We have found 19,369 posts across 4 actor forums:
Finding objective for character by Abstract_Corduroy74 • last post Jun 23rd
I'm currently trying to do table work for one of Warren's monologues from Kenneth Lonergan's *THIS IS OUR YOUTH*. It's a really great play and has several really solid monologues, but I'm having a hard time with something. First off, a question about objectives in general. When in the first stages of creating a character for a monologue, would it be more beneficial to just focus on the objective the character has for the monologue, or to locate the super-objective to have a better all understanding of how the objective in the monologue fits into the through-line of actively pursuing the super-objective throughout the play? I feel like I already know this answer, so I'm just making sure if I have the right idea or not. And what if I can't find or come up with a super-objective that makes sense and falls in line with the given circumstances? Warren is one of those characters in plays whose super-objective is harder to exactly pinpoint or discover than other characters in other plays (and perhaps it's just subjective to the actor). I'm a bit lost in searching for what his super-objective is throughout the action of the play. He says he doesn't know what to do at the beginning of the play now that he stole $15,000 from his abusive father who kicked him out of the house. Warren just seems lost in the present and just kind of "going with the flow" of whatever his abusive and only friend Dennis comes up with. I've uncovered clues in the stage directions and things Dennis says about Warren as well as things Warren himself reveals about his life, and honestly, Warren seems like a very lonely and damaged character. One of the possible super objectives I (as an actor) came up with was TO GAIN CONNECTION, as in human connection. This is why he turns to Dennis (who is really the only person he can turn to, despite how cruel and abusive he is towards Warren) and complies with his drug-dealing scheme, and why he pursues Jessica, the girl he is attracted to; because he doesn't have a lot of people who really look past all his flaws and faults and accept him and love him for who he is, warts and all. Again, that's just one of the super-objectives I came up with. It's honestly the one that I just "get" and makes the most sense for me, personally, but maybe I need to read through the script again and write down all of Warren's big actions and see if they can align with TO GAIN CONNECTION. Does anybody else who has read this play or knows a bit about objectives/super-objectives than I do have any words of wisdom/advice?
give me questions by paul_kaspszak • last post Jun 23rd
I am going to a con in November and (I'm sorry for not knowing their names) the voice actors for bakugo and todoroki (sorry for the butchered spelling) from my hero acadamia will be their and I am hoping to ask a question from me about voice acting and if anyone else want to comment a question, the most up-voted question in the comments. My question will be "how they were able to find and get into the auditioning process. If you guys have that answer than 1, I thank you and 2, will pick the 2 most up-voted questions on the comment. Thanks and let the comments come on in (I hope anyway)
My least favorite thing about being an actress by hellmouthx • last post Jun 22nd
I can't change my hair impulsively! If I do, I have to change my headshots. Which is very expensive. I also run the risk of not being desirable to casting directors if I change my look in a way that isn't super versatile (as in, if my hair is too short or not an average color). My style fluctuates and I like to be edgy, simple, and girly all within one week. I love my field of work, but this part bugs me. Ugh! cant wait until I am successful enough to do whatever I want with my hair and still get roles! lol
Maybe someone already said this but…. by Astroprojecti • last post Jun 22nd
I miss the casting call section of Behind the Voices Actors. It’s what got me into voice acting and seeing it go made me so sad. May it live in my Dreams.
Discussing the elephant in the room... an inevitable recession in the US. by monsteramirror • last post Jun 22nd
Actor in LA here, also with a dad with a master's in finance who's into all of the shit we creatives just hate; the stock market, crypto and... the economy. \*shiver\* The rate of inflation as you've seen is no joke, there are hiring freezes at companies, and now with the war in Europe, a recession is inevitable. There's actually been many professionals in the field that are saying the economy is in such a poor state, that this could actually turn into a *depression*. Entertainment has been a really strange beast for almost the entirety of existence... but I mean... looking at it in this day and age, there is no way this *won't* be severely detrimental to us, right? Back in the days of The Great Depression, people flocked to theatres with the creation of "talkies". Even the recession in the 2000's also led to a lot of people headed to theatres as an escape. But this particular instance feels so vastly different than the previous recessions that there's no way to even compare. Movies in cinemas, unless they're Marvel or a Top Gun sequel apparently, don't bring people to theaters anymore. Even streaming platforms, which were peoples' means of entertainment during lockdown, have lost a dramatic number of sales and are predicted to lose millions more. Less content will be made, as large companies cut costs dramatically. Hollywood is not the recession-proof behemoth it once was. I am trying so hard to remain positive and audition as normal, but of course in my home and even all over the news, the idea of where America is headed looms. I didn't want to post this, but I really desire to have a discussion with other actors. For those of you in the US, what are your thoughts on this? Where are you at mentally about it?
How long did you have full-time job before committing to acting by Suitable-Agent-4886 • last post Jun 22nd
I have just recently recieved a degree in computer science, and have some possible job prospects with good salary, but my dream has always been acting. I have started to become more confident and realized it's worthwhile pursuing the dream I have for my life, but am wondering what to do with my computer science degree. I have seen many people on here say it's possible to have a full time career and pursue acting in earlier stages, and to not give up a job until it's impossible to work without interfering in your acting. So what my plan was was to work full-time as a software developer, attempting to pay off a good portion of a mortgage for a small condo near a active film city in 3-5 years, continuing to take film classes, and pursuing roles in weekend films Then once my acting career pushes to the point where this isn't sustainable I would quit my software developer job and focus on acting, plus a job as a part-time sonething (comp-sci tutor/personal trainer/waiter/software freelancer/substitute teacher) when I'm between acting jobs I would at that point have the benefit of being more financially free without rent, to focus 100% on acting without stressing as much to make ends meet, and maybe make more than I would have with my part-time job than I would have without experience But my question is, how early in your acting career does it often take to become unsustainable to have a full time job? If I held one for 3-5 years would I be moving way too slowly? I am 23 right now. Anyone here have experience as an actor + stem degree?
How to watch a movie or tv show? by Positive_Vibez0 • last post Jun 22nd
This might sound silly but how does one watch a movie or a tv show as an (aspiring) actor? I once watched parts of a class taught by a famous actor and director who mentioned that you should do the following *immediately* after watching a movie: - Write down the plot in 2-3 lines - Identify its moral - Identify its spine I also came up the idea to write down and reflect on the following: any powerful scenes or scenes that stood out (what made them stand out), what the movie/show did excellent and where it could have improved, the spine’s of the leading characters and how their acting reflected it, and use of literally devices (like foreshadowing or symbolism). I was wondering if there’s something that I’m missing or if anyone had any additional input to add on this. I’d appreciate any suggestions!
New Voice Actor Requesting Feedback by AnotherDarkshot • last post Jun 22nd
Any feedback and advice is welcome. Also, is there a name for this type of voice? I just call it overkill. [https://youtu.be/0haZFNa7l78](https://youtu.be/0haZFNa7l78)
if you could work with any actor/s who would they be? by grumpycoffeee • last post Jun 22nd
A little bit of different question, but you would you love to work with from the industry?
How much should I pay? by Another____Username • last post Jun 22nd
I am currently working on a visual novel, and thus would need voice actors later in development. I dont think I want to have any full lines said out loud, but I would need about 10 - 15 basic voice lines for every chartecter for when they start speaking, or react to something. ​ for about 20 - 30 words total a character, how much would I need to pay for a voice actor each?
Need help creating my drama school list by Western-Insurance-32 • last post Jun 22nd
Hello! I’m currently creating a list of acting programs I’m interested in and I was wondering if any of you guys had lists or resources you would suggest? I want to get a BFA in acting but I’m also open to BA programs. I also am looking mostly at schools in the US. My main priority is to find the schools that are best at producing working actors who come out of school with representation and connections. A lot of lists I’ve found didn’t share much common ground as to which programs are best at this so I’d love to hear what you all think.
What do you want to see in a dressing room? by cuttlefishbone • last post Jun 22nd
I'm embarking on a dressing room renovation at the theater I manage. I would be interested to hear from actors about what makes a dressing room most useful and comfortable for you? What have you seen in dressing rooms that you've loved? What's been annoying, or difficult? What's essential? What's a nice-to-have? (To clarify, I'm talking about how the room is built/set up, not items like food/coffee/tea, etc.) For context, these will be group dressing rooms, and we have a reasonable but not lavish budget. Thanks in advance for your thoughts!
How do actors become their character? by MARiJNiBOii • last post Jun 22nd
I’m not an actor, just curious about how the actor switches from being themself in like make up and off set, and then when they walk on set they become their character. How do they switch mindsets from being themself to being the character with actual motivations? Idk if this is a weird question but I’ve been thinking about it lately…
How to support yourself without a degree while pursuing acting by OrualPsyche • last post Jun 22nd
I have no interest in ever finishing college. It's COLOSSAL waste of time to me. I yearn to be an actor but my security job doesn't permit me the freedom to do anything else. How can I find a job that gives me the latitude to pursue acting?
Bts by Thy_imbecile • last post Jun 22nd
Hi all, Weird question but in behind the scenes footage for movies or shows when 1 actor screws up and the scene is already over ( such as laughing or messed up a line) why do all the other actors in the background stay serious and in character as if the scene is still usable. If you have any ideas please do let me know, thanks.
What keeps you motivated in the face of so much competition? by Enjolras55 • last post Jun 22nd
How do you all stay motivated to keep going knowing how hard this industry is? There is always someone younger, better looking, a better actor, a better singer, etc. It just seems so hard to stand out and succeed when there are so many talented/beautiful people out there. How do you keep going? I know a couple of people who have been wildly successful - Broadway, big national tours, etc. and I get discouraged because they're so talented and good-looking, and it makes me second guess my ability to do anything in this industry. Would love any feedback on how you don't let all that bother you.
Reliable casting sites? by dtrres • last post Jun 22nd
Hello!! I'm new in the business so I am trying to build up my resume and maybe even get some extra cash on the side too. I have an account with Actors Access and Casting Networks but can't seem to find projects I'd be a good fit for. I'm based in Florida if that helps. Any tips on booking a job or even getting a call back is much appreciated too.
What happens if you accept an offer, sign the contract, and then weeks later production rescinds the offer because they want to cast another actor in your role? by SwimGood22 • last post Jun 22nd
Has anyone dealt with winning a role and then losing it because the director goes another direction? For SAG projects?
New Voice Actor, Requesting Feedback by AnotherDarkshot • last post Jun 21st
Please let me know what you think of the voice, technical improvements, anything. I'm very new to voicework, and I have no formal training. Any advice is welcome. [https://youtu.be/WZhrQZEoPw0](https://youtu.be/WZhrQZEoPw0) I should add, as a caveat, this is no sort of political statement. This is just how I practice.
Being compared to the original actors/singers with agent audition pieces? by PositiveChipmunk7062 • last post Jun 21st
Is being compared to the original actors/singers a real thing when it comes to choosing monologues, scenes, and songs for agent auditions? There's an agent who represents actors on most of the shows I like (some big, some small) including my favorite actor of all time who is one of the two biggest actors this agent represents. A lot of the monologues and scenes I want to do were originally done by this actor because I obviously love the characters and I've just rewatched their shows/movies a ton. Same goes for song choices because their music is most of what I listen to. They've since aged up, but their characters in their old content, the stuff I'm obsessed with and want to pull monologues and scenes from, are my types and our vocal ranges match too. Should I steer clear of this actor's stuff and stuff from all the other actors this agent represents purely because they've probably seen the original performances and might compare me with a preference towards the originals they already represent? Or is it a good idea because it's stuff I'm familiar with, stuff I love, and stuff that fits me and enjoy my performances the way people like covers of popular songs?