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Looking for a female voice actor to voice a Mermaid in a student film. by craze1122  •  last post Nov 30th

We are searching for a female voice actor to play the role of a computer-generated Mermaid in our student film. The film is set in England so a South east English accent is preferable but any British accents are accepted! The premise is: a fisherman goes to a beach where a fabled mermaid is known to live. She is a mysterious entity he believes will be able to bring his wife back from her death at sea. She lures him toward the water and unbeknown to him prepares for attack. Ideally, we are looking for a deep, rich voice but would be open to hearing all types of female voices. As we need to begin the process of lip syncing the mermaid to the dialogue we would like to try and arrange to have the lines finished by the 7th of December latest. As we will also be animating to the voice, we need footage of your face preferably with a range of emotion. We know this is a big ask and if you have any issues with it, please let us know early, the footage will not be shown anywhere and will have its sole use in animation reference for us. The piece consists of 4 lines from the mermaid and so we would be looking to pay £40 for our voice actress. Our voice actress will also be credited in the film which will be submitted to multiple film awards and seen by major Film studios. We look forward to hearing all applicants!

Am I a jerk for recasting an actor after we’ve already shot? by DarthKanyeW  •  last post Nov 29th

I’m a writer/director currently working thru an edit of a micro short film shit this summer. Everyone put so much work into the project, but am going through the edit now and we are planning to do a re-shoot of a scene. One of my actors, let’s call her Shailey, is only heard though her voice the entirety of the project. Shailey was really difficult to work with during pre-production, while she put a lot of prep work in, she was not good at communication. Several times I had to reach out to follow up from things she said she’d do and never happened. It felt like pulling teeth. Once I was doing rehearsal with her and we broke halfway thru, Shailey had an appointment and said she’d be gone an hour, would let me know when she got back to finish the character rehearsal. She never reached back, went to the movies that night, and I never heard from her for two weeks. It was a frustrating experience. Shailey’s character is only heard during the film, a conversation with our lead on-screen talent. I’m editing and planning a pick-up shoot, i feel like I should re-cast Shailey’s role. She has been paid already, but I don’t want to deal with communication (pulling teeth) during prep like last time and her performance was off, I know I can re-cast with a better talent. As I’m a director, I don’t want to hurt Shailey, but I am spending my own money on this film. I don’t want to deal with a flakey actor.

Help me find this play by satansdragon  •  last post Nov 29th

It’s a play within a play I did in high school. Basically this director is trying to put together a school play but all the actors are terrible whilst at the same time there’s a school prom going on. I remember I played the character whose motto was rise above and she was a black character. She was the directors assistant. I think her name started with a M. Like mitsy or something.

Voice actors who learn foreign languages: what techniques from voice acting have helped you with imitating foreign phonetics? by 58king  •  last post Nov 29th

I am someone who learns languages, and one of my interests is sounding as close as possible to a native speaker. Obviously skilled voice actors are very impressive in what they are able to accomplish with their voices, so I am wondering if anyone has seen any cross over into language learning? Are there any resources or pearls of wisdom from the voice acting community which you think would be useful for those who are in the language learning community?

Who lives in NYC by satansdragon  •  last post Nov 29th

Trying to get together a team of actors/ actresses, filmmakers, and writers.

What is your advice for someone who want to be an actor but is too shy? by grumpycoffeee  •  last post Nov 29th

I've always dreamed of getting into movie acting, but I'm extremely shy,awkward and easily embarrassed (also scared that I'm not good too).The uncertainty is also an issue. I took an acting class, but when they gave us the certificate, it turned out to be more of a scam - we never got to actually work with lines or speaking, there was a grammatical error in the certificate,we were promised to be extras in a movie, but suddenly, there were roles only for 2 people from the class etc. What are your tips? (PS also in my country people in my age group are mainly "casted" as s*x workers or women for the actor to have intimate scenes with, so there's always the "tall, attractive, good looking etc. " requirement.)

Does anyone lose interest in acting because of the industry? by CarNo5059  •  last post Nov 29th

I had aspirations and interest in acting but over the pandemic I've suddenly lost it or have no desire to enter the film industry anymore. Mainly because of male actors who mistreat and cheat on their partners, dodgy or misportrayed women, dodgy execs and always building a narrative, racism, etc. Also, I feel like movies nowadays have really sunk in story quality. I like writing but I don't know if I can commit to writing scripts. I'd still like to continue singing, but I wonder why I suddenly lost interest or joy in acting.

Westworld S4 Refusing to Pay Background Actors by Salt-Passenger-6438  •  last post Nov 29th

BREAKING NEWS!!! WARNING TO ALL BACKGROUND ACTORS: Westworld S4 Production/Payroll Companies are Refusing to Pay Background Talent for Filming, Fitting, and Covid Tests, and will work you through the entire day with no lunch. It's been over a month, and I've received no checks from them and for them to state that they are no longer a part of Westworld's Production.

Why do some actors not know what theyre working on? by bouncinghuman  •  last post Nov 29th

I just saw a interview with Katie O’Hagan and she said she didnt know what she was in going to be in Resident Evil 7 until a year after creating her character? why do some actors not know upfront?

What can/should I do? by krimsonblaid3  •  last post Nov 28th

I am a 16 year old junior in high school and I want to pursue acting professionally. I only just decided that two years ago in my freshman theater class, so I'm not the most versed in acting. However, I've done all the school plays that have come my way and even auditioned for local theater shows. I've also started performing standup comedy and have found success in that, earning 20 bucks for doing 10 minutes in a local coffee shop. However, I live in Montana, and there really aren't much opportunities to do things. There are talent agencies in Montana and two of my friends are signed to different agencies, one as a model and the other is a singer. I am looking into at least submitting an application to be signed as an actor/comedian/singer to one of these agencies and I have no idea what I'm doing. First, they're acting for my acting resume, which I don't even have and even if I did, it would only be a few school plays. They also want a headshot, which I don't have, but I can easily fix that. What should I do for my resume even though it's very limited?

Virgin Actor + a question regarding student films. by YoungDaggerDick69  •  last post Nov 28th

I'm in Toronto and have never acted. I plan to take classes as soon as I can afford it, but until then I'm trying to find other opportunities to get into it. I've read that student films help build experience, but the places I've been looking at, like facebook groups and whatnot, usually seem to require...something? Like a self tape, for instance. I'm not sure if I would just record some random tape of myself by reading a script online and winging it or what. I'm assuming that would be foolish. So I guess my question is, generally speaking, how would I build experience right now if I don't have the money for classes? Advice tailored to Toronto would be preferred, but I appreciate any advice I can get. Thanks!

Would performing a second time for an agent be unprofessional? by Globesurfer123  •  last post Nov 28th

I'm a NYC based actor and almost three weeks ago I met an agent at a zoom seminar through an acting studio here in the city. I came in during the Q+A part of the seminar and got good vibes from the agent. When it was my turn to perform I was one on one with the agent and performed a monologue. We started talking about my monologue choice, (which was from a failed Broadway play) which he loved lol. After I performed he said I did a fantastic job and that my choice was "very refreshing". He also said "Of course I can't say anything right now but I'll definitely be keeping you in mind". I was thrilled! I emailed him a thank you and all my info the following morning. Soon it'll be three weeks since our meeting and I have yet to hear from him. Which is killing me! The thing is I found another seminar he will be at in two weeks (5 weeks after our first meeting). ​ TL;DR **Would it be unprofessional to attend another one of his seminars and do another monologue if I don't hear from him? I don't want to be all stalkerish and I know he's busy, but this is a dream agent who said such promising things to me.**

How can I become more than an extra? by FaZe-Obama  •  last post Nov 28th

Hey everyone. I’m a child actor from New England that has mostly done theater up to about a half year ago. My first film experience began when a casting agent from Boston Casting called me, asking for me to do an audition for a new Stephen King movie (Salem’s Lot). I had three days to practice as Danny Glick before my audition. Unfortunately, I did not get the part, but I was able to become an extra for the movie. I was originally had 2 scenes booked, before I was given a 3rd (don’t know if that means anything). Since then I haven’t gotten another part, and I’m worried that I won’t get another chance. If I do get a chance, I doubt it will be anything more than an extra. And I don’t want to be an extra for the rest of my career. I know that sounds immature and childish, but I want to change and help people with my performances, like the actors that I love have done to me. I hope you understand what I’m feeling

Veteran Actors, how do you healthily change mindsets after coaching sessions, performances or auditions? by caringfarmerr  •  last post Nov 28th

Acting as we should all know is being in the moment and responding truthfully but being vulnerable enough that anything can get through to us. But in day to day life if we carry that mindset with us it could be damaging. So how do you properly transition mindsets?

How to stand out in a self-tape aside from great acting choices? by Tanedluna  •  last post Nov 28th

Hello all ! I’m sure most are familiar with Dacre Montgomery’s self-tape for Stranger Things [(x)](https://youtu.be/cJ1zhq3yNBM). I recently read a casting directors twitter thread where they announced that (in regard to the self-tape) actors should focus more on their acting choices as opposed to editing (in regards to specifically Dacre’s dancing to music as Billy). So I’ve come to ask if there are any actors who have additional ways to stand out aside from making great choices within a scene. I’ve posted here about adding “one-liners” to a scene, and noticed Dacre does do a rather stylish “Hey, I’m Billy… nice to meet you” to the camera. TL;DR — aside from acting choices you can make in a scene, are there any tried and proven tips to make a self-tape great akin to something like adding “one-liners” Any help would be appreciated.

Acting With SPD by Anxious-Mango-2809  •  last post Nov 28th

I have SPD, and certain clothing textures/styles, and hairstyles are very uncomfortable and even painful. Is acting a possibility, considering there’s so much I can’t wear? I don’t want to talk to every director and fellow actor I work with, since I know there’s a good chance they’ll just think it’s an excuse or I’m making it up.

Questions For Actors by MikexTony  •  last post Nov 28th

I'm doing a survey for a service platform for actors. If you could just quickly answer yes or no to the following questions I really appreciate you! 1. Do you have trouble finding networking opportunities as an actor? 2. Would you like more opportunities to collab with other actors/filmmakers on projects? 3. Do you find it difficult to meet other actors in your location?

could someone with a degree in theatre break into film acting? by glossyducky  •  last post Nov 28th

hi everyone, asking for someone that doesn’t have reddit and idk anything abt acting — the college that this person is looking at only offers a theatre major as opposed to a film major. does this impact his chance of becoming an actor in film versus just acting in theatre productions like broadway, or is it fine?

This Week's Episode of The Green Room: Exit Through The Chocolate Room by sonofawitch1983  •  last post Nov 27th

In the lengthiest episode of *The Green Room* to date, Michael sits down with Jolyn to talk about one of the hardest things he's ever had to do as a director: fire a lead actor the week before tech week. The two go on to discuss the general controversy around firing actors in a community theater setting and offer some insights on when it might be called for.  [https://anchor.fm/thegreenroomchat/episodes/Exit-Through-The-Chocolate-Room-e1akf3m](https://anchor.fm/thegreenroomchat/episodes/Exit-Through-The-Chocolate-Room-e1akf3m)

How many SAG jobs do you roughly have to work a year to be considered a full time actor/live solely off of your income, at-least relatively comfortably? by penguin_reddit  •  last post Nov 27th

Kind of a strange question, but for those who are full time actors in the union, how many jobs do you typically book a year in order to live comfortably solely off of your acting income and do it full time?