?usp=sharing)
I was in discussions with an agent about representation, everything was going well and we had a meeting. During the meeting he explained my age could be an issue because of lack of credits, I’m a 31 male, he summed it up to cds want credits and won’t see you ahead of those my age but with more on their resume. I took this on the chin and we left the meeting on good terms and ready to go forward together. I got ghosted for two weeks after following up and he’s now basically said he doesn’t want to take me because of the reasons he laid out in the meeting and how it will be a lot of hard work. Like I said, normally I’m okay with rejection but this has made me question myself as an actor and won’t go anywhere because of my age/ lack of credits.
hi there. i'm an actress in nyc and i'm really struggling to get any theater auditions because i don't think i qualify for equity w/o the credits, and i don't have a manager/agent to help me get auditions. any tips?
I'd like to participate in something like this [Stella Adler](https://www.stellaadler.com/showcase/) one that stays online for a long time so people can find it in the future as well. I'm not sure what is required to be able to participate in this. I'm guessing a pretty lengthy class? There's the [Green Room acting studio](https://www.greenroomactingstudio.com/virtual-agent-showcases) which offers a 3 day class for $2,400 in order to have a virtual showcase performance at the end. Doesn't look like it is saved anywhere though like Stella Adler. I know reps get the links to showcases like this emailed to them. And then there's the one shot deals at place is like [actors connection](https://www.actorsconnection.com/classes/) which as I recall is pretty much the same thing as one-on-one, both are notorious for ripping people off and have really negative reviews online. I had a very bad experience with either actors connection or one-on-one years ago. Just wondering what other people's experiences have been. I wouldn't mind paying a few hundred bucks to take a good online class if it ends in a Showcase with legitimate guests not just attending but having access to the website link afterward. Especially if I knew the school was emailing it to reps. I have many years of acting experience and have representation in my small town but I would like to get representation in New York or Atlanta too.
NYC-based actor. I've never booked an actual co-star role so no professional credits but I've been taking roles in short films and ensemble theatre work since 2015 (underground experimental theatre, black box, plus a little Shakespeare). Kinda tough but this is what is more readily available in this market. I'm trying to pivot better into auditioning for legit (SAG) film and television on a more regular basis now but I'm afraid that gap between start and now ain't gonna look too cute when I pitch to an agency/management. Any thoughts on how I can spin this so I don't look like I've completely wasted eight years?
I haven't been an actor very long. I'm currently SAG-E, but haven't yet joined, mostly because of the cost. I've heard the talks that the WGA may go on strike around May, and my understanding is that the "sister" unions of the entertainment industry (SAG, IATSE, et al) will also refuse to work out of solidarity. So my concern is, what does an industry strike mean for me, as a currently non-union actor? If I don't want to scab and potentially ruin any chance of getting into SAG, does that mean I'm out of luck and also won't or shouldn't be working? If I continue to work on gigs with no union affiliation at all (local TV spots, print, and the like), is that considered scabbing? And also, what does it mean for someone like me who was working up the cash to join SAG relatively soon? Should those plans be put on hold until the strike is resolved/averted?
I've been a (non-professional) actor for 3 years, I've done short films, theatre & acting classes . I want to be a television actor and writer (professionally of course), but I don't know what to do next. I want to (obviously) work in professional projects. The truth is, there's no real issue here. I know what I want in the long run they are clear set long-term goals, I am doing what I can now, and I am truly passionate about both crafts, but I'm scared. Super scared. And I don't know how to stop doubting myself. And my fears are irrational too. And the scariest part is that the fear interferes with my passion. So one day I'll be all confident and passionate, and the next I won't feel anything because of the fear. Any tips on how to get over the fear?
I see some acting agencies they have branch- actors and extras separately, so if you join the actors one, will you still get extras work? And if you join the extras one, will you only limit to getting extra work and no speaking roles? I’m confused I have never been with any agency. Im a fairly new actor professionally. I graduated from my drama and film BA degree, I took an acting class outside of uni after I graduated, I have done two films speaking roles recently, extra roles in student films, and also performed in theatres. How should I approach with agencies? (my ultimate goal is main roles)
Did you have a job offer? Is an acting job offer also a way to get a green card?
I want to move out in 2-3 Years to persue acting as a career. But I want to hear how life is there. What are u doing when u aren’t booking anything?