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We have found 19,445 posts across 4 actor forums:

Haunted house scare actor by _Ultimate_Simp  •  last post Nov 28th

My town as a haunted house that is one of the more well known places of the town. There are two parts of the haunted house/asylum which is the Ghost tour in the main building and the haunted house in the side building. Would putting scare actor on a resume as experience be good or in this case would it not count as part of a film? Wanted to know if it'd count. Thanks!

My First Successful Voice Over Gig (with u/Seeker_of_Time) by wholenewlei  •  last post Nov 28th

Requesting a contract by DiscombobulatedDog63  •  last post Nov 28th

Hello, I am a UK based actor and new to the industry. I am undergoing my first paid role next month. I requested a contract to pass on to my agent and one of the producers responded saying: “We don’t have a contract prepared for your agent.” I think they maybe have misunderstood and thought I wanted a contract for the agent but I just want my own contract. Not sure what to reply as I don’t want to come across in experienced. Any help would be really appreciated

HB Studio courses by forde_e  •  last post Nov 27th

Beginner actor here that will be taking acting 1 at HB studios. I wanted to take an extra class or two. For those that went to HB studios or any other acting company what were other acting classes you took or would recommend me to take?

LORT AEA Contracts by PM-me-your-social  •  last post Nov 27th

Is anyone familiar with minimum pay rates for equity actors at a LORT theatre? My daughter has a role on a non-union contract in a show running through the end of the year at a LORT "B" theatre in one of the unnamed cities. The casting calls all listed $1008 per week as the minimum pay, but she took a non-union contract so she gets significantly less. But some of the equity cast has said they don't get paid that much either. We'd like to understand equity pay a little better to see if it makes sense to join before her next role. I feel like SAG has been easier to understand... (she's eligible but she's held off joining while she builds her resume, and non-union actors on a SAG set still get paid well). Does anyone know the ins and outs of AEA?

Should I move to Toronto to pursue acting? by Plessie21  •  last post Nov 27th

I've always loved acting since being in a few short films as a kid during summer camp, being in a few theatre productions in elementary, and taking drama class in high school. I haven't formally taken acting classes yet, nor have acted since high school. I am 22, and live in Ottawa, Canada. Ottawa isn't known for being a great place for actors, as compared to Toronto and Vancouver. Yes, there are a few places to take acting lessons, however, there isn't really much. Toronto has great acting classes, and Toronto acting classes tend to be better, and have a better outcome for actors. I currently work a 9-5 job making 70K. I have over 20K saved. While I am currently satisfied with my job, I don't see myself in that career path for the rest of my life. I've always loved Toronto, and always wanted to move there. I've always had a dream to pursue acting professionally, which I haven't started yet. I'd be opening to leaving my job, and pursuing acting full-time, if I am able to money from it. Should I move to Toronto, take classes there, where I have a better chance at landing roles? This would be a higher risk, but the potential reward would be greater. Should I stay in Ottawa, and take weekend/night acting lessons, where there isn't a big acting scene? I would still keep my current job, but I will be harder for me to land roles. I want to start acting, but I don't know if I should stay in Ottawa, or move to Toronto?

Are there any voices out there like mine? by realSpillerSoda  •  last post Nov 27th

I've been thinking about trying out voice acting and I've been trying to get past that "hating my own recorded voice" phase. However, my voice is kind of a unique tone so it's been hard I was just wondering, are there any voice actors out there with voices that are similar to mine and if so, can you tell me about them? I know this might be a weird request, but I feel like hearing their performances and broadening my understanding of my voice might help me get over this anxiety and I just don't know where to start looking Here's a recording of my voice for reference [https://www.youtube.com/watch?v=81xLFGhOMMA](https://www.youtube.com/watch?v=81xLFGhOMMA) Anything you can provide me would be appreciated

Can't Even Book a Student Film, Feeling Discouraged by SimpleInvestigator70  •  last post Nov 27th

I just started seriously pursuing acting in January. In an effort to have a best package possible and start off on the best foot so far, I've been taking a steady stream of classes and just got updated headshots from a great/well known photographer in NYC; the training has added some bulk to my resume. The biggest issue is that I can't even book a student film to get credits for my resume, and therefore build a demo reel. I have a couple of self-tape clips for my Backstage and Actor's Access. I've had several auditions from Backstage, and even made it all the way to final call back for a lead in a short film that came down to another actor and myself (losing that one hurt, but we trudge forward!). I also booked a lead for a student film off of Backstage and was invited to film in NYC, but got ghosted so that fell apart. Overall, I'm trying not to get down on myself and keep going, but I just keep thinking that if I can't even land a student film, how can I even stand a chance? Thank you for listening/any words of encouragement or advice!

Casting network worth it? by Mylifereddit  •  last post Nov 27th

I have casting network but believe I can submit with the free version. There's a cyber deal at $59.9 shall I get it? I believe there's no way to submit without it or am I missing something? I know there's actors access but I believe we have to pay to submit too? Any cyber monday deals on that one? ​ I'm in miami, florida, non-union. Just want a platform that gives me opportunities.

Slate shot question pretty please :) by Rivenski  •  last post Nov 27th

Question ya'll about Slate shots on actors access. I'm trying to find where to put my general slate shot, would that just be under media? and if so, is that a performance video? I had been advised against individual slate shots for each headshot (both arguments make sense to me tbh). Ive been able to book some good work without it, curious to see if there'll be an uptick. Just can't find where to put this thing. Cheers ya'll!!

American Actors in the UK by kvarthis  •  last post Nov 27th

Hello~ I was just curious to see how fellow American actors are doing in London? I was interested in getting some training there, but wanted to know if some of you stayed in London afterwards. How has your experience been? Has it been difficult to get opportunities (film or theater) as an American?

First attempt at making my own content by theactingbunny  •  last post Nov 26th

Hey yall! I am an actress but have decided to also start making my own content. I am currently working on my first short film. This story will center around mental illness. The story starts when a woman finds a box of letters buried in her garden. Throughout the film you can see her spiral. I used my galaxy s21 ultra camera, ntg2 shotgun mic, ring light, and davinci for editing. I'd love any feedback!

Tips and tricks for networking better by alex_pantazica  •  last post Nov 26th

Hello everyone! I hope you are all well. I have a question about networking. I managed to get few days as a background actor in The Crown season 6 and all I want to do is to have fun, learn as much as possible and to expend my network. Do you know any tips on how to give your details to the producers or director without sounding desperate and annoying? How can I maximize my chances of getting noticed by the decision makers and giving my contact details to them and hopefully getting a speaking role in the future? Best wishes, Alex P.S: I am on Spotlight and I don't have an agent right now. I am currently trying to find a new one.

Copying the voice of friends and family by Lalalalapz  •  last post Nov 26th

I'm thinking of practicing voice acting to be capable of copying the voices of friends and family. Can you do this as voice actor? If yes, did it come intuitively after practicing voice acting after a while or did you need a mindset/method switch to achieve it?

What have you learned now you wish you knew at the beginning of your career? by rikemomo  •  last post Nov 26th

There are two things that come to mind to me, many years trying (with varying success) to make a career in acting that I *wish* someone told me when I left college with my theater degree: 1 - The moment you give yourself a timeline for success you are setting yourself up for disappointment -- acting is a process, a journey that has its crazy share of twists and turns, up and downs. Give yourself some kind of chronological timeline ("I want to have my first TV role by 24" or something like that) hobbles you. (It's so tempting, too--I went to NY before LA and was so frustrated that my contemporaries were all getting TV and Film roles before me, like they were winning some kind of race.) I got this advice from a working actor in a waiting room and it really stuck with me. Your path is your path. If other people you know are working, be happy - that means people are working and there are jobs out there for all of us! 2 - Odds are that what you are feeling emotionally as an actor in the scene is really close, at its core, to what the character is feeling. There was a really great documentary on the making of *Portrait of a Lady* where Barbara Hershey was waiting for her scene to get set up. It was in the middle of the night and it was freezing, and they were making it rain--it was miserable, and all her co-stars and crew were warm, dry and having much better night. She felt lonely and excluded and cold and frustrated...just like her character. Mamet points this out in several of his books and, at my friend reminded me that the Meisner technique echoes this. So, whenever I get frustrated or anxious or confused when dealing with scene, I give into those emotions / pressures and let it inform the performance. That awareness has helped me a lot. Curious and grateful to read what you would share with your previous selves!!

Deceased Actors and Seiyuus by PowerfulButterfly185  •  last post Nov 26th

Do you know any voice actor or seiyuu who died?

Fellow theatre nerds, I request your help. by GoodOleMatt  •  last post Nov 25th

Hello all! My name is Matt Strauser and I came to shamelessly beg for your vote. I am an actor around the Dallas/Ft. Worth area. Recently, I was nominated for “Best Supporting Performer” by Dallas Broadway World for a role I played in Plano earlier this year and it would mean to world to me if you could take a second to shoot me a vote. I think the award would be a step in the right direction for my career. To vote, all you need to do in put in your email address and when you’re done, open the confirmation email. The website can be kind of scammy, so if you hit the wrong button and it asks for your credit card info, go back! You don’t need to do all that. When you’re done, please shoot me a DM so I can thank you personally! Thank you! [Vote Here!](https://www.broadwayworld.com/dallas/voteregion.cfm)

Understanding the difference between a hobby and a career. by Bay_Area_Filmmaker  •  last post Nov 25th

When you approach a role as an actor there’s a specific mindset you just have. 1) this isn’t a passion project for a film studio. They don’t spend millions of dollars on passion projects. The studio wants to make money 2) casting directors want to know if you’re talented but they also want to know if your bankable. 3) if you go the student film route, you get student film results. Work with professionals who have been in the trenches and have seen first hand how things get made. Take their advice instead of shitting on it. Don’t approach a Director or Producer like you’re gods greatest gift to the industry and they’ve been waiting their whole life for you to magically walk into the room and blow their minds away. Sure, command presence, but listen. When I get hired by one of the biggest companies in the world, I go through several interviews. Process of elimination. I have to prove to them I know what I’m talking about. Same as an actor, you could be a talented actor, but are you right for the team? If you treat this like a hobby, then we will know. If you create work that isn’t professionally shot, or the other actors are terrible, that’s what the audience walks away with.