How did you start getting into the show business industry? What steps did you take? What workshops did you take? Tell me everything, share your story from one aspiring Filipino actor to another.
*I did search before posting this, but if I just suck at searching and this has been suggested a million times already, feel free to close/delete the thread!* This is something I'd like to see all game sites do, to be honest. I feel like the actors, in particular, are largely left out of the consciousness of gamers. We never see their names or faces, and save for the famous movie actors or those who just happen to have given extremely popular performances, we would never know anything about any of these people unless we trawl voice actor websites hoping to find the one that employed them. It just seems strange to me that the people who we connect with most in the games we play - those voicing the characters - literally get no mention whatsoever (except in the end credits after the game has *already been bought and completed*), meanwhile the publisher and dev studio get top billing. We know more about who provided the middleware for the cloth physics in our games than we do about the person who poured their soul into a central role. The first thing you see when the game starts is a wall of text describing just about every company involved in the making of the game, information virtually no gamer cares a jot about, but if we want to know who acted in the game we either have to beat the game and watch the credits, or go "offsite" to IMDb. IMDb provides some relevant info, of course, but I don't think this is adequate or, frankly, respectful. We (i.e. the games industry) should have our own thing in addition to IMDb. If not on the Steam pages, then as a central website covering all platforms. But at the very least, Steam could list the actors' names (or rather, provide a means by which dev studios could add actors' names in a properly-presentable way, with headshots etc.) directly on the game pages or as additional pages that can be clicked through to. Even IGDb doesn't provide any of this info, which to me seems a waste of a perfectly good domain name! P.S. I'm not a bitter voice actor languishing in obscurity, in case you were wondering. I wouldn't call it *languishing*, it's really more of a harrowing sense of cosmic abandonment. P.P.S. I'm genuinely not a voice actor!
Hi everyone, Hoping this is the right community for this but at the moment I am looking for some voices for a comic dub. The voices I am looking for are the following: 1. Female protagonists (child) 2. Motherly voice 3. Nice seductive demon voice 4. Old man voice, narrator There will be more voices as the comic progresses however at the moment these are the only ones needed. If you could please send me your discord or email address along with a portfolio of your work that would be very much appreciated. Also please attach how much it is for a certain amount of words. For example, 5 dollars for 100 words etc.
Hey I’m wondering if anyone else experienced this, but I’m realizing that I get really bad anxiety whenever I attempt to self tape. Like I start over-analyzing each minor action, gesture, pitch change, pronunciation.... it just drives me insane. This doesn’t happen whenever I’m performing. In fact I feel most confident when I’m in front of an audience. With the whole covid thing going on, a music video that was originally supposed to be choreographed in person will now be choreographed virtually. The choreographer asked for me to send video of a hip hop freestyle performance and I was about to record and after procrastinating for hours, I finally mustered the courage to set up my camera and as soon as I started dancing it was as if I had no idea how to move lolll and I’m actually a good dancer. (I know this is technically not an “acting” example but I’m also an actress; this is just something that happened a few minutes ago and the feeling is still fresh) I’m just wondering if anyone else has had this sort of anxiety about self taping and how they overcame it/are working through it. I see a lot of people say that they have anxiety with performing on stage or in an auditioning room but no one really talks about self tape auditions.
Hi everyone! I had a limited experience with theatre acting when I was a teenager but I had some friends who took acting far more seriously, did commercials and tv shows, had agents, joined ACTRA (Canadian actors union), and so on. I got in to a discussion today about credits and crediting practises which lead to the questions at hand. What are the main differences between the (American) stunt persons's union SAMP and the (American) acting union SAG-AFTRA? Why would a stunt person be in SAMP and not SAG as I can see stunters are eligible for SAG? I gather they protect those with different skill sets in different ways. I'm looking for advice from those with intimate experience to help me navigate the nuances. To join the actors union you need a certain amount of credited acting (ie. speaking) roles. To join the stunting union I assume it's the same/similar. Do more stunters not do "acting" in the traditional sense but sometimes actors do stunts and are therefore covered by SAG for both? Thank you so much in advance everyone!
For some reason I’m unable to find any good scripts to practice while at home. Does anyone have any recommendations or links to any good ones. It can be a male, male or male, female scripts
Hi I'm an international student in France and I'm about to graduate from a film school where all the methods are taught in English, but i'm not sure if there are jobs for someone like me who can only perform in English. also if i don't find a job , i have to leave France. on the other hand i really want to build a strong resume here and there as an actor/MoCap artist/voice actor so i could travel to L.A. someday to get better opportunities and reach higher levels. is my plan even possible ? what do you recommend ? thank you.
Like The Witcher, Sex Education, etc... how does an actor who is not represented by an agency get the attention of the UK Netflix CDs?
What is a good number of auditions that a voice actor should do in a day?
Hey everyone, I've just moved to London and I'm looking to get into background acting/Being an extra, I do not have much experience besides filming a few long lost documentaries à few years back and being in a few just yammering about a music scene for a few minutes, Anyways does anyone have a few pointers of where to start? I've looked up a few of the more popular websites but getting mixed feelings about them at the moment, if anyone has any experience with them please do share.
Recently, I started working on a short film to pass the time during quarantine. However, I'm the only actor in it. Usually, I am a better actor when I can play off of people. Any ideas of how to express myself without anyone there?
Whenever I see actors (Martin Freeman and Cate Blanchett come to mind) doing anxious roles/scenes, I can't help but notice how, even though they do a really good job at seeming anxious, they also seem maintain impeccable bodily/facial coordination. I mean, they have to, or else the scene wouldn't work, right? I'm not an actor nor an expert on acting but I believe actors usually get themselves to start crying or getting emotional not by pretending, but by actually thinking of something emotionally distressing to elicit a real, physiological response. But with real anxiety, generally you get tunnel vision and lose fine coordination skills & overall "control" of your actions. You can see how this could make a meticulously crafted dramatic scene fall apart pretty quickly. Still, somehow on top of creating the impression they're under a great deal of stress, good actors are able to time and deliver their lines+facial expressions so naturally and coordinate themselves reactively to whatever's going on in the scene - things that require tremendous control over your actions to pull off. This leads me to the question of: Are they really getting themselves to feel anxious and somehow overcoming the side effects, or are they actually calm, cool and collected before, during and after the cameras are rolling?
Looking for casting directors that give out helpful tips to actors on their Instagram for example @ccrcasting has Q&A’s on her stories and they very helpful. Or any that you would suggest that are a good follow. I enjoy seeing their content. Thanks!
Time for a question. I was watching the film Black Swan the other day, and there a few scenes of the main character setting up and practicing rudiments in front of a mirror in her own dance studio at home. I then re-watched Whiplash, which has similar scenes of the main character going over and over and over his rudiments. These films, along with conversations I've had with friends on how rehearsals in our living rooms feel vs. rehearsals in our studio space, and acting being a art form to be witnessed, coupled with the state of the world right now got me thinking; is there any equivalent way that actors can practice the rudiments of their craft at home, beyond the obvious and necessary vocal and physical/movement exercises? What form would those rudiments take? Would they be mechanical and technique based, or more free form? Would it be a case of picking up a new script every week and deep diving into character building and line learning to develop those skills, or is there something simpler or more complex that needs to be done? It's a question that's been bouncing around my head for a few days, so i thought I'd get everyone's opinion and maybe have a quick discussion.