the first audition for them I was pinned for. great. (never released from that pin, of course, because why would a CD actually have the consideration for actors taking time out of their day to tape for them?) how is it possible that you cannot make a casting decision based on 4 previous tapes of mine that were all different characters, one had an accent, and now you need to see me .... not speaking lines..? ... you mean my last tape I did for you where I had 2 lines and then reacted to 2 pages of dialogue wasn't enough of me REACTING for you to see?! jesus i know this is an "opportunity" but how lazy ARE casting directors?! yes, fuck my low level reps for submitting me for this crap but why do CDs even need to RELEASE a breakdown for a stupid non-speaking role like this?! can't they just GIVE it to somebody that has auditioned for them 5/6/7/8/9 times?! i literally just want to take my last audition tape I sent them yesterday and cut out my 2 lines and then just send in the rest of me standing there reacting. because this is the same exact goddamn thing, just an even smaller amount of it!!!! please make this make sense... how this isn't a complete waste of an actor's time (god only knows how many actors are actually requested to tape for this) and literally not just a ridiculous abuse of power and exploitation of actors....? i mean seriously i'm emailing all my reps and telling them to not submit for non-speaking co-stars anymore... it's just such a joke. but honest to god, why are CDs doing this? it makes no sense to me. it's the paradox of having TOO MANY CHOICES
I've only landed a few roles for VA but I noticed a camera pointing at me as I'm saying my lines. Why are actors being recorded when we act? Is it for body references when animating?
Hi! My agent dropped me randomly last week, which is fine, but there was a 30 day notice period in the contract. So I’m wondering what this means in terms of an actor - agent relationship. Should he have been submitting me for 30 days after he notifies me? I want to know how long I haven’t been being submitted. Thanks.
I’m in the Toronto market, I have never had a single agency reach out and ask to see my materials for possible representation. I received a message over a casting site a few weeks ago, it kind of made sense. I’m playing the lead in a feature film, and my co-star is represented by them. But now today I woke up to 3 separate agencies contacting me asking me for my materials? (Which I don’t have any lol) I’m shooting 3 movies at the moment, but before the first one I had never booked a job in my life. Booked all three from actors access. I just think it’s odd anyone would contact me, and all through the same casting site? I didn’t know if maybe agencies in the area were just all expanding?
Has anyone here auditioned for the Amazon pilot seen on backstage and actors access?
I've just finished playing Claudius in a run of 'Hamlet' at a local theatre. Pro actors, passion project. Received the script in February and when we went up, we were on version #7. I realized that the Actor nerd in me knew that it was all about the rehearsal process, because who would come out on a weeknight to see this? Eventually we were over half -full for the 5-performance run, so they were more than just a 'cherry on top'. However, I crossed a bunch of bucket items from my list: Spout the Bard (again.), be a King, play the Villain and die horribly on stage. Jus's Sayin'.
I got a minor in theatre performance from a large, public university. Like a University of Florida or University of Ohio type situation, but a different state. The school is not known for its acting program. They don't even have the major as an option, just the minor. I showed my current acting teacher my resume for feedback and he said I should remove my theatre performance minor because it's not a reputable school like Yale or Julliard and nobody has heard of the teachers I studied with. Is this true? Is it taking away from my resume? In actuality, I do feel that the training I got at the university was mediocre. The teachers themselves were phenomenal actors in the professional equity shows that they put on at the school, but the training itself wasn't that great. I also don't think my current teacher is trying to sabotage me or anything like that. He's an excellent teacher and I've learned the most I've ever had from studying under him for the last 1.5 years. I am about to start submitting to agents so I want to be certain I make the right decision in removing the training. I don't want to look like a noob with minimal training if I take off 6 semesters' worth of training, even if the program wasn't reputable. So what's better: less training, more reputable, or more training, but possibly with unknowns?
Hello! I'm posting about a phenomenal opportunity to work with renowned Russian Actor/Director Alexander Molochnikov in a Scene Study Acting Class in Soho. Open to actors of all skill levels! [https://www.instagram.com/kislomolochniy/](https://www.instagram.com/kislomolochniy/) Visit our website [gstudio.nyc](https://gstudio.nyc) to learn more, or purchase tickets here: [https://geotickets.tv/events/acting2](https://geotickets.tv/events/acting2) Our Sunday Fall Session is available now, taught by Aleksandr Molochnikov 6 weeks ($480) of scene study. Pairs will perform scenes from theater and film, coached by Aleksandr. Sunday, 6PM - 8:30 PM, November 27, 2022 — January 8, 2023 at G Studio! Final performances will be professionally filmed to use for reels. The class is already half full, but we are seeking 9 more students for the Sunday session! If you are not able to purchase in time, please email class manager [caleb.m.a.short@gmail.com](mailto:caleb.m.a.short@gmail.com) to be considered for a future class. Instagram G Studio [https://www.instagram.com/gstudio.nyc/](https://www.instagram.com/gstudio.nyc/) Aleksandr's IMDb [https://www.imdb.com/name/nm6615978/](https://www.imdb.com/name/nm6615978/) Other Links to Aleksandr's recent work in Film and TV. [https://www.youtube.com/watch?v=b2TPQMOoQIw](https://www.youtube.com/watch?v=b2TPQMOoQIw) [https://www.youtube.com/watch?v=c8GqrxSum-M](https://www.youtube.com/watch?v=c8GqrxSum-M)
Hello I m from Myanmar my passion is to become actor but due to my family financial problemes I need to be onboard.dont get me wrong I like to become seafarer but I don't want to give up my dream because of my financial problem .I want to know is it possible for a seafarer to do acting ?any one who is in the same situation as me plz spare me some advice. I m really in stress thinking about it Thanks for Ur advices in advance
I do not have an agent or manager but I logged on to my AA profile and on the home page it says “congratulations your AA profile has been successfully connected to your talent representative”. Has anyone who is unrepresented had this happen before? Should I be worried that my account is like hacked or something?
I noticed there are some people who speak without any facial expressions or tonal shifts... Some however speak with such richness in every word and their facial gestures are always so lively. I noticed I can sound pretty monotone and it doesn't really match the intention or meaning of the words being said in my day to day life ! If I were to take that to my performances (which I inevitably do), it would come off as poor delivery, monotone, and an actor who's not connected to his words. (Which are criticisms I have gotten and I myself find very true when viewing my work). I have been able to project and connect at times, but it's not something habitual or "natural" for me ALL the time. TL;DR: How do I go about connecting emotionally when my own life isn't enough to rely on for those habits and reactions?
This is a hypothetical question. I am interested in knowing which of type of rep most actors prioritize. Feel free to explain your reasoning in the comments - would love to read it! EDIT: In keeping things somewhat equal - this would assume that the manager rep also submits their actors on breakdowns/projects. [View Poll](https://www.reddit.com/poll/z1b0bm)
I have heard the HB Studio scene study classes are somewhat better than those at the Barrow Group. Is there someone here who has taken classes from HB studio/TBG that I dm to learn more about your experience? Also, at the end of the day does the studio you attend matter a lot in building skills as an actor? Like is there a huge difference in whether I attend HB or TBG?
Heard this said numerous times by different sources and always wondered why
I hope this is ok to post here. I'm an artist and I wanted a custom script read out by a VA I found online. It's for a game I like playing and making fan art for. He's voiced many of the characters in the past, and I've listened to most of them (He's very good!). However, the script I needed read included a character I haven't heard him voice yet. When I asked for an example it wasn't accurate (the voice was too high, the accent was off), and I felt like I couldn't correct him. I do commission work, and when a client asks for it changed, it's easy to do. But how do you tell a VA that they aren't voicing a character well enough? I feel like a jerk but I just can't figure out what to say. ​ For people who do paid VA work, how would you prefer a client tell you this? All help is appreciated
I always saw them now and Then on DVDs ,but I always wanted to be in a MOCKBuster Film, just for Sh*ts and Giggles. Cause they look like fun and I consider myself a Z-List actor anyway.. would love to know any CDs or Studios who do those types of films
I recently was in a commercial and after doing this for as long as I have, it was such a milestone and it was so epic that it reminded me that all my work that I put into training, workshops, headshots and everything in between, as well as all the gigs I've had in the past, worth while. Believe me when I tell you, if you just keep going and never give up and keep reminding yourself that one day good things will happen, they will happen, and when they do get ready for success. It's one thing to fail and you get used to it, but it's equally as difficult to handle success. Remember this. If you're 100% devoted to acting, your agent, casting directors, clients and all the connections you've made will KNOW this. I've been doing the acting thing for most of my life but only recently have I been able to have pride of where I'm at and it's been keeping me afloat.. Just keep it up and do a great job wherever you go. Once you develop a great formula for auditions and it works, don't change it, keep up with what you're doing if you are getting frequent call backs. Learn as much as you can from each set and make sure you inform your agent when you're wrapped and remind them how much fun you had and how much it means to you. Your agent will continually keep working hard for you if they know how much it means to you. Don't get me wrong, you need to be financially smart. Also if you're working a full time job- a real flexible job, you need to keep yourself available for gigs that are on the horizon. Availability is key. I know it's really difficult not knowing when your next gig will be, you just have to be really financially smart and determined. You need to have a great support system and circle of care as well. It's a difficult journey, lots of rejections and lots of unsure moments of where you're gonna end up or what you're going to eat for the next couple weeks. if you play your cards right and you keep trying to better your skills, honing your craft, like I said do a GREAT job and treat EVERYONE with respect, life as an Actor will be easier trust me. Don't be a negative person on set as well - people can feel that energy and sense it and it really works against you believe me, I've seen it first hand how it affects so many people. Your attitude is everything, when you keep it POSITIVE, people will want to jump on that train and be positive with you. In a world filled with so much suffering and pain the best thing to do is put a smile on your face. Bring joy to the people around you, be proud of what you accomplished so far even if it's just small things. Things don't happen overnight, it's a constant run of the gauntlet - every experience builds you as a person and as an Actor so make sure you experience real things in your life too! That's all I wanted to say and I hope I can inspire you with my words, even though they are so few, I really hope you go for your dream, even if you think it's a pipe dream - keep hitting that pipe baby and things will flow eventually. With so much love for you fellow actors, -Julian
So uh, i need two vice actors for an episode, so i'm asking here. I would ask in r/analoghorror but the ppl there are assholes. so yeah, dm me, i send u the lines and then boom, i'll make the video