If the deadline for an audition is 1 week away, but the actor submits 6 days before the deadline closes…and the audition shows up in “active eco casts” throughout that whole week, does that mean that the actor is still being considered? Or does it just mean the deadline isn’t up? On the flip side, could it disappear before the week is up if the actor is no longer under consideration after submitting their self tape?
I’m starting to get more paying gigs outside of my state (paid, but not always travel included) and wondered what any other traveling actors do to save money or get reward points. I know that these things can be tax deductible, but I could really use a strategy that allows some savings up front as well. For example, do you only fly with a specific airline because of their rewards? Do you go with a specific hotel because of their partnership with a credit card you have? Literally, any advice that could make this poor actor less poor while striving to live his dream would be much appreciated.
Looking for any recommendations of cities that have quality professional theatre companies in the state of Georgia. Thanks!
Hi friends I’m currently at a bit of a crossroads, I had the opportunity to have a full time 9-5 job for 9 months, suggested to me from a family member who works at the company, and my current casual job is closing down . I am an aspiring screen actress and just wrapped on my first feature film (which won’t be out for another year) and I’m awaiting it for a decent showreel. As it is only a temp job I said I’d do it but I feel my past self screaming nooo as I’m 26 I have managed to avoid a proper job so far. Is this a trap? Will I get used to the money and stay working there, and will I have any time or energy to be an actress during my time there . Find out in 9 months on my Reddit I suppose . If it wasn’t working with my family member I’d be able to be sick for auditions ect but I don’t want to let her down
So I follow this sub not so much because I'm a professional voice actor as I'm a learning content designer who frequently does my own voiceovers. I also work abroad and travel a lot. I'm here to ask about the best small gear that I can travel around with. I have a 1 foot by 2 feet collapsing plastic box that I add cotton to for a noise reduction space, and that fits well unto my luggage without taking up much space, but I wanted to ask what microphone is both lightweight and durable for moving around a lot. I'd like my budget to be $200, but I'd do up to $500 if it's worth it. Any thoughts? (Sorry if this doesn't belong here)
Title says it all - looking for some recos on photographers that are really good at capturing an actors essence, and making some really cool headshots. I’m the Toronto area would be best. Thanks!
Hey, I really want to get to know actors aroung my age, so we can grow and experience tings together! and yk be there for each other and share tips and just general acting stuff with each other. im 13 btw :)
I (19F) was recently cast in my very first professional theatre production, which is Much Ado About Nothing. As you may have guessed by the title, I’m understudying for the first time ever as the part I wanted to play (Hero) but I’m also acting as the only female ensemble member and the Sexton. We started rehearsals two days ago, and everyone’s been really nice, but… I hate being an understudy. I can’t even mince words; I hate it. My director has the most rigid definition of what an understudy should be that is possible, and I just found out that I am being given literally no leeway in how I play this character. Every line, every inflection, every expression, every movement, every CHOICE is the actress’s choice and all I can do is be a shallow copy. This is especially painful for me because literally my favorite part of being an actor is getting to know my character and choose how to play them. I express emotions I’m never allowed to express through my characters—they’re almost an escape for me. This show is literally sucking everything I love about acting out of me. I would try to distract myself by putting as much as I can into the scene I have as the Sexton, but when I asked my director, she praised the “bold choice” I was taking—and proceeded to completely misunderstand the take I’m putting on the character. I’d correct her, but she likes the take, so now the only place I had to express myself has been taken too. I even discovered that I’ll have to dye my hair (I knew that going in, I still have the remnants of a dye job I did in January and I was open to getting it dyed) but it’s been implied that it’ll be her hair color instead of the one I was planning on, and I may even have to get a tan, which I’ve never done before. So I can’t even bring my own skin to this show. Nothing in the show is me, and because I’m the only non-named female in the cast I stick out horribly among the rest of the cast (especially since my costume is extremely different from all the other female characters, almost like they’re rubbing it in). I’ve cried four times in two days about this and I hate the feeling I have being the silent backup, not even being given a single rehearsal for this character (our schedule is really tight) or allowed to ask the actress for any help. Any advice for how I could handle this without completely ruining what shreds of mental health I have left would be really appreciated. (By the way I’m aware that this sounds really ungrateful and I really don’t want it to be because I am very lucky that I was cast, since I’m the youngest cast member and I flubbed my audition. I’m just asking for help to manage my emotions because I want to bring as much professionalism I can and I’m trying to leave my personal feelings out of it).
Howdy all, Posting for some advice. I’ve been working full time as an actor and model in Chicago, and wanted to know what some smart next steps would be. I already have representation in Chicago through a relatively large agency. I book modeling gigs often, and have been slowly racking up short film lead credits and a single TV costar credit. What’s next? I feel like Chicago doesn’t have much on the TV/film side of bookings - do I look for representation in LA or NY? If so, any recommendations? Would appreciate some advice.
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Every software engineer I know hangs out in [Hacker News](https://news.ycombinator.com/); anyone can post a link to a website (news, articles, etc) and there's a lot of value in the well-moderated discussion. Is there such a website, but for actors? There's this subreddit, of course, but the focus here seems to be about asking questions, requesting feedback, sharing successes, not so much on sharing and commenting on industry news.
Hi Voice Acting! Long time lurker, part-time voice actor, but only on a very amateur level, (you might have heard me in Hong Kong children's English curriculum or two). However, my regular job has just given me a rare opportunity to do some live work with a few substantially talented voice actors in the industry. I'll be directing them in recording some voiced dialogue for a game that we've been making. I've directed kid's theatre, and I have a passing idea of how to direct my own voice. But I want to get the most out of our limited time with these actors, and just as importantly, I want to treat them with respect. So can you tell me what you appreciate from a voice director when you are working on a project. Anything I can do to be more clear, more helpful, or at the very least less frustrating and get the best out of good voice talent? Anything I should absolutely not do?
I received an ecocast last week and was told to submit via email, which I did over WeTransfer but casting still hasn't downloaded it. My gut is telling me not to follow up with casting but when I mentioned this to my rep she said "we sent it to casting." It never went through them or Actors Access. I told her that and she never responded. Anyone have any advice? I'm so frustrated.
I’m studying at a pretty prominent acting school in Los Angeles and another actor and I got to chatting after performing a scene. We’ve been studying for a long time. I’ve been acting since I was a child, got my theatre degree, and have been studying ever since college. I’m 29 now. Our feedback for the scene was that we were missing the “life” and we were missing the “realism.” Basically we acted really well, but it didn’t read as a slice of life. The feedback was good, but we walked away frustrated. I feel like we don’t talk about how much the quality of your training matters. I’ve trained for YEARS and this is the first time I feel like my acting is getting better and I have the opportunity to grow. I have always felt like a good actor because up until now, I’ve booked a lot of amateur stuff (short films, commercials, non-union plays) and I have a lot of training/schooling under my belt. I’m saying all of this to say, you can have 20 years of “training” and still not be great. That’s the hard truth. Really look at your schooling or class you’re in and assess if you’re actually learning. Consistency matters too. I’ve wasted a lot of money to be in the same place until now. Try different classes, read different books. And don’t let your ego make you think that because you’ve been studying for a long time—you’re a fantastic actor. Training means nothing if it doesn’t translate to the real world. You don’t want to be a professional student, you want to be a professional actor.
I recently auditioned for a series regular role. They gave me plenty of time to do so, about five or six days from when I got my AA eco cast request which was nice. But after I submitted the audition the deadline was extended. They’ve extended the due date twice already lol. Now normally I try to move on right after an audition because at the end of the day my job is done once my self tape is sent. Booking is a bonus. At least that’s how I try to look at it but it’s easier said than done. But every time I get a new eco cast from my agent this other project is in my pending submissions on actor access so it’s kinda hard to not think about. Just wondering if this is normal. This is my first time auditioning for a project this big so I’m not sure what the usual standards are.
So I recently asked about the Actors Connection Fast Track program. Just sat in on a seminar about it and wasn't too thrilled with what I heard. So now I'm trying to figure out what my next move is. I want to enroll in some sort of acting class. I have experience (graduated with a BA in musical theatre) but didn't get as much training as I think I personally needed during college. I want to shift away from MT towards straight theatre/film/TV. I've looked at a few different studios so far but I really don't know which one to go with. If it helps I'm looking at doing online classes. So far I've looked at: The Barrow Group, HB Studio, Lee Strasberg, Stella Adler, and Atlantic Acting School. If any of y'all can share some insight or direct me somewhere else I might not have thought of that would be great. Thanks!
I'm moving to Atlanta on June 1st to pursue acting as I've just finished my degree. Does anyone know of any good headshot photographers that they would recommend? Additionally, I've already found a ballet studio and a few acting classes I'd like to audit and hopefully sign up for, but if anyone has any good recommendations please share! I've visited a few times but will still be relatively new to the city. Also, if anyone is looking to make more friends, I'll definitely be in need of some as it is just me (21F), my bf (22M), and our dog! Please reach out!