I met an actor during quarantine in an improv class. It wasnt anything so i wasnt considering as such. Well, afterwards, i would just comment on her igs, sometimes mean and i realize that now but she came off very "no one believes in this but me" but also "im a princess" so now im realizing shes going through a lot. She posted yesterday she got an understudy role in her favorite musical and was going to perform her fav role. I messaged her you deserve better. And she said back that came off meaner than you realize. I apologized and i thought lesson learned. Well she posted again on performance day and i messaged her "yes to everything!" And then i got blocked. I messed her later "why i guess were in different parts of our careers but ok your choice is yours" and " a performance review would be nice if youre interested" What happened?
Hi friends! So I joined the union about a year ago, and moved to NYC a few months ago. I don’t have representation, but with EPAs returning, I’ve attended quite a few at this point. That said, it’s kind of nagging at me - do people actually get cast off of EPAs? Would love to hear the perspective of anyone who works in casting, or from actors who have gotten callbacks or offers from EPAs. Instead of these auditions, should I be focusing my efforts on getting representation?
A friend of mine has developed an hobby for voice acting, he in fact just did his first voice acting of a comic, but of course due to not having a female va to work with him he has to put a bot on female characters, I wanted to look for female vas that are still beginners like him but I'm not having much luck so far, any suggestions? I've been looking on telegram if there was some sort of server and I'll look on discord too
Hey everyone. I'm in Chicago and looking to get into commercial and/or TV acting to make an acting career. I have background in improv, children's theater, and have studied a lot of forms of theater (clowning, shakespeare, suzuki, linklater, meisner.) I feel well prepared in the training but ill prepared in marketing myself. I'm having a hard time figuring out my "type." In college I would always be cast as the middle age mom when I was 18-22, and then in theater I would be cast in roles with darker themes, like Lady Macbeth/witch type roles. Problem is I don't know how either of these things would translate to TV or commercial and playing everyday people/people more my age (I'm 27) I recently started a commercial acting class. Here's a screenshot. **What would you say, by look, is my type?** Any advice to someone starting out in the marketing yourself side of acting is welcome here as well. (I'm also growing out a pixie so if anyone has recommendations on what type of hairstyle might make me more castable and on type, please add that, too!) https://preview.redd.it/flupgzwneufa1.png?width=1887&format=png&auto=webp&v=enabled&s=27a8b7bc28c58e3591fc689843014dfc1279d146
Has anyone here ever heard of face forward actors & models academy? There is one in my area and my acting teacher at my college had not heard much about it but I called them and they set me up for an audition last night on zoom with about 10 other talents. The directors name is Shannon and I was told she would email us about an hour after our auditions and let us know if they will be taking us in as they have limited space, I received an email that sounded very personal to me and my audition, not a copy and paste, she told me to call her back this morning so I did and she explained its a $100 one time registration fee and $199 monthly tuition where you have once a week acting class on zoom on Mondays or in person on a different day but that every 2 months you are required to come in person to the studio as agencies will be coming to scout out talent. The next one coming up is March 25th and pay it forward management will be coming from Texas, she showed us testimonials of success stories and that one of the young ladies she worked with won miss USA. It seems real to me but my mom is very skeptical, what do you guys think? If you need more information please let me know and thank you in advance!
While this AI can’t mimic human emotion it’s unreal how accurately it can replicate speech itself. I absolutely despise this because I’m scared of many jobs becoming obsolete due to AI. It’s so annoying. Will voice actors be completely unneeded in the future because of developing AI?
Obviously it's a good way to show off your own talent, but it's almost a cliché at this point. Wouldn't it better show off your acting skills to have someone to play off of? Aren't most people more likely to see a multi-person show than a one-man or one-woman show? It may be easier to write for just yourself, but it almost seems harder to do well. Is it the difficulty of scheduling rehearsals with other actors? Is there something better about showing off your skills solo? Are they just simpler to write? What are the opinions, folks?
Hey, I have some self tapes i did that i need to submit through actors access. I’ve never submitted through them before. Bare with me! In the instructions it says to separate the clips. So would that mean like takeone.mov taketwo.mov or like separate within one movie file? Also my sides have a scene where i have no lines that my character is not in. Do i still film for reactions in this scene?
So I'm new to Actors Access - I have good student/semi-professional footage for a reel/clips (I've already uploaded a few), and I have headshots that will do for now (next on my list) Question though - when submitting for theatrical auditions, I know they generally prefer monologues from plays. Is this the norm on Actors Access? When they don't have any specifications or just list "video reel", are film clips expected? Because adding monologues could get pretty expensive quickly with the $22/min model they have, and other actors I've noted don't really have theatre-y footage on Actors Access unless it's singing.
It's for a story I'm writing and I wonder if a similar scenario exists in the acting world: The director asks the story's main character to swap their role of playing the hero to the villain of a play. The director knows that the main character remembers the entire script of the play, so he knows that they can pull it off. Even though the play starts in a few hours.
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. ​ For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
So ofc as a small actor you’d wanna grow and in order to grow, using scenes from short films youve been in can be helpful. Ive never asked a director or producer for scenes I’ve been in because I’ve never worked on a reel for myself, now that im working on one i wanna know What should be said and what shouldnt when asking for scenes from a film that im in?
I need a female voice actor that can capture the voice of a 10-year-old kid. Anyone welcome to audition just dm me!
A local community theatre had an actor get sick with Covid during their tech week for a play. They called me to ask to step in and I rehearsed with them for a few days and then performed one night (until the original actor was able to come back). How do I credit this on my resume? Should it be listed as an understudy? I wasn’t a part of the production at all before this so I’m unsure.
Hello, to all. I have always admired individuals under a profession that allows bending their tones and practice voice expressions. I always notice an actor’s dialogue delivery first or a news presenter's speech skills. The exercise of admiration has now led to a conscious effort of observing at least a single detail and practising it with my voice or speech. However, it would be great to know if anyone here has tips on how to deliver one's conversation with confidence and eloquence.
I'm a very early career theatre actor/developer/director. I have the ability to move basically anywhere in the US right now and I'm having a difficult time deciding on a city. I am not looking to move to NYC or LA. My training is in theatre and I have limited experience with film/TV but I'd be down to try it. I'm just trying to find a market that's not *only* film. I am interested in a city with a strong theatre community. I'm non-equity and am looking for a place where I can develop my own work but still have access to professional jobs. I feel like Chicago is the default choice but I've lived in the midwest for the past five years and am looking for a change in environment if possible. I've heard Seattle is a little cliquey and lacks in fringe theatre.
There are some big ones that are not TAMAC, and you have some smaller agencies that are part of TAMAC. Like let’s say a smaller agency is part of TAMAC, but the star meter for their clients start at the 25000+. Then you have a big, reputable agency that’s not TAMAC, but clients start at 1000+. I know starmeters are not the gauge for how reputable an agency is. But it’s kind of odd to see a bigger agency not part of it, then you have a small one who’s a member, but actors aren’t as recognizable as the big boy agencies. Thoughts?
I’m a meisner actor and have trained in it for over a year. I’m at the point where I feel like a confident actor and I’m looking to add more tools to my belt so ive been seeking other methods and techniques to see if they help in any way. I love meisner but I do have some struggles with “big” emotions so I’m looking into adler, strasberg, hagen, chekhov, etc. I was just wondering if learning them via reading books, watching videos, etc was effective or not. Or would I need to take a technique class to really “get it”. I feel that I wouldn’t have learned meisner if I didn’t invest myself in classes but with the nature of the technique I would understand if it was exclusive to meisner. Currently I take on-camera classes every week and would apply what I teach myself throughout the week. I recently started working with substitutions and transferences and they feel effective but I’m strictly teaching myself and not necessarily getting guidance, however, my teacher has worked with some of the techniques I mentioned but not all so they help when they can. But for the most part, I kinda just experiment. Just any suggestions or advice would be appreciated. Thank you!
Note this is just my opinion .Willem Defoe .Bill Bixby .Peter Cushing .Peter Capaldi .Matt Smith .Michael Caine .Robert De Niro .Christopher Eccleston .Christopher Lee .John Hurt .Robin Williams .Morgan Freeman .Frank Welker .Mark Hamill .James Earl Jones
Hey everyone. I'm having a bit of trouble deciding really what would be best for me to do next. I just got done with KCACTF and URTA auditions all in the same week. I've gotten a lot of offers for good opportunities, but the thing is, I'm not sure which opportunity to take. I got a callback with a small theatre company I worked with a couple summers ago, so I'm very familiar with the two people who run it and how things are run there. Plus, I heard that a majority of last year's company are coming back, and it seems like a really great group of company members. But I also got callbacks for the Stella Adler Studio of Acting and the Actors Studio Drama School at Pace University; those are the two training opportunities I'm considering the most. I do feel like I need more training so I can develop my craft, toolbox, and technique in a more structured and supervised way under teachers who are there to help. But I also feel like I need some real-world and life experience not just as an actor, but as a human being too. I do feel the need to try to get work instead of jumping into MORE schooling/training. But both the summer theater and acting studio are great opportunities that I know will provide different benefits for me. But I'm not sure which one I should choose. I also have worries / cons for both too, but I might not get into those now. Anybody have advice? Thanks everyone!