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We have found 19,407 posts across 4 actor forums:

Money, a script - now what? by Richard Wilkinson  •  last post Oct 26th

Other than writing, I have zero experience in getting a film made.  I have private funding for a small film but need suggestions on the right person for taking it the rest of the way.  What skillset/role should I be looking for to take the cash/the script - and handle all production elements to get it made?

Have a great weekend! by Andrew Pierson  •  last post Oct 26th

When I like your post I have viewed your profile! https://pro.imdb.com/name/nm16222350?ref_=m_acc_yourpage

Self Tape Wardrobe Tips for Character Types by Tammy Hunt  •  last post Oct 24th


Mom and Dad 
Having a parental look will go a long way for commercial auditions and day players. Having a solid cardigan or polo you can throw on to look approachable and relatable can suggest the role. You want to look a little conservative.

Flirty 
If it’s within your range, having a flirty or seductive look might be something to consider for your self tape. Remember, you still want to look professional. Hair and makeup can go a long way too.

Rugged/Gritty 
Get yourself that grungy gray tank top or well-worn tee. Having an appropriate jacket (army green, brown or other darker earth tone) might also be useful.

Blue and White Collar Professional 
The white-collar look is an easy one to pull off for your self tape. Put it together with a blazer or suit. This can suggest any white-collar professional’s job from a lawyer to an accountant, detective, Real Estate agent, and others.
Blue-collar work is also a simple look to pull off. A nice denim top with sleeves you can roll up can easily transform you into a farm hand, diner waitress, etc.

Medical Professional 
Medical procedurals are always great to tape for! If you can get yourself some scrubs, you’re all set. If you don’t have scrubs, a solid color v-neck shirt can suggest a nurse or technician. A lab coat might be good to have on hand. You can sometimes find these at uniform stores.

#selftape #audition #actor 

Voice123 by Elle Travis  •  last post Oct 23rd

Starting back up and the algorithm has me in the pit of the system. I'll trade you a favorite for a favorite, and if you are a content creator please give me a like. Tips & tricks are also welcome. Thank you. https://voice123.com/voice-actor/elletravis?vref=FAP63US&utm_medium=Share&utm_campaign=Profile&utm_source=Direct

Top 5 Things Casting Directors Look for in Self-Tapes by Tammy Hunt  •  last post Oct 22nd



1. Performance. When you’re self-submitting, casting folks have high expectations. Even though you may have just received the copy, we assume that you’ve had time to work on the material and can bring your A-game.

2. Personality. Since casting is asking for your self-submission in lieu of an in-person audition, we miss out on getting the chance to meet you. If possible, we’d like to get to know you a little through your self-tape. One way to do this is to use your slate as a chance to show some of your personality as well as your professionalism.

3. Technical Quality. Ultimately, we need to see and hear you. If we can’t, this could immediately take you out of the mix. It may sound obvious, but you’d be surprised how many times talent will submit clips that are lacking in one of those departments. And if they are, even if we love their performance, we won’t be able to send them through to the client to consider due to poor recording quality. Your best bet is to solve all of these technical issues ahead of time. Find a space in your home that you can designate as your self-tape spot. Set up a camera, lights, background, etc. and have it ready to go.

4. Following Instructions. Make sure you read and follow the format and size specs for the clip. Also adhere to any slate, wardrobe, and direction that is given in the breakdown. Casting directors share these helpful instructions, which are usually passed along from the client, because they’re expecting to see them in the recordings.

5. Fitting the Role. Make sure you’re appropriate for the role before going through the trouble of self-submitting. If you’ve specifically been asked to self-tape then by all means send something over, but if it’s a general call, save yourself the time and effort if you don’t fit the breakdown. Time is limited and valuable for everyone, so focus your efforts on submitting for roles best suited for you!

- Melanie Forchetti, Casting Director for Netflix, Amazon, CNN, Oxygen, among others.

#casting #selftape #audition #actor

Omari Hardwick is fireee !!!! dropping some inspo (: by Chase Cysco  •  last post Oct 22nd

https://www.youtube.com/watch?v=BRoT9KWhr-I

What Actors Need To Know Before Signing Agency Contracts by Aaron Marcus  •  last post Oct 22nd

What Actors Need To Know Before Signing Agency Contracts

https://youtu.be/VOfMX4vq68Q

Are you considering signing an agency contract now or in the future? It’s crucial to understand specific details that can make or break your acting career. Many actors overlook critical elements in agency contracts, which can lead to costly mistakes. Don’t be one of them!

Watch the video and learn what actors absolutely need to look for to make sure they aren't hurting their career.

Have you signed an agency contract? If so, share your experience on the channel so we can learn from you.

Greetings Actors by Philip David Lee  •  last post Oct 21st

Hello all of you actors that are out there doing your thing. My name is Philip David Lee and I'm a screenwriter/Director in Maine. I'm wondering if some of you need material for your reels that will expand a producer's knowledge of your range and talents. I have a 10 page short called SUFFERING about paranoia and suicide that I am offering to an actor that can assemble an available crew that wants some material to post on Youtube, make for a festival, help use as a learning opportunity for crew or use parts for a reel. It centers around a cast of two with some extras needed for the final scene. I am not seeking compensation for the screenplay and I think it's a good vehicle for a short. Please contact me on my page and we can discuss if it's right for you. Thank you for your time.

Harvey Dent Monologue – Two Versions for Feedback by Glenn Axelrod  •  last post Oct 20th

Hi everyone, I wanted to share my latest take on the Harvey Dent monologue from The Dark Knight (2008). I’ve prepared two versions: one is a stock version with no background or effects, and the other includes a backdrop and music to enhance the intensity of the scene. I’m experimenting with adding these elements to see how it impacts the performance.

This monologue comes from the scene where Harvey Dent addresses the crowd outside the courthouse, reflecting on his transformation from Gotham’s hero into something darker. He confronts the moral cost of becoming the very thing he fought against—this is a moment of deep internal conflict and realization for him.

For this performance, I did a full character study, including backstory, script analysis, and exploring the emotions that drive Harvey’s actions. To make it even more personal, I drew on my own experiences from the Army and my career in cybersecurity. Having served as a U.S. Army lieutenant colonel for 33 years and leading troops in challenging situations, I’ve experienced moments that required tough decisions and moral dilemmas, similar to what Harvey faces. Relating these real-life experiences to the character allowed me to tap into the intensity of his journey.

Compared to my last monologue, I feel I’ve improved in terms of pacing, emotional depth, and connecting to the character’s internal struggle. I’d really appreciate any constructive feedback on either version or both. Let me know what worked, what didn’t, and how I can continue to grow as an actor. Thanks for taking the time to watch, and I look forward to hearing your thoughts!

Best,   Glenn

Monologue Links below

https://youtu.be/Iii6HnreV_g

https://youtu.be/TnEDzmk4O90

Hi by Alind Salah  •  last post Oct 20th

hi

Directors On Working With Actors by Tammy Hunt  •  last post Oct 20th



“It’s incumbent upon a director, if you want to pull the best performance out of an actor, you have to really work to who they are and how they work, and not just expect them to hit a mark every time. You have to be very adaptable in the approach that you use with every different actor.”
– RUSSO BROTHERS Captain America: Civil War, Avengers: Infinity War

“Be honest. If you don’t know the answer to something, own up to it. By doing that, you’re displaying openness and a lack of fear. That’ll make actors feel very comfortable because the miracle of acting, to me, is the total lack of fear they have to have. When they sense that lack of fear in somebody else, they recognize it and appreciate it.”
– CURTIS HANSON L.A. Confidential, 8 Mile

“You have to shoot the shock. Because even the most talented actor will have trouble being shocked twice. Because the timing of that is so instinctive, to reproduce it is almost impossible. I’ve worked with fantastic actors, and that’s the hardest thing, surprise. So if there is a surprise, you’ve got to shoot the surprise, which means you can’t show them the whole script before you start.”
– KEN LOACH The Wind That Shakes the Barley, I, Daniel Blake

“I think directors should at least take acting lessons to see what’s going on. And I think all actors should direct to see what a director has to go through.”
– PENNY MARSHALL A League of Their Own, Riding in Cars with Boys

“Performers are so vulnerable. They’re frightened of humiliation, sure their work will be crap. I try to make an environment where it’s warm, where it’s OK to fail — a kind of home, I suppose.”
– JANE CAMPION Bright Star, Top of the Lake (TV)

“The director’s job is to know what emotional statement he wants a character to convey in his scene or his line, and to exercise taste and judgment in helping the actor give his best possible performance. By knowing the actor’s personality and gauging his strengths and weaknesses a director can help him to overcome specific problems and realize his potential.”
– STANLEY KUBRICK The Shining, Eyes Wide Shut

“I don’t work with actors that are fearful.”
- LEE DANIELS Precious, Empire



Delays at Lisbon by Geoff Hall  •  last post Oct 20th

Ah well, I’m here sat between gates awaiting news of my flight and gate, only to find that my flight has been delayed because of a storm over the UK. And personally speaking, I blame Ashley. 


Check out the attached photo! 

Thanks Ashley by Geoff Hall  •  last post Oct 20th

Haha! I’d like to thank Ashley for her interference with my flight home from Lisbon! ;-)


Storm Ashley! by Geoff Hall  •  last post Oct 20th

I’d like to thank Ashley for her interference in my journey home, from Lisbon! ;-)

Robber, Robber (2026) - Opening monologue for the Feature Film… by Austin Oneal Jones  •  last post Oct 19th

Feedback!? 

A new monologue I wrote and performed this morning. Please watch and critique if you must! by Austin Oneal Jones  •  last post Oct 19th

CARTEL TIMES - a monologue by Austing Jones

For the record, I do not condone drugs or crime, this content is strictly for creative purposes!

Life's Fleeting Moments: A Reflection on What Truly Matters by Glenn Axelrod  •  last post Oct 19th

Hi All!  Happy Saturday! Hope everyone is doing well!   

Wanted to ask for some feedback. Here’s a voice-over reel titled "Life's Fleeting Moments: A Reflection on What Truly Matters," which I put together last night. It’s intended as an introduction for a family drama movie or film  with a reflective, "after life" theme. I’d love some objective feedback on it. The goal was to capture genuine emotion, with a focus on making the delivery feel authentic. I worked hard on voice beats, flexion, and the overall emotional tone to match the script. Does it bring out the right emotions, and is it believable? I’m not just looking for subjective opinions but more objective feedback on things like pacing, layout, and how well it all comes together. Your insights would be much appreciated!

https://youtu.be/PQUIju1gf-k

Mentorship and Legacy: Why Giving Back Matters in Acting and Leadership by Glenn Axelrod  •  last post Oct 18th

You know, I’ve been reflecting today. It’s Friday, and usually, I spend my weekends focused on my acting craft—working on auditions, improving my delivery, and staying sharp. Recently, I worked with an agency that asked me to submit a monologue. But after that, they kept pushing classes on me, telling me I needed more training. The thing is, I’ve already spent over $2,000 on acting and modeling courses, and I do this part-time.


It got me thinking about mentorship. When I was promoted to captain in the Army back in 1999 and became a company commander, mentored new lieutenants. In the Army, of course you’re not allowed to charge for mentoring—it’s part of your duty to help develop the next generation of leaders. I would never have thought to charge them, because that’s just how it works—you give back to ensure the future is strong. I believe the same should apply in acting. Seasoned actors or full time working Actors, those who’ve made it and have a name in the industry, should mentor and coach new actors for the future. After all, when you’re gone, the legacy you leave behind is through the people you’ve helped. That’s how you build something lasting.

I’m sharing this because my experience with that agency left me a bit disheartened. I wasn’t discouraged, but it made me question if some talent agencies are truly interested in developing actors or more focused on making money by selling courses. And let’s be honest—many new actors have already spent a lot on headshots, portfolio work, and courses including myself. 

In the military, mentorship was about leadership, growth, and leaving behind something meaningful. It should be the same in this industry. Collaboration and helping each other is what makes us stronger, and the reward for that goes far beyond money.

Just some thoughts for the day. I hope many of you can relate....

Best,

Glenn  Axelrod 
https://arizonaactors.com/listing/glenn-axelrod/
https://www.imdb.com/name/nm16332133/?ref_=fn_al_nm_1

Friday’s Stage 32 Community Wrap-Up LIVE on Instagram! by Ashley Renee Smith  •  last post Oct 18th

Don’t miss this Friday’s Stage 32 Community Wrap-Up LIVE on Instagram with Head of Stage 32's Community, Ashley Smith, & Community Manager, Kay Ross! You can tune in on the @Stage32 or @Stage32Scripts Instagram accounts every Friday at 10:00 am PT/ 1:00 pm ET, to keep up to date on all of the wonderful things happening right here on Stage 32!


Go to Instagram NOW to make sure that you're following the @stage32 and @stage32scripts accounts so that you're ready to join us!
https://www.instagram.com/p/DBOFoI5RFW7/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==

One more monologue for today, I tried some more comedy, feedback anyone? by Austin Oneal Jones  •  last post Oct 17th

feedback??