Hello! I had found a basic film making course that I was interested in, and i was wondering what people thought about it as someone taking it as someone who wants to be an actor/director. My thought behind taking it is i have never worked around a camera before, just doing theatre, and I thought any experience around a camera, and understanding with the film making process will make it easier to pursue if I want to do film as well as theatre. Hopefully my though process is clear enough for any help, thanks
Hi everyone, I’m a newer actor and I’ve realized how hard this is to do on my own! I love staying up to date on the industry and doing my own market research, but I see the value in having an experienced manager act as a second brain and to help me get connected to markets other than LA. How did you find your manager? Did you go through bad fits first? What tips can you toss out for us absolute newbies regarding management in general?
New to actors access. My daughter (14) has had one role in a movie that hasn’t been released yet. We had professional headshots done and they are uploaded. Her measurements are posted and current. We don’t have audio (not sure what to include?). We have submitted for a couple roles through actors access “add to cart, $2” but never receive emails to indicate anything happened or confirmation… Just not sure how this works or if I’m doing this right. Help?
hi there, i plan on being a voice actor for anime and video games after i get some acting and voice-over training done, as well as some experience. this is an eventual goal as i have a lot of work to do. however, i want to enter the US market but i live in canada. would it be possible for me to work with an american agent? do they sponsor foreign VAs?
Currently getting some meetings with acting agents, some of them are interested but not sure which to go with. Is there a Glassdoor for actors experience with specific agents?
One of the things that we have been most surprised about over the past few years is how little direction actors get on set. From major network prime time shows to streaming network top shows to feature films. The most direction we have seen/received has been in shorts or student films. I think when we started this journey way back when, we expected that to be a bigger part of it. The directors we have worked with spend a lot more time on the technical details than they do on the performances. Maybe its just a compliment that things are going well, but im curious what others are seeing in terms of direction for the actors on set. Not things like blocking, but actual performance notes.
I'm rather new to acting(I'm 28 so I'm old too unfortunately) and I've just started taking classes, I finished my first one last month, and I'm going to school in the Fall for Theatre, but I've noticed that economic conditions are pretty much at it's worst point in history excluding the depression(high costs of living, rent, food prices, insurance costs, low wages) and I was wondering, how do you make the jump to television and film acting without already being rich or coming from a well-connected background? Most successful actors you hear about waited tables(which was good for flexibility in auditions) but that seems laughable at this point for people to replicate since in most hub cities rent prices are ridiculously high and nobody can pay for that, especially hoping that tips from waiting tables will sustain you. How are you supposed to live on tips when people are tipping less than ever before because they're just as crunched for money as you are? Even places outside the hub cities are rising in cost, unless you wanna live an hour+ away which is unsustainable in it's own way. Is there something I'm missing here, or is it just hope that a pie falls from the sky because acting is just a hobby now due to late-stage capitalism and not supposed to be something you can do for a living? ​ Thanks for reading and sorry for being a doomer but I hope I'm just misinformed haha
As a layman, I hate or love his stuff. No in between lol. Unbearable weight I loved. Mandy, not a fan. To me he’s all over the place and I literally can never tell what I’d like from him. Really curious what people who study the art actually think.
Hi! I’m just wondering has anyone register for central casting? What was the process and what should I expect and what was your experience? Are there any other casting agencies who hire background actors?
I recently saw that Paul Mescal, after receiving an Academy Award Nomination for his beautiful performance in AfterSun, just won an Olivier Award for his performance on stage for “A Streetcar Named Desire” I’ve been absolutely captivated by Paul’s journey, mainly because he doesn’t come from the confines of the Hollywood nepo system — he doesn’t have siblings or parents in the industry like Timothee Chalamet, he hasn’t been acting since he was a kid, and he’s come this far entirely on his own merit. My main question was, he only attended the Lir Academy drama school in Ireland for 3 years, which is where he started truly learning acting. With no on-camera resume (he did no short films, etc), he made such a huge jump from a small CV/resume of four-five theater shows (if you look at the drama school page), to doing such high profile work. Those mainstages were undoubtedly rigorous but the 180 in his career from amateur to professional is massive He couldn’t have possibly learned to be such a great actor, which takes decades to learn, in like 3 small years (he basically did though). I assume the training’s the same for everyone. What makes Paul different from the rest? How can actors in drama school replicate that kind of success and work ethic? I’m an acting student at NYU right now and I’ve always wondered how usually a handful in a sea of hundreds of BFA students over decades “make it” And the rest don’t. I read somewhere that he bagged his Curtis Brown / UTA representation by the beginning of his 3rd year, which is where all these high profile showcases to get you those kinds of reps happen. He’s done outstanding work, but in a sea of actors, he’s basically catapulted to being EVERYWHERE. It’s like he didn’t even need The Lir or that showcase year and he just did it on his own. Is that a luck based thing (getting spotted out of all those actors, lucky break, hard work, you get acclaim), or is it based on his representation really campaigning for and submitting him for the best of the best, on top of him being exceptional and stuff.
Hi, my names Kyle. I'm currently in high school and l aspire to become an actor within Hollywood! I'm currently going to this summer camp Called "Stagedoor Manor" and I was just wondering if it's worth it. Thanks, all help is deeply appreciated. I just planning to be acting in "action" movies as well.
Hi Actors of Stage 32! I got started in the industry playing Tom Hank’s daughter in CAPTAIN PHILLIPS, and know what it’s like to ride the roller coaster of this industry. I want to help you get started, or help you level up your career in a major way at Stage 32. We have an incredible roster of mangers at Art/Work, Citizen Skull, Zero Gravity who work with actors and have told me personally they are wanting to connect with new actors and are always building their rosters! If you are ready to level up feel free to write me at success@stage32.com and I am happy to help point you in the right direction for your next steps!
BEWARE
This week I speak with Brent Mukai as he walks me through the competitive world of voice-over acting. He has voiced roles in Ratchet & Clank, One Piece, Attack on Titan, My Hero Academia, and many more. From his childhood days in Hawaii watching Who’s Line is it Anyway to his successful career in Las Vegas, Brent discusses various challenges he’s faced ranging from the fear of failure in Asian culture to learning how to whistle. Listen in to hear about his exciting roles on various anime favorites and his pitch for landing a role on Moana 2! [https://podcasts.apple.com/us/podcast/episode-10-brent-mukai/id1607747140?i=1000565269208](https://podcasts.apple.com/us/podcast/episode-10-brent-mukai/id1607747140?i=1000565269208)
hi :) I have a problem and would love advice so basically I can start acting lessons in a few weeks or I can start in September and I don't know which to do I feel like if I start in September I can buy some acting books and watch YouTube videos so I can learn to act better , I have already learned a lot but obviously not enough to be a good actor lol. I feel like if I start now I'll just be horrible and embarrass myself, but September is a loooong time away. I'm nervous to start so don't know if I should just get into it or practice myself for a few months. Any advice at all is appreciated thank you for reading this
I have a final callback later today after doing multiple auditions and need a little advice. The email states, "There will be no readings during this meeting. Instead we are sending you the full script, and want to hear your thoughts about the film, the characters, etc- Keith will have some questions for you, but for the most part, it will be up to you to bring your thoughts as an actor to the table! " I've made some notes that I'll bring up, but what are some good generic questions that you would ask about a script and or the writer?
I recently auditioned for my first high-paying acting job! A lot of people auditioned and I don't actually think I got the part, but I keep checking my inbox because the anticipation is killing me. Anyways, here are the details: The audition notice was sent out March 30th. It's for a supporting role and the deadline for sending in a self-taped audition was April 3rd at 9am. Filming dates are April 17th-May 5th. They reached out to actors in neighboring states, so I'd assume they'd want to cast the part sooner than later to account for travel. I know it's only been a day, but do you think they already casted the part? In your experience, how long does it usually take to cast someone under these time conditions? Sorry if this question is kind of ridiculous, I'm just really anxious because I've never gotten an opportunity like this before Thanks!
For example: A Co Star one liner on a union network tv episode but the actor is non union. is the pay still SAG rates? Also, if booked this role, then are you immediately SAG Eligible?
I'm just curious if/how SAG/AFTRA or the AEA supports actors with chronic illness. I have chronic migraines and occasional IBS. I can understand from a financial and deadline perspective that hiring actors will chronic issues is a liability, but I was curious as to how the actors' unions handle it. What protections are there for actors who already have medical concerns, if any? And what happens to actors who suddenly become chronically ill? And also, any tips from actors who struggle with chronic conditions are greatly welcomed!
I got a zoom callback for an audition for a high profile film. I am a teen actor and as a kid my only acting experience was in my local theater. My parents are extremely supportive and it wasn’t till 2020 when I got an agent. I have auditioned for many films, including student films, but never got as far to the point of a call back. I know I am extremely unlikely to get this role but I am extremely attached to the character and I don’t know how I’ll move on if I don’t get this part. I also want to know the likeliness of me getting a role this major.