We have found 19,242 posts across 4 actor forums:
Looking for Youtube Channel Voice Actor by tabletop43 • last post Nov 11th
Hello, I'm looking for a voice actor like in the link below for a youtube channel, payment will be $30usd per script and scripts are usually 400/450 words long. Starting with 3 a week and then looking to do more. [https://www.youtube.com/watch?v=MlMgsIS-Paw&t=1s](https://www.youtube.com/watch?v=MlMgsIS-Paw&t=1s) Send me a sample of your voice please, if your voice doesn't fit what I'm asking for then please don't message. My discord is TheBox#8696
anyone know how to audition internationally? by Own_Faithlessness253 • last post Nov 11th
I love acting and i have since i was very young. i even have an acting course and i was in school drama club and did a play but unfortunately there isn’t almost any opportunity for child actors here and in my state the adult actors barely make money. i’m in india so the main industry in my country is Bollywood and it’s literally the most messed up industry and only nepotism runs it so only actors who have family connections to the industry are ever cast in any of their productions. Other people just get small roles and there’s sexual abuse, trafficking, etc. in that industry and many of the people get so poor because they don’t get roles, so that’s a really bad industry to get into . I’ve always wanted to act in hollywood (i know there are problems there too but it’s nothing compared to the industries here trust me) So how can i get international auditions? i know i can through some websites i even tried backstage but most of those auditions require u to be from a particular place. Are there any other websites or ways from which i can audition for like. european , canadian or US productions?
Showcase was like the X Factor - with multiple Simon Cowells by Ok_Spell_6971 • last post Nov 11th
Hi! I've been trying to get new rep and have done a three workshops where you could meet a single agent. They were kind, and one provided some constructive criticism about my audio. All very professional. However, I figured it would be a better idea to meet more agents at once, so I signed up to a 12 agent showcase (I'm sure many of you can guess which company). Holy sh\*t, I really did feel like I was on the X-Factor. Many were just NASTY. It felt like because their fellow agents could see them, they felt the need to show off with their critiques about my performance. I'm all for professional feedback, but some were quite cutting with their remarks and I felt that some of them were enjoying their moment of power a little too much. A few agents were really lovely, and for that I will always be grateful because boy, was that a horrible experience. I've done a few guest stars and multiple feature films (in another country), and I don't think I'm too bad an actor at all. However, despite trying to forget and keep my thick skin, my confidence has honestly been dented after that experience. It's like they had no empathy for someone having the guts to try hard and really put themselves out there in front of strangers. Has anyone had a similar experience at these showcases?
Does Casting Networks Shadow Ban or Rank? by seanny333 • last post Nov 11th
I regret to say that I flew out to do a job a couple of weeks ago and ended up with a dead phone and being locked out of my hotel(s) all night. To spare you the details, I did everything I could to navigate a delayed flight and a lost phone charger, but to no avail. Because of this, I couldn't report to set. After walking the streets all night, I finally found somewhere I could charge my phone. By then, it was too late. I couldn't even get a charge in time to let them know what was going on. I was so mortified and I know how this industry works, so I knew there was nothing I could say that would make it better; I ended up never contacting them about it. I booked them through Casting Networks and I'm wondering if there's some kind of ranking/rating system that actors get regarding their professionalism. Like, if I never report to set, could the people who cast me rate me poorly and hurt my chances of getting seen in future castings? Nothing like this has ever happened before and I anticipate learning from this and doing a better job of handling this kind of situation in the future. If there is some kind of shadow banning done by Casting Networks that affects actors' reputation, is there some way I can contact them to do damage control? I would hate for this experience to screw up my chances. TL;DR I screwed up a booking. Does CN have a system where actors can be rated that effectively makes their profiles more or less visible/attaches notes about them in submissions?
Cis actors applying for trans roles? by MaybeTooLost • last post Nov 11th
I was wondering what the general consensus is regarding cis actors applying for trans roles? Could a cis woman apply for the the role of a trans woman if there are no listed casting restrictions? If the script deals with the experience of being transgender, would it be disrespectful for a cis actor to apply as someone who doesn't have that experience?
Advice for actor playing a female role (I’m male) by Able_Value_9005 • last post Nov 11th
Hi everyone, I got cast as Daphne in “Sugar,” a musical at my college. It is based on the classic movie “Some Like It Hot” and I’m playing the Jack Lemmon character. I’ve studied the film many times, but it has been hard feeling comfortable dressed as a woman (the character is in drag most of the time). I want to do well, but it has been hard getting used to the wig, makeup, dress, high heels, bra, pantyhose, slip, nightgown, etc. I didn’t think I would struggle like this - good thing it is also a comedy - but it has been stressful. The guy playing Josephine seems so far ahead of me and it is a good thing the play doesn’t open until the spring. We just started this week. He’s so confident - even shaves his legs well. He and a few others have told me that I need to practice more being dressed as a woman and I will soon feel more confident as Daphne. While I’m not a Method actor, my roommate is rarely home at our apt. and wouldn’t care anyway. The director’s wife offered to give me an old dress (we’re the same size) that she is going to donate to charity anyway. I don’t really know the females in the cast. I also don’t know any female impersonators and my best female friend is a tomboy. Any advice that you can give me would be greatly appreciated. 1. Have any male actors out there played a female role? If yes, how did you get comfortable playing the part? 2. Ladies, any general acting advice and any advice getting used to the clothing, high heels, etc.? Thanks, everyone, for your assistance. I really appreciate it.
Actor call outs in Las Vegas, NV by hendersonwriter10 • last post Nov 11th
I am currently casting for a fiction audio podcast to be to be recorded locally in December. I am looking for 4 non-union actors of legal age. This is a paid gig $150/day. To apply, pls email to hendersonwriter10@gmail. In the email subject of your application, please indicate which character you are auditioning for. You can only audition for one. If you do not specify this, I will delete your application. No exceptions. Casting roles are as follows: - Older male character (50-60s) - Older female character (50-60s): must be able to deliver multi-roles. - Young male character (mid to late 20s) - Young female character (mid to late 20s) I appreciate your interest!
What casting sights do you recommend? by kennedydynasty • last post Nov 11th
I am not looking to become a serious actor, but I would really like to try out being an extra in films. I was on backstage but I don't want to pay for it if it is going to be mainly student films like I've seen. Are there any casting sights you recommend for just being an extra? I am in NYC and Boston area.
I have a VNS scar and I hate myself for it, do I still have acting possibilities by Creative-Diva-05 • last post Nov 11th
I want to be an actress/model. But I think I’m too ugly for it/will denied roles/jobs. For those who don’t know what VNS scars look like, there are two ((one by your heart (where the chip is) and the other on your neck (where the wire is)). The one by my heart is not noticeable but the one on my neck is (kind of). But it could easily be covered with makeup. I am more insecure about how the wire looks. Will I be denied jobs? What do you guys think? I’m not sure how to post a picture of it, but you can Google what the wire under the skin look like. I just really hate my body and don’t know if I can make it in the industry…
Any advice on how to recreate the voice acting from BK songs despite having a very deep voice? by satanicgoblin • last post Nov 11th
I've been trying to train my voice to be able to recreate Karkat's voice in [this song](https://www.youtube.com/watch?v=IWcb2pdgZTc), or perhaps like the voice actor for [Karkat in Voxus' "Lets Read Homestuck" (If timestamp link doesnt work its at 13:30)](https://youtu.be/Y1bPZMzAW6c?t=810), but I really have no idea how to begin to get it anywhere close, since my natural voice is quite deep and resonant, and I don't know of any tutorials of stuff of the like that would help with extremely specific shit like this. Any advice?
Is it possible to burn bridges with CD's? by TerribleBanana4466 • last post Nov 11th
When I first started out, I didn't always send in great quality tapes because I was still developing as an actor and (honestly) got my agent too early. I'm wondering if sending in less then amazing tapes often translates to that CD never calling you in again?
How do actors remember their details and choices of their role when they get a callback months later? by jelly_jellooooo • last post Nov 11th
(I’m talking about an in-person audition) I know some actors after getting an audition they throw their sides away so how do they remember what choices they made if they get a callback months later?
Fi Core by General_Career3251 • last post Nov 10th
Please will anyone whose gone Fi Core tell me about their experience. It seems more and more actors are choosing Fi Core (or claiming to be Fi Core when they’re not) and it’s becoming more accepted by the industry. I understand what Fi Core is and how it works, but I’d like to hear from actors who’ve switched to Fi Core in the past 2 years. Is it harder or easier to find an agent? Have you gotten more auditions or jobs. If so, what kind- commercials, theatrical, union or nonunion. Any information is appreciated.
Talent Link by Strange-Associate412 • last post Nov 10th
I’m in the Atlanta Market and I was wondering if talent link on actor access is useful for people that act in Atlanta.
Jobs. Actors life by Officialbabe • last post Nov 10th
I’m an actor but I’m very new- still sorting out my headshots and showreel and getting an agent and have auditions etc. however, I’m really struggling financially, I have done a bit acting here and there and other casual jobs here and there but not enough to support a living. I’m thinking to get a stable permanent part time job that would help to pay rent and food , while working towards my acting. Anyone been through this? Thoughts? Any advice?
Tips for a fellow Mentally Ill Actor? [Bipolar] by PrblmticThrowaway • last post Nov 10th
Hello everyone! I'm an aspiring actor with Bipolar (untreated but will get meds soon). Is there any way I can still make it through my career? I've had offers for student short films and played in one. But I'm not sure if I can ever make it due to my condition, and because of the emotional process it takes to build up a scene. I really enjoy the craft, and the characters I can play, and I want to stay long-term.Do you have any tips for me?
Headshot-Age Range-Character Type Feedback by AutoModerator • last post Nov 10th
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. ​ For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
Agents are like buses... by justxpeachy • last post Nov 10th
Hi, so this is a follow-up on my post from yesterday, which you can read [HERE.](https://www.reddit.com/r/acting/comments/yqfnd7/to_sign_or_not_to_sign_advice_on_accepting_a/?utm_source=share&utm_medium=web2x&context=3) If you can't be bothered to read it, the gist is: I got offered rep after searching for quite a while. The agent can open doors in terms of CDs but I didn't gel with him personally so wasn't sure whether to keep looking or not. The general advice was to sign but don't bank on it being anything long-term. So, I was ready to take a leap of faith and sign. Then, I woke up this morning and I have an email from an agency asking me to self-tape and fill out some info on me/my career. This agent is well-established and has actors in the exact positions I am looking to move into. They were the one I was really hoping would get back to me. The dilemma is, agent #1 gave me three days to make a decision on whether I want to sign or not, meaning my deadline is tomorrow. This is obviously not enough time to pursue agent #2 and see who might be a better fit. Ahhhhhhh. Again, I know its my decision at the end of the day but I'm overwhelmed, feeling very put under pressure to make a decision and overall just. Would really like some support? What would you do? Take the risk or play it safe? Any advice (or kind words!) would be so appreciated.
I’m curious to know— as a complete beginner, what is “the actor’s process”? by Powerful_Network14 • last post Nov 10th
I hear words like “do the work” and things get thrown around. How does someone transform themselves into a new character or person entirely? I just began acting training and I’m curious how the days are spent? Do you first breakdown the script and memorize all your lines, then do movement/speech/other acting exercises to try to build the character over time? How does the “prep” go from basic things to getting you to act as professional actors do? A lot of great actors I’ve seen can just express things through their eyes. How does one get to that kind of level? How long would one have to meditate and work on the script to achieve that level of mastery?
The Voice Actor's Complete Guide to A Successful Directed Voiceover Session by AliceEverdeenVO • last post Nov 10th
Voiceover artists often get asked if they can take part in a "directed session", also known as a "live session", to record a script for a project. Directed sessions are a great way to maximize time, streamline efficiency, and minimize revisions, not to mention form a connection with the client, add a human element to a script, and make sure all the details are just right. However, the idea of performing live in front of a client can be daunting! Here are some tips for new voiceover artists on how to prepare for and make the most out of a directed session. ## What is a Directed Session? In a directed session, the client (or clients) is virtually present in the recording booth with you and will give you real-time direction on how they want certain lines to be delivered. They might ask for multiple takes or have specific notes on inflection and tone. ## How Does a Directed Session Work? Directed sessions take place via a virtual calling or meeting platform like ISDN, SourceConnect, Zoom, or Skype, where the producers and/or client can hear you as you read the lines. Typically, everyone hops on the call at the same time and says their hellos, and then the producer or creative team explains a little more information about the project and direction. From there, the client will usually decide to read through the script in full or line-by-line. After everyone is happy with the takes and reads, the meeting is over. After the session ends, the raw takes are edited into their finished product. Typically, the producer does the editing, and at that point, the voice actor's job is finished (though it's best practice to record and save a raw backup file of the session in case of an issue or emergency). However, in some cases, particularly with smaller clients who don't have a full creative team, they may ask the voice actor to edit the final piece of content. In this case, the voiceover artist would edit the final piece and send it off to the client. ## What's Needed for a Directed Session In order to participate in a directed session, you will need: * A high-quality microphone and interface (a USB mic is not recommended, since directed sessions are usually for companies and businesses that require very high-quality audio. An exception to this may be smaller projects or ESL content. If in doubt, check with the client), * A very quiet, acoustic-treated and soundproofed space with a noise floor of -60dB or lower, * Studio-quality, over-the-ear headphones (but earbuds will work if necessary), * A way to connect with the client, such as SourceConnect, * An editing program to record a backup version of your directed session. ## How to Prepare for a Directed Session Preparation is key. Here are some best practices for preparing for your directed session: 1. Get copies of the scripts ahead of time. Read the scripts over before you get into the booth and mark up the content with notes you need to ensure a seamless delivery. Try changing up the tone and underlying emotion to practice taking direction from the client. If you notice any points where you repeatedly get hung up or flub, practice those lines until they are smooth. 2. Ask for direction on tone and delivery. Many clients will have some idea of how they want their project to sound, but if they don't give you any direction, ask for it. 3. Prepare your equipment and settings. A directed session usually has lots of different moving parts, and you don't want technical issues (such as a faulty connection or poor sound quality) to get in the way of your performance. 4. Test out your setup. Ask a friend to hop on a meeting with you and run through a mock-directed session. Ensure that they can hear you through your studio mic, that your noise floor is -60 or lower, and that you can hear them through your headphones. 5. Explain how the session will work. If your client is not familiar with directed sessions, it's important to let them know the flow of the meeting and how to prepare. However, this is not usually necessary, as most clients who request directed sessions are familiar with them. ## Best Practices During a Directed Session Now that you know how to prepare for a directed session, here are some tips for during the session itself: * Show up early. Hop on the meeting a few minutes early and make sure all of your equipment is working properly and your settings are correct. * Turn your video on or off. Many clients don't require you to have your video turned on in a session, though many voice actors enjoy the physical interaction and choose to keep video on. I have never had a client require video. * Introduce yourself and be kind and friendly. Remember, you are more than a voice and you are representing your brand. Your clients want to work with someone who is easygoing. * Get an idea of the flow of the session. Ask the client if they'd prefer you read the script in full or line-by-line. * Once you get started, say the take number before each read (unless the producer does it for you). This helps with organization and editing later on. ("Take one. \[2 second pause\] "(line you're reading.)" Take two. \[2 second pause\] "(line you're reading.)" etc.) * Make each take sound noticeably different. No two takes should sound the same. Play with underlying tones and emotions, pacing, emphasis, and inflection. This will give the client more options for their project, ensuring that they are happy with the final product. Important vocab note: If the client asks for an "A-B-C" read, they want you to read the same line, back-to-back, in three distinctly different ways. "Wild card" reads are generally fun, off-the-cuff reads of a line and allow for a little more play and creativity. Have fun with these! Don't be afraid to be bold or silly. * Take direction. Being coachable is the key to a successful directed session. If the client gives you direction, always take it. They want to ensure that their project aligns with their brand and their vision. Be open to adjustments. Clients may ask you to make small changes, such as adjusting the inflection or pace, or they may ask for larger changes, such as re-recording a whole line. * Don't ask for *too* much direction. You are an actor and should have a good idea of how to deliver the lines. Asking for *too* much direction tells the client that you are not confident or prepared. * Get comfortable. There may be quirks or habits you do during standard recording sessions that help you get your head in the script. Don't be afraid to do them during directed sessions, as long as they're not distracting or time-consuming. For example, if I'm recording a tag for a spot, before the first take, I like to read the previous line in the script to ensure cohesion and flow going into the tag. I will do these in directed sessions as well (and typically give the client a heads-up beforehand.) * Take notes. Have a pen and paper nearby and write down which take number you are on so you don't forget. Additionally, if you are editing the final piece together, jot down which reads the client likes so you know exactly which ones to use in the final piece. * Make suggestions. Directed sessions are a collaboration between both parties, and it's okay to offer suggestions to improve the project. Just make sure to phrase them in a supportive and constructive way. * Have fun with the script. While the client has a particular "vision" in mind for the project, it's also important to be creative (to an extent). Sometimes, my "wild card" reads, where I really have fun with lines and push myself outside of my comfort zone, are the ones that end up in the finished piece. * Thank the client for the opportunity to work with them. A simple thank you goes a long way, and can potentially secure future work with the client. # Tips and Tricks to Avoid Issues After dozens of direct sessions, making lots of "rookie mistakes", and plenty of feedback from clients, I've picked up a few tricks to ensure successful and smooth directed sessions. * SourceConnect is a popular application used during live sessions to give producers access to the talent's audio without degrading the quality. There are paid versions of the program (SourceConnect Standard and Pro), as well as a free version (SourceConnect Now.) The paid versions give the producers a lot more control than the free version, so the paid version is preferred by most clients, and sometimes it's even required. If you have not used SC before, I recommend downloading the free trial, getting it set up, and then purchasing the paid version down the road when it's required for a project. Set up for SourceConnect is not easy, and may take a few hours. I personally had to hire an audio engineer to set it up and we ultimately found that the platform did not work with my home internet router provider. As a result, I stick to SourceConnect Now as often as I can. * Always record a backup file of the session. As soon as you hop on the meeting, start recording in your own audio editing system. This way, if there are any issues with the client's recording or a technical issue, you have your own copy to send over. After the session is over, send the raw file to the client using WeTransfer and let them know it's available to them. * If you don't like to hear yourself talking through your headphones, keep one side of your headphones over your ear, and slide the other side onto your head. This way, you can hear the client in one ear, and you can hear your performance in the other. * Lower your client's audio. If their volume is too loud coming through your headphones, it can get picked up on the audio recording. * Don't panic. If there is a technical issue, or if you make a mistake, stay calm and professional and communicate with the client. Chances are, they understand that mistakes happen and will work with you to find a solution. # Conclusion Directed sessions can be intimidating at first, but with a little preparation and practice, they can be a fun and successful collaboration between you and your client. Remember to trust your instincts as an actor, listen to direction, and communicate openly with the client. And most importantly, have fun! Happy recording!