Which is easier and makes more sense: Going from Filmmaker to Actor OR going from Actor to Filmmaker? [View Poll](https://www.reddit.com/poll/kbiv6u)
Hi! I'm creating a senior thesis project documenting the process of creating theatre virtually during these restricted times. I am directing an original play over Zoom and am looking for actors! I have organized a production team of individuals who have worked on virtual productions previously. This is a non-profit production and therefore actors will not receive pay - this is an educational experience for both myself and others involved as we traverse the journey that is creating new work in a virtual setting. Auditions are a one minute contemporary monologue either on Zoom December 14th or by submitting a self tape by December 14th on the form below. Here is the link to the Casting Call and Casting Breakdown: [https://docs.google.com/document/d/1hAHbfKDMEUtyKzDgAW6Yw6MjUVjUrkD-BX69lwwRcYo/edit?usp=sharing](https://docs.google.com/document/d/1hAHbfKDMEUtyKzDgAW6Yw6MjUVjUrkD-BX69lwwRcYo/edit?usp=sharing) Here is the link to submit for an audition: [https://forms.gle/ted6BD3RbtecrAwn8](https://forms.gle/ted6BD3RbtecrAwn8) ​ If you have any questions, let me know! Really trying to find actors who want to have fun and be part of this process.
Hi everyone! I'm planning to make a podcast (beginning production in mid-2021) about acting (main focus) and related professions (eg: directing, producing, screenwriting/playwriting, dialect coaching, etc.) to answer important questions my audience and I have. I'm planning to have a lot of different guests with a diverse range of skills and qualifications coming on to answer these questions. What are your burning questions? At this stage, I have some episode topics planned out, covering what you need to become an actor (resume, headshot, demo reel, agent/audition resources), useful skills, training and more. However, my topic list is far from complete because there's always so much to learn! Also, if there's anyone you'd like to hear from on the podcast, I'll do my very best to have them come on the show. I'll let you all know when the podcast is launched!
I always hear people say to “go to acting class” and that “you don’t have to have a college degree in acting to be successful”. But what is the alternative if you can’t afford to attend acting classes? William Esper, Stella Adler, Groundlings, American Conservatory Theatre, etc. all but never provide aid and scholarships to students. It seems like really only people from wealth can afford to attend these classes. So then how does someone even break into acting? People say to apply on Playbill or Backstage, but casting directors pretty much never choose actors without somewhat professional credits, let alone what’s considered good or prestigious training. So how does someone even get their foothold in the professional acting world if they can’t afford classes? Agents rarely accept cold submissions, particularly if you’re 18+ and you have no training.
I finished The Undoing and thought it was amazing like I'm sure many of y'all believe, but I've heard a growing sentiment of not enjoying the ending. I thought the acting elevated the story (even if you could see it coming from a mile away), but I feel I'm looking at with 'artist eyes'. Anyone else have opinions about the show/ do you view shows and movies different since becoming an actor?
I’d like to hear how you personally, as an actor while working a survival job, do this? Like, the only kind of job I can think of that would allow you to leave work for a week, a month, or several months would be that of an acting/dance/musical theatre college professor. I’m trying to understand how you work while also pursuing acting personally. Does your job allow you to miss work over and over, even if for a month? Or do you keep resigning from jobs and finding new ones over and over?
I auditioned for Juilliard’s drama program recently, and I know quite a few actors from the school who’ve graduated in the past one to five years, all of whom are now signed with the Big Four (CAA, ICM, UTA, and WMA) and have successful acting careers. Here are some tips to increase your chances of at least getting a callback. - Be creative and memorable! This past week, an actor got a callback after he performed a contemporary monologue using a colorful hand puppet. This was not only creative because most students don’t use props in their auditions, but also because he used the virtual Zoom setup to his advantage to pop the puppet into the frame. For his song, he sung traditional country, rather than singing a musical theatre or pop song like most students. - Your acting matters much more than your age does. The aforementioned actor was called back after pursuing an undergrad degree, and he’s in his 30s. Several students admitted last year were either transfer students or pursuing their MFAs. - Try to audition on the first day. A large number are chosen on the first day. For last year, five of the actors who are currently attending were admitted after initially auditioning on that day. - Be mindful of the monologue timing. Faculty did complain about a few actors going over their time limits. - Choose monologues that not only speak to you, but also shows your talent. It’s an added bonus if the monologues you perform are not well-known.
Which is more selective? And which is better in your opinion for a BFA in MT? I’m looking to attend college in (or very close/commutable to) NYC. I was rejected from Juilliard. I got a callback for the BA in Theatre Performance at Fordham, which is in the next few weeks. So I’m really just down to Marymount and Pace. I was accepted for MT at Marymount. The only thing that turns me off about Pace is the lack of successful actors in terms of notable alumni. For some reason the faculty is great, but there’s only a handful of successful acting alums. I do already have two talent agents. But due to the pandemic (and maybe because I’m a dark-skinned minority) I haven’t been getting many auditions. But what are your thoughts?
I do background work, and all I know ahead of time is what day the project I’m submitting for will shoot. It’s not until the night before (and it’s getting increasingly later in the day) that I find out what time. Last night I found out my call time for today (Friday) was 2:30 PM, which quickly changed to after 4 PM. This must affect principals, right? As a principal actor, do you have any better idea of your call time, and does it change often?
Not sure if it's appropriate to post a casting call here or not, but I don't see any other subreddit about this specifically for NYC actors... I need a middle-aged female actor on Wednesday December 16th 10 a.m. or 12 noon for about 2 hours, filming a scene for a promo video at a psychotherapist office ( West Village area, closest subway station: 14th Street). Very straightforward, minimal acting required, and just a bit of speaking with the psychotherapist, looking sad, looking happy, looking animated, maybe pretending to cry, looking down head in hands that kind of thing. Anyone interested, please DM me and I can give you details. Paid gig.
I'm curious to understand if this is a thing. From my PAST experience, auditioning with a monologue from TV & Film was a HUGE no no. The material had to be from a play, which did and continues to allow lazy actors to buy those Best Monologue books without reading the play and therefore failing to grasp the full circumstance and relationship, BUT at least their in the right arena. For what purpose as it is most likely that the original performance bleeds in to some measure?
I've been following her twitch recently and YouTube channel for years (shes a CD that books actors even without reps via Actors Access etc). She talks a lot about her educational membership called AWS. Is anyone a member and if so, do you find it helpful? I took a pay what you can class over the summer and it really didn't resonate with me but that was just one workshop, I know lots of things are offered.
Hello! I'm an aspiring voice actor and I started my voice-over journey in May of this year. I've recorded all my audio on my phone microphone since I started. I'm now planning to upgrade my setup into something more professional but on a budget. I have about 250$ and this is what I'm planning to buy: -Audio Technica AT2020 (XLR) -PreSonus Audiobox USB 96 And they'll run me about 250$ from where I live. So I've been thinking... Am I going overkill on this? I'm a 15 year old with quite a deep voice (check my profile for samples) and I'm working towards a voice acting career. But am I moving too fast? I don't have a lot of money and I sure would love to keep some of the money I saved up after buying a new mic so... Is this the right way to go? I've listened to a comparison on YouTube between the AT2020 and Blue Yeti and I barely noticed a difference. I also listened to a comparison between the USB and xlr versions of the AT2020 and again, could barely notice a difference. I'm in this to make a career and to move forwards with my life because I see talent in myself. What is the right choice to make on my limited budget?
I mean, the title pretty much sums it up, but I just saw all the announcements and couldn’t stop thinking about how they own almost everything now, and all of these new projects starring well known actors, and I began wondering if this could result in less opportunities for those actors that haven’t made it to Hollywood yet, or if it’s actually the opposite.
Like, obviously I know it’s a good career move. But why exactly? Wouldn’t the former agencies get the same breakdowns/auditions for their clients as the Big Four?
I’m asking because I’m curious how it works. Obviously they don’t post on like Backstage or AA (or if they do, I’ve never seen it). Is there somewhere else they post it? For example, Disney announced today that they will be making a Fantastic Four movie. Do they post somewhere for all the roles? Or just invite actors/actresses to audition who they think would work?
I am 26. I have no acting experience except for in middle school when I took one semester of beginning drama and then moved up to advanced before the next semester(boo-yah huge upgrade). Sorry for the run-on sentence!! Here goes... How do I become an actor?