We have found 19,295 posts across 4 actor forums:
Questions I need answered by Abstract_Corduroy74 • last post Nov 14th
* As actors, how can/do we measure truthfulness in what we do onstage and on camera? * How often does real, truthful, spontaneous, and unplanned acting occur? Those little tiny moments where you feel magical, invested, and truthful that appear out of nowhere and are gone within seconds, unable to be consciously replicated. Those little instances that actors pursue all the time and hope will come every time they act because those are the moments where acting is really acting. And what do actors do the rest of the time? When those rare moments don't happen? Do they just fake it and it comes off truthful? How can I get to that point? * How can you really, truly be in the moment and believe what is happening onstage/on camera in front of you without losing control and forgetting you're just acting? * As actors, is there a measure to how connected and empathetic we are to our roles on an emotional level? Like, if you can't feel this or know this, you're not connected enough?
Is a Casting Network subscription worth the price? by c_aesthetic • last post Nov 14th
Hello fellow Reddit actors! I'm currently acting in a market outside of the Big 3 and was wondering if the costly CN subscription price is worth it or if I'd be practically the same sticking with AA. Thanks for your insights :)
Location submissions by _Ultimate_Simp • last post Nov 14th
Without an agent or manager, I have to rely on looking for projects I want to act in. Though I am not in Atlanta, New York, or LA, but the small state of West Virginia, where there is almost no acting stuff going on other than school plays. Backstage, Actors Access, and other sites have a spot that says "seeking submissions from..." and I was wondering what would happen if I submitted myself to such things. Will they ignore the submission and give me no chance? Or will they view it with possibility of me getting the role if my stuff is good enough? If they do and I get the role, will it be a local hire situation? My full question here is, will they give me a chance if I am not from the location they are seeking submissions from? Or is it totally pointless and time wasting to try?
When should I join pay 2 play? by glutamat3 • last post Nov 14th
Hello voice actors, I have currently deciding whether I should join p2p or not. I have made my commercial demo with music (all self made – I have a background in video editing, and I have spent a whole month researching plugins, effects, etc. and I am quite good at editing my voice), I have 12 diy acoustic panels, a king bee mark ii, 1 year of theatre from high school, and additional few weeks of auditioning for casting call club. I’m thinking whether I should get more experience on casting call club, or transition to sites like voices.com for more commercial work and money. If there are alternatives sites to earn income from voiceover, do you recommend voicebunny/fiverr/Upwork etc., and why? Thank you all for your responses.
How does an actor at a top drama school get A List agents immediately representing them? by Swimming_Zucchini_80 • last post Nov 14th
Upon graduation, that is. I just finished watching "Normal People" and "Aftersun" with the rising star BAFTA-winning Irish actor, Paul Mescal, and noticed that he had bagged top representation coming out of drama school. As someone who is studying acting at a prestigious drama school in New York, how does one gain such representation if there is not much information about industry showcases? And even if one does go to these showcases, how does one even guarantee they get spotted by top agency such as Curtis Brown (for UK members who are familiar with it - where Mescal is affiliated right now) or something comparable like UTA in the USA, for reference? ​ With hundreds of mainstage shows and various different opportunities, how do you distinguish yourself?
Any AUSTRALIAN/Sydney Actors/Actresses able to give advice? by KittyMacaroon • last post Nov 14th
I am hoping to become a TV Actress, but I have no clue how to start. I have 0 experience beyond high school and one minor role in a university play. I was rejected by NIDA, and can't apply till next year. No feedback from them so far either. So I have a couple of questions, where should I get started to acquire experience and break into the Industry (I'm based in Sydney)? Anyone have any tips on NIDA and what they're looking for? And are there any actors meet ups etc. to meet people and build connections in Sydney?
More experienced actors please help ease my mind about upcoming Zoom table read!! by sp00kysabrina • last post Nov 14th
Hey!! I have an upcoming table read coming up for a short film of which I'm playing a large supporting character. While I have done many short films in the past, all of them were either short enough to where I could completely remember all the lines rather then remember them as a shooting schedule was given out (all of the short films beforehand never even gave out a shooting schedule.), or my role was small enough it was unneeded. This script is 28 pages, each of which I have lines on. I already checked with the team who said there will indeed be a shooting schedule given out when we're closer to filming time. For now, I have a Zoom table read coming up and just want to make absolutely sure I'm totally prepared!!! I am SO paranoid of having it turn out I SHOULD have remembered lines when I didn't
Actors, how do you prefer being directed? by ProductionBlues • last post Nov 14th
Do you prefer: 1. When the director tells you the emotions the character should be feeling, i.e. "make it sadder," "be more energetic," or "give me lust" 2. When the director shuts up and leaves you alone to make your own choices 3. When the director takes an active interest in your personal life and gives you directions based on your own real-world experiences, i.e. "like when your best friend died," "like how you feel when you're working out," or "like how you felt the first time you kissed your wife" 4. When the director gives you directions that guide you to the emotions you're meant to portray that are not based on your experiences, i.e. "as if you just lost your baby," "as if you need to rush to the bathroom," or "as if you can't think of anything but stripping her down and taking her" I'm a director who wants to get better at working with actors. I'm curious about what Reddit's actors have to say. [View Poll](https://www.reddit.com/poll/yvngpf)
Advice for young actor in Sydney by zestykiwithesecond • last post Nov 14th
Hi! I'm 18 and I know acting is what I'm going to do for the rest of my life. I studied Drama in high school for four years, applied to NIDA (Australia's biggest Drama school) and got rejected. I took a part time year-long acting course this year, got headshots done, signed with a small agent who primarily submits for TVC's. I applied again to NIDA this year and earlier today I found out I've been rejected again. I know being rejected from Drama school isn't the end of the world and plenty of actors have gone on to find success without it, but I feel like I never hear anyone go into detail about how they got their foot in the door without a family connection or a BFA (Acting) Degree. And I REALLY do want to go to Drama School, I think I'm someone who would thrive in that environment- I applied to two other Drama schools but haven't heard back and I'm thinking I need to start assessing other options. Basically, What do you recommend I do next year? Should I take short courses at NIDA? Any recommendations for Acting classes in Sydney? Or does anyone have any advice on nailing Drama school auditions? Cheers.
Demo Reel Filming Services in Toronto? by MaybeTooLost • last post Nov 13th
I know there are some very strong opinions on this topic, but please hear me out. I'm not a complete newbie actor, but unfortunately the only "demo-worthy" footage I have (in terms of quality) is from when I was first starting out as an actor, with basically no training. It's just not a good representation of my current skill level - AT ALL. I've since completed my BFA, which allowed me to join the ACTRA but, because of covid, and unfortunate timing, most of my cohort's performances were done over zoom, including shows and "on-camera class" footage. We had someone edit our zoom scenes, but they're completely unusable and, to be frank, embarrassingly awful. I'm having issues getting auditions. I know most of us are in the same boat right now. But, I can see on my youtube analytics, that my current demo (with the 5 year old footage) is getting SOME views, so I'm pretty sure that's what's throwing casting directors off of me completely, and it needs to be scrapped and replaced ASAP. I don't want to go the monologue / self-tape route because, as a union member, it just comes across as amateur. That being said, I've been looking into services that make a reel for you (writing and filming scenes, and editing). The few that I found in Toronto are either self-tape style, or shot in way that I can just do myself or with a friend and a tripod. Is there a service here in TO that will actually provide GOOD demo footage? I came across a company in New York called Reelarc. Looking through their website and youtube content, this would be the kind of thing I'm looking for - does anyone know if we have something similar in Toronto?
Acting and suicide by Abstract_Corduroy74 • last post Nov 13th
Sometimes, when I get down on myself as an actor and full of self-doubt, thinking I’m too cerebral, too in-my-head constantly, not instinctive/impulsive enough, not concentrated / can’t concentrate enough, not emotional enough of an actor, not imaginative enough, not inspired enough, not relaxed enough, don’t have any training, I have the thought of killing myself. I’ve thought about it many times before. Because acting and having the all the right tools necessary to act greatly is so important to me, if I can’t have the skills or training or tools necessary to help me with every role I may get, then I have the thought that I don’t want to live if I can’t be a great actor.
Great actors have range and subvert expectations. Daniel Craig + Taika Waititi!! Wow. by Mongoos150 • last post Nov 13th
How long does it usually take for casting directors to get back to you after you send a submission? by lets-snuggle • last post Nov 13th
Hi! So I’m an aspiring actress (22f) and I’m signed with nine9, an “unagency” they call themselves. On their website, there’s castings listed and I emailed one with my headshot and resume on Sunday, they sent me sides and requested I read for 2 characters on Tuesday & asked to have them by the end of the week. I sent the self-tapes on Thursday and haven’t heard back yet. The listing said they were going to film between Nov 17-20. Do casting directors usually work on weekends? Will they email me whether I got the part / callback or not?
Is MMG a good agency by Known_Practice1789 • last post Nov 13th
Does anyone know if MMG is a good talent agency for actors or have experience with them? Thanks.
How do you afford an agent? by lets-snuggle • last post Nov 13th
Hi! I know I just posted like 2 minutes ago about something else but I have a different question. How did you find an affordable agent? I’m with nine9, which I’ve just been told is a scam. (I’ll do more research on my own before I drop) but I really do want to become an actress. I’m not rich, so an agent I have will have to be affordable. Where do you find them? On a similar note- is discoveryspotlight a scam too? I have an audition in December with them, but I’ll cancel it if it’s the same as nine9.
Looking for another Voice Actor for my Minecraft Mod! by BitofaCatalyst • last post Nov 13th
Hey! I posted here a few weeks ago, and I am so glad for everyone who offered! I'm looking for another voice actor now! It'd be a bit of a 'whisper in the bushes' sound, preferably feminine, and I'll be wanting 10 sounds. Each sound will be like- 1-2 words so it's pretty easy. Paying $10!
Audition advice by SillyBilly369 • last post Nov 13th
So I’m a senior in high school and I am applying to the acting program at CCM (University of Cincinnati) and it requires a two monologue audition. I’m planning on performing a Cassius monologue from Shakespeare’s Julius Caesar but I’m a little stumped on what to do for the second. Now I’m aware for most auditions like this you should perform monologues from stage plays, however besides Shakespeare, I’m not much of a theater actor and I’m leaning towards acting in front of the camera. So for my second monologue I’ve thought about performing the monologue “Hark!”performed by Willem Dafoe in The Lighthouse because I adore the type of character he plays in it. Should I go for it or should I find another stage play monologue?
Do you think actors should be paid to audition? What other changes would you like to see when it comes to auditioning? by Pretend_Presence_323 • last post Nov 13th
Apparently in the original SAG contracts when it was very first established there was a stipulation about actors being compensated for auditions but obviously this has never come to fruition. Also in the past when we would audition more in person we would at least know that someone was watching our audition in the room. Now with so many auditions being self tapes I think it would be nice to have a way to see that casting watched the audition tape (in full). Any other changes you would like to see?
Do casting directors remember bad self tapes? by princezzofdarkness • last post Nov 13th
A couple years ago, I sent a really bad self tape to a huge casting director. I mean so bad that I’m pretty sure when editing it and uploading it, I forgot to cut out an irrelevant convo at the end with my reader (though might be possible they never watched all of it?). However, now I’ve been signed to my agent for almost a year and have done some pretty good commercials. I’m trying to work my way into booking work on tv and films but I’m worried that if I ever resubmit to that casting director, they’ll dismiss my work because of the horrible audition I’ve sent. I’ve sent them submissions through emails multiple times in the past for open casting calls but have only been responded once to send in a tape. Do casting directors hold that against actors or would they expect the next time the actor submits to the project they’re casting, they should have grown their skills?
I froze on set, my lines disappeared--help by Jhg178 • last post Nov 13th
"How not to freeze up on your lines is considered the infamous actor’s nightmare. . ." Driving home I remembered every line, every word. Fuck! Any suggestions?