Okay maybe I’m crazy but I seem to get a flux of auditions co star and supporting from my agent one week and then absolutely nothing the next. The pattern appears consistent. I’m wondering if this is something agents do, like alternate the actors they send in for? Im so tired of not getting consistent auditions and the anxiety is killing me.
I’m new to the acting world, and I’ve only begun taking classes this year. While I do have a dynamic personality, my nerves so far have gotten the best of me. I’m so used to acting with myself that doing a scene with someone is a definitely new challenge. Is this is a normal obstacle that new actors often come across?
I was really gonna just do some voice acting as a one off thing, but my family actually thinks I’d make an amazing voice actor, so I think I’ll give it a shot. Is there anything particular site or app or something that would be good to place myself for voice acting jobs? I’ve also never actually had a job before, but I’m gonna have to cross that hurdle when it comes
So let's say the scene involves two people, and one of them begins to cry about 30 sec into the scene. When you are on the set rehearsing RIGHT before filming, do actors bother getting the tears out? This might be an insanely stupid question LOL And when they are filming - if it is a situation where the crier's angle isn't being filmed first, do they still get physical tears out?? I've seen behind the scenes moments where the actor whose back is to the camera is making funny faces etc. I get that it's important to stay in character for your fellow actor of course, but when it comes to crying, how does this all work? ​
So I don’t know how many voice actors are on here but what are some good sights to find jobs as a 14 year old
Hello! Is anyone currently working in the healthcare field (doctor, nurse, CNA, etc) and is also an actor at the same time? How do u do it? What has it been like for u? Asking out of pure curiosity
i know it's too late cos Jenny Han said they'd be filming this summer BUT i just wanna know if they were looking any new characters for season two and if anyone heard about any casting calls on actors access or somewhere else. i'm too impatient to wait for a casting announcement lol.
So I’m working on a play and, well, it’s themed around drug and alcohol use. Im not a big weed smoker but I’m considering smoking CBD flower for the scene. It won’t have any psychoactive or memory affects, and regulates the cannabinoid system, as opposed to marijuana or THC, which would get you high and possibly paranoid onstage. I smoked herbs onstage before and it’s awful and gives you a weird buzz. CBD is about as close as you can get to weed without being it- like an O’douls non alchoholic beer. Legal in all states. Body chill and anti anxiety effects. Smells like real weed… So. Wondering if anyone has any strong opinions about this one way or another. As actors we try to blur the line between real and imaginary in any way we can. I think this is an elegant solution with the risk of a possible square audience member mutiny.
i've noticed that over the last three years there's been a wave of new actors mainly poc who seem to not have many or even no credits to their name landing pretty life-changing roles. i know there will be people saying "they weren't picked off the street, they had to have connections!" but as a poc, i feel like poc actors particularly south asian actors are in no position to use connections and nepotism in hollywood just yet. i've heard the new girl who plays ms marvel has said that her family are "far removed from hollywood" so what is it? how are these actors doing these things and does it set unrealistic expectations for other young actors?
Make it as in achieving a decent amount of money, fame, success, etc,.
Hey, I recently met a director, and she said she wants me to audition to be in one of her movies, I have never acted before, but more than interested in this, very very. Interested actually, What advices would you give me? Are there YouTube channels I can watch to help me get into acting? Any tips? Do actors usually think of something sad when they want to be sad, or is it a different mechanism? I know nothing of the acting world but would absolutely love to be a part of it, so any advices would be greatly appreciated Thank you in advance
I hope this is an okay question to ask on this sub because it does relate to the process of working as an actor. I’ve always had a hard time emotionally connecting to a scene/scene partner where I’m supposed to be feeling romantic/sexual desire. Through other situations and experiences in my life I’ve recently come to discover that I’m aroace (aromantic and asexual), and it’s really frustrating me because I feel like my own sexuality is holding me back from doing my work. I know there are stories that don’t revolve or even include romance or sex, but I’m interested in doing work with stories like that as well, I love romance stories, but I just can’t feel that kind of attraction. I know that there are plenty of actors who are gay and have to perform as a straight person or vice versa, but there’s still the understanding of romantic or sexual attraction despite that not being the gender you’re attracted to, but with me I literally don’t understand how either feels and it’s only making me loath myself for not being able to access those feelings. Does anyone have a similar experience or advice?
How do I drop my exclusive agent specifically? Also why are actors offered exclusive agents in the first place?
I am still relatively young and perhaps shouldn't think about my career yet, but here we are. I'm aware it could very well change. Preferably I'd work somewhere where I'd have a bit of consistency so I could have an acting/lit-related day job; probably working as an actor rep company/a paid directing position in a community theater? The sort of thing where you get to know the people so well that even when the season is over, you're basically guaranteed work in some shape or form. I know these can be hard to come across, but I've also heard that actors are supposed to get more employment over the next 10 years, or something like that. I am the kind of person who, even if I can't find plays to do, will make them for myself. I'd get a bunch of friends together and put on a casual production of Two Gentlemen of Verona but in drag in the park if I didn't have anything at the time. Because why not? Performing gives me life. My dream is to do Shakespeare on the west end. Will that happen? Who knows, but I'm not betting on it. I just want to be in plays. I suppose what I'm asking is, do I need to be afraid? I will work hard, show up, and always find a way to perform in some shape or another, so should I be scared?
I'm considering relocating to Atlanta, GA to continue working as an actor. I'm wondering if anybody has recommendations for solid classes/studios/conservatories in Atlanta. I know ATL has been blowing up with all the productions they have going on. So that must mean the same goes for great acting classes and teachers who have gone there. I'm looking for something more than just a scene study or audition technique class. Maybe even something similar to conservatories that one would attend in NYC. Technique classes, mask work, voice & speech, movement, Shakespeare. All suggestions are appreciated.
Maybe not necessary but helpful?
Is it just me or has anyone else been scammed by con artists such as Pretige Talent, PMTM model and talent, or similar companies, that like to put you through training for months then make you pay for an "agency showcase" Happened to me when I was a green actor, looking back it's actually upsetting.
Does anyone ever feel like they picked the worst job/ industry for their mental health and wellness? Especially if you already struggle with your mental health? We can try and pretend that the countless doors closing in our faces and uncertainty of the next gig doesn’t bother us, but if it didn’t bother us (not even a little), then we wouldn’t be human. I felt like I was making some progress prior to the pandemic. My anxiety would get in the way of myself a lot, but I have an agent and I was on check avail/ hold a lot, I was getting callbacks. I was also constantly pushing it. My mental health was not great, and the pandemic forced me to slow down and take a good, hard look at myself. The pandemic also made my mental health significantly worse. Not having any creative outlet and little energy to try anything new led to a really bad time. The world around us felt like it was crumpling My mental health is still something I’m still avidly working on it. I’ve made progress, but a lot of days are still very difficult. I had a realization, kind of an obvious one, that the industry has zero accommodations for those struggling with mental illness. In the industry, you can’t really have bad days. Obviously, there are not really accommodations for anyone with disabilities (seen or unseen). I love performing. I love acting. When I’m given the opportunity to work, I do it extremely well, and I feel better because I feel like I have a purpose. I’m pursuing my passion. The gigs have been far and few between, though, especially at the moment and it hurts. I hate the industry. I hate the nepotism and the gatekeeping, the fact that it comes down to looks a lot of the time. I hate “networking.” The gatekeeping is really the worst part of it all. The same actors getting cast and tight knit cliques. I hate that influencers who have never acted in their lives are getting acting jobs. I just want to work. I’ve felt stuck in this city (Chicago). I feel stuck in my life because I don’t want to do anything else. I wonder if I should move elsewhere to pursue. I’m just burnt out and tired, and I don’t know what to do next. Maybe I need a break from it all. Literally don’t know what the point of this post is, maybe I just needed to vent lol. Thanks for reading if you read it all!
I've been recently taking an interest in the Michael Chekhov technique and what it can provide an actor. As an actor who is consistently "in my head" too much and relies more on an internal to external approach (maybe a bit more than I should), I've heard that Michael Chekhov's technique can offer some beneficial tools that are more creative than intellectual and are grounded in a more external to internal technique. I've practiced molding, flowing/floating, and flying, but radiating is difficult for me to understand and grasp. The other three movements are easier for me to understand and feel sensations from than radiating. Does anybody have some advice or perhaps a different way to approach radiating? Also, I'm conflicted as to what I should be practicing from the Chekhov technique. Should I be practicing the molding, flowing/floating, flying, radiating qualities, or the psychological gesture more?
I’m a fairly successful commercial actor. I have a national running at the moment ( aired during playoffs and Stanley cup ) But im feeling like joining the great resignation due to very audition being last minute. I’m fi-core so I get both SAG and non-union but no matter what the union status I rarely get 24 hours to get a tape in. I’m getting notice at 5/6pm for a tape due the next day between 11-1 and it’s not cool. And if I’m not cool I mean it’s just not just not feasible, especially when the tapes require a reader and Al some thing where they wanna see my comedy chops and I have to really get into character. I like commercials and I’m good at my craft but I can’t even put my best foot forward not to mention I am just resentful and feeling like I don’t have any way to manage my time. Anyway, I’m really considering throwing in the towel because I’m feeling like the juice isn’t worth the squeeze. I’m wondering if any other actors out there I feeling the same way. I want more theatrical auditions but they’re just not really happening. Commercially I do well but I’m just so pissed at the lack of respect with these last minute auditions and feeling like a naughty child if I don’t look at my phone 24 hours a day. Rant over.