We have found 19,446 posts across 4 actor forums:
I normally take rejection well but this one hurt and has me questioning if I should go on. by bustergaming777 • last post Feb 23rd
I was in discussions with an agent about representation, everything was going well and we had a meeting. During the meeting he explained my age could be an issue because of lack of credits, I’m a 31 male, he summed it up to cds want credits and won’t see you ahead of those my age but with more on their resume. I took this on the chin and we left the meeting on good terms and ready to go forward together. I got ghosted for two weeks after following up and he’s now basically said he doesn’t want to take me because of the reasons he laid out in the meeting and how it will be a lot of hard work. Like I said, normally I’m okay with rejection but this has made me question myself as an actor and won’t go anywhere because of my age/ lack of credits.
how do i get actors equity without an agent? by MistakeEffective6566 • last post Feb 23rd
hi there. i'm an actress in nyc and i'm really struggling to get any theater auditions because i don't think i qualify for equity w/o the credits, and i don't have a manager/agent to help me get auditions. any tips?
Virtual showcases? Either stand alone or at the end of an online acting class? by nacho__mama • last post Feb 23rd
I'd like to participate in something like this [Stella Adler](https://www.stellaadler.com/showcase/) one that stays online for a long time so people can find it in the future as well. I'm not sure what is required to be able to participate in this. I'm guessing a pretty lengthy class? There's the [Green Room acting studio](https://www.greenroomactingstudio.com/virtual-agent-showcases) which offers a 3 day class for $2,400 in order to have a virtual showcase performance at the end. Doesn't look like it is saved anywhere though like Stella Adler. I know reps get the links to showcases like this emailed to them. And then there's the one shot deals at place is like [actors connection](https://www.actorsconnection.com/classes/) which as I recall is pretty much the same thing as one-on-one, both are notorious for ripping people off and have really negative reviews online. I had a very bad experience with either actors connection or one-on-one years ago. Just wondering what other people's experiences have been. I wouldn't mind paying a few hundred bucks to take a good online class if it ends in a Showcase with legitimate guests not just attending but having access to the website link afterward. Especially if I knew the school was emailing it to reps. I have many years of acting experience and have representation in my small town but I would like to get representation in New York or Atlanta too.
how to pitch to an agency when the track record aint lookin too hot by thecontentconvoy • last post Feb 23rd
NYC-based actor. I've never booked an actual co-star role so no professional credits but I've been taking roles in short films and ensemble theatre work since 2015 (underground experimental theatre, black box, plus a little Shakespeare). Kinda tough but this is what is more readily available in this market. I'm trying to pivot better into auditioning for legit (SAG) film and television on a more regular basis now but I'm afraid that gap between start and now ain't gonna look too cute when I pitch to an agency/management. Any thoughts on how I can spin this so I don't look like I've completely wasted eight years?
Looming WGA strike concerns by PepeAwesome • last post Feb 23rd
I haven't been an actor very long. I'm currently SAG-E, but haven't yet joined, mostly because of the cost. I've heard the talks that the WGA may go on strike around May, and my understanding is that the "sister" unions of the entertainment industry (SAG, IATSE, et al) will also refuse to work out of solidarity. So my concern is, what does an industry strike mean for me, as a currently non-union actor? If I don't want to scab and potentially ruin any chance of getting into SAG, does that mean I'm out of luck and also won't or shouldn't be working? If I continue to work on gigs with no union affiliation at all (local TV spots, print, and the like), is that considered scabbing? And also, what does it mean for someone like me who was working up the cash to join SAG relatively soon? Should those plans be put on hold until the strike is resolved/averted?
Actor with a passion, don't know what to do next by blackpink_fan101 • last post Feb 22nd
I've been a (non-professional) actor for 3 years, I've done short films, theatre & acting classes . I want to be a television actor and writer (professionally of course), but I don't know what to do next. I want to (obviously) work in professional projects. The truth is, there's no real issue here. I know what I want in the long run they are clear set long-term goals, I am doing what I can now, and I am truly passionate about both crafts, but I'm scared. Super scared. And I don't know how to stop doubting myself. And my fears are irrational too. And the scariest part is that the fear interferes with my passion. So one day I'll be all confident and passionate, and the next I won't feel anything because of the fear. Any tips on how to get over the fear?
Acting agency question by New_Addendum_1709 • last post Feb 22nd
I see some acting agencies they have branch- actors and extras separately, so if you join the actors one, will you still get extras work? And if you join the extras one, will you only limit to getting extra work and no speaking roles? I’m confused I have never been with any agency. Im a fairly new actor professionally. I graduated from my drama and film BA degree, I took an acting class outside of uni after I graduated, I have done two films speaking roles recently, extra roles in student films, and also performed in theatres. How should I approach with agencies? (my ultimate goal is main roles)
Can someone who lived in Europe and now lives in the USA and is an actor tell me how they did that? by TallTangerine1392 • last post Feb 22nd
Did you have a job offer? Is an acting job offer also a way to get a green card?
How is life in LA as an actor? by TallTangerine1392 • last post Feb 22nd
I want to move out in 2-3 Years to persue acting as a career. But I want to hear how life is there. What are u doing when u aren’t booking anything?
A question to actors who took acting courses/workshops in LA, are there any good acting courses or workshops u recommend? by TallTangerine1392 • last post Feb 22nd
I’m visiting LA for 1 week in April and wanted to go to an acting course or workshop but Idk where to look. Did you have any good experience with one and recommend it? I just don’t want to spend a lot of money for a workshop and then it’s trash.
Bombing in front of a new classroom? by mraladdinsirwat • last post Feb 22nd
I joined a new acting class, and boy, I fucking bombed in front of 30 people. Normally I’m used to killing it, and I knew I was a more experienced actor than some of the others. I feel confident in my abilities, but I got overwhelmed by the sheer amount of eyes looking at me. I screwed the pooch! The second time around I did alright, though. Does anyone have the experience of bombing in front of a bunch of new classmates that you don’t know and they don’t know you, but you really want to impress them?
Toronto actors: did anyone apply to the 57 varieties ketchup commercial on actors access? by No_Landscape_1019 • last post Feb 22nd
I contacted AA to look into it, but use caution if you submitted. I’m almost sure it’s not real. I received an eco cast and was asked to email them personally. I’ve had a lot of scams in my email and this looks identical. They asked for my address to send a pre-payment of 500$ in cheque form, I can’t find anything out the production company and they’re weirdly pushing how you get to keep designer clothes you wear on set lol they also offered me a role within an hour of sending an email. Edit: it is 100% a scam. Don’t send any personal details! If submitted you should receive a message from actors access
[PAID] Looking for a Narrator for a Strategy RPG - Female Voice Actress by BlackMarchStudios • last post Feb 22nd
**About the Game** Crimson Tactics: The Rise of The White Banner brings you an epic adventure in the form of a turn-based tactical RPG. Set in a medieval high fantasy world, witness a massive political disruption through the lives of different characters and fight for the fate of Wendalle. [More Info on Steam.](https://store.steampowered.com/app/1480810/) **About the Job** We are looking for a Female Voice Actress to serve as the Narrator for the game. The provided references illustrate the kind of voice we are looking for. **References** [Cere Junda](https://www.youtube.com/watch?v=ELs83b0s-iE) [Dragon Queen Zubeia](https://www.youtube.com/watch?v=0asTZ-rWA1w) [Galadriel LOTR](https://www.youtube.com/watch?v=vOulsEGvSCo&ab_channel=GandalfGrey) [Eris Morn Destiny](https://www.youtube.com/watch?v=cAWFdsVwKak&ab_channel=ThePhoenix) **Rate (Negotiable)**: $50 per 30 mins of recording session. **Requirements:** * Quality Mic Setup. * Experience recording Voice Overs. **Recommended:** * Experience as a Voice Actor / Voiceover Artist. * Acoustically treated room. * Experience using Discord. **We will sign a Freelance Contract and an NDA.** **How to apply** If interested, please email me with a link to your voice work, details about your mic setup and audition clip (Optional but highly preferred) to va@blackmarchstudios.com **Audition Line:** >The death of King Edrich Alwyn marked the end of a peaceful and prosperous era in the kingdom of Wendalle. Please feel free to ask any questions here or via Reddit PM.
Kindly visit fams by Marshall Cook • last post Feb 22nd
Lets make green for the week, I will visit everyone's profile for up 30 seconds daily. Kindly visit a friend profile. Thanks in advance https://www.imdb.com/name/nm1977244/
Acting Programs for Working Actors (LA) by the_pinklemon • last post Feb 22nd
I’ve been auditioning for network shows and projects for the past 1.5 years. Some months have been better than others obviously, but I feel like I’m “in the game” now and not just doggie paddling trying to submit for student films on Actors Access. I’m not working right now and my parent (who knows nothing about the industry but is convinced they do) has suggested I enroll in some sort of conservatory program to hone my skills since I don’t have a theater degree. But I’ve been actively training for the last 5 years, and I know my auditions are strong. Though, I haven’t booked yet theatrically to be fair. I think in terms of actually booking work - making connections, having the right reps, and consistently submitting good auditions to the same CDs is more important than spending a ton of money to better your craft. But I’d be open to a program if it allowed me to continue auditioning. Does anyone know if there are any 1 or 2 year acting programs that are conducive to actors who frequently audition, or maybe even actually book work? I live in LA. Thanks in advance!
Actors who left LA by Blueeyesindisguise • last post Feb 22nd
If you lived in LA, how long did you live there and why did leave? Do you want to go back? If you live in LA now, do you want to leave?
A bit of the basics? by LuaLily • last post Feb 22nd
Hello! I am an aspiring actress hoping to start studying acting abroad and I would like to know if more experienced people have anything to say or any tips! First I would like to know if you guys know of any colleges that specialize on acting as a career and preferably offer scholarships. Then, if you can, share your experience, the routine of working as an actor and some tips to help beginners like me! I hope to join you all on the acting field soon and help each other out.
AI Story by Joes_SpeakEasy • last post Feb 22nd
I received a survey-type ad on LinkedIn the other day from a name (who shall remain nameless) who had no LI profile. The survey was one question: "What's the worst part about creating a voice-over?" The choices were: "Edits". "The Cost". "Actor Availability". "Using My Voice". Thinking this was some newbie VA mass marketing to anyone with the word "voice-over" on their profile, I answered "The Cost", just to hear what their pitch was. The immediate reply was, "If you're paying more than $100 on a voice-over, it's worth considering an AI voice as a way to save". So the brainiacs behind AI are making the typical rookie mistake of appealing to bottom feeders who value price over quality, because they know their product doesn't measure up. Watch out Fiverr and Upwork freelancers & RS narrators - if you've built your business on a foundation of these types of cheap jobs, they're coming after you first.
Any ideas? And is this worth it? by Lord_Borkidy • last post Feb 22nd
Does anyone know easier ways to memorize a script? My director in plays I’m in, only has me rehearse the plays once a week because there are multiple, and I have to do a majority of memorizing from home. Also as a side note, is it normal to have 0 to not social interaction with the other actors? The others either go do their own thing or can’t talk because of time constraints of the rehearsal. I have been in productions before where we have had fun and still got the job done while on set, but for this it seems so strained and stressful, mostly due to us only having the rehearsals once a week, with only 4 left. With both the negative attitude of the director, the stress, and the lack of social interaction. It feels less and less enjoyable.
Uta Hagen's 'Challenge For The Actor' by RektRL • last post Feb 21st
I was planning on reading both 'Respect for Acting' and 'Challenge For The Actor' by Uta Hagen, but I have recently read that she admittedly 'disassociated' herself from the former book. From someone who has read both - is it worthwhile to read them both? Or does 'Challenge For The Actor' contain everything you need from her?