"WTR Cities" will officially have (9) more dates before wrap and post production. We need your help! $1 or sharing goes a long way. Sci-Fi adventure in production https://www.indiegogo.com/projects/wtr-cities--3#/ Thank you, https://www.imdb.com/title/tt24068210/
Dear actors and actress of reddit. What were some of your first roles?
hello! i was wondering if any chicago actors know anything abt stavin’s talent? if you’ve heard/experienced anything good or bad with them, pls lmk! thank u
Anyone else feel like there’s changes to the casting process that we haven’t really caught onto yet? Wanted to create a thread of things we’ve been “told” function a certain way (and maybe they did pre-pandemic) but experience is telling us otherwise. Here’s what I’ll start the list off with- - callbacks and producers sessions before any booking- almost every role I’ve booked has been directly off tape, from co stars to guests to recurs. I’ve had producers sessions for large lead/series reg roles but that’s about the only instance I’ve seen them happen. - only a small number of actors are sent to producers- I don’t think this is true any more with how common self tapes are now. I think because the pool of people casting is seeing is larger, the selects pool is larger too. Before I’d hear about 4-8 actors per role were sent to producers- now I’m hearing 15-20. - don’t exactly know how to phrase this one, but I think casting was more involved in the decision making process before. Definitely feels like now since everything is virtually done (and more specifically over email) they don’t really have the same insight into production’s conversations the way they used to. So the feedback we get is vaguer. Any thoughts/things to add?
We try to attend as many sag screenings as we can because we have learned that the actor panels after the screening are some of the most insightful we have ever seen. The actors on stage know that they are talking to an audience of actors, so the things they have to say are often very tailored to that audience and aren't things you'd normally see them talk about in an interview. You really get to hear some inside baseball from both actors and directors with some details about the craft that I've never really heard anywhere else. I'm curious if others that attend those events feel the same way and, if so, what advice or observations you've heard that were the most impactful. For us, it was probably a screening of Dune where Oscar Issac was talking about his role as Leto. The moderator was saying that when the casting was announced, he couldn't picture Oscar Issac as Timothee Chalamet's dad, but when he watched the movie, he was blown away by the performance and completely believed it. He was asking what Oscar did to make that work. Oscar's answer was that it wasn't his job to convince people that he was Timmy's dad. (yes, he called him timmy ;) ) It was Timmy's job to treat him like he was his dad. He said that an old acting coach of his had asked them once, "If you walk into a royal court, how do you know who the king is?" It's not the person that claims to be the king, it's the person that everyone else treats like the king. So he sees it as his role to reinforce everyone else's performances and for them to reinforce his. So if he was believable as Timmy's dad, it was because Timmy sold it, not because he did. It stuck me as such a generous way to look at acting and a way to take the pressure off ourself and to think about your role as primary helping other people. Most of us are better at helping others than we are at helping ourselves, so making your acting focused on helping others takes a lot of the pressure off of thinking about having to carry yourself. Not sure why that stuck with me so much, but it has helped a lot with the kids booking roles and working on set as part of a team. ​ Any other thoughts that jump out at other attendees?
To quote from her book: "If you are affected in your daily life, calculatingly self-aware in your relations with others, you will undoubtedly be a bad actor, because your attention is narcissistic. If you have acquired these affectations in your teens and have not shaken them by the time you are twenty, you are in trouble. After all, if you possess borrowed behavior in life and focus on it rather than on others, how can you be really active on stage?" When she says "affected", she means self-consciousness that is applied to an awkward or "affected" person. I suppose I am, in Uta's terms, "affected" because I am socially awkward with others and I worry about what people think about me a lot, I'm very self-critical, and self-loathing. (I mean, if you take a look back through my post history you'll see what I mean). I am 22, which means in Uta's words "I'm in trouble". I personally feel like what she's saying is wrong, and I kind of take offense to it. I mean, I'm sorry I haven't shaken my emotional baggage and self-loathing off yet, but I don't think that's the right criteria that will determine whether or not I am and will still be a bad actor. Is what Uta Hagen is saying in the passage above true that someone like me will undoubtedly be a bad actor? Or is it just another great influential acting teacher spewing bullshit in the name of her own ego that only certain people can become actors?
What does stretching yourself as an actor mean? I want to stretch myself as an actor, artist, and human being, but I’m plagued with self-doubt. I’m wrestling with the fear of it being too scary, too hard, that I’m not capable of stretching as far as I’d like to. Any advice for not being affected by this doubt/fear AND stretching myself as an actor and artist? Those who have stretched and played roles they thought they were not ready for or incapable of doing, how did you overcome that wall and succeed? Or how did you overcome a challenge or step outside your comfort zone for your art and how did it affect you?
I've taken a couple of online empathy tests and quizzes over the past couple of months, and I've received low scores...lower than what I'd like on most of them. I'm not a sociopath or a psychopath, just to clear that up right now. But I'm seriously afraid that I have lower empathy than necessary to be as good of an actor as I can be. How can I inhabit the life of another person when I don't have as high of empathy as I want? I don't know what has blocked or decreased my empathy but I need to fix it. What do I do?!! Second, I'm afraid I'm lacking in high amounts of imagination. I just have this feeling that my imagination is not as strong and as rich as I feel it needs to be for my acting. I'm seriously internally worried and freaking out guys. I worry that my lack of empathy will not only lead me to not being a very good actor but that it will cost me future relationships. (Being an introverted, cerebral loner with ADD and anxiety disorder, I don't have that many strong relationships or friendships anyway.) How do I fix this? What can I do to solve my imagination problem?! Please help!
I’m from the rough bad part of Philadelphia anything could happen at any given moment I’ve been in 4 movies & tv shows one of the shows had my name in the title you google my name it’s the first thing that pops up What you think would be the criteria for me to have Actor associated next to my name? Or would it just be “20 year old from north Philadelphia”
It's about my previous post that was deleted - I shouldn't have added my voice sample (sorry about that). I didn't do it intentionally. For a brief moment in 2015 I was considered by Capcom for a motion/performace capture role of Leon in RE 2 Remake. From what I now know, I lost the part early on. But here's the mistake I did: I have a formal vocal training, but at that time I was more focused on pure mo cap. I completely failed to advertize myself as someone who could provide voice over work in addition to motion capture. In the end, Capcom hired a Romanian model for mo cap and an American voice actor to create the character of Leon. I should have presented myself from the start as someone who potentially could do both (just as Eric Johnson did in SP Blackist). I was lucky to be considered but luck isn't just luck; it's preparation meets opportunity; well I had my opportunity but I was completely ill prepared; I had no monologues recorded at that time that I could send them just in case. It may sound trivial but we got only one chance to make a first impression - it's true in life and it goes double for auditions. Also, it's always good to list your set of skills and experiences, we never know which one will give us an upper hand during an audition. Thanks that I could share my story.
Things that you feel help connect you to your craft even if you’re not actively auditioning or help your overall mentality in this crazy industry.
Hiya, I was wondering what rehearsals look like for understudies in smaller productions. Do they use people from the ensemble, and then redistribute any lines from that actor's characters amongst the rest of the ensemble? Or do they have someone just hanging out backstage/on speed dial to cover the role? With smaller productions you wouldn't be able to afford swings to cover understudies who are also a part of the ensemble, so I wonder where they would get the understudy from. Furthermore, what would their rehearsal schedule look like? In an ideal world, they would attend all of them and get to practice in some run-throughs so that they have the show down solidly, but with smaller productions I understand that they probably couldn't afford to do that. I like the idea of all the understudies running through a show together, as to me that works in a practical sense, but I'm not sure if it's common practice. If someone could help me out and perhaps even provide their own experiences, I would really appreciate that! I am just about to go to bed, so if you're confused about anything that I've said, please ask and I will clarify/clear things up. Thank you so so much! EDIT: What happens about costumes? Do the understudies get their own (if slightly shittier) versions, or do they just pray that they fit into the original actor's? If it's the latter, what happens if they don't fit? Thank you!!
So, I was recently featured as a SAG principal performer in a massive commercial for none other than the US Army. Principal performer on broadcast and digital, playing in movie theaters, and probably playing for a long, long time. Expecting some serious $ Fast forward to this morning. I wake up, and apparently the star of the commercial, Jonathan Majors, was accused of domestic assault. The Army Pulled the commercial today, put it on 'pause' according to official statements. You guys can imagine the thoughts racing through my mind. What do you guys think will happen? Has any of this happened to anyone here, in terms of acting in something that gets SHELVED? Can payroll switch the cycle length for my payment and make it really small, like retroactively go from 13 weeks to 4 weeks? It literally aired for like 2 weeks ;-( Do you think that there's a chance the commercial will be used again? I am reading that there seems to be a huge legal effort to clear his name, but... damage in the court of public opinion has been done, this being 2023 and not 1776.... the Army has spent 100s of millions on these spots to bolster recruitment numbers, I can't imagine the hit their effort would take if they couldn't air any of their tentpole spots for the months it would take them to film something else. And that's not even getting into Disney's vested interest in this guy. I'm just one of the many small players in a massive machine, but I selfishly am hoping that somehow these spots come back on air. Of course, I'm also hoping that justice is served. TLDR: I was a principal actor in a US ARMY commercial which was just pulled because Jonathan Majors- the star of the spots was arrested and accused of assault. Crazy times
So I was an actress (lol) in college and a bit beyond. I left because I like money and I had another viable career choice- and now I am 50 and I want back in. I need your advice. How do I get an agent. What do I do? Super stardom has passed me by, but would love to get some character actor roles!
I am a white female in my 20s. Maybe my perspective doesn’t need to be elevated. Part of me wants to stop doing the whole thing because there are women I know that have NEVER SEEN someone like them in a leading role.
Keep in mind that the ones who didn’t go to Acting School still took classes or had private coaching, it’s rare to find an actor who hasn’t received any kind of training. And everyone’s needs and wants are different when it comes to acting education, so if you feel pressured to major in acting in college or spend many years in a program just know that you don’t have to do that. Lastly, there is probably more actors who deserve to be in either list but I don’t want to make them very long. **Went to Acting School** * Denzel Washington - American Conservatory Theater * Tom Hanks - Chabot College and California State University * Robert De Niro - HB Studio, Lee Strasberg’s Actors Studio, and Stella Adler Conservatory * Al Pacino - HB Studio and Lee Strasberg’s Actors Studio * Daniel Day Lewis - Bristol Old Vic Theatre School * Marlon Brando - American Theatre Wing Professional School * Cate Blanchett - National Institute of Dramatic Art * Gene Hackman - Pasadena Playhouse * Dustin Hoffman - Pasadena Playhouse * Viola Davis - Rhode Island College and Juilliard School * Alec Guinness - Fay Compton Studio of Dramatic Art and the London Theatre Studio * Michael Caine - Westminster Repertory Company * Greta Garbo - Royal Dramatic Training Academy * Meryl Streep - Vassar College and Yale School of Drama * Philip Hoffman - NYU * Anthony Hopkins - Royal Academy of Dramatic Art * Frances McDormand - Bethany College and Yale School of Drama * Ingrid Bergman - Royal Dramatic Theatre School * Morgan Freeman - Pasadena Playhouse * Paul Newman - Kenyon College, Yale School of Drama, and the Actors Studio * Charles Laughton - Royal Academy of Dramatic Art * Laurence Oliver - Birmingham Repertory Company * Mahershala Ali - NYU’s Graduate Acting Program * Christoph Waltz - Max Reinhardt Seminar * Kevin Spacey - Juilliard School * Helen Hayes - Academy of the Sacred Heart Convent * Jack Lemmon - HB Studio * Jane Fonda - Actors Studio * Jessica Lange - HB Studio * Maggie Smith - Oxford Playhouse * Sally Field - Actors Studio **Did not go to Acting School** * Bette Davis * Natalie Portman * Leonardo DiCaprio * Joaquin Phoenix * Heath Ledger * Katharine Hepburn * Tilda Swinton * Toshiro Mifune * Humphrey Bogart * Jack Nicholson * Christian Bale * James Stewart * Brad Pitt * Sean Penn * Russel Crowe * Jean Gabin * Sidney Poitier * Jodie Foster * Renee Zellweger * Anthony Quinn * Hilary Swank * Amy Adams * Julia Roberts * Tommy Lee Jones * Javier Bardem * Johnny Depp
I've made a previous post here about stage names mostly out of the blue, but I'm finally taking real steps to get the ball rolling. As stated before, I am a teen actor looking to get in the business but I'm not sure what steps to make first. I'm not at all trained when it comes to acting, save for lead roles within school productions. The idea of getting acting classes sounds amazing, but much of the classes in my area are pretty expensive. Is there a way to make do without them? Are there good alternatives you know of?
I have such an idea, and I'm ready to do everything else: video editing, posting, sounds, preview picture etc. The only thing you should do is voicing sone interesting posts/answers. What do you think?
So I want to hire person to do the voice for youtube video. Video is about movie analysis. It's around 1000 word. I can pay 10 USD/Hour and as I researched it's around 2-3 hour work to do 1000 word speech voice over. If anyone interested please contact me.
My husband and I want to become actors. Well actor and actress. We are majoring in criminal Justice. What do we need to do to be able to get to the right school for acting here in Texas. Don’t know the first thing to do. Any suggestions would help us out a lot. Have no idea what to do I feel so lost.