hi, i’m a 16 year old who wants to get into acting; i’m looking for some open casting calls for jobs in europe, but i’m having trouble finding ones that fit my age and location (preferably for horror, fantasy, thriller, or science fiction projects). any help would be appreciated:)
Will keep this short. I'm a non-union actor who just signed a New Media contract as part of an ongoing web series (I am joining an established project / cast and taking over one of the principle roles). All my previous credits are non-union projects / roles. Does this new job mean I will be SAG-Eligible? Thanks!
Hi, I’m a fairly novice voice actor, but I’m trying to do everything I can to get practice and experience in the industry. I recently got a call back on an audition and they asked for a sample of me dubbing over some footage. I have no experience dubbing, and I have some neurological conditions that make processing audio I hear a bit tricky. Does anyone have any tips that would make things easier to record this, short of manually isolating the single character’s dialogue? Thanks so much!!!
Hello fellow actors, I am getting ready to submit to agents here in Toronto and just had a quick question. How do I know how many headshots to include in my submission email? Do I just send my best one or do I send 3 (1 for film, 1 for commercials and 1 other one) or can I submit all 6 I have? Thanks for your help in advance.
First time poster here. I posted this on another FB page but no one answered so maybe I’ll get more help here. Hi all! I can't believe it but an agency actually got ahold of me and would like to do a phone interview! This agency is a big one in town. I will be speaking to the president of the company (not a specific agent) as more of an informational chat and for me to ask any questions. They represent actors, models, hand/feet talent, and voice over talent. They are are on the SAG-AFTRA franchised agents list. What are some good questions to ask this agency? This is my first conversation and I saw a lot of questions previously asked were for specific agents. Thank you!
Hi there, I hope I'm not breaking any rules by posting this, but here goes: I'm working on an indie First-Person Shooter game and I'm looking to get some custom audio recordings for my main character. Currently I'm using sounds from an old video game and I want to swap them out for new ones. The sounds I need are basic character reactions to things in-game. So things like getting hit, taking damage, grunting when jumping, and screaming/choking/wheezing when getting killed. All in all, I need about 30 samples - about 6 versions in 5 different categories of sound. Things like, taking damage, grunting, getting killed, taking a deep breath etc. For an example of my game, and to hear some examples of the placeholder sounds I'm currently using, check this out: https://www.youtube.com/watch?v=52iYV5iPeCA&t= The weapon sounds are all handmade by me, to give you an idea of my level of quality. If anybody is interested, please hit me up and we can have a chat about costs and where to go from here. Feel free to send me examples if you like, and then we can come up with a price/delivery plan. At the moment, my rough ballpark for these sounds would be about $150US for all of them, so long as they hit a level of quality that fits the project. If you have the right voice for the job, putting it all together shouldn't take more than an hour or two, so this price feels fair. A few more technical requirements: - The audio must be high quality (perferably 44.1k 24-bit WAVs) with no reverb or discernible echo. Please, no dodgy bedroom recordings on an iPhone. - The audio samples themselves will only be a second or so in length. - I need a male voice that sounds pretty gruff / coarse, like your prototypical solider in a video game. Thanks for your time, and please get in touch if you feel like you'd be a good fit for this project!
I was watching A Few Good Men the other night and was mesmerized by Jack Nicholson's and Tom Cruise's performance. Their anger towards each other seemed so genuine and pure which got me thinking: do you think actors ever take their scripted arguments/fights personally? Like they get so lost in their character that they forget they're not actually fighting and naturally feel a bit of anger towards the other actor after the scene?
Here's one last question that may sound a bit odd and not everyone will be comfortable being open about but do any of you (willing to divulge so) have any mental health issues that you have to juggle while being an actor? For instance, I have social anxiety, panic disorder, seasonal depression and type 1 Bipolar. The anxiety I might be able to cope with but the stress of pursuing acting might cause mood instability with my Bipolar, triggering mania or depression. By any chance do any of you have any of these mental struggles and if so, how do you manage dealing with them/their impact while pursuing your career? I was surprised to learn that many rather big name actors have Bipolar. I'm not sure how they do it.
I had a small (but seemingly important) part in a short film recently and it got me my first IMDB credit, which I was just ecstatic about. It felt like I had made a mark in my career. I liked seeing that I was ‘known for’ something. I went to check the IMDB page recently and found out I was no longer on the cast list. My page also said I had 0 credits. I know I’m not owed at explanation, but this was kinda a rough way to find out, plus I thought I had really bonded with the director as I was the only actor on set that day. Should I email him to ask/confirm? The release date is not until 2023 (last time I had checked it was actually 2022 which is interesting) so I could just wait it out. Maybe I should just move on, but not having an reason is really bugging me. I’d at least like to ask if I could get some footage for my reel, which I was told I would get sent but never did.
I would like to form a Shakespearean acting company when I grow up (with contemporary plays and musicals too ofc) and I can’t stop worrying about it. I don’t want to be that person who get straight out of their bfa program and starts one, I’d get some years of working as in actor and being part of a company under my belt first to make sure I know exactly what I’m doing. I’d take business and branding courses through collage along with my acting studies… I’ll be prepared. I’m also very lucky to have financially well off parents who are willing to support me. I’m not expecting it to be the next RSC or anything like that… even if it’s small that’s fine, as long as it’s a running theater. I know it’s still difficult but I want to stop worrying about it all the goddamn time, i’m 14 lol
Ik there’s like a trillion posts a day asking the same thing. But like. I’m dumb af sooo
Hi Reddit, I’m a 32 year old woman considering getting an MFA next year. I’ve auditioned for programs a couple of times, will be getting a coach and working my bum off to get into a program in 2023. I would love to hear of any other older actors especially those identifying as women and your experience completing your MFA in your early-mid 30s? Also, how you balanced other commitments like family, spouse, ageism etc. I know it’s possible. Would love some first hand experiences! Thanks!
Hi everyone. I'm not an actor myself but find it fascinating in many ways. One thing I've noticed when watching TV or movies is that actors seem to hardly ever blink and it looks like they're always focused on another actor's right eye. Am I overthinking this or are actors trained to try not to blink and might also be trained to look into a fellow actors one eye and nowhere else? It might just be my imagination though I'm not sure. I know it's a goofy question and apologize but am certainly curious about it. Thanks for your time :)
Always wondered whether those actors working on the big movies / shows actually do the nitty-gritty scene analysis? You often hear actors in interviews talking about getting into character, or feeling their way into the role with the director. But rarely do you hear about them doing the intellectual table stuff. Does Joaquin Phoenix really break down scenes into beats, and find objectives, verbs and the like? Do we think this is all done automatically by the great actors? Would love to hear a discussion on this; or links to actors talking about their scene analysis work. It seems to only exist within those going school or in class (and usually they are those who aren't 'at the top').
I’m new to LA. I’m in search for an acting school that actually cares about the actor and is passionate about teaching. From what I’ve noticed, 90% of these schools are all after money and they don’t care about anything else. Can ANYONE PLEASE suggest me an acting school, teacher, institute that they’ve attended that I can actually learn from and become a better actor.
Basically, what makes an actor competitive in LA? I’m trying to plan for the future. Brief background: NC actor with 1 year studio training. I graduate in 1 year with a non-acting degree that has great employment & earning potential. Let’s say by the time I graduate I have 2 years training (different methods, on-screen emphasis, improv, combat), professional headshots, and a demo reel with some student and indie film credits. Would it be best to: 1. stay in NC and try to get signed 2. move to ATL to try and get signed because it’s the biggest market near me 3. take the plunge and move to LA People at my studio have had luck in ATL. My concerns are that I could waste time making connections in NC or ATL that could be beneficial but nowhere near LA potential. Another concern is that some student and indie films on my resume will not be competitive in LA. Is that true? If I got signed to an NC agent and managed some small TV roles is that considerably better? Or even moved to ATL for a year or two then LA? I know there’s no one right answer but I’d like to know if there are less favorable answers. What makes a “good” reel? Is it whatever shows your best capabilities or also impressive credits like Union projects? Thank you for reading. Anything I’m not thinking of please feel free to add.
I firmly believe that I have a unique look...and an ability to hit levels of intensity and passion others can't. My look is most likely a pigeon hole..I'm ok with that. I'm just trying to find a way to be a part of film in any way using these "traits" I have. I also believe whole heartedly...if I had a chance to show emotional range in a show like s.o.a. or a super underrated movie like hellride, I could have a chance. Any advice from this community would be unbelievably appreciated. Just looking for a starting point. Thank you to anyone who reads this. And good luck on your own journey!
So I want to be an actor - mostly doing Shakespeare but with some musical theater. I know you can go to drama school in the UK (I’m US based) and you can also study drama at regular college. But if you decide to go the “regular college” route, can you still do specifically classical acting, and do you just major or do you audition to get into a special program??? This is all very confusing to me haha. Also - BA vs BFA vs MA? What’s all that? I would like to double major if possible, I’m super interested in Shakespearean scholarship so doing English or Philosophy as a double major would be great, but can you do those while being in a theater program in a normal college? Thanks!