We have found 19,407 posts across 4 actor forums:
Can I find work in Auckland, Newzealand? by I-NV-U • last post Jun 24th
So, I (F15) will have to move to Newzealand from India next year. And yes, I'm an aspiring actress. I know about how it works in India (punjab) but in Newzealand... I don't know. And I'll be moving to Manurewa, Auckland. Manurewa is a major suburb in South Auckland, New Zealand. It was part of Manukau City before the creation of the Auckland super city in 2010. It is located 6 km south of the Manukau City Centre, and 26 km southeast of Auckland CBD. The suburb is bisected by the Auckland Southern Motorway. I know that ideal cities for actors are New York, LA, etc. But is Newzealand good? Will I be able to find work there? And also that I'll be in Manurewa. So if anyone knows about some agencies/casting directors/companies or anything there. And if you can recommend me to stay in India or Newzealand to pursue acting.
Is this agent legit? by Saaaintniiiick • last post Jun 24th
Saw a post in my city’s actors group on Facebook saying an agency was looking for new clients. The have a page on IMDB but only three clients listed (one of which was the guy who originally posted). The main agent is also the wife of the guy (it says she got her start by being his agent). They do have a valid talent agency license though. Maybe they are just starting out? I don’t know if it’s worth my while though even if it’s legit.
Crusty Shenmue by DrunkenWhiteMage • last post Jun 24th
Good Morning/Afternoon/Night! I was curious to see if anyone happened to know a way to recreate the old, sort of crusty sound that the earlier Shenmue titles had. For those unaware of what this is, Shenmue was a hidden gem of sorts on the Dreamcast that had you following the adventure of Ryo as he tried to find his father's killer. Throughout the game, you're meant to engage with a ton of people, as such the game is very dialog heavy- and with a shoe string of a budget, the acting in the first game is rather interesting. I'll post a link of some random conversations within Shenmue and hopefully someone will know of a way to recreate this type of sound. I'm not very tech savvy or know a lick of what it takes to be a voice actor, so this is more so a curious question than a serious or "dire" question. https://youtu.be/dJd764u8fMc
Base setup for beginner voice actors? by Blade40923 • last post Jun 24th
I really want to get started into voice acting, but my PC is ancient and kind of outdated is that going to be a major problem getting started i.e. using recording software and uploading? Thanks.
I’m Sag-eligible, I wanna know how you became Sag-E by Maleficent-Sky525 • last post Jun 24th
I’m Sag-eligible now. I got my first sag waiver in 2019 and just got my last two in May. I’m now SAG-E. I was a featured extra on a show in 2019, and I was a photo double for an actress in May for a Netflix movie. Please share your story of how you gained your status or maybe if you’re trying to get your 1st waiver, what are you doing to get one? Whats your approach? (:
Comic Monologue Recommendations (Woman) by epaulettesharkfan • last post Jun 23rd
Hello everyone! I am auditioning for Puffs for the role of Megan. She is a sarcastic goth type (think Jade West from Victorious) who has a dry sense of humor, and is cold at times. I need a comedic monologue (from a published play) in the age range of the character (15-19), preferably something that showcases that sarcasm. I was wondering if anyone had any recommendations? I have tried all the common websites, like Backstage's The Monologuer and a handful of others, but none of those monologues really feel right. Besides, I don't want something that I know another actor will come in and audition with. Any help would be greatly appreciated, thank you so much!
How do newer actors like Maitreyi Ramakrishnan, Iman Vellani and Alaqua Cox get agents and then publicists and stylists/makeup artists almost immediately after booking their first role? by AbroadNo3135 • last post Jun 23rd
I've noticed that the new young actors in Hollywood already seem to have teams that work for them such as agents and legal consultants. Iman has said that Marvel asked if she had a lawyer when they flew her to LA and Maitreyi only got an agent while in the middle of auditioning for NHIE. How does this all work cos as someone who wants to pursue acting, I've always wanted to know what happens if I participated in an open casting call with no experience/representation
Actors on Actors videos? by cssndreishere • last post Jun 23rd
What are some Actors on Actors (or any interviews such as THR roundtables) that are a MUST WATCH for young actors?
Headshot-Age Range-Character Type Feedback by AutoModerator • last post Jun 23rd
Use this thread to post your headshots for feedback, get info on your age range/type, find good headshot photographers, ask any questions you may have about headshots. If you are posting a DIY headshot for feedback, and not just a snapshot in order to get feedback on your age range/type/etc, it is advised that you do at least some basic research on what actor headshots look like--composition, framing, lighting. You will find a Google Image search for "actor headshots" to be very helpful for this. Non-professional shots are fine for age/typecasting; please keep in mind that one picture is a difficult way to go about this. Video of you moving and speaking would be ideal, but understandably more difficult to post. For what it's worth, the branding workshop at SAG-AFTRA recommends a five-year age range. That's inclusive, so for example 19-23, 25-29, 34-38, etc.
Artistically inclined by MaleficentSorbet4201 • last post Jun 23rd
As an actor, what's the importance of creating your own projects other than filling up your Resume?
My commercial dropped today! Not only my first commercial, but my first acting gig, period! by cozmo1138 • last post Jun 23rd
[I filmed a commercial for Surly Brewing](https://fb.watch/dQje0AAuZF/), which is a beloved local craft brewery in Minnesota. The casting director and the AD are friends of mine and said I'd be perfect for the part (I'm the guy diving down the bar). We had a ton of fun filming it, and I made some new friends as well! Anyway, now I want to do this more. A lot more. I've wanted to be an actor for a long time, but life unfolded differently and I fell into telling myself that that ship had sailed. But then I think about actors like Dennis Farina and John Mahoney who started acting late in life, so I know there's always a door open. Is this commercial something I could use to find some representation? My gut tells me that one commercial, especially one with zero dialogue, is not enough to convince an agent to take me on, but thought I'd ask. I know that the world of acting has changed since the pandemic, and now it seems much easier to find work on places like Backstage. But I also know I need some acting classes, as I haven't done much acting since college. So I guess at this point I'm trying to figure out what my options are.
Confused on my next steps. by throwawaythrowsthrow • last post Jun 23rd
I'm an actress based in Los Angeles and would love some advice! To cut straight to the point, I'm wondering if I should seek out a manager or a theatrical agent. Right now commercials are my bread and butter. I've booked 10 in the last 11 months. All non union, but 75% of them are big brands. I booked them all through self submission. A few weeks ago I submitted to commercial agents in LA, and really struggled to get any responses, even with good commercial credits and being Sag-E. Luckily the stars aligned, and one reputable agent got back to me because he had an open spot on his roster for my type, and I signed with him. People always say its easy to get a commercial agent, but I really struggled. My next step is theatrical. I've been in ongoing weekly theatrical classes for a year and do really well in them. I meet with a new casting director every month and have always gotten positive feedback on my work and have been called in by them since taking the class. I go out for a lot of TV hosting gigs, and 75% of the time I make it to the final two after months of callbacks, and then don't book it for something specific out of my control. But I always come really really close. I don't really have any theatrical credits. A few parts in student films, and a few big parts on small tv shows from Oxygen or Lifetime, as well as Hosting for big brands. But no Greys Anatomy, Law & Order, stuff to that degree. I'm only able to audition for things that are available on the public breakdowns, so the "professional" work is limited. So back to my question, theatrical agent or manager next? If I had trouble getting a commercial agent with tons of credits, I know theatrical is going to be even harder with little credits. But for a manager, I book so many commercials, I don't know how I feel about giving up 40% of my paycheck. I want a manager to submit me to theatrical breakdowns, but to also help me get a theatrical agent. But my fear is that they may not have that pull, and then I'm stuck paying them my commercial booking money. Thoughts?
Tips for practicing acting at home (when you don't have actor friends nearby or someone to be a reader for you at home)? by These-Hope-341 • last post Jun 23rd
I recently had to pause acting classes as I am transitioning out of my full-time job. I have been a fashion model for 6 years and I signed to a manager who suggested I pause the acting classes so that I can get to a point where modeling is my primary source of income. I'd love to do all 3, but there just aren't enough hours in the day. If modeling (and commercial acting) is my primary source of $$$, I will have the flexibility I need to seriously pursue acting. I do not have that flexibility now, but things are taking off and I am booking more consistently. My manager says that she wants to send me to meet with commercial reps in 2 months, and I am putting in the work to polish my commercial acting skills (my 6 years of experience has mostly been fashion modeling, my commercial experience is minimal). I am taking on-camera and commercial classes twice a week in LA, which currently takes around 12 hours out of my week. I have time to practice at home, but I just do not have time for a technique or scene study classes... sadly. **I read scripts, but I don't do much else. I don't know how to go about practicing as I live alone, & I don't live near any actor friends to practice with/no one can be a reader for me unless I travel an hour to them.** This won't change for another 2-4 months. Does anyone have advice for practicing acting at home?
New Jersey Actors: Your Preferred Method to Get to Get to NYC Auditions and Set? by lightsonnothome • last post Jun 23rd
Hi all! I am a newbie and have a 9am call to set for two days. What is your preferred way to get to your auditions and jobs when you absolutely,positively must be on time? I don't know NYC well, so I'm a little intimidated by it all. ​ * Do you drive in and find a parking lot? How does one find a reputable lot? (I saw some online reviews of some, and it was concerning.) * Do you take the train in and then a taxi? How would that work if it's a late shoot or during commuter hours? Thanks for your insights. :)
The r/Filmmakers discord just added a channel dedicated to acting and we'd love to have you! by W_T_D_ • last post Jun 23rd
Our discord is fairly new and has about 1,200 members currently. However, we're mostly writers, directors, and various crewmembers. We have a shortage of actors and we'd like to remedy that with an official invitation! I know I personally enjoy talking to actors as a writer/aspiring director to gain insight into characters and performances. Come join! Show us your reels and work! Chat with other actors and filmmakers! https://discord.gg/f9rPgBXrAC
I have newfound respect for Voice Actors. It really does drain the life out of you. by agwoodliffe • last post Jun 23rd
Recently, for fun, I decided to do 2 voice acting sessions on Youtube. I had training years ago at the Bristol Old Vic, but this was the first time ever I put it into practice. The first video was using my normal voice. It was a voiceover of a fictional man's journal, which takes place over several months, documenting a vastly growing zombie/demon annhiliation of mankind, and his resultant deterioration into a full mental breakdown. The second video was me using every possible trick in the book to create the ultimate monster voice, doing a reading of the full storybook of "The Babadook". After each session, I felt like the life had been beaten out of me. Not just because of the strain I had put on on my vocal cords, but also because of the strain on my emotions for having to go into someone else's mind. Seriously, acting in my opinion is MUCH harder than people think. I take my hat off to anyone who can do it as a long-term career. People like Peter Cullen.
Is being a reader on We Audition considered a job? by CompetitiveWolf5 • last post Jun 23rd
I am creating a new (professional, not acting) resume targeted for the film/tv industry (studio assistant jobs, etc). I was curious if I listed We Audition Reader as a recent job, that would work or be frowned upon. I work as a reader for other actors on the site weekly, but am technically free-lance right? Has anyone done this?
How do these types of commercial auditions usually go? by throwawaythrowsthrow • last post Jun 23rd
Hello, first time auditioning for a commercial where its a focus on print, but with a small video aspect. I've done commercials, but it's always just traditional video, so I don't know what to expect. This is an in person audition with my boyfriend who is not an actor. How do these usually run? I'm guessing its just a personality question with some profiles and smiling? Trying to prep my boyfriend since he's never done an audition in his life. Would love some feedback/insight from other actors who have gone out for these "print" ads, but aren't models and are just commercial people. Thank you!
Finding objective for character by Abstract_Corduroy74 • last post Jun 23rd
I'm currently trying to do table work for one of Warren's monologues from Kenneth Lonergan's *THIS IS OUR YOUTH*. It's a really great play and has several really solid monologues, but I'm having a hard time with something. First off, a question about objectives in general. When in the first stages of creating a character for a monologue, would it be more beneficial to just focus on the objective the character has for the monologue, or to locate the super-objective to have a better all understanding of how the objective in the monologue fits into the through-line of actively pursuing the super-objective throughout the play? I feel like I already know this answer, so I'm just making sure if I have the right idea or not. And what if I can't find or come up with a super-objective that makes sense and falls in line with the given circumstances? Warren is one of those characters in plays whose super-objective is harder to exactly pinpoint or discover than other characters in other plays (and perhaps it's just subjective to the actor). I'm a bit lost in searching for what his super-objective is throughout the action of the play. He says he doesn't know what to do at the beginning of the play now that he stole $15,000 from his abusive father who kicked him out of the house. Warren just seems lost in the present and just kind of "going with the flow" of whatever his abusive and only friend Dennis comes up with. I've uncovered clues in the stage directions and things Dennis says about Warren as well as things Warren himself reveals about his life, and honestly, Warren seems like a very lonely and damaged character. One of the possible super objectives I (as an actor) came up with was TO GAIN CONNECTION, as in human connection. This is why he turns to Dennis (who is really the only person he can turn to, despite how cruel and abusive he is towards Warren) and complies with his drug-dealing scheme, and why he pursues Jessica, the girl he is attracted to; because he doesn't have a lot of people who really look past all his flaws and faults and accept him and love him for who he is, warts and all. Again, that's just one of the super-objectives I came up with. It's honestly the one that I just "get" and makes the most sense for me, personally, but maybe I need to read through the script again and write down all of Warren's big actions and see if they can align with TO GAIN CONNECTION. Does anybody else who has read this play or knows a bit about objectives/super-objectives than I do have any words of wisdom/advice?
give me questions by paul_kaspszak • last post Jun 23rd
I am going to a con in November and (I'm sorry for not knowing their names) the voice actors for bakugo and todoroki (sorry for the butchered spelling) from my hero acadamia will be their and I am hoping to ask a question from me about voice acting and if anyone else want to comment a question, the most up-voted question in the comments. My question will be "how they were able to find and get into the auditioning process. If you guys have that answer than 1, I thank you and 2, will pick the 2 most up-voted questions on the comment. Thanks and let the comments come on in (I hope anyway)