So ive been using backstage for a few years now and gotten a few casting calls, really hard considering im still a minor, i was thinking of opening an Actors Access account aswell to help out but at the current moment i do not have any way of paying for the subscriptions so i was wondering without those applications what are free ways to contact directors or look for casting calls to help grow my career?
https://youtu.be/ByCY2UYLHG8 Who’s the narrator in this X-men movie promo? What a powerfully deep voice. I’d love to know who the actor is! Thanks
The creators of the short film made sure to promote all the actors on their social media, so that was nice at least. However, I thought that this role would have more screen time. Turns out it's mostly voice acting in a phone scene. Should I tell them I've changed my mind? Is it worth it for the experience?
hi, I'm trying to do some trolling and need a female voice actor who can talk on discord calls. not payed, just something funny
Hi all, I have previously done a little bit of work with Central Casting, and used to get frequent texts about available projects. I declined most of them because I also have a nearly full-time job, but every once in a while, I'd book something. A couple months ago, the messages stopped entirely, which I thought was weird, but didn't really look into it, and just kinda fell off as a background actor for a little bit as the winter came and work was probably going to be slow (and cold) anyway. Well, I finally looked into why they weren't notifying me, and I realized that I had an overdue yearly Anti-Harassment training course. I just completed said course, and combed through the rest of my profile for good measure- everything looks fine. I'd let that Anti-Harassment course lapse for a couple of months, though... But now that I've done the due diligence, my profile is active and all seems well, should I start automatically receiving casting notices from Central again? Is there anything else that I need to do- do I need to call the office at all? Or am I just now back in the casting game like usual? Thanks in advance for the help :)
I have shopping for health insurance since planning on doing acting more fulltime in March. Any ideas from other actors on here ?
Hi all, Currently, I am living in a poverty family where paying for an Acting education is merely impossible. I want to fulfil my dream of becoming an actor or singer, and I wish that you would consider donating a small amount towards my cause. Any donation sent is greatly appreciated, and from the bottom of my heart, I am forever in your debt. I really hope that the video provided shows a small insight into my performances, and I do believe that no matter the size of the donation the impact will drastically affect my life for the better, and hopefully, one day shine on the big screen. Of course, you don’t have to make a payment. Whether its a small donation or a large, anything will be appreciated. Thank you, here’s the link: https://www.gofundme.com/f/fund-a-young-actor-fulfil-his-dream?utm_source=customer&utm_medium=copy_link_all&utm_campaign=p_cp+share-sheet
You're pitching, you're submitting, you're getting their name out there. You've got a client with great credits, materials, and talent. But no appointments are coming through for months at a time. What do you recommend to your actors when casting isn't calling them in? What goes through your mind when this is happening, and have any of you successfully gotten your clients out of that rut? Mostly curious for the LA and New York markets but open to anyone's advice! The last post like this was so insightful for so many actors, wanted to do a follow up :) As always, grateful for this community - thanks y'all.
From ages 14-24 I took many acting classes at Stella Adler Studio of Acting (NY), Stella Adler Academy Of Acting (LA), and some local theatre classes in NJ and CA. A good chunk of beginners acting classes, lots of money and some small parts later… After having a rough go of it in CA (I up and moved with no plan at 21 years old)- many actors do without a plan- I took a step back and have spent the last 10 years and growing as a woman, an artist, and human. My question regards classes: I have a coach from LA who I love and while I love my relationship with her I don’t feel comfortable jumping back in to the working world and would love to do an in person class HERE in NYC. Should I go back to the beginning? Should I start from scratch? Or should I speak to the studios and try to find a common ground? I am NOT opposed to taking beginners classes again but I don’t want to waste my money or feel unchallenged and ultimately disappointed. I have also been looking for stand alone studios not like the bigger (Barrow, HB etc) but am I crazy to jump back in and audition for or ask for an intermediate class? Can someone guide me? Side note: I am not the same person I was when I took those classes before (I think I’ve grown a lot and have a better sense of responsibility now). I would say I was a somewhat mature but emotionally immature 20 year old.
I’m from an English speaking country and I’m thinking of going to London to try my luck with the acting scene. I’d like to attend some auditions and if I’m cast, stay for the production. Realistically, how far would I get without the right visa for actors? I obviously don’t want to get myself in trouble, but I figure it would be a good opportunity to get the feel of the place and potentially network with directors and producers who may be willing to sponsor my visa down the track. I’m less worried about the auditions and more about actually taking on the work if I’m successful.
I’m a beginner actor who is currently in acting school . I just started lexapro 10 mg (for anxiety and minor depression) 5 days ago and besides the side effects ( nausea, dizziness, tingles,etc.) For scenes now I can’t seem to get myself upset (anger or crying) for a situation. My brain keeps on telling me to calm down and it’s not a big deal. What should I do? Have you any techniques that will help me while my brain is adjusting to the medication?
Curious to know - what was it like for you originally starting, and stepping out of your comfort zone? How has acting and putting yourself out there changed you over time? Sincerely, a scared little man still hesitant to make the first leap of 'bravery' by signing up for a class
I’ve been wanting to get into acting for a while, and I took a class last semester at my university. I ended up dropping the class towards the end of the semester for personal reasons. Now, since I’m in NY until September, I wanted to take advantage of it as much as possible. I plan to save up enough money to take a class over the summer. In the meantime, I wanted to start auditioning. I’m planning on using Actor’s Access. The main issues are I don’t have headshots and I don’t have a demo reel. How crucial are headshots to getting booked? If they are critical, how can I get decent ones without spending hundreds of dollars? Is the best route to make a demo reel out of monologues performed at home? Are a backdrop, a ring light, a stand, and a mic (AT2020) enough to start taping? Also, if anyone has suggestions on groups I can join or classes I can take when I save up the money, it would be much appreciated.
Im an actor located in Chicago and I recently just got represented by an agency. They offered me a contract with an in perpetuity clause and I was told never to take those. So I denied that audition and I’m anxiously waiting for the next opportunity. Did I make the right decision denying that commercial? Should I let my agent know that I change my mind and I’ll accept in perpetuity contracts in the future? How frequent do agents send auditions to people new in their agency? Thank you!
I'm going to VO Atlanta this year, and between the registration, flight, hotel, and food, it's going to be expensive, especially for a beginning voice actor. Are any of the X-Sessions worthwhile? They certainly seem great - small groups of intensive, focused study with some VO masters, but for $199 on top of everything else, I am having a hard time pulling the trigger. It's not that I can't afford one or two of them, but I feel that going to normal sessions will be a great education in and of itself, and I don't know how high the added value of an X-Session will be. Has anyone been to one in the past, and can give me some insight about what it's like? When they say small size, how small? 10 people? 30? And what differentiates it from a normal session? Please note: I am not asking about this year's X-Sessions - I already see a bunch that are interesting to me. I'm wondering what the experience of attending one is like from anyone who has done so. Thank you!
Would you please take a moment to visit both pages? I absolutely return all views and will do so from my IMDb page (via search for your name), which seems to create a bigger shift! Paying it forward.... https://pro.imdb.com/name/nm2692138/ https://www.imdb.com/name/nm2692138/
Hi I know the headline sounds incredibly naive but please hear me out, haha So I've been an actor for some years and have had some small to mid-size roles in things shot over here in Europe, some of them pretty big projects. Of course I've been looking into work permits for the US and it should still take some time before I would qualify for an O1, much less a Greencard. However, through my (London-based) agent I've had auditions for big projects produced and shot in the US and they didn't even ask for a visa because I guess it's just one phone call away for them. Now I've been wondering if anyone could recommend a legit boutique agent or manager who I might try? Another client of my agency's here has one but he doesn't seem to do much. It seems that 99% require you to have a visa but maybe there are some that would take on international clients, because as I said it seems to really not be a problem if a production really wants you. Feel very invited to send a PM if you don't want to share publicly. Thank you!
I'm just asking if it is necessary
I tend to search the IMDB/wiki of actors in shows I stumble upon (an actor thing lol). And noticed that NYU Tisch tends to have the most successful working actors in starring roles/main roles (a few of the bigger schools peppered in). ​ Other than attracting already talented students, what is it that gives them such a competitive edge? A list of those working: Brianne Howe (Ginny & Georgia) Gina Rodriguez Savannah Lee Smith (Gossip Girl reboot) and plenty of others! lol