We have found 19,242 posts across 4 actor forums:
I’m think about becoming a voice actor, should I? by Troceraptor • last post Jan 24th
Right now I’m almost 20 years old, and currently a Bio major, but I don’t know if I can keep this up. It’s seems as if I lost my prior motivation for coming to college in the first place. I’m honestly considering becoming a Voice actor. Because I not only love doing different voices and repeating lines, but I just love the idea of being able to immerse yourself into the character your voice acting as. I remember when I cosplayed for the first time and it felt amazing! And I want to be able to replicate that feeling through voice acting. But I don’t know if it seems like a passing fancy to me, or the real deal tho. Can y’all help me out? What do I need to do to become a VA? What’s it like to be a voice actor? How difficult is it to become one? What’s one’s day to day life like? How much do they get paid? Would I need to get a second job in order to make a living? I just have a lot of questions, but I don’t know know where to look. If y’all can help me out that would be amazing! Thanks for your comments, please be nice, and have a great day!
Can a non union actor perform in a SAG signatory project? by SwimGood22 • last post Jan 24th
Have a short film with a SAG actor and non union actor both interested. Obviously, the project needs to be SAG signatory for the union actor to perform, but a, I allowed to use non union actors as well? My understanding is there’s a special contract drafted for them.
How does a first time feature director get a BAFTA winner, Emmy nominated actor Paul Mescal to star in her film? by Impossible-Salt-4940 • last post Jan 24th
I absolutely adored Aftersun, I’m just genuinely curious as to how Paul Mescal, who was an acclaimed actor, still somewhat up and coming in some regard I guess, gets attached to a small indie like this with a first time director. Anyone know? Like I said I’m literally just curious as to how Charlotte Wells got such a talent like Paul to lead her film despite only having done a couple shorts that weren’t even that big or acclaimed. Thanks! And congrats to Paul for the extremely well deserved oscar nom!
First Chemistry Read (any tips) by More_Nothing_1576 • last post Jan 24th
Hey all I submitted a self tape for a supporting role in a sag short film and received a call back asking me to come in for a chemistry read with the other actors, i’m super excited but nervous at the same time, have any tips on how I should prepare?
Cold Reads by kdot954 • last post Jan 24th
What’s the purpose of them? I think they’re unnecessary. You’re not going to be unprepared when performing so why do it for an audition? I would argue it’s even worse because you can have an actor who would fit well for a role but because they can’t read while being in the moment well, you’re judgement of their performance really isn’t accurate. Am I missing something of value from them?
A Fun Little Question: Pros and Cons of TV vs Film vs Voiceover by love_acting99 • last post Jan 24th
What are the things you like (pros) about each medium and things you're not a fan of (cons) about each medium? I'm mainly asking this as a fun little thing for everyone to contribute their point of view to. I love acting in any form (I'm currently a stage actress trying to break into screen acting; I really love acting for the camera and it's always been my dream to be an on-camera actor) but I am mainly drawn to TV, all genres, streaming/airing anywhere, doesn't matter, I love it. Curious to know, however, what are the pros and cons of doing TV vs film vs Voiceover. Also, voiceover is something I got into it recently when I noticed that there are a lot of cool things I can do with my voice. I also am mind-blown at how much you can make out of a character from just your voice, and it will be cool to see your friends' reactions when you watch something you're in and hear your voice but see someone completely different. Note: Instead of seeing this as a chance to complain, look at it as a chance to remind yourself of the good parts and to be grateful that we get to practice what we love. That's what I hope to get out of this post, I like helping others see the good in things. :)
What websites can you make a voice actor profile to see if you can get picked up as a VA? by Tugbot4 • last post Jan 23rd
I am currently working and about to go to college, but really want to try acting/voice acting so where can I post a public profile to see if maybe someone will pick me up or show interest?
Has anyone taken beginner acting class from T. Schreiber? by CloseCry6 • last post Jan 23rd
Specifically the HAGEN, STRASBERG & MEISNER TECHNIQUE class with Pamela Scott? Beginner actor who acted in middle and high school a lot but not anymore. ​ I plan to take this and Barrow Group at the same time since I don't get any online exposure. ​ Thoughts?
Any recommendations on expert literature covering cold (prima vista) reading for actors? by StudentLukaB • last post Jan 23rd
Hello, I’m looking for some professional literature (books, articles, studies, etc.) on theatrical cold reading. I’m not as interested in finding ways to learn to read a specific text or monologue in order to prepare it well for an audition or a performance, as much as exploring how reading something out loud for the first time can be used to train your voice skills, boost your confidence and help you become a better actor in general. If anyone has any idea whether this has been covered in various techniques, I would really appreciate it.
Is it possible for amateurs to get casted in professional theatre, or is training a requirement? by Internal_Argument673 • last post Jan 23rd
Sorry if this is a bad question, but can do professional theatre even if someone has no training and little experience? Also, is a professional theatre actor simply a paid actor, or is there something else that specifically makes someone be considered a professional?
Ethics of nude scenes by Saaaintniiiick • last post Jan 23rd
Got a self tape for a non union indie and although the breakdown said ‘some nudity’ I really wasn’t expecting full frontal nudity in the sides. Now obviously I’m not about to strip for a self tape, but I really don’t know about why non union productions would include this. Idk, just the fact that non union is generally unorganized (in my experience) and that it’s usually just some person with a camera, who knows where the footage will go? Like actors who apply for unpaid nonunion productions are generally still aspiring actors and are a little desperate to take on any role they can get, it feels a little sleazy. I would say nude scenes should be union only so proper rules and protocols are followed. Would love to hear some opinions on this
need advice for my first audition by hrsfdss • last post Jan 23rd
so basically i 16f submitted for a role on actors access, my first time ever submitting for a role (I literally snuck to Walmart and bought a prepaid visa and did this behind my mother’s back lol). I got the email this morning that I was selected for an eco cast, which I know isn’t a huge deal and doesn’t mean much but it’s still exciting for me! My problem is that the headshot I sent in was from a few months ago when I had a fringe, and now it’s grown out some so it’s like curtain bangs. I couldn’t get another headshot bc i’m terrified to be upfront with my mom about how I want to be an actress, so my hair is a little bit different than the headshot. I honestly didn’t think I would hear back so it wasn’t a big deal to me when I submitted but now I see how that may be a problem. Not to mention the fact that my hair is naturally curly and I have it straight in the headshot (is it obvious I’m a beginner? Lol) anyways I’ll take any advice on what I should do, or if this is a big deal or not.
Any fellow actors based out of NY want to work together on scenes for a reel? by Oxtheoutlier • last post Jan 23rd
Since a lot of acting is reacting, I had the thought of why not take the initiative and film some scenes with partners. I think collaborating with other actors on a a couple short scenes would be more beneficial for development than just monologues or an unenthusiastic reader. I have my own canon camera and scoured different plays till I found some good scenes that are for 2-3 people. But if you have any you’ve been itching to do I’m all ears. I’m based near the NYC and Long Island area but would be willing to venture towards parts of NJ. Looking forward to talking to anyone who’s interested and I’ll answer questions in my dm.
Casting sites by skimasklockedin • last post Jan 23rd
When you get an agent do you still have to pay for Casting networks, Actors Access, Casting frontier?
Where to Start? Interested in Anime or Games Voice Acting by Revolutionary-Pear62 • last post Jan 23rd
Hi everyone, I'm 28-Male and hoping to become a voice actor in Anime English dub or Video Games. I have no experience in voice acting but it's something that I really want to do and I think I have a pretty decent vocal range. Any advice on where to start or how to navigate this career path would be appreciated!
Would it be weird/rude to ask actors in callbacks if they're interested in reading for a different role as well? by CrazyVegetable3187 • last post Jan 23rd
I'm in a predicament in which I have a ton of people who auditioned for the two male leads and there are four actors for one of the leads that I REALLY like and three for the other that I REALLY like. The problem is that I can only hire two of them. However, there are four supporting male roles that none of them asked to audition for and I haven't found anyone that I really like yet for those. Would it be weird in the callback email for the second audition to ask all seven of them if they're interested in also reading for any of the supporting roles? I don't know if that'd be considered disrespectful or if it'd be awkward to act with the people who ended up getting the lead roles?
Thinking of doing a career consultation - any suggestions for online/NYC based services? by what2dotoday • last post Jan 23rd
I really feel like I've been spinning my wheels for the past 2 years. I booked 1 co-star 2 years ago and haven't booked since. I'm constantly in class and meeting CDs, getting consistently good feedback, but still nothing, and now my auditions have started to dry up. I don't have great reps; I think they are part of the audition problem since I used to get auditions regularly until late last year. It's like they've sort of forgotten I exist. I tried reaching out to them but they weren't very helpful and didn't give much advice. I'm afraid to drop them all before securing new reps, but I'm sure new reps are also wary of taking me on if they see I have an agent/manager on my Actors Access. My headshots are good, my reel needs work (mostly self-taped stuff) but each time I've paid to create reel footage I haven't liked the final product, especially considering the price. I really just need a professional to talk with and see what exactly is going wrong and what to do next. I'm so tired of staying stagnant like this, and I'm very driven to improve my (lack of) career. I'm doing some googling but not sure who is really legit. Anyone have good experiences with this kind of service in NYC or online?
How do you deal with getting callbacks but NOT booking? by throwawaythrowsthrow • last post Jan 23rd
I consider myself a pretty good actor. I have the credits and the training to back it up, I'm constantly in classes and I feel like I'm improving every month. For where I'm at in my career, I feel like I'm doing well. But I am going crazy with getting callbacks and not booking. I had a commercial audition on Friday that I feel like I did pretty well at, and then I had a callback for it on Saturday that I feel like I did even better at. It shoots on Friday and I still haven't heard anything. I know I still have time, but I still feel like I'm getting beat down with these constant callbacks and not booking. I'm grateful, but its mentally exhausting to keep coming close and then not securing the bag. Prior to this, I had two callbacks for films last month, and didn't book either. Last year, I had two callbacks, then chemistry reads for two different series, and when it came down to me and another actor (both times) the other actor booked it. I know the deal "do the audition and then forget about it", and I do, but when it comes down to the wire and final stages, I just find myself constantly checking the clock and my email. I can't be the only one right? It just feels defeating after awhile.
At what point realistically do you think someone should give up? by hannahmitch777 • last post Jan 23rd
It’s always been my dream to be an actor, but unfortunately I think it’s time to give up. I’m sure some people will say never give up, and some will think me quitting now is over due so I’m curious what everyone’s thoughts are. I started acting at 13, spent years not being able to book a single role. I’m almost 23 now, These past few years have been pretty good I’ve booked leads/supporting roles in a few shorts/feature films. One of the movies is going to be on Netflix which is pretty cool. However I thought this was gonna be it for me and I’d finally get somewhere, but even after spending 1000$ on headshots, training three times a week at the studios everyone recommended to me and finally having a reel from work I did I still didn’t have a single agent respond to meet with me. I submitted to over 25 agency’s, spent hours making sure they were personalized and still nothing. After 10 years of work, and not being able to get an agent still I feel like is a sign it’s time to give up. If you were in this position, would you keep going or quit? I just feel like I’m hitting my mid 20s with almost nothing to show for it, Genuine question!