I was cast in a one act play for a festival a few weeks back, got told that I "nailed it" and that noone else who auditioned really understood the part. The play is a short comedy that includes an almost cartoonish female lead, whom I play. I decided to keep auditioning for roles even though we've now had one read-through and one rehearsal because I figured it's good practice and I can get out there and make connections with directors. I've now been offered a supporting role in the Torch Song Trilogy, with a fantastic director who seems to really respect her actors input. During the audition we had an almost hour long conversation about the play and the part, and the opportunity as a queer woman to be part of a play that meant so much to my community is wild. The two plays have overlapping performance dates, and professionalism is telling me I have already agreed to be in the one-acter, but I selfishly want to pull out and take the new part. Any advice on what to do?
A director told me he wants me to join the team as a actor. It's a short film about human trafficing. I digg the story cause it's a huge problem for refugees. Anyways fast forward i have a online introduction upcoming friday with the team they work with. Does it happen more often that you can step into a project but that the director still don't know exacly what part he will give you?
i know we are supposed to let it go after a callback, but auditioned for a big role last week on streaming network. they said my tape was going forward to producers, then i haven’t heard a thing and it’s been a week. then a few weeks ago the casting director i met and read with started following me on instagram! what does that mean? that i’m in contention still? or that i am out of contention but that she wants to keep tabs on my work? haha. for context i am an atlanta based actor just had callback for series regular last week
I’m casting a role for an unpaid student short film (travel compensation, lunch and plenty of yummy craft services provided). Only issue is I would need a non union 30 something classically trained actor who would be able to commit to that for two days of filming. I suppose the key is that the character could stray into scene chewing without a good actor. I don’t quite trust my directing ability yet to make a mediocre or bad actor shine. Is this impossible criteria to aim for? I’m sure it is but thought I might as well see what people think. Also “student film” as in young filmmaker but not connected to a school so I wouldn’t be able to go to faculty for help. Thanks!
Sorry this might be a stupid question, ever since I was a teenager (now 24) I always watched so many movies and series and was so passionate about acting I always thought about it but never really considered it as an option because I never believed I could become a good actor including voice acting etc and felt like it’s too much stuff that I don’t know nor do I have experience I always noticed that I imitate a certain character after every series or movie I watch that I feel like that character is close to how I am in real life, I would act random scenarios dramatic ones in front of the camera but I never truly considered it I guess Can you please share your thoughts
Hey everyone, casual actor here, been doing it for over a decade but obviously never became successful. As the years go on I am finally realizing that I should focus on a more financially safe future, so considering looking into trade classes. However while I am taking said classes I still want to act to keep the fire going a bit, and I was wondering if there would be any small jobs that could help my acting itch. I did background work for a while but the work is too infrequent to be a reliable source of income for where I live, and there are not really any attractions like amusement parks with shows that I can apply to in the area. Any ideas would be greatly appreciated and I hope you all have much better luck than I did in an acting career.
I've been waiting for the Zoom era of acting classes to end. Can anyone recommend good classes for experienced actors looking to stretch past a personal plateau? Bonus points for licensed Meisner classes, just 'cause I haven't done it yet.
Hey All- I’m a rookie voice actor about to start my career. I’m graduating from acting school in June and trying to plan my future path. I’m currently in Chicago, which has plenty of opportunities for commercial work but not a lot going on in terms of animation (my goal is animation and video games). I have a professional grade home studio already. If I get SourceConnect then do I really need to be in LA? My friends and network are all in Chicago, so I’m struggling with this decision.
Hello everyone! My name is Mauri and I’m currently casting for my upcoming web series “Karma!”. I am looking for young adult actors and actresses that can pass as college students. About the web series: “Karma!” Is a psychological, mystery, drama about seven college students attending a prestigious university. Six months earlier, a student named Mallory Monroe suddenly disappeared without a trace. In the upcoming school semester, a girl, Karmen, transfers to the university and shocks everybody by how she looks identical to the missing young woman. Their lives being to take a drastic turn when an Anonymous person begins leaking students' deep, horrible, dark secrets for the entire university to know about and judge them for. When the threat of their deplorable secrets to be released for the entire school to find out is waved over their heads, the seven of them must find out who this person and catch them is before it’s too late. IMPORTANT: This project is still in its developmental stages. I have plans to start a Kickstarter to raise money for this project that way I can make sure all who are a part of this get the credit, money, and time they deserve. I want to at least get my cast together that way I can work on taking promotional pictures, trailers, and more to get our work out there! If this Kickstarter is successful, I know we can all make something amazing. Characters: Mallory Monroe: Age range 18-24, pronouns she/her, African-American Karmen: age range 18-24, pronouns she/her, African-American Keon Sullivan: age range 18-24, non-binary, sexual orientation is pansexual, African-American/ Hispanic Delana Sutton: age range 18-24, pronouns she/her, sexual orientation is lesbian, African-American Judas Hinton: age range 18-24, pronouns he/him, sexual orientation is bicurious, any ethnicity Kishana Gilbert: age range 18-24, pronouns she/her, sexual orientation is aromantic, African American Mr. James Bently: age range 27-37, pronouns he/him, sexual orientation is heterosexual, any ethnicity Richie Jones: age range 17-21, pronouns he/him/they, sexual orientation is gay, any ethnicity Delilah Gilbert: age range 17-21, pronouns she/her, sexual orientation is heterosexual, African American Amanda: age range 18-24, pronouns she/her, sexual orientation is lesbian, any ethnicity Andrea: age range 18-24, pronouns she/her, sexual orientation is lesbian, any ethnicity Mr. Anderson: age range 30-40, pronouns he/him, sexual orientation is straight, any ethnicity I am also in dire need of directors, a small camera crew, make-up artists, extras, music supervisors, and video editors. If this interests you please comment down below and I’ll message and give you my information and audition information. I look forward to working with you! (p.s. these auditions are online) For now, this is unpaid, but if we meet the Kickstarter goal all actors will be paid a fix compensation of $300.
So I’m a British actor currently in talks for a role in a feature film being shot in the US and while it isn’t a certainty I have some questions for anyone who’s been in a similar situation. I’ve never been to the US before and I understand there’s a lot to consider before taking a long term job overseas (the role Im being looked at for would have me filming in the US for around Five months). I understand that obviously I need to make sure I have things like a visa, accommodation, travel, health/travel insurance, covid vaccination status etc. before I even consider taking the job but are there any specific things I should know about or maybe just some tips/ pointers old hands can give me?
Hi! I'm (23M, UK based) asking here because of anonymity - I've been with my agent for about 5 years now and have had a largely very good experience. They're a relatively small agency who have got actors into a couple of big jobs but nothing too constant. I got over 30 big auditions through them last year (some that fit my casting a lot more than others) and have had 9 so far this year, but their communication is starting to get really odd. They rarely reply to texts unless about current auditions, even though they've pushed me to communicate as much as possible in the past. This isn't a case of be being annoying either, the texts they've ignored include me offering them free tickets to a play I was in, asking for opinions on new headshots (they said they would in the next few days and never got back to me), asking for their opinion on a new showreel, and the comp link to a feature film thats recently been released where I have a major character. They also tried to arrange a meeting almost a year ago but we still haven't done it despite being about 40 minutes away from each other, because it's been 'Really hectic' for them - even though very few people in the agency seem to be getting jobs at the moment, and I'm one of their most successful clients. I'm considering switching agents as my gut and their behaviour suggests that, but am holding back because of the amount of auditions they've been getting me To further explain the gut feeling, I feel as though the auditions have been happening because of my wide Casting bracket rather than their skill at landing auditions, as the occasional one has been very obviously not something I fit I'd love to hear people's opinions. Cheers!
Hi I am a small YouTuber and I need some voice actors for a little thing I can't pay and I will let people who are interested know what the little thing is and finally let me know if you are interested
I just moved to LA this month. I work in the film industry in various capacities. I don't know many people here and I'm wondering if there's any places where people in the industry hang out. I'm not talking about places where famous people who already hit it big go to network. I'm just looking to meet some other actors, background actors, PAs, writers, etc. I'm just trying to find some friends who are also in the industry. I've been thinking about checking out the bar Residuals, but I don't drink so I'd feel out of place at a bar. Any suggestions?
How many different BG jobs have you booked so far in 2022? [View Poll](https://www.reddit.com/poll/td03my)
I'm looking at a move to NYC next fall with a friend. I've been out of drama school about a year (I'm straight acting vs. musical theatre), and decided to stay near home in the Midwest this past year (worked regionally) to save money, and because of the instability of covid. I've been working steadily all year in commercials, industrials, indie films, and educational theatre where I auditioned as a non-union pro actor. Unfortunately, there are almost no union jobs here right now so I'm not even SAGe yet. I've also been training as much as I can via zoom. I've done classes in VO (I'm also starting to build up work in VO now) and Improv with UCB. I'm looking for a great zoom cold reading class now, and once I settle some place I plan to continue with scene study, and more advanced work with Improv, etc. I need to get out of here to move my career forward. I'd planned for a move to LA to work in film/tv, but for a lot of reasons, I've thought it through and I think NYC is going to be a better fit for me, for now, plus it's a big deal that I won't need a car with current gas prices. Most of the info I can find on NYC is several years old. Any idea on how much I need to save? What do I need to plan to pay for a two bedroom apartment now that rents have gone up? Which areas are more affordable now for people like me, just starting out. Also--who are the best teachers and training studios? Any and all advice would be appreciated. Thanks so much!
I've searched the sub to see if anyone's written about their experience specifically with Marvin but nothing turned up. What are his classes like? What's his demeanour like? Did you find the classes genuinely helped you improve? Is there anything else you think would be helpful to know going in? I'm looking into quality acting classes that will both give me the opportunity to improve myself as an actor, and that will also look good on a resume as I'm currently looking for an agent. The big three seem to be LB, Armstrong and Pro Actors Lab. Armstrong is too expensive and I had a bad experience taking a class with LB, so I've turned to the remaining option. Since classes are still generally expensive, I'd like to be sure that I'm choosing something that's going to deliver value and a good experience. Thanks for reading!
I think that most people don't have near the same level of communication that actors do. There have been times recently where I've tried meeting new people who barely even made eye contact with me when talking. It's so off putting. It's awful on tinder too, with so few people starting conversations or even replying at all after matching. The interactions just make me feel like I'm putting in a lot more effort than they are. Of course there are people who aren't actors who are great at communication, there are just so many I find who aren't.
I've been registered modeling, voiceover, and acting, with their Detroit & Chicago offices for several years now. Lately with the Covid, I get that most of them are prob still wfh. But email comm. has been very hit miss. So irritating responding 1 or 2 word replies, which technically is the old school IM. Instead of actual phone call to make it easier. Half the time they don't answer or respond to calls anyway. Which doesn't work if you need immediate asst. They have FREE codes for Actors Access etc. But it seems an eternity before they ever send them to you