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We have found 19,354 posts across 4 actor forums:

Virtual table read by Rob Tobin  •  last post May 3rd

ACTORS: VIRTUAL TABLE READ. I'm a produced screenwriter and I'm casting for actors and an audience for a full virtual table read of my latest feature script, "The Good Americans." The goal is to get feedback for a rewrite and possibly putting it up as a stage play. Once we have a full list we'll schedule the read. No pay, but hopefully it'll be fun and valuable as a networking opportunity. For more info, please contact me at:




scripts90@gmail.com



Feel free to repost or forward to those who may be interested. Thank you.

What It's Like Doing Film Extra Work - 5 Items You Absolutely Need to Bring by Aaron Marcus  •  last post May 3rd

Do You Know What 5 Items Actors Absolutely Need to Bring When Doing Extra Work On a Film or TV Project? And, what it’s really like doing extra work?

Here’s the link to find out.
https://youtu.be/LfXsd3yR3sc

Al Carretta Stage 32 Blog - How To Prepare For A Role In An Indie Film by Al Carretta  •  last post May 2nd

Hello Stage 32'ers!


Here's my latest blog; 'how to prepare for a role in indie film'. In April, I released my 21st indie feature since 2010, 'The Chant Of July'.  As ever, it's all from my direct experience and observation of making indie films. Any questions? Please don't hesitate to ask me!

keep filming, 
Al Carretta

https://www.stage32.com/blog/how-to-prepare-for-a-role-in-an-indie-film-3350

Empathy and Acting by Tammy Hunt  •  last post May 1st

"Empathy is seeing with the eyes of another, listening with the ears of another, and feeling with the heart of another." 


~ Alfred Adler

Empathy is one of the most valuable traits that an actor can have in order to effectively step into the life of a character.
Empathy is the breath of every role.

#actor #empathy #life

SAG-AFTRA ACTORS EVENT (i.e. COMMERCIALS) by Kenneth Adrian Ellis  •  last post May 1st

Tommorow 5/2/23. Tuesday 5-2-23

Toni Collette Rewatches Hereditary, Knives Out, The Sixth Sense & More by Ashley Renee Smith  •  last post May 1st

A great video with Toni Collette talking about her past projects and sharing insights. I've always been a huge Toni fan and find her so captivating to watch. What's your favorite Toni Collette performance and why?


My favorite performance of hers is probably in United States of Tara, her 3- season dramedy on Starz. It's mind-blowing to watch her seamlessly transition between wildly different characters in a split second using small physical choices. 

https://www.youtube.com/watch?v=SYkNVTNZ8qc

Also assiting talent with agent pitches through my publicity management firm by Lisa j. Pellegrene  •  last post May 1st

Hi everyone! Through my publicity management company, in addition to securing media placements for stories about you, and booking interview opportunities to help grow your reach (and bring forth new opportunities!), my company is also assisting clients who are seeking representation (or new representation) with doing so! I've had a lot of success in helping people this way to match them to the right agent so if you are seeking an agent or manager feel free to reach out. Lisa@Officiallisapellegrene.com

Questions About Rates and General Assistance by crpicrchrfchr  •  last post May 1st

Hey there, been a lurker for a bit but this is my first time posting and I was wondering rates for a specific project I'm working on. So I'm making a comic, but I was thinking of advertising my comic by making short animatics (later on once the comic picks up more, animation shorts) I would like to hire 2 voice actors, (one male and one female) but I don't know what decent rates might be. Do most voice actors charge per hour or per line? Is it also unreasonable to have one VA play multiple parts? I don't want to insult anyone, and I would also like to keep the same people (eventually hiring more) every time I make an animation. And is there anything I need to keep in mind when looking for VAs?

Fill out your size card completely! by blbbulldog  •  last post Apr 30th

I am about to see actors missing out on bookings for a terrible reason... They do not have their Sizecards filled out on Casting Networks. If you are an actor, please check yours and make sure it is up to date. I know Casting Networks is not used as much as Actors Access, but if you have an account, update it! AND, did you know that if you have an agent they can create a CN account for you for free? You don't even need a personal profile if you have an agent! :)

Invest in your reel if you're just starting out! by edwardmoquette  •  last post Apr 30th

The usual advice is to got for shorts and student films so you can build a reel. But the truth is most of the good projects will ask for an actor's reel to for them to be considered, even for student films. So you might be scraping the bottom of the barrel for projects that might take over 6 months to give you subpar quality footage or that might never give you footage at all. You already invested in your headshots, invest in your reel too. How to get a good reel edit: What I mean by "invest" is pay money to shoot a good reel with any sort of reel services. Make sure to pick one that isn't overpriced. Average is usually around $500-$700 per scene. And the smaller companies usually do better work than the bigger ones. This wont fool casting directors into thinking you've booked, but you'll have high quality footage of your acting which will put you in a much better position than if you only had your headshots.

networking in short film scenes? by tunalung  •  last post Apr 30th

hello, a few months ago, I auditioned for a short film and didn’t get the role. the film is now in a more public form of pre production on social media, and because I’m nosy/curious I checked out the cast. as it turns out, the actor cast in the role I auditioned for has worked with the lead actor/writer in at least two other productions. I guess I felt a little flicker of annoyance, because why open casting to outsiders if you’re going to cast someone you already know. I’m also now wondering how much knowing/being known by production affects a casting decision. this is a small local film scene, mostly unpaid or low budget work. not trying to be too salty, but I feel a little discouraged because I’m waiting on reel footage and don’t have these connections (yet, I guess). I know casting a film is a series of complicated decisions that I’m not privy to, and all I can do is make my audition + materials my best. I guess my question is, how clique-y does local film tend to be? am I kinda screwed until (if) I’m in?

Actors access subscriptions by No_Landscape_1019  •  last post Apr 30th

Hey! So when I signed with my agency they said I wouldn’t have to pay for AA Anymore, I added them as representation but I’m still being charged. Should I contact AA or just cancel my pro subscription since I don’t self submit anymore? Thanks!

Questions about character acting by love_acting99  •  last post Apr 30th

Recently the idea of doing character acting has sounded appealing because the roles are very "out of the box" and character actors usually book more work because they don't play leads but what kind of roles do they play? Some character actors that I know of, I've looked at their IMDbs and they still have like credits where they were in over half of the episodes. Basically when they play smaller roles how small is it, because a lot of the roles they book seem like very heavily recurring roles to me. To me, if I can be a series lead or something one day I of course wouldn't say no, but I'm mostly interested in booking heavily recurring roles and guest stars. Should I go for it? Here are some character actors. As you can see, they all have credits where they are in a bunch/all of the episodes. \*Note\* I got these actors off of character actor lists from IMDb. [https://www.imdb.com/name/nm0555500/](https://www.imdb.com/name/nm0555500/) [https://www.imdb.com/name/nm0641354/?ref\_=nmls\_hd](https://www.imdb.com/name/nm0641354/?ref_=nmls_hd) [https://www.imdb.com/name/nm0048414/?ref\_=nmls\_hd](https://www.imdb.com/name/nm0048414/?ref_=nmls_hd) [https://www.imdb.com/name/nm0662504/?ref\_=nmls\_hd](https://www.imdb.com/name/nm0662504/?ref_=nmls_hd) [https://www.imdb.com/name/nm0011038/?ref\_=nmls\_hd](https://www.imdb.com/name/nm0011038/?ref_=nmls_hd) You get the gist of it

I'm considering making a demo and starting audiobook narration. Is a course necessary? by sah370  •  last post Apr 30th

Is a course like On the Mic for audiobook narration worth it (as one example)? Has anyone in this community taken it? (See [Part-Time Online Voice-over Courses - On The Mic Training](https://onthemictraining.com/online-courses/region-VA/cat-18-narration-and-audiobooks/) ) (I'm based in Toronto where the school is). It can't change your voice, make you into an actor (I'm not interested in becoming one), or guarantee you a contract. So I'm curious what value a course would have? Is it mainly valuable for practice rather than having to book studio time if you don't have a proper set up at home? There seems to be plenty of cheaper online options (eg. [13 Best Voice Over Training & Voice Acting Online Courses (2023) (myelearningworld.com)](https://myelearningworld.com/best-voice-over-training-courses/) ). But if such a class is indeed worth it, I assume it would be more better to take before producing a demo (or maybe you could produce a demo as part of the class?) ?

Serious question by gottablastislost  •  last post Apr 30th

I've been seeing a lot about Hollywood and all the shady parties and how actors had to sell their souls to get where they are today. As someone whose dream is to be an actor, that scares me. I don't want to ever go that route. Do you really have to attend those shady parties and sell your soul/potentially do some weird sexual favors for the producer? I've been hearing a lot about how your favorite actors probably had to do that type of stuff, and it scares me so much. ​ Just want to know how true that stuff is

DePaul BFA Acting vs staying in my Meisner studio by seemslikegoodidea2me  •  last post Apr 30th

So I’m currently towards the end of 1st year of a well regarded meisner studio in nyc. I’ve enjoyed it a lot, but also decided earlier this year to audition for some BFA programs for fun and to see how I did. I got into some good ones, but DePaul ended up giving me full tuition. I’m a few years out of highschool, and am very low income and dont come from money. I currently work while studying in order to pay for school and rent. I’m having a hard time deciding what to do. Is depaul still a good program? How is the training and the actors who come out of it? Bc idk if it makes sense to leave my current school, as I really like it. I’ll also be a couple years older than most the kids in my class. And I’m quite worried maybe I won’t like their approach. I’ve tried different classes and meisner has been the only one that I really liked and understood. But on the other hand, full tuition is a big deal (at least to me) and it be nice to have a degree. So I wanted to see if anyone on here had some advice.

Is Mike Henry a good voice actor? by Sir_FartyFartsalot_  •  last post Apr 30th

The voice of Herbert the Pervert btw

Stop posting about acting all the time on your social media. by bustergaming777  •  last post Apr 29th

Was working with a UK based CD recently in an admin role and she pointed out that if you just constantly post non-stop about acting, in particular especially with #actor you look desperate and green which puts her right off. Show more of you and being a real human from time to time. She did mention one Uk actor on Twitter by name too, who I’ve also seen constantly post shit like that to the point it’s over bearing. Just be aware that they are.