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We have found 19,293 posts across 4 actor forums:

This is honestly sad by TheGentlemanWolf  •  last post Apr 27th

The fact that a literal director had to explain to them why it's better to go with trained professional as opposed to exploiting popular names is just sad. I will never understand (especially in this day and age of animation and other voice acting mediums being so popular) that these companies honestly believe their product won't be successful if it doesn't have a big name(s) to exploit for profit. Not saying they can't rise to the occasion and do a good job, just that this mindset is toxic and ultimately helps no one.

We got to interview voice actor Avalon Penrose, AKA Megaera from Hades, for our podcast! by the-mmg  •  last post Apr 27th

I wanted to post here because she had some interesting takes on developing a stable life and not necessarily pouring your entire life into acting. I'd love to hear what the community thinks. [https://www.youtube.com/watch?v=I2UTQPLQ74U](https://www.youtube.com/watch?v=I2UTQPLQ74U)

Agent advice by ThrowRA1629my  •  last post Apr 27th

Hiya, I signed with my first agent in September. The agency is a starter agency and mainly finds work for young kids. Despite signing their actors in some decent films, commercials, roles In theatre, in the past six months, I have had not even one audition. I am 21. I don’t know if my age is the reason for it or if the agency just isn’t very good. Im still in the process of putting my showreel together, which may be the reason. My agent only has my headshots and a slate to put forward for me. However, there has been little to no communication with each other about this. I haven’t brought it up and neither has she. So I feel a little bit left in the dark. My question is, should I complete my showreel and see if it changes anything with her- Is it likely this will make a difference? Its probably best for me to keep searching for a different/ better agent, but it is worth giving her more of a chance? Or, will it be more beneficial fo leave for and apply to my own jobs on spotlight? I am already doing so on backstage and seeming to be somewhat successful. Thanks

Actors Keep Up The Good Work! by Tammy Hunt  •  last post Apr 26th



Keep Submitting Yourself.

When you have an agent, it’s easy to let this part fall to the wayside. But to keep your audition numbers up, you want to make sure you’re an active participant. Keep searching through Casting Networks and other casting platforms. If you do voiceover work or audiobook narration, look for platforms where you can put up your profile and demo tracks. Remember, your agent has many actors on the roster, and no one knows your work better than you. You might find a gig that would otherwise be missed or passed over.

Communicate With Your Talent Representative.

Even though you’re submitting for and possibly booking projects on your own, remember that you and your agent are always a team. Be open and communicative about the projects you might be booking. Have your agent look over any contracts before you sign them. For one thing, they may be able to help you negotiate better terms. For another, you don’t want to lock yourself into a project that pays pennies without letting your agent know, only to have them submit you for better-paying work that conflicts. Make sure you’re both on the same page about when and where you’re submitting.

Remember to Factor in Fees.

When looking at rates for projects you’re submitting to, remember to mentally factor in agent cuts and other expenses when you’re determining whether something is worth it. Sometimes these can be negotiated, but it’s important to keep in mind. If you’re auditioning for an audiobook, unless you have a home studio, remember you’ll have to factor in studio rates, and possibly hire an editor. Don’t say yes to something off the bat without considering what it might cost you.

- Casting Network

#actor #agent #manager
 

Here is a quality not talked about to thrive in the industry. by Janet Alston Jackson  •  last post Apr 26th

I learned a powerful lesson from Legendary Carol Burnett.  

Agents "Double Dipping" Eboss article??? by sionaxyw_  •  last post Apr 26th

Never heard of this or this term before. I just saw this online and I would love to know your guys thoughts on this https://www.ebosscanada.com/news/an-actor-needs-your-feedback.html

Veteran actors on here, if there is one thing you can tell your younger self, what would it be? by Efficient_Fan_4052  •  last post Apr 26th

What would it be to improve yourself?

Advice to restart? by aboursier  •  last post Apr 26th

So six years ago I took a job as an actors permanent stand in and pretty much stopped even seeking new auditions. The show went to series there were a few movies and well, it felt like acting work. But it really was a true full time job. So I stopped, took a day job in order to get my bearings and get back to the only thing I’ve ever really tried to do for a living. Here’s the question. I know there’s some big stigma to these sorts of jobs. But I’ve also added exactly one role to my resume in that time. Do I explain what I’ve been doing with the last six years? It all seemed pretty reasonable if only to see some stuff, meet some people, and get my bearings. But in retrospect it was a bad call. The last time I “started” was much clearer but now frankly I think I’m worse than when I was brand new. I’ve got some thick skin here, but I’m in a big market and a six year absence is well… it’s real. I’m also older and have lost track of the CD’s who actually used to call. I’m still sort of new to reddit, but I think this might be the sort of question it is for?

Anyone interested in being Accountability Buddies/Scene Study Partners? by Kaviness  •  last post Apr 26th

I've had a lot of anxiety post-pandemic with performing and I think a big part of that is not performing regularly. Would anyone be interested in meeting up over video (zoom, google meet, etc) and working on scenes, talking about where we are at with our acting, etc. I am based in Los Angeles and don't have an agent or manager. I've taken several classes at various studios here. Just looking for support and a fellow actor to practice with. :)

actor in Durham Region Ontario by memeymelon23  •  last post Apr 26th

Looking for a male actor age range 60- 80 for a short film. needed 1- 2 hours. plz dm

If you ever get discouraged about not receiving responses on self submissions- by No_Landscape_1019  •  last post Apr 26th

I’m an actor, I made some connections and we are working on a feature film. It’s all collaborations, so it’s unpaid. I volunteered to do casting because I’ve always been interested in it, posted a casting for 2 roles, on mandy. unpaid. A male and female 20-30 any ethnicity, received over 200 submissions for both. I can’t believe that many people were applying for unpaid roles shooting Monday-Friday one week in may, insane!! I understand now why I’m not getting as many responses on there as I hope to, I can’t imagine the amount of applicants for something paid. In Toronto too, so areas like LA probably get way more!!

Hi looking for acting advice and tips by AjNazario  •  last post Apr 26th

Hi how’s it going :) I’m 22M and I’m looking to speak to fellow actors that are interested in acting and if they’ve got any advice I can use as I’m looking to act and at the least go for my dream. DM’s open

Publicity Management by Lisa j. Pellegrene  •  last post Apr 26th

I can assist a few more clients with publicity management to include media coverage for digital print, magazines, additional print media and interview bookings. This work helps to increase one's reach and level of opportunities. For additional info, contact me at lisapellegrenemedia@gmail.com.

Similarities between martial arts and acting arts by AJDon82  •  last post Apr 26th

The similarities between practicing martial arts and practicing the art of acting never cease to amaze me. Take this quote (unlikely to have actually been from Bruce Lee but still very relevant.) It can be applied word for word to our study and implementation of acting technique. There are so many schools of acting, and just like the various schools of martial arts, many contain valuable techniques and insights, but perhaps not everything will be applicable to each practitioner. Therefore, we as performers need to study widely, and find what works best for us as individuals, based on our own needs and the situation (script) at hand. Similarly, not everything we learn will be relevant or indeed work for us. One vital skill for actors (as it is for martial artists) is to identify what is working and what will hold us back, and discard the latter. Finally, the most special and important aspect of art - what is unique about us as artists and how we can manifest that in what we do. In martial arts, we start (in the classical styles) by learning patterns and then eventually move on to how to apply those techniques But along the way, the discerning artist will bring part of the themselves into those techniques and adapt them into something that is truly their own. And that's what the most successful and stand out actors do. They don't simply read the lines they are given, but inject the words and scenes with something different, something of their own experiences and souls, that lets you feel that performance, that moment, and lets you remember it for a very long time. The uniqueness that the best of the best bring is rare, but it's what any artist should be aiming for, no matter who their audience is.

Denver actors: is it possible to have be a full-time actor in Denver or other similar markets? by Less_Ad_7881  •  last post Apr 26th

I’m discussing moving here from another area and have already done some research and had some suggestions on good studios for classes and agencies to apply to. My question is just that: best case scenario, is it possible to make it full-time as an actor these types of markets, or would I be destined to only finding sparing, low low budget projects and school shorts or need to move again?

How can I improve my ability to talk for long times without my voice feeling terrible afterwards and being exhausted? by niclaswwe  •  last post Apr 26th

I am unsure if this is the exact sub for this type of question, but my guess is that Voice Actors have experience with this topic. Basically, when recording long audio sections for my videos, I always end up quickly losing power and stability in my voice, while generally getting heavily exhausted in the process, beyond the voice. What can I do to improve this? Take more breaks? Specific training? It feels really bad knowing that I will be extremely tired after just around a 20 minute recording.

ISO TWO MALE VOICE ACTORS by GoldenGuy1109  •  last post Apr 26th

Me and my small team are in search of two male voice actors to do leading roles in a webseries we are making. There would be around 6 chapters of the series. Each chapter at least 30 minutes long. You will get paid 100$ per chapter. Direct message me with an application.

Is there a place or resource that you recommend or I can seek to see what actors’ rates for filming? by Midnightchickover  •  last post Apr 26th

I just need to locate this type of information or possibly contacts to their agents.

Let's not complain by love_acting99  •  last post Apr 26th

\*note\* This is not judgmental, aggressive, or ranting, I am merely trying to be optimistic and bring something to our attention I've seen some people complain about film/TV work sometimes. Guys, I know it's more technical than stage acting (and theatre is wonderful), but at the end of the day it's still acting. We're still doing what we love. We love telling stories and playing characters that intrigue us, and that part doesn't change across any medium. And film/TV can be just as creatively fulfilling, especially with a lot of the *amazing* writing in TV I've seen these (I'm also an aspiring screenwriter so I'm picky with this stuff but there is a LOT of good writing in many series these days) And the indie film industry is super good too! And yes, waiting around is a part of the job, but a lot of the times if it's a good day we're filming at a faster pace on the film or TV show we're currently working on and/or we have more to do that day in general. Also, film/TV provides us with an opportunity to tackle new things every day. Is it hard to film out of order? Hell yeah, but there are techniques that can help us stay present even when doing so. And a lot of times in TV you go through one audition process for a role that appears in many episodes (whether it was written that way or you were added in more because they liked you!!) My point is, yes theatre is wonderful, yes we have more control as actors, and yes it's where I got my start, and yes I absolutely love it, but we don't have to look down on film/TV. In fact I hate it when people do. Film and TV can be just as exciting. They each have their pros and cons, and we need to acknowledge that. Just try to be positive. You're not going to hate every single experience you have in any medium, but you're not going to love every single one either but that's normal guys. Each experience you have is different and that's what's beautiful.

LGBTQTIA+ Actors roundtable by Failed2launch  •  last post Apr 26th

It is moderated by Ahab Talent, but I felt the responses by the group were authentic.