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Have Genuine Imposter Syndrome While Acting? I Have - Here's 1 Powerful Solution by Aaron Marcus  •  last post Jun 6th

Have Genuine Imposter Syndrome While Acting? I Have - Here's 1 Powerful Solution

https://youtu.be/NuUYOn7-eD0

Even some Academy Award winning actors (some are listed in this video) go through imposter syndrome. Watch the video and learn what imposter syndrome is about and a great way to overcome this fear.


An actor’s process for getting in-character - your moment of Zen by Geoff Hall  •  last post Jun 4th

Further to my exploration into Japanese Noh Masks, I came across this section in Udaka’s book ‘The Secrets of the Noh Masks’. He outlines the process of wearing the mask and getting into character.


Donning the Mask:

“Prior to taking the stage, the shitay [the lead protagonist] is dressed in costume and proceeds to the kagami-no-ma. This room is behind the curtain known as the agemaku that is raised and lowered each time an actor appears or exits the stage. As the name suggests, it contains a large mirror (kagami). While waiting for his cue, the shitay positions himself in front of the mirror to concentrate his mind, takes the mask reverently in his hands, and brings it to his face. In that instant, he is transformed into the protagonist of the story. Thus the kagami-no-ma functions as a ritual space where the magical powers of the Noh mask are instilled in the actor.”

This was the actor’s ritual or practice in a form of theatre that dates back to the 14th and 15th Centuries in Japan. What practice or ritual do you have to get you ‘in character’? Do you sense any ‘magical powers’ at work?

Below is a link to another post about my research of the Japanese Noh Plays, that I’m undertaking for a new project.

https://www.stage32.com/lounge/screenwriting/What-Lies-Beneath-the-Surface

Looking for representation by John MacNeil  •  last post Jun 4th

I am a very versatile actor that is willing and ready to take my career to the next level. I have been increasing my STARmeter being self represented and will continue with your professional assistance.

Publicity Weekly Coaching - Next group class June 8 by Lisa j. Pellegrene  •  last post Jun 3rd

Actors wanting to learn to increase the reach of your work by establishing your voice in the media, but a standard publicity budget is out of reach? I'm offering a weekly publicity management, group coaching class at a modest fee to teach actors how to obtain more interview opportunities and establish yourself in the media; so that you can discuss current projects, as well as what makes you unique as an actor, your goals, and how you can start booking interviews to create opportunities without a standard PR budget. This is something that every working actor (and those who want more opportunities) should know, so that you can take the initiative to secure media coverage to discuss your work. Complete the contact form at www.officiallisapellegrene.com (scroll down on the site) and I will get back to you with full course details. Those accepted into the coaching program at a modest monthly fee will also receive PR representation and will be listed as a client on IMDb.

Talent Agencies and their Strategies in Latin America by Geoff Hall  •  last post Jun 1st

“Casting companies often do the work of talent agencies all over Latin America, with the exception of Mexico, Argentina and, recently, Chile. In general, the Latin American agencies that do exist limit their clientele to actors, rarely focusing on directors or screenwriters. “A key reason for this is the high number of independent productions made by director/scriptwriters or directors working with their regular writers,” says Jorge Hernandez of Chile and Spain outfit IMC Management.“

Read more, here>>>>

https://www.screendaily.com/features/future-leaders-2023-how-streamers-are-bringing-change-to-talent-representation-in-latin-america/5182376.article? 

Your opinion matters by Ryan Thomas  •  last post Jun 1st

Do u guy think a CSI type of film will do well in the Caribbean? 

Talent Agent License Update by Matthew Gross  •  last post Jun 1st

About a month ago, I decided to explore the possibility of getting my talent agent license in California. So, I decided to run an experiment wherein I'm marketing myself to productions (i.e. a proof of concept -- how it is to be an agent). Within days of launching this great experiment, I landed an audition for a sci-fi film. The following week I booked a Lionsgate film. And this past week another audition. Here's what I've learned so far... 1) I did not need professional headshots. I produced my own headshots with the auto timer camera feature; I think todays casting directors, producers and directors are more interested in demo reels; 2) Rather than use my existing demo reel, I recorded: a) A simple slate shot; b) a 30 second mock commercial. I'm waiting for the strike(s) to conclude, so I can continue my experiment.

Ryan Gosling Tells Off ‘Barbie’ Critics Who Claim He’s Too Old to Play Ken by Ashley Renee Smith  •  last post Jun 1st

Personally, I'm really excited to see Ryan's portrayal of Ken in Barbie. I think he's a really fun choice for the role and I have no doubts that he'll do a good job. That being said, it's been interesting to see a male actor face such loud agist criticism over a role when this level of public outrage is so often reserved for aging female performers. 


I'm curious, what do you think it is about this role in particular that's riled people up? Do you think it's because Ken is such a classic "character" that has been around for so long and means so much to so many people? Or do you think it's because the doll's age has always been a bit ambiguous and we've projected our own opinions onto it over time? I'd love to know your thoughts!   

https://variety.com/2023/film/news/ryan-gosling-barbie-critics-too-old-ken-1235629115/

Danish actor looking for an agent/agency by Ricki Dahl Larsen  •  last post Jun 1st

Hi. Im a Danish actor and Im currently looking, for an agent who can help me find the right movie, and tv series castings. Im currently shooting a Danish Viking movie, and some shortfilms ( shortfilms are in post ) Write me if you should have any questions. Hope to hear from you. Kind regards Ricki Dahl Larsen

Thanks for the support Karma Folks!! by Per Hampton  •  last post Jun 1st

Thanks for the support Karma Folks!! And the Karma Team!

The Besties ... So Far by Fran Harris  •  last post May 31st

What's the best feature/movie you've seen this year? And why? (at a public theater or in your home theater via a streamer). I love AIR b/c I like the intersection of sports and film -- and I dug some of the creative decisions (no spoiler here). I loved OTTO b/c whatever Tom Hanks does works for me! 

Acting by Josiah Bhola Hillaire  •  last post May 31st

How do you as an actor get an agent?

Want to Share My 5 Unbelievable Personal Stories From Tom Hanks' Film A Man Called Otto by Aaron Marcus  •  last post May 30th

It was a very interesting experience working with Tom Hanks on his feature-A Man Called Otto

Use the link below to watch the video

My 5 Unbelievable Personal Stories From Tom Hanks' Film A Man Called Otto

https://youtu.be/ZE7xP7LZQZw

Love to hear about your experiences if you worked with an Academy Award winning or well known actor. 

That Awkward Moment by Terrence Sellers  •  last post May 27th

Got offered to audition for a feature last minute on Friday. Had to read with less than 24 hours notice, but it was only 1 page for the audition so I was able to learn the lines pretty quickly. I think the audition went well. I wish I had of taken the time to learn the lines of all the characters, because they ended up asking me to read for another character in the scene without any notice. Thankfully, that character's lines were even shorter, so I was able to adapt pretty quickly.


On the way out of the audition, a guy that I read with in another audition was walking in to read for the same role. It felt like one of those funny movie moments you see in films about struggling actors. 

SAG-AFTRA Inks “Groundbreaking” Deal With Cameo by Ashley Renee Smith  •  last post May 26th

SAG and Cameo have reached what the guild is calling a “groundbreaking” agreement that allows its members to work under a SAG-AFTRA contract and count their C4B earnings toward their pension and health benefits. 


https://deadline.com/2023/05/sag-aftra-cameo-for-business-deal-1235377077/

Jackie chan movies by Pacencia Bulawan  •  last post May 26th

watching

Why We Need to Think Carefully About AI by Nick Williams  •  last post May 26th

The ongoing writer's strike and upcoming SAG negotiations (sidenote: while SAG has sent out to its membership for a strike authorization vote, NEGOTIATIONS with AMPTP are what begin June 7, not a strike) have highlighted a number of issues that actors, writers, and other creatives need to be concerned with. One issue grabbing headlines is AI, or artificial intelligence. As it currently sits in development, AI is impressive but very early stage, and likely will be an excellent tool. The issue is the corporate push to develop AI in areas where we need (or frankly want) human creativity to be in charge, i.e. writing and acting. Actors, in particular, at every level need to educate themselves both on what AI can do (enabling convincing deep fakes) and how AI is put into contracts. SAG will have standard contracts, but it should still be read carefully. If you sign a contract signing over your rights to your likeness, you likely will receive only a one-time buyout (if the likeness term is in perpetuity) and then you've essentially taken yourself out of the market for that studio or company. If that contract happens to be with a studio like Disney or Paramount? That's a massive market gone. 


 These are my quick thoughts. I have a lot more, but just wanted to add my voice to the chorus calling out for the concerns of the deployment of AI in the creative sphere. We enjoy watching people live the stories we see on TV and streaming, or developing the stories behind the scenes. Let's keep these areas human. AI will have a place in the future. But its place is in service to what we need, not to replace us.

UNION support! by Per Hampton  •  last post May 24th

Artists against GREED! UNION support!

5 Powerful Ways Actors Can Create a Reel Even With No Experience by Aaron Marcus  •  last post May 23rd

5 Powerful Ways Actors Can Create a Reel Even With No Experience

https://youtu.be/nrHoHT-3f8c

 a powerful acting demo reel can be hard. Especially, if you don’t have the needed materials to create one. And, it is essential that all actors know exactly how long the reel needs to be and what/shouldn’t be in the reel.

Watch the video and learn 5 powerful ways you can create a great reel.

If you have created a reel or have some suggestions for other members here, please leave a comment.

Hope you get a chance to watch me get saved by Tom Hanks in his new feature (running on Netflix) A Man Called Otto.

5 Ways Yoga and Movement Helps My Acting Career by Ashley Renee Smith  •  last post May 23rd

Hey performers, be sure to check out today's blog about how yoga and movement can really help your acting career. There are a lot of great tips and insights. If you have any thoughts or questions, drop them in the comments section of the blog so that the author, Sara, can get back to you.


https://www.stage32.com/blog/5-ways-yoga-and-movement-helps-my-acting-career-3372