hi, I'm an actor with high functioning autism spectrum disorder. I book mainly low functioning autistic roles, but you wouldn't notice if you met me on real life. yes, I'm acting and I feel like I'm putting on a disbaled minstral show when I do it because the writing is so bad. I am also a paid comedian, but I can't get in the room for comedy because they seem to not want young comedic talent except pete Davidson. How do I book comedic acting and yes I can do comedic acting. there's just alot of politics involved in comedy I've noticed.
Hello comrades. I’ve been a voice actor for about 10 months now, since then I have been fortunate enough not only to gig some notable gigs, but also acquire agents & a manager. Huge year ahead of me as well so I’m excited. So if any of y’all have any questions as to where to get started, or how show biz works… feel free to ask whatever under this thread. I’m an open book and here to help with whatever questions, I want to see voice actors prosper. Happy reading!
The premise is that I’m overweight and having trouble getting a shot. I’ve been submitting to as many roles as possible on Actor’s Access and Backstage and haven’t gotten a single audition. I have a good resume and good headshots. I don’t even submit for roles that are looking for “fit” people, so it’s really disappointing. I have some health issues that I’m trying to sort out that have been keeping me from losing weight, but I wanted to keep trying anyways. Has anyone lost a significant amount of weight and noticed the amount of auditions/roles you get versus when you were overweight? Sometimes I think I should just wait until I’ve lost weight, but I’ll never be perfect enough in my own eyes, so I keep telling myself maybe something will come up. I also try to remember that I see all body types in shows and movies. Trying to keep my head up & wondering if anyone else relates!
I'm amazed at how voice actors scream in cartoons/animes (especially the distorted ones) and made it look so natural. I did some warmups and screamed once, and boy my throat hurt too quick.
I’m interested in getting professional training to become a better actor, even though my teacher at my University said that I already have training, which I believe the training I've had are just drops in the bucket; I really haven't had time to sharpen and develop the skills and training l've had, as well as prime and use myself to get the best out of my craft. The thing is, I don't know whether I want to do a summer conservatory, or a three year conservatory. I was thinking of maybe doing one at the Stella Adler Studio of Acting or Art of Acting Studio, but I'm not sure what to do. Anybody have advice?
How can an actor who is naturally more of an intellectual (such as myself) in his life, work, and his approach to work rather than an instinctual or emotional (etc, etc) grow, nurture and develop the other necessary "skills". In other words, how can an intellectual actor become more of an instinctual, imaginative, and emotional actor rather than just an analytical / intellectual / cerebral actor?
I've heard time and time again that the actor him/herself is their own instrument, and in order to be able to express their character's feelings, needs, wants, actions, and journey, he/she needs to have a fully primed and open instrument which their mind, body, voice, imagination (and even soul). What sort of things can an actor do that can open and fine tune their instrument so they can do the best they can in whatever role or as whatever character they are playing?
Ok I dont know if this type of post is allowed here but might as well. This class just feels bad. I might come across as an ahole here and I am sorry but I value honesty and telling people how it is etc. The main issue is the format which doesn't really "teach" also here goes where I get hate BUTTT nobody in there knows how to act. Its kinda frustrating when doing a scene because they just take you out of it and no matter how good you do they are just dragging you down and making you look bad. Which is the main reason why I wanted a class, was to stay sharp and get "practice" around good actors. On top of that the teacher rewards the bad acting with those "wow that was good!" WHEN ITS CLEARLY NOT. I prob sound like a terrible human but thanks for coning to my Ted talk. What would yall do??
I took an Improv Level 1 class last year and thoroughly enjoyed it. I wasn't trying to be an actor but just wanted to learn something new, make friends, and have fun. Now I'm in level 2 but it just feels like more of the same and I feel like theres a certain element of diminishing returns. I'm wondering if theres a different class I could explore that might teach me different skills but still be fun?
Pretty straight forward, since the Sam French store closed, I've been hurting for a good place to go pursue and pick up more actor copies of plays. What are some places those of you that live in LA like to visit? I need to read some great plays and learn some new stuff, get outta my head!
Does anyone know any good career consultation coaches that will help me set some long-term goals? A bit of background: I am a current high school student, junior, class of '24. I've done stage acting for the past 3 years, taking classes since 2020, and recently started making short films, all of which are very fun and enjoyable. I mainly want to be a TV actress and screenwriter, but I also want to act in and write for anything else, whether it's films, theatre, or voiceover, etc. I have a lot of long-term goals, and as the reality of graduating high school gets closer, I realize that I don't really know what to do next exactly in order to get to where I want to be. I'm also not good at setting short-term goals, and those are crucial milestones to achieving long-term goals. Since an acting career is a long-term thing that lasts for multiple decades, I think I need personalized guidance to really narrow down my goals long-term. I am aware of my goals, but I need help professionally, and I actually want to work with someone to officially set them so then I can come up with short-term goals to help me reach there, and to lay out a plan. Any recommendations? I'm mainly looking for online/zoom sessions, as I am LA based but would rather not have to go in person due to school and extracurriculars, so it doesn't matter where they are located as long as they are in the US (or maybe Canada) and they offer online sessions.
Excited to make my debut at Vibrato with my 3 Horn Band on Tuesday February 21st @ 7:30 pm $25 Cover / $15 @ The Bar 2930 Beverly Glen Cir, Los Angeles, CA 90077 FOR RESERVATIONS https://resy.com/cities/la/venues/herb-alperts-vibrato-grill-and-jazz/events/wes-ritenour-contemporary-jazz?date=2023-02-06&seats=2
Hello everyone , I’m going to start getting my new headshots in ATL and I didn’t want to just choose a random photographer or also just get them taken without being able to see what my type is specifically. My headshot photographer said to make sure and remember in my descriptions to include things that are playable as an actor. What exactly does that mean ? Does it mean paying with choices ? Thanks
Hello I wanted to ask any fellow actors who have booked work in television and film if when they book the gig , do you have the opportunity to be bake to rehearse the scenes with the other actors that are in the scene with you to make sure the scene is acted correctly or does the actor have the rehearse everything on his own ? Thanks
Hey All! I'm looking to try and find a group of people (either online or in the LA area) that get together to do practice meisner technique, particularly repetition. If you know what it is already, great! If not, its a century old technique designed to increase connection with your partner. Super effective technique for new actors as well. Any leads for a group on this would be super appreciated. Also, if you don't know of one, but would be interested in being part of an online one, LET ME KNOW!!! They say if you don't find what you want, make it yourself. So if you're interested just drop a reply or dm me. Thanks for your time w/ this everyone.
So. Hypothetically speaking: If one were to devout a good portion of their twenties character performing for Disney(Be it at the amusement parks or with their Cruise Line) would it be in anyway helpful or detrimental to their overall goal as an actor? I’m looking for opinions from all levels and have very open ears. I once had a relatively successful theatrical director tell me that character performing is ultimately a waste of time as it won’t raise many eyebrows on a theatrical resume…even if the company is Disney. Would you say if it DID hold weight, would the cruise line be more prestigious than the amusement parks? Again, open to all responses! Edit/Added: Would face character roles be more well received versus fur character roles?
Hey guys! I'm completely new to Actor's Access and I have been watching a few YouTube videos and tips on how best to use it. I am thinking of getting Actor's Access Plus, but I saw a video where they advised to get a Showfax subscription?... From what I saw I believe Showfax is now Actor's Access Plus? Is that correct? Also with Actor's Access Plus, do you still have to pay $22 per 1 min video clips? I have seen some videos that have said otherwise? Any clarity on this would be greatly appreciated!!!!
Hey! I’m 15(m) and I have a dream to be a famous actor. I really want to go into film but I’m not too sure where to start. Could anyone recommend options to me or some advice on what to do. I feel very passionate about acting, and I’ve been told I’m pretty good at it as well. How can I get my name out there?
Hello , I got an audition for role and wanted to ask if any actors could knew any tips or steps how to break a script down so I can do it well ? I really need the help
One thing is clear to me while listening to these (admittedly damn competent) AI samples: AI doesn't breathe. When I was newer to VO, I made the mistake that many do: I edited out every single breath. But breath is such an integral part of performance. In some cases, a breath can convey emotion that words cannot. It can convey distress, longing, pain, joy. Delivering a line with a heavy sigh or behind gritted teeth can help vary the delivery in ways that enable actors to emote beyond what AI will likely ever be capable of, simply because speaking for them is not a biological process. Over the decades, the industry has trended towards conversational, authentic reads. I see this trend extending further to distinguish humans voices from AI, but with how breath and air can capture emotion. AI voices will keep getting better with cadence, delivery, and even emotiveness. But how actors use breath as an element of performance is something distinctly human.