yeah, i know they say 'no stupid questions' but we all know they don't mean it, so heres mine. i've seen plenty of people do self-auditions and post them for roles they either did or didn't cast in, although they're always for big productions like euphoria or shameless. question is, how are people finding out about these auditions? i don't expect to get the roles but it would be nice to know how to access these auditions before these shows blow up after their pilot. my guess is that agents find these roles or theres a gigantic memo that all these sneaky actors are intentionally hiding from me because they don't want me to steal their roles. thoughts?
G’day guys! As you can see from the title, would love to get in touch / work with someone from the states on standard US accent. I’m an Australian film actor and in definite need of practice haha. Looking forward to some responses :)
So recently I wanted to peruse a career in acting since my family has been super supportive of me doing so. Anyway, I search up some places, and started doing my thing. I had gotten a call from an “agency” John Casablancas, and they had asked if I was interested in acting and modeling and if so then I would have a zoom interview and have to preform a short commercial. Got to the Interview, was told we would be put into groups A (experienced), B (a little experience), C (no experience). I was in A and there were only two other people who were there. You would assume that for an interview it would be one on one? Yeah no, we had to preform in front of anyone who was in the group. Once I did my commercial, we were told we would get a call if they liked us or whatever. I ended up getting a call back and was told I was getting a second interview? At this point I was so happy but the next day (today) I had a weird feeling once I checked an email they sent me saying that for the second interview, we would be put in groups again of A (professional actor or model, ready to be thrown into the industry), B (need practice and will be charged a one time fee of $295), C (not interested). After reading this I was a little suspicious about the fee? So I decided to do a little research which yes, I should have done first, and found out that the $295 is to hold your spot if you are chosen and then you pay $2000 to take classes. Tomorrow is my second interview and I’m really debating just not showing up because of this. I don’t want to be in a situation where I’m told I’m an A, if I do get it and then be told, “but we do think you need some training,” apparently that happened to a lot of people where they would push them to get training anyways. I’ve seen some good reviews about how it’s not a scam and how people have actually gotten roles and went through the schooling. But I’m really skeptical, I don’t want to not show up and be embarrassed but at the same time I don’t want to sit there and have them possibly throw me a sales pitch. Obviously acting is very hard to get into and takes work and classes. (I do have 4 years of experience) I’m not sure what to do, I need the community’s opinion. Should I flake or show up and possibly have to deal with that? What would you do? Help please
View for View! Lets get those green numbers! https://www.imdb.com/name/nm12480921/?ref_=tt_ov_st
Hello Reddit, I’m a black female turning 21 in August. I have no car and still live with my parents. I have 0 experience with acting. I’ve only read a few film acting books and I haven’t went to college yet(I live in the middle of Arkansas, so barley any colleges have "performing arts" majors and it’s hard to find acting classes and programs, but even if I did, I don’t have a car to get to and from them). If you were me, what would be your first step? And ANY ADVICE HELPS! (And again, I live in the smallest town in the middle of my state, which makes me want to move to California or New York, to get more of a better chance). (Also: I’ve wanted to act since I was 14, I took a drama class in 8th grade and we acted out scenarios in front of the class and it was fun, although I highly doubt my folks would want me pursuing an acting career, so I’d rather wait until I’m on my own). (And I do plan on getting a car this year so I know this would be my pre-first step, I’ve had my driver’s license for some time now, just not a vehicle).
Hey whats up fellow thespians? I'm a NYC actor relocating to Bali within a year or so. Would love to keep working - are there any Americans working in Australia that have insight or a second to chat ? ​ Much love
I know I know… I know that you have to have thick skin in this industry and I know sometimes things don’t work out… what I’m sick of is being let down. Directors, producers, etc please stop making promises of things. It hurts us because we get so excited and on fire, lit passions for a project that… sadly doesn’t happen. It’s happened to me so much that when I get offered something I’m not as passionate or excited about it because in the back of my mind I’m just like “ok yeah sure we’ll see if it happens”. Like I said I know some things don’t work out but it’s pretty messed up when you PROMISE someone it will. To put this into perspective—I’m pretty broke… right now I’m just dependent on booking things, I’m having a hard time doing so as most things require you to be fully vaccinated— I only had the first dose of Moderna and had a crazy bad reaction, dr advised me not to get second dose and even if they said it was ok I would refuse, sorry, not getting shingles and Bell’s palsy again. Anyways, I have kids to take care of and my fiancé is working full time at a factory. We are barely getting by. I was presented with two opportunities. The one was a film that I’d be lead in— the director/producer promised it would be big—- we’d film on an ARRI—- got stuff lined up with investors from Netflix, Hulu, tubi, etc interested and that it would be a decent budget. I was so excited and now… it’s been months and crickets. No communication. Second opportunity I had was with a YouTuber who has a substantial amount of followers. He liked my voice and invited me on to do voice work. Great thing is I could work from home and he stated he would pay me very well. I have my professional mic stuff all hooked up and been waiting for weeks to start— every time I ask about it he just says he’s waiting on scripts yet he’s daily uploading to his channel. So that had me quite confused. I was thinking of just starting my own thing but I don’t know how to edit stuff like that so honestly I don’t know. I’m just to the point where I’m losing passion and I don’t know where to go from here. Wondering if I should continue on or focus on other things— if I don’t start booking soon I’m going to have to get a job so I can help with the bill’s because things are getting crazy expensive. I am a patient person but I don’t have time to wait around. Like I said I know things don’t work out sometimes but… stop making promises if you don’t know for sure it’ll work out. It really does hurt our soul. Just the same reason I won’t do a lot of indie stuff anymore—- I’ve done so much indie film that I didn’t get paid for— never been finished. It was a great learning experience but if I am not getting paid and can’t get copies of footage for demo reel it’s a waste of my time. Sorry
I wasn't sure how to phrase this, or if it should just go into the stupid questions thread. I've been taking classes online, but they're once per week. Sometimes I have a month or so between classes. I feel like I'm not getting enough instruction/practice to really advance. I also feel a bit too green to actually act in something, plus I'm traveling right now. I was hoping someone could share strategies to really maximize a weekly class? I've reviewed the stickies on practicing from home, and have been working on those, but I'm not sure how to link that up with classes. Edit, Summary: - Go to more classes 1. Lesly Kahn is recommended 2. Become a key student in exchange for classes 3. Meet up with other students to rehearse or generally review things. - Online Learning 1. Youtube - Sam Stiglitz - Mikayla lysiak - John D'aquino - Actors Round Table - Actors on Actors 2. Podcasts - Wendy Alane wright's secrets of a Hollywood talent manager - In The Envelope - Action: the pursuit of acting excellence - Back To One - Audrey Helps Actors
Hello! Recently I was sent a contract by a management company in a major market, but they told me they also operate sort of like an agency. I was referred to them by a fellow actor, and they definitely aren't some hole-in-the-wall business--they have a pretty good rating on IMDB pro and don't seem to be easy to get repped by. They sent me an exclusive contract, and this would be my first time signing with reps exclusively, so I'm not sure how to tell if the contract is fair. Some things seem a little strange to me, like: 1. The contract would be exclusive commercial representation for three years, and it also excludes getting a commercial agent, since they consider themselves to be management and an agency. It auto-renews for another year unless you notify them a few months before the contract ends. 2. They take 20% for non-union work. I am scared to sign something if I don't know what I am getting into first Any suggestions? Is this standard? Thanks!
Any actors not from usa know of a service for actors in Europe, or just worldwide. I was about to buy a subscription for backstage bit they clearly only look for talent in the states
I’m 19, i’ve lived in Los Angeles my whole life and recently decided I want to start acting. For those here in LA, who are some reliable classes that are quality and not just some dude taking my money? edit: what are some things that you are able to work on as an actor on your own time without needing a person with you?
Ill be live tonight at https://www.twitch.tv/pantheonpyro talking with other voice actors on our networking discord, about what gear you need for Voice acting! Come check it out and Join the discord at https://discord.gg/Qm3KEjecuZ
can i reach a good level of acting by practicing at home? i cant afford classes rn, and the theatre at uni is not currently working , so idk. i wanna practice and try to go audition and start with modeling for ads on tv or something. many actors start that way so i figured maybe i can try that out but i need to practice first because atp i just like the idea of acting and i dont have much experience at all. ive had some in the school theatre however i was ASS when i was a kid and now its different because back then i didnt understand theatre as an art but now i kinda do
I want to pursue being a successful actress like most who might be on here! What is some advice you would give to stay humble?
Is there any source where i can find videos without actor voices? Only with background noises, effects etc. Maybe packs where video has separate audio tracks included. Or maybe software to mute only voices. Any other advise to help practice dubbing would be highly appreciated! Thank You.
I'm having trouble deciding which book to read first: At The Actors Studio or The Lee Strasberg Notes. Does reading one make another redundant? Or should I be reading something else?
Hello I have a question! I'm a trans girl, is it possible to become an actress without attracting attention either negative or positive over the fact that I'm trans? Since little kid, I knew I wanted to follow the stage life way before I realise I am trans, and growing up this became more intense, but I always wanted to be judge and be seen for my talent, my skills, my expression and not my trans identity, and Im not interested in becoming known for playing trans role either, I mostly care about theatre and stage and not TV, and I'm a very private person with my life, could I make it there seeking privacy?
I’ve been taking this acting class for over a year and yesterday was my last class with them. And it didn’t really have a great ending. So we’ve been doing this Meisner exercise where we do the repetition and then work in a 30 second speech to the repetition, basically make the text flexible. I had one on the ready. So I do the exercise but throughout the exercise, the teacher said that my short speech didn’t feel honest. But I disagreed. Both times I worked the speech into the exercise, it felt genuine to me. I didn’t think I was doing it in a fixated way, but my teacher told me it felt rigid. I didn’t say anything to him because I try to be open to feedback but then he told me to use my voice to express my feelings and I was left genuinely confused and I think that got me in my head because then I did end up too focused on the text and I was left kinda let down. So I wanted to ask when do you disagree with your acting teacher. Because I really wanted to end on a better note especially since I’ve been in his class for so long. I don’t think he suddenly sees me as a bad actor all of a sudden but I just feel like I kinda disappointed him. TLDR: took a class for over a year and had an underwhelming and disappointing ending.
This is a fantastic book that helps explain habits and how to break bad ones by forming new ones. I'm only a few hours in and already I'm gonna buy the book version. A few things that could be used for acting. Setting goals are not as beneficial as creating a process or system that helps you achieve those goals. Setting goals means you are putting off celebrating the moment until you hit that goal. Example: **Goal: I will feel much better about my acting abilities once I land a role.** **Problem: If I don't land the role I will feel my abilities are lacking.** Falling in love with the system/process, i.e. learning lines, studying anything that improves your acting, being comfortable in your vulnerabilities can be a much more effective approach to the craft of acting than setting goals. Enjoying the system/process allows you to enjoy your efforts in the present moment and when you finally hit your goal you would have already been reaping the benefits of your hard work due to the "system" you've put in place. You can enjoy it right now, today/tomorrow without ever booking a role. Another thing I really love about this book is that James explains how we can't transform ourselves overnight. It takes small 1% efforts in any particular thing to see significant growth. For instance, if we improve 35 things in acting by 1%, we would have improved our abilities by 35%. It's then up to each individual to spot areas to improve. What I loved about Viola Davis' book "Finding Me" is that she had it hard as child. She was killing big ass rats with toy bats. She didn't have a quality education as a child. She barely had food to eat. The only thing she did have was her passion. That was the spark she needed. She improved from there and eventually the areas that were considered her weakest points, became her strengths. She trained and improved likely by 1% or more until the world couldn't help but notice her! Lastly, the ice cube analogy. I absolutely love this analogy. For instance, a lot of us right now are in the ice cube phase of our careers. The ice cube represents our career, actually more like what's inside the cube is what represents our hidden/unlocked potential. Our efforts and training and experience aims to melt the ice away.. So lets say when first starting out we were in the ice cube stage and in a cool temp room set to 27 degrees Fahrenheit (or -2 in Celsius). As we train and get experience we increase the temp a couple notches. Now it's 31F/-1C and there's been no change. We become frustrated. A lot of us quit at this phase but, if you heat it to one more degree the ice begins to melt. That one degree change caused a significant physical reaction. It was just one degree more. Now the ice is melting and will continue to melt. How many times have we attributed someone's success as an "over night success"? I bet if you "made it" you wouldn't claim that you were an overnight success. It took small incremental changes to see a transformative change. Ok I've rambled on too long. I wanted to share this because I found it useful and I'm sure y'all will too.